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Resituating Culture
Resituating culture edited by Gavan Titley Directorate of Youth and Sport Council of Europe Publishing This publication is an edited collection of articles from the resituating culture seminar organised in the framework of the partnership agreement on youth research between the Directorate of Youth and Sport of the Council of Europe and the Directorate-General for Education and Culture, Directorate D, Unit 1, Youth, of the European Commission. The opinions expressed in this work are those of the authors and do not neces- sarily reflect the official position of the Council of Europe. All correspondence relating to this publication or the reproduction or translation of all or part of the document should be addressed to: Directorate of Youth and Sport European Youth Centre Council of Europe 30, rue Pierre de Coubertin F-67075 Strasbourg Cedex Tel: +33 (0) 3 88 41 23 00 Fax: +33 (0) 3 88 41 27 77 e-mail: [email protected] http://www.coe.int/youth All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic (CD-Rom, Internet, etc.) or mechanical, including photocopying, recording or any information storage or retrieval system, without the prior permission in writing from the Publishing Division, Communication and Research Directorate. Cover: Graphic Design Publicis Koufra Council of Europe F-67075 Strasbourg Cedex ISBN 92-871-5396-5 © Council of Europe, April 2004 Reprinted May 2005 Printed at the Council of Europe Contents Pags List of contributors ........................................................................................... 5 Resituating culture: an introduction Gavan Titley ...................................................................................................... 9 Part l. Connexity and self 1. -
Most Added *Sic...Dia
AIRPLAY RADIO FRANCE LE MOUT/Toulouse B CHR KULA SHAKER ©BPI Communications Inc. Gilles Seydom Head Of Prom -roaming SHOWER YOUR LOVE A List Addition: Connie Williams- Saturday Columbia Freres Lumieres. Etre NO Qualm. Part Producers: Bob Ezrin & Crispian Mills Most added *sic Fatboy Right Bore Right Now ...dia Alliance Ethnik- 5 lieures Du Mat Publisher: Hoodoo/Hit & Run Mex Gopher- The Child week 16/99 Stephan Eicher- Vanes Danner Cloud Number Nine ITALY Ilit airborne Bryan Adams - (A&M) 10 ITALIANETWaRK1 With the second single taken from their second album LOS CUARENTA/Bologna P B"witched Blame It On The Weatherman CHR Peasants, Pigs & Astronauts, Kula Shaker reaffirm their (Glow Worm/Epic) 10 Michele Menegon - Prog Dir A List Addition: status as one of The Honeyz Love Of A Lifetime Funky Green Dogs- Body (1st Avenue/Wilcistar/Mercury)10 Eiffel 65- Blu Da Bo Dee) Britain'sleadingrock acts, The track has a Alanis Morisseffe Joining You RADIO 105/MilanP CHR (Maverick) 8 Angelo De ftobertis - Head Of Music strong'70sfeel,but A List Addition: the combination of a Texas In Our Lifetime Jennifer Brown- Alive (Mercury) 7 Bon Jovi- Real Life well -constructed song Dottor Livingstone. Al Centro Del Mondo Bon Jovi Real Life Daniels Silvestri- Amore Mio and matching musi- (Reprise)6 Eiffel 65- Blu (Da Ba Dee) cianship works in the Eagle -Eye Cherry Permanent Tears RADIO DEEJAY NETWORK/Milan P CBS group's favour once (Superstudio/Polydor) 6 Dario Usuelli Dead Of Music again. John Paul Bal- A List Addition: Treat Her Like A Lady Celine Dion Vengaboys. -
11 Donne a Parigi (Sous Les Jupes Des Filles) Di Audrey Dana
