A Leaf from a Gutenberg Bible Illuminated in England
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Lost Incunable Editions: Closing in on an Estimate
chapter 3 Lost Incunable Editions: Closing in on an Estimate Jonathan Green and Frank McIntyre Imagine, if you will, that you are a lepidopterist stationed in the butterfly-rich environment of a tropical Malaysian island. You hope to determine the number of butterfly species that live on the island, and so you resolve to survey an acre- sized patch of it for a month and record the number of individuals of each spe- cies that you find. At the end of the month, you find that a few species of butterfly are represented by a large number of specimens, while many species are repre- sented by only one or a few specimens. These results lead you to suspect that there remain many species of butterfly on the island that your survey has missed, but how many? And how many more species can you expect to discover with additional months of observation? As your opportunity to spend additional months on a tropical island depends on your presenting a convincing argument to your funding agency, these questions are of some urgency for you. This is a brief statement of what is known as the unseen species problem, which has been an area of intense study both within and well outside of the field of ecology for several decades. The example above concerning Malaysian butterflies is drawn from a pathbreaking article published in 1943 by Ronald Fisher, one of the founders of modern biology and statistics, who proposed statistical methods for estimating the number of unseen butterfly species.1 Since then, the development and implementation of these methods has con- tinued, so that several current statistical software packages can provide both an estimate of the number of missing species and determine the confidence interval of that estimation, that is, the range within which one is reasonably certain the actual number lies.2 In an ideal situation, the number of observed butterfly species will rise with each additional month of observation, but the estimate of total species will change only modestly as the confidence interval 1 R.A. -
Reformation 2017 Johannes Gutenberg Handout
FACES OF THE REFORMATION Gutenberg’s invention helped Johannes Gutenberg spread the ideas of the Reformation Born: 1395? | Mainz, Germany to the masses Died: 1468 | Mainz, Germany Could Johannes Gutenberg have known when he first conceived the idea of moveable type that it would contribute to the spread of the Reformation and the Renaissance and lead to the education of all levels of society? One might question his presence in the “Faces of the Reformation” series. But considering that his presses printed not only Luther’s 95 Theses but also the papal indulgences that sparked Luther’s polemic pen, it seems fitting that he should be included. Gutenberg was born about 1395 as the son of a metalsmith, and he became acquainted with the printing business at a very young age. His invention of the moveable type press made the mass production of books a reality that would change the world. By 1450, his new invention was operating. As with most new ideas of this scale, the road was not smooth. In 1446, Johann Fust, Gutenburg’s financial backer, won a lawsuit against him regarding repayment of the funds. Gutenberg’s employee and son-in-law, Peter SchÖffer, testified against him. Before this lawsuit was finalized, Gutenberg had printed a Latin Bible that contained 42 lines of Scripture per page. This “42-line Bible” is known as the Gutenberg Bible. The press for the Bible, Gutenberg’s masterpiece, along with a second book containing only Psalms, was lost to Fust in the court case. The Psalter was published after the court case with no mention of Gutenberg; only Fust’s and SchÖffer’s names appear as the printers. -
Locating Boccaccio in 2013
Locating Boccaccio in 2013 Locating Boccaccio in 2013 11 July to 20 December 2013 Mon 12.00 – 5.00 Tue – Sat 10.00 – 5.00 Sun 12.00 – 5.00 The John Rylands Library The University of Manchester 150 Deansgate, Manchester, M3 3EH Designed by Epigram 0161 237 9660 1 2 Contents Locating Boccaccio in 2013 2 The Life of Giovanni Boccaccio (1313-1375) 3 Tales through Time 4 Boccaccio and Women 6 Boccaccio as Mediator 8 Transmissions and Transformations 10 Innovations in Print 12 Censorship and Erotica 14 Aesthetics of the Historic Book 16 Boccaccio in Manchester 18 Boccaccio and the Artists’ Book 20 Further Reading and Resources 28 Acknowledgements 29 1 Locating Boccaccio Te Life of Giovanni in 2013 Boccaccio (1313-1375) 2013 is the 700th anniversary of Boccaccio’s twenty-first century? His status as one of the Giovanni Boccaccio was born in 1313, either Author portrait, birth, and this occasion offers us the tre corone (three crowns) of Italian medieval in Florence or nearby Certaldo, the son of Decameron (Venice: 1546), opportunity not only to commemorate this literature, alongside Dante and Petrarch is a merchant who worked for the famous fol. *3v great author and his works, but also to reflect unchallenged, yet he is often perceived as Bardi company. In 1327 the young Boccaccio upon his legacy and meanings today. The the lesser figure of the three. Rather than moved to Naples to join his father who exhibition forms part of a series of events simply defining Boccaccio in automatic was posted there. As a trainee merchant around the world celebrating Boccaccio in relation to the other great men in his life, Boccaccio learnt the basic skills of arithmetic 2013 and is accompanied by an international then, we seek to re-present him as a central and accounting before commencing training conference held at the historic Manchester figure in the classical revival, and innovator as a canon lawyer. -
