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Resituating Culture
Resituating culture edited by Gavan Titley Directorate of Youth and Sport Council of Europe Publishing This publication is an edited collection of articles from the resituating culture seminar organised in the framework of the partnership agreement on youth research between the Directorate of Youth and Sport of the Council of Europe and the Directorate-General for Education and Culture, Directorate D, Unit 1, Youth, of the European Commission. The opinions expressed in this work are those of the authors and do not neces- sarily reflect the official position of the Council of Europe. All correspondence relating to this publication or the reproduction or translation of all or part of the document should be addressed to: Directorate of Youth and Sport European Youth Centre Council of Europe 30, rue Pierre de Coubertin F-67075 Strasbourg Cedex Tel: +33 (0) 3 88 41 23 00 Fax: +33 (0) 3 88 41 27 77 e-mail: [email protected] http://www.coe.int/youth All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic (CD-Rom, Internet, etc.) or mechanical, including photocopying, recording or any information storage or retrieval system, without the prior permission in writing from the Publishing Division, Communication and Research Directorate. Cover: Graphic Design Publicis Koufra Council of Europe F-67075 Strasbourg Cedex ISBN 92-871-5396-5 © Council of Europe, April 2004 Reprinted May 2005 Printed at the Council of Europe Contents Pags List of contributors ........................................................................................... 5 Resituating culture: an introduction Gavan Titley ...................................................................................................... 9 Part l. Connexity and self 1. -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Cloud Number 9 4 WALL - 32 COUNTS - IMPROVER
STEPPIN’OFF THEPage www.linedancermagazine.com Approved by: Cloud Number 9 4 WALL - 32 COUNTS - IMPROVER CALLING TEPS CTUAL OOTWORK DIRECTION S A F SUGGESTION Section 1 Side Rock, Cross Shuffl, Weave Right 1 – 2 Rock left to left side. Recover onto right. Side Rock On the spot 3 & 4 Cross left over right. Step right to right side. Cross left over right. Cross Shuffle Right 5 – 6 Step right to right side. Cross left behind right. Side Behind 7 – 8 Step right to right side. Cross left over right. (12:00) Side Cross Section 2 Rock 1/4 Turn, Shuffle 1/2 Turn, Back, 1/2 Turn, Step 3/4 Turn 1 – 2 Rock right to right side. Recover onto left making 1/4 turn left. Rock Quarter Turning left 3 & 4 Shuffle 1/2 turn left, stepping back - right, left, right. (3:00) Shuffle Half 5 Step left back. Back Back 6 Turn 1/2 right stepping right forward. (9:00) Half Turning right 7 – 8 Step left forward. Turn 3/4 right (weight onto right). (6:00) Step Three-Quarter Restart Wall 10: Restart dance from the beginning (facing 3:00). Section 3 Side, Behind, Chasse, Cross Rock, Shuffle 1/4 Turn 1 – 2 Step left to left side. Cross right behind left. Side Behind Left 3 & 4 Step left to left side. Close right beside left. Step left to left side. Chasse Left 5 – 6 Cross rock right over left. Recover onto left. Cross Rock On the spot 7 & 8 Right shuffle 1/4 turn right, stepping - right, left, right. -
'Cloud Number 9'
‘Cloud Number 9’ Choreographer Dee Musk (UK) 32 Count 4 Wall Improver Cha – One Tag (4 counts) danced twice - One Restart. Music: Cloud Number Nine – Bryan Adams – Album – On A Day Like Today 8 Count Intro – Approx 4 seconds – Begin on the word ‘Clue’ Track approx 3 mins 46 secs BPM 110 Track available from iTunes.co.uk [email protected] Dee – 07814 295470 Side Rock, Cross Shuffle, Weave Right. 1,2 Rock L to L side, recover weight to R. 3&4 Cross L over R, step R to R side, cross L over R. 5-8 Step R to R side, cross L behind R, step R to R side, cross L over R. (12 o’clock). Rock ¼ Turn L, Shuffle ½ Turn L, Step Back, ½ Turn R, Step ¾ Turn R. 1,2 Rock R to R side, make a ¼ turn L (weight forward on L). 3&4 Making a shuffle ½ turn L step back on R, close L beside R, step back on R. 5 Step back on L. 6 Making a ½ turn R step forward on R. 7,8 Step forward on L, make a ¾ turn R (ending with weight on R). (6 o’clock). ** Restart from here during wall 10 – begin again facing 3 o’clock. Side Behind, Chasse L, Cross Rock, Shuffle ¼ Turn R. 1,2 Step L to L side, cross R behind L. 3&4 Step L to L side, close R beside L, step L to L side. 5,6 Cross rock R over L, recover weight to L. 7&8 Step R to R side, close L beside R, make a ¼ turn R stepping forward on R. -
Tzi4- COUNCIL DISTRICT NO. 1.3 APPROVAL for ACCELERATED
-. COUNCIL FILE No.IJ·~tZi4- COUNCIL DISTRICT NO. 1.3 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _~} B. Quitclaim of Easement(s). __ .i' C. Dedication of Easement(s). } D. Release of Restriction(s). -;[} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVALIDISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED'" Council Office of the District Public Works Committee Chairperson "'DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 395 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date ----- scheduled in Council. AFTER COUNCIL ACTION: ~ Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ---1 Other: Send copies of adopted report aRB ORIGINAL RESOLUTION to Land Development Group. Attention: Jeff Moore (Mail Stop 901), and to Survey Division, Attention Jim Lantry (Mail Stop 904) for further processing PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles Honorable Members: C. -
Mapping Second Generation Cape Verdean Youth Identity in the Greater Boston Area
“WE EAT CACHUPA, NOT CLAM CHOWDER:” MAPPING SECOND GENERATION CAPE VERDEAN YOUTH IDENTITY IN THE GREATER BOSTON AREA A dissertation presented by Paul Khalil Saucier Submitted to The Department of Sociology and Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of Sociology Northeastern University Boston, Massachusetts September, 2008 1 “WE EAT CACHUPA, NOT CLAM CHOWDER:” MAPPING SECOND GENERATION CAPE VERDEAN YOUTH IDENTITY IN THE GREATER BOSTON AREA by Paul Khalil Saucier ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate School Arts and Sciences of Northeastern University, September 2008 2 ABSTRACT On the basis of fieldwork conducted in the Greater Boston area from May 2007 to May 2008, this dissertation explores the ways in which second-generation Cape Verdean youth in the Greater Boston area negotiate their identity as Cape Verdean and, by extension, as black through multiple articulations of diaspora. Using the ethnographic method this dissertation attempts to understand processes of racialization of “blackness.” My objective is to examine how racialization works to create black identities and to challenge the assumptions that black people do not actively participate in the discourses and practices of racial identity formation. I argue that Cape Verdean youth identities are constructed out of a process of negotiation and contestation, but the negotiation and contestation is stunted by the racial logic of the U.S.; a logic that configures blacks one- dimensionally. In doing so, I examine how North American ascriptions of blackness and forms of black popular culture inform processes of identity formation and negotiation among Cape Verdean youth. -
(BAT) Textmusik in Der Romania
BULLETIN des Archivs für Textmusikforschung (BAT) Textmusik in der Romania Universitat lnnsbruck lmpressum Verantwortlich fúrdie Publikation Prof. Dr. Ursula Mathis-Moser - Dr. Andrea Oberhuber Redaktion Andrea Oberhuber Anscbrift Institut fiirRomanistik der Universitat Innsbruck Innrain