11 donne a Parigi (Sous les jupes des filles) di Audrey Dana. Con Isabelle Adjani, Alice Belaïdi, Laetitia Casta, Audrey Dana, Julie Ferrier Francia 2014 Jo (Dana) è a letto con il raffreddore e le mestruazioni ed ha disperato bisogno di sesso. Ysis (Geraldine Nakache), dopo aver accompagnato i quattro figli a scuola, porta di corsa la borsa che il marito (Gouillaume Gouix) ha dimenticato dalla stilista Lili (Adjani), dalla quale lui lavora. Lì ci sono anche Sophie (Audrey Fleurot), una donna sicura di sé ma – scopriremo – con una grande difficoltà a godere e l’occhialuta Ines (Marina Hands), moglie cornutissima – tutti sanno che il marito Jacques (Alex Lutz) ha una relazione con Jo, che è vicina di casa di Sophie, tranne lei – che sta per affrontare un intervento oculistico per correggere la forte miopia. La sorella di Lili, la ginecologa Sam (Sylvie Testud), passa un periodo di forte tensione nervosa, per placarla fa l’amore con robusti giovanotti ma è sempre in allarme; la sorella, a sua volta, teme che lei le dia la pillola alla figlia adolescente (Clara Joly): la figlia che comincia a fare sesso sarebbe per lei un segno del temutissimo arrivo dell’ età matura. Il marito di Ysis ha avuto una piccola storia con Adeline (Belaidi), segretaria-stagista-vittima della manager Rose (Vanessa Paradis), a capo della più importante società francese di sondaggi, la quale durante un intervista-scontro con un funzionario delle assicurazioni (Rodolphe Dana) si accorge di non avere amiche e incarica Adeline di rintracciargliene una. La segretaria, poco dopo, soccorre Fanny (Ferrier) – autista di autobus piena di tic con una piatta routine con il marito (Nicolas Briancon) – che, a seguito di una violenta testata ad un palo, comincia a mostrare segni di un insaziabile appetito sessuale. -
22Nd COLCOA FESTIVAL SPONSORSHIP PROGRAM
APRIL 23–30, 2018 A WEEK OF FILM AND SERIES PREMIERES IN HOLLYWOOD We are proud to introduce the 22nd COLCOA FESTIVAL SPONSORSHIP PROGRAM COLCOA (City Of Light, City Of Angels) is the most comprehensive Festival dedicated to French films and series worldwide. This cultural event, presented by SACEM, the DGA, the WGA West, and the MPA, will celebrate its 22nd edition at the Directors Guild of America’s theaters in Hollywood at the end of April 2018. With five selections (Cinema, Television, Shorts, Web Series, and Virtual Reality), 82 films, including 77 premieres, and with 25,000 people in attendance in 2017, the festival has become a mainstay cultural event in the U.S. COLCOA is a destination for brands to achieve consumer marketing objectives that only a Los Angeles based entertainment platform can offer. In 2018, COLCOA will continue to find new ways to engage with audiences within Los Angeles, nationwide, and around the globe. We look forward to engaging with our partners, new and returning, for COLCOA 2018. Please visit our website at www.colcoa.org, and contact us for more details. Very sincerely, Francois Truffart Anouchka van Riel Festival Director Festival Deputy Director [email protected] [email protected] TABLE 1/ Presentation 3/ 2017 Key Figures 4/ A Steady Growth 6/ Talent at COLCOA 9/ A Unique Educational Program 10/ Recent Media Coverage and Advertisement 11/ Recent Partners 12/ 2018 Sponsorship Opportunities Program 14/ 2018 Digital Sponsorship Opportunities 15/ 2018 Sponsorship Benefits Program COLCOA FRENCH FILM FESTIVAL A WEEK OF FILM AND SERIES PREMIERES IN HOLLYWOOD COLCOA FRENCH FILM FESTIVAL was founded in 1997 by The Franco-American Cultural Fund, a unique collaborative effort of the Directors Guild of America, the Motion Picture Association, the Writers Guild of America West, and France’s Society of Authors Composers and Publishers of Music (SACEM). -
Laetitia Casta, Isabelle Adjani
Präsentiert Im Verleih von ALPENREPUBLIK PRESSEHEFT Kinostart: 03. September 2015 Ein Film von Audrey Dana Mit Vanessa Paradis, Laetitia Casta, Isabelle Adjani 1 VERLEIH Alpenrepublik GmbH Ickstattstraße 12 80469 München Tel: 089 30 90 679 40 Fax: 089 30 90 679 11 [email protected] www.alpenrepublik.eu PRESSEBETREUUNG Panorama Entertainment Amélie Linder / Petra Wagner Ickstattstraße 12 80469 München Tel: +49 89 30 90 679 -33 / -36 Fax: +49 89 30 90 679 11 [email protected] [email protected] www.panorama-entertainment.com VERTRIEB TOBIS FILM GmbH & Co. KG Kurfürstendamm 63 D – 10707 Berlin Tel: +49 30 839007-0 Fax: +49 30 839007-65 [email protected] www.tobis.de Pressematerial, Trailer, Fotos stehen unter www.filmpresskit.de zum Download bereit Technische Daten Land: Frankreich 2014 Originaltitel: Sous les jupes des filles Filmlänge, Material: 116 Minuten, Digital Format: HD 5.1. Ton: Dolby Digital 2 Besetzung Rose Vanessa Paradis Lili Isabelle Adjani Agathe Laetitia Casta Sam Sylvie Testud Adeline Alice Belaïdi Jo Audrey Dana Fanny Julie Ferrier Sophie Audrey Fleurot Inès Marina Hands Ysis Géraldine Nakache Marie Alice Taglioni Stab Regie Audrey Dana Buch Audrey Dana Murielle Magellan Raphaëlle Desplechin Dialoge Audrey Dana Murielle Magellan Kamera Giovanni Fiore Coltellacci Schnitt Julien Leloup Hervé Deluze Ton Nicolas Provost Emmanuel Croset Ausstattung Bertrand Seitz Kostüme Charlotte Betaillole Casting Anne Barbier Musik Imany Produktionsleitung Samuel Amar Produzenten Olivier Delbosc Marc Missonnier Ausführende Produzentin Christine de Jekel Co-Produktion Wild Bunch M6 Films 3 Kurzinhalt Im frühlingshaften Paris kreuzen sich die turbulenten Wege von elf Frauen, die unterschiedlicher nicht sein könnten. -
Carmen Kassovitz Se Forme Auprès De Julie Mauduech Avant De Faire Ses Cléo Débuts, En 2019, Dans Un Court-Métrage, Une Série Et Un Long-Métrage
synopsis Cléo, féministe convaincue, travaille dans une boite de catering pour payer ses études. Engagée sur un shooting de mode par l’équipe d’Alice Klein, photographe mondialement connue, Cléo se voit contrainte, sous peine de perdre son job, de remplacer au pied levé la Mannequin qui ne convient pas. les réalisatrices Sonia Sieff Mary Noelle Dana Sonia Sieff est photographe et réalisatrice. Sa vocation est née Journaliste, scénariste, copywriter et parolière franco-américaine, à l’âge de 17 ans, par le voyage. Elle a ensuite abordé le métier Mary Noelle Dana prête sa plume et réalise des contenus sur les plateaux de cinéma avec des chefs opérateurs de renom, audiovisuels, depuis plusieurs années, pour des marques et des avant de s’orienter vers la mode. agences publicitaires. Elle intervient sur de nombreux projets de fiction en tant que scénariste ou consultante. Son style est marqué par une maîtrise et un amour de la lumière, ainsi qu’une obsession de la personnalité et du corps qu’elle Elle a contribué à l’anthologie du street art From Style Writing to exprime à travers le nu et le portrait. Art, de Magda Danysz (2010), à l’anthologie Sport et Cinéma, de Julien et Gérard Camy (section Danse, 2016). De 2009 à 2018, Ces dernières années, tout en collaborant à de nombreux on a pu écouter ses interviews et ses chroniques au micro de magazines français et internationaux, elle se consacre aussi à ses Radio Lumière (Festival Lumière de Lyon), puis de Radio Festival projets personnels et expositions. (Festival de Cannes). Son premier livre Les Françaises est paru en 2017 aux éditions En 2018, elle fonde l’association Cinégraphies et propose, en Rizzoli, ouvrage dont les clichés ont été exposés à Paris, Marseille, 2019 à Arles, une première série de tables rondes, ateliers et Bruxelles et Munich. -
Mapping Second Generation Cape Verdean Youth Identity in the Greater Boston Area
“WE EAT CACHUPA, NOT CLAM CHOWDER:” MAPPING SECOND GENERATION CAPE VERDEAN YOUTH IDENTITY IN THE GREATER BOSTON AREA A dissertation presented by Paul Khalil Saucier Submitted to The Department of Sociology and Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of Sociology Northeastern University Boston, Massachusetts September, 2008 1 “WE EAT CACHUPA, NOT CLAM CHOWDER:” MAPPING SECOND GENERATION CAPE VERDEAN YOUTH IDENTITY IN THE GREATER BOSTON AREA by Paul Khalil Saucier ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate School Arts and Sciences of Northeastern University, September 2008 2 ABSTRACT On the basis of fieldwork conducted in the Greater Boston area from May 2007 to May 2008, this dissertation explores the ways in which second-generation Cape Verdean youth in the Greater Boston area negotiate their identity as Cape Verdean and, by extension, as black through multiple articulations of diaspora. Using the ethnographic method this dissertation attempts to understand processes of racialization of “blackness.” My objective is to examine how racialization works to create black identities and to challenge the assumptions that black people do not actively participate in the discourses and practices of racial identity formation. I argue that Cape Verdean youth identities are constructed out of a process of negotiation and contestation, but the negotiation and contestation is stunted by the racial logic of the U.S.; a logic that configures blacks one- dimensionally. In doing so, I examine how North American ascriptions of blackness and forms of black popular culture inform processes of identity formation and negotiation among Cape Verdean youth. -
(BAT) Textmusik in Der Romania
BULLETIN des Archivs für Textmusikforschung (BAT) Textmusik in der Romania Universitat lnnsbruck lmpressum Verantwortlich fúrdie Publikation Prof. Dr. Ursula Mathis-Moser - Dr. Andrea Oberhuber Redaktion Andrea Oberhuber Anscbrift Institut fiirRomanistik der Universitat Innsbruck Innrain 52 A-6020 Innsbruck Tel.: 0043-512-507-4208 bzw.-4215 Fax: 0043-5 12-507-2883 e-mail: [email protected] e-mail: [email protected] Auflage 500 Stück 1 Bankverbindung Hypo-Bank Innsbruck, Ktnr. 2101 1014860, BLZ 57000 Nr. 3/4- Mai 1999 3 Editorial Liebe Freunde der Textmusik! Was vor einem Jahr als bescheidenes Pflanzchen begann, ist inzwischen Coup de chmur! gewachsen: Bei RedaktionsschluB lagen so viele Beitrage vor, daB wir uns entschlossen haben, unter dem Schwerpunkt Québec eine Doppelnummer BA T 3/4 herauszubringen. BA T 5 soll zu Beginn des Jahres 2000 erscheinen Le miniscere des Relacions internacionales und wird nach Frankreich, ltalien und Québec der hispanophonen Welt ge widmet sein. du Québec ese fier de s'associer au Wenn das frankophone Chanson heute Tag fúr Tag in starkere Konkur� renz zum franzosischen tritt, so steht auBer Zweifel, daB Québec eine Son Centre de la chanson québécoise derstellung einnimmt. Nicht erst die Idee und institutionelle Realisierung der Frankophonie, auch nicht der Vormarsch der ethnischen Musik und der World de l'Université d'Innsbruck Music haben Québec auf europaische Plattenteller gezaubert, nein, schon in den 50er Jahren lauschte das Publikum der Rive gauche gespannt der Poesie daos la promocion et des Quebecker Auteur-Compositeur-Interprete Félix Leclerc, dem mit Raymond Lévesque bald ein zweiter folgte. Die Zeit der boites a chansons im Montréal la diffusion de der spaten 50er und frühen 60er Jahre schlagt eine weitere Brücke nach Europa: Wahrend man das Phanomen der Caves von Saint-Germain imitiert la chanson und immer wieder groBe franzosische Namen in Montréal zu horen sind, ge langt das Quebecker Chanson selbst zu einer ersten groBen Blüte: Gilles Vigneaults Karriere etwa reicht zurück bis in diese Zeit. -
Karaoke Catalog Updated On: 25/10/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 25/10/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Before He Cheats - Carrie Underwood Wannabe - Spice Girls Sweet Caroline - Neil Diamond Zombie - The Cranberries I Will Survive - Gloria Gaynor Don't Stop Believing - Journey Dancing Queen - ABBA Sweet Child O'Mine - Guns N' Roses Perfect - Ed Sheeran Piano Man - Billy Joel Amarillo By Morning - George Strait Bohemian Rhapsody - Queen Africa - Toto Always On My Mind - Willie Nelson Uptown Funk - Bruno Mars Black Velvet - Alannah Myles Me And Bobby McGee - Janis Joplin Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Santeria - Sublime Take Me Home, Country Roads - John Denver Killing Me Softly - The Fugees Someone Like You - Adele Folsom Prison Blues - Johnny Cash Valerie - Amy Winehouse Livin' On A Prayer - Bon Jovi Can't Help Falling In Love - Elvis Presley Wagon Wheel - Darius Rucker New York, New York - Frank Sinatra Girl Crush - Little Big Town House Of The Rising Sun - The Animals What A Wonderful World - Louis Armstrong Summer Nights - Grease Jackson - Johnny Cash Jolene - Dolly Parton Crazy - Patsy Cline Let It Go - Idina Menzel (Sittin' On) The Dock Of The Bay - Otis Redding My Girl - The Temptations All Of Me - John Legend I Wanna Dance With Somebody - Whitney Houston Ring Of Fire - Johnny Cash Turn The Page - Bob Seger Neon Moon - Brooks & Dunn My Way - Frank Sinatra These Boots Are Made For Walkin' - Nancy Sinatra Strawberry Wine - Deana Carter I Want It That Way - Backstreet -
Pop Article Url
Pop article url: http://www.oxfordmusiconline.com:80/subscriber/article/grove/music/46845 A term applied to a particular group of popular music styles. Originating mostly in the USA and Britain, from the 1950s on, these styles have subsequently spread to most parts of the world. In Western countries, and in many others too, they became the predominant popular music styles of the second half of the 20th century. Closely connected with the development of new media and music technologies, and with the growth of large-scale recording and broadcasting industries, mostly based in the West, pop music has generally been associated with young people. However, audiences have tended to broaden in the later part of the period. At the same time, new centres of production have emerged, including Japan, Africa and Australasia. By this time, in many parts of the world, pop music styles, derivatives and hybrids, could be regarded as the vernacular lingua franca. I. Introduction The term pop music originated in Britain in the mid-1950s as a description for ROCK AND ROLL and the new youth music styles that it influenced, and seems to have been a spin-off from the terms pop art and pop culture, coined slightly earlier, and referring to a whole range of new, often American, media-culture products. The etymology is less important than the sense, widespread at the time on both sides of the Atlantic, that in both musical styles and cultural patterns a decisive break was taking place. Indeed, in the early 1960s ‘pop music’ competed terminologically with BEAT MUSIC, while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll’. -
Open My Dissertation.Pdf
The Pennsylvania State University The Graduate School College of the Liberal Arts FROM TRICKSTER TO BADMAN TO “GANGSTA”: GLOBALIZING THE BADMAN MYTHOFORM IN HIP-HOP MUSIC A Dissertation in Comparative Literature by Mich Yonah Nyawalo © 2012 Mich Yonah Nyawalo Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2012 The dissertation of Mich Nyawalo was reviewed and approved* by the following: Thomas A. Hale Edwin Erle Sparks Professor of African, French, and Comparative Literature Dissertation Adviser Chair of Committee Sophia A. McClennen Professor of Comparative Literature, Spanish and Women’s Studies Jonathan P. Eburne Associate Professor of Comparative Literature and English Jennifer Boittin Associate Professor of French, Francophone Studies, and History Gabeba Baderoon Associate Professor of Women’s Studies and African Studies Aaron L. Rosenberg Research Professor Centro de Estudios de Asia y África El Colegio de México Special Member Caroline D. Eckhardt Professor of Comparative Literature and English Head of the Department of Comparative Literature *Signatures are on file in the Graduate School. ii Abstract While a vast amount of hip-hop scholarship has focused on the proliferation of rap music within contemporary national contexts, little research has been conducted on the ways in which rappers have capitalized transnationally on each other’s national histories and folklore in their music. As a counterpoint to this dominating presentism in current hip-hop scholarship, my project analyzes how the mythological figures of the trickster and the badman, key characters in numerous African-American traditional narratives, have dramatically influenced the modes through which authenticity and notions of communal agency have shaped hip-hop in the United States, France, and Kenya. -
VINCENT LINDON FIRAT AYVERDI AUDREY DANA in Einem Film Von PHILIPPE LIORET Bilal Ist in Calais Gestrandet
WELWELCOMECOME VINCENT LINDON FIRAT AYVERDI AUDREY DANA in einem Film von PHILIPPE LIORET Bilal ist in Calais gestrandet. 34 Kilometer liegen zwischen SYNOPSIS ihm und der nächstgelegenen englischen Stadt. Doch dass der Ärmelkanal, mit 500 Schiffen am Tag eine der meistbe- fahrenen Schifffahrtsstraßen der Welt, auch ohne Kapitäns- patent zu überwinden ist, haben kühne Kanalschwimmer m seine Frau zu beeindrucken und seit dem Jahre 1875 immer wieder bewiesen. zurückzuerobern, nimmt Simon, U Wird dies auch Bilal gelingen? Kurzentschlossen sucht der Schwimmlehrer in Calais, das Risiko auf Junge das örtliche Hallenbad auf, um das Schwimmen zu trainieren. Hier lernt er den Schwimlehrer Simon kennen, sich, heimlich einem jungen kurdischen einen ehemaligen Topschwimmer, der jetzt vom Unter- richten lebt. Simon lebt gerade in Scheidung, liebt seine Flüchtling zu helfen, der den Ärmelkanal Frau Marion aber immer noch und würde sie gerne zurück- durchschwimmen will. gewinnen. Er freundet sich mit Bilal an, der ihm schließlich von seinen Absichten berichtet: Heimlich unterrichtet er den jungen Kurden im Kraulen. Seit über drei Monaten ist der kurdische Teenager Bilal schon auf der Flucht. Zu Fuß schaffte es der 17-jährige Kur- Neben dem Schwimmsport steht das Leben illegaler Emi- de auf abenteurlichen Wegen vom Irak durch ganz Europa granten in Frankreich im Mittelpunkt des Films. Für viele bis an den Ärmelkanal. Er hat sein Land verlassen, nach- ist dies eine fremde Welt. »Und dennoch so nah. Da ist es dem seine Freundin Mîna kurz zuvor nach England emi- gut, im Kino das Land, in dem man lebt, unter einem griert ist, um sie wiederzusehen und um in England eine Aspekt zu entdecken, von dem man keine Ahnung hat«, so Fußballkarriere zu starten.