(1604) In/As Print
Early Theatre 20.1 (2017), 43–76 http://dx.doi.org/10.12745/et.20.1.2830 Heather C. Easterling Reading the Royal Entry (1604) in/as Print King James I’s March 1604 entry into London, many recognize, departs from previ- ous royal entry pageants through its use of triumphal arches, employment of profes- sional dramatists, and emphasis on dialogue. But the 1604 entry also was notable for its essential print identity. Print records of royal entries were common by the time of Elizabeth’s accession, and the 1559 text commemorated the event mainly for the queen and court, listing no author. By contrast, James’s entry, staged and performed over one day, generated four different printed texts, each with a declared author or authors. This article considers how all four entry texts together produce a highly contested portrait of ideas about print, authorship, and authority at the outset of the Jacobean period. Oxford’s monumental Thomas Middleton: The Complete Works, dense not only with plays but also with lord mayor’s shows and essays on the spectacles they scripted, offers vivid evidence of new interest in early modern pageantry. Schol- arly reassessments of long neglected public pageantry have newly considered the significance, in their own time and in ours, of such performances, including royal entries.1 As Richard Dutton has argued: To ignore the civic pageants of the Tudor and Stuart period is to ignore the one form of drama which we know must have been familiar to all the citizens of London, and thus an important key to our understanding of those times and of the place of dramatic spectacle in early modern negotiations of national, civic, and personal identity.2 Dutton signals a critical investment that Tracey Hill further enunciates, arguing that we must assess early modern lord mayor’s shows precisely for their public and complexly collaborative nature as spectacles. -
Selection of Items Presented at the 2018 Pasadena Antiquarian Book Fair (Full Descriptions Available on Request)
Selection of items presented at the 2018 Pasadena Antiquarian Book Fair (Full descriptions available on request) 1- The transit of Venus recorded by 18th century Mexico´s most significant scientist, one of three known copies of this rare engraving Alzate y Ramirez, Jose Antonio; Bartolache, Jose Ignacio. Suplemento a la famosa observacion del transito de Venus por el disco del Sol. 1769. Mexico. Jose Mariano Navarro. 24,000 $ First edition of Mexico´s most significant scientific contributions to astronomy in the 18th century, the study of transit of Venus across the Sun of 1769 made by Alzate and Bartolache in Mexico City; the astronomical phenomena would be also recorded in Tahiti by Cook, Russia, the United States (the results published in the American Philosophical Society), and other parts of Mexico by Chappe d´Auteroche. 2- Herrera’s copy of the first edition of Argensola; extensively annotated throughout A milestone in the history of Spanish exploration Argensola, Bartolomé Leonardo de. Conquista de las Islas Malucas. 1609. Madrid. Alonso Martin. Eighteenth-century stiff parchment; ex-libris of José Nicolás de Azara (1730–1804). 145,000 $ First edition; an exceptional and unique copy of the celebrated account of the European discoveries in the Pacific, previously unknown, extensively annotated and critiqued –the annotations to-date unpublished- by Spain’s foremost historiographer of the East and West Indies and opponent of Argensola, Antonio de Herrera y Tordesillas. THIS EXTRAORDINARY COPY OF ARGENSOLA’S CONQUISTA DE LAS ISLAS MOLUCCAS ANNOTATED THROUGHOUT BY ANTONIO DE HERRERA IS REVEALING OF THE DEBATES WHICH OCCURRED CONTEMPORARY TO THE INITIAL YEARS OF EUROPEAN EXPLORATION AND CONQUEST IN THE WESTERN PACIFIC. -
Global Print and Publishing Service Solutions for International Publishers
GLOBAL PRINT AND PUBLISHING SERVICE SOLUTIONS FOR INTERNATIONAL PUBLISHERS If you ship inventory to a common distribution facility in the United States, it’s time you considered partnering with a U.S. printer that can place your publications in the hands of your readers quickly and economically. The companies of CJK Group, Inc. offer a complete range of services including web, sheetfed, inkjet, and toner printing (all the way down to a single copy), as well as warehousing and fulfillment. CJK Group, Inc., headquartered in Brainerd, MN, is a national portfolio of print and publishing-related BANG PRINTING services, and technologies serving book, magazine, catalog, and journal publishers. All CJK Group companies operate independently, while sharing best practices HESS PRINT SOLUTIONS and core values across the organization. CJK Group is comprised of six companies with 11 production locations across the United States. Those companies are: Bang SENTINEL PRINTING COMPANY Printing, Hess Print Solutions, Sentinel Printing Company, Sheridan, Sinclair Printing Company, and Webcrafters, Inc. SHERIDAN When you partner with a CJK Group Company, you will find that our experienced employees are not only committed to delivering a high quality product on time, they ensure SINCLAIR PRINTING COMPANY that you understand the processes too – including the terminology used in the United States – so the product you receive matches your expectations. WEBCRAFTERS, INC Here is a handy guide to understanding printing terms, trim sizes, and text weights in the U.S. -
FOLIOS DE UN INCUNABLE DESCONOCIDO Y SU IDENTIFICACIÓN CON EL ANÓNIMO VOCABULARIO EN ROMANCE Y EN LATÍN DEL ESCORIAL (F.II.10) H
FOLIOS DE UN INCUNABLE DESCONOCIDO Y SU IDENTIFICACIÓN CON EL ANÓNIMO VOCABULARIO EN ROMANCE Y EN LATÍN DEL ESCORIAL (F.II.10) h Cinthia María Hamlin Juan Héctor Fuentes SECRIT—CONICET/Universidad de Buenos Aires El volumen del primer tomo del Universal Vocabulario en latín y en romance (UV) de Alfonso Fernández de Palencia (1490) que se encuentra en Fires- tone Library, Princeton University (EXI Oversize 2530.693q), cuenta con dos hojas impresas insertas al principio y al fi nal que no pertenecen al ejemplar.1 Ambas presentan la misma tipografía gótica: Ungut & Polonus (Sevilla), Type 3:95G, datada entre 1491 y 1493.2 La primera, ubicada en el lugar del folio 1, transmite en su verso —el recto está en blanco— un Agradecemos al Prof. Charles Faulhaber, quien tuvo la generosidad de leer diversas versiones de este trabajo, corregirlo y hacer observaciones muy valiosas. Asimismo, agradecemos al Prof. Ottavio di Camillo por su lectura, siempre atenta e iluminadora, y a la Dra. Mercedes Rodríguez Temperley, por sus observaciones y la bibliografía fa- cilitada. Una mención especial merece la generosidad del curador de Rare Books en la Princeton University Library, el Dr. Eric White, quien mencionó el caso de estos folios y los ofreció para analizar. Agradecemos también al Dr. White el haber puesto a nues- tra disposición las descripciones materiales del tomo y los folios, los datos sobre su pro- cedencia, así como sus avances sobra la identifi cación de la tipografía. Es de agradecer también la cordialidad con la que el P. José Luis del Valle Merino recibió a Cinthia Hamlin en la Biblioteca del Escorial, así como las copias digitales del manuscrito que nos ha facilitado tan generosamente. -
Quarto Publishing Group USA and Arcadia Publishing Announce a US Distribution Agreement
Quarto Publishing Group USA and Arcadia Publishing announce a US distribution agreement Beverly, MA—Quarto Publishing Group USA, part of The Quarto Group, the leading global illustrated book publisher, and Arcadia Publishing, the largest US publisher of local and regional books, are pleased to announce a US distribution agreement for select Quarto imprints. Arcadia Publishing will be distributing Quarto’s Voyageur Press and Cool Springs Press titles into specialty garden, home improvement and hardware accounts. “I’ve long admired Arcadia’s reach into local markets across the US. Arcadia Publishing has been the shining example of successful distribution into specialty markets. With thousands of active accounts, there is no town too small or too far that their team doesn’t reach,” explained Tara Catogge, VP Sales Director at Quarto Publishing Group USA. “We see a lot of growth opportunity by combining Arcadia’s exceptional field sales force and focused market strategy with Quarto’s expansive regional title list and bestselling garden and branded home- improvement titles.” “As part of our rapid expansion into specialty markets we were looking for a partner to help us reach those small and often remote retailers that are the core market for our garden and home- improvement lists,” said Ken Fund, President and CEO of Quarto Publishing Group, “and we found it in Arcadia. Their publishing and sales team is uniquely skilled at reaching and serving the needs of small business owners in micro markets. Their business model is about immediacy and the art of hand-selling which they do exceptionally well.” Richard Joseph, owner and CEO of Arcadia Publishing, commented, “Arcadia is committed to increasing the availability, depth and breadth of local books, and this distribution partnership with Quarto Publishing Group is a perfect fit with our publishing program. -
Cataloguing Incunabula
Cataloguing Incunabula Introduction Incunabula or incunables are Western books printed before 1501, in the first half- century of the history of printing with movable type. They have been an area of special interest to scholars and collectors since at least the late eighteenth century, and a considerable literature has been produced over the last two hundred years discussing, listing and describing them. Dating from a period when the majority of books were written by hand, incunabula have as much in common in terms of design and content with medieval manuscripts as with later printed books. In particular, they often lack those conventions of presentation on which library cataloguers tend to rely: title pages, imprints, and numbered pages. This makes cataloguing rules largely designed for post-1500 printed books difficult to apply, and scholarly catalogues of incunabula generally follow their own descriptive conventions, using normalised forms of titles and imprints, and relying greatly on reference to pre-existing bibliographic descriptions. Unless your library is planning a dedicated catalogue of incunabula, you will be cataloguing your fifteenth-century holdings on the same system as your more recent books. Some degree of compromise between scholarly standards for incunabula and those for post-1500 printed books will therefore be necessary. A useful exercise before beginning might be to look at what information is already available about your incunabula and to ask yourself what gaps you can fill with your catalogue. In all but a very few cases there is little point in making detailed bibliographic descriptions which duplicate information already available elsewhere. Information about the specific copies in your library may however be lacking, and scholarly interest in material evidence relating to a book's early owners and how they used their books has greatly increased in recent years. -
Two Unrecorded Incunables: Rouen, Circa 1497, and Lyons, Circa 1500
TWO UNRECORDED INCUNABLES: ROUEN, CIRCA 1497, AND LYONS, CIRCA 1500 DAVID J.SHAW FOR a number of years, I have been re-examining the British Library's books printed in France between 1501 and 1520 for a typographical catalogue of the Library's French post-incunables. This catalogue is a revision of the unpublished manuscript of Col. Frank Isaac's Index to the British [Museum] Library's books printed in France between 1501 and 1520 which remained incomplete at his death in 1943. The Indexes of books printed between 1501 and 1520 were started by Robert Proctor, who pubUshed the volume for Germany in 1903 as an outgrowth from his incunable catalogue, and were continued by Isaac for Italy (published in 1938)^ and for France (unpublished).^ As with the incunable catalogues, these Indexes are arranged according to Proctor's methodology - by place of printing, then by printer, and for each printer the books are hsted in chronological order. The main function of the work is to attribute unsigned books to their printer when possible and to order the production of each workshop chronologically, assigning dates where necessary. As with the incunable catalogues, a large part of this task involves the identification and classification of each printer's typographical material. I have tried to extend this aspect of the work, so that the finished catalogue should present important new evidence on the supply of type in France in the early sixteenth century and on its use in the printing-houses of the time. The undated books pose problems at both ends of the chronological span. -
A Thousand Years of the Bible 19
A THOUSAND YEARS OF THE BIBLE 19. Petrus Comestor, Bible Historíale, translated by Guiart des Moulins. Paris, circa 1375. Ms. 1, vol. 2, fol. 86v: Jeremiah Before Jerusalem in Flames. A THOUSAND YEARS OF THE BIBLE AN EXHIBITION OF MANUSCRIPTS FROM THE J. PAUL GETTY MUSEUM MALIBU AND PRINTED BOOKS FROM THE DEPARTMENT OF SPECIAL COLLECTIONS UNIVERSITY RESEARCH LIBRARY, UCLA Malibu Los Angeles The J. Paul Getty Museum University of California 1991 Cover illustration: 12. Gospel Book, Helmarshausen Abbey, Germany, circa 1120-1140. Ms. Ludwig II 3, fol. 51v: Saint Mark Writing his Gospel © January 1991 by The J. Paul Getty Museum and The Regents of the University of California ISBN 0-89236-193-X TABLE OF CONTENTS FOREWORD by John Walsh and Gloria Werner vii BIBLE COLLECTIONS IN LOS ANGELES by John Bidwell 1 THE J. PAUL GETTY MUSEUM: MEDIEVAL AND RENAISSANCE MANUSCRIPTS by Ranee Katzenstein INTRODUCTION TO THE EXHIBITION 15 CHECKLIST 35 ILLUSTRATIONS 41 THE DEPARTMENT OF SPECIAL COLLECTIONS, UNIVERSITY RESEARCH LIBRARY, UCLA: THE PRINTED WORD by David S. Zeidberg and James Davis INTRODUCTION TO THE EXHIBITION 61 CHECKLIST 77 ILLUSTRATIONS 87 This page intentionally left blank FOREWORD In the years since Henry Huntington acquired his Guten berg Bible, southern California has become a center for study ing the arts of the book. Each of the region's libraries, universities, and museums can boast individual treasures, but when these resources are taken together, the results are remarkable. The extent to which the collections of the J. Paul Getty Museum and UCLÄs research libraries complement each other can be judged in^l Thousand Years of the Bible. -
Antiquarian and MODERN BOOKS Blackwell’S Rare Books 48-51 Broad Street, Oxford, OX1 3BQ
Blackwell’S rare books Antiquarian AND MODERN BOOKS Blackwell’s Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell’s bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell’s online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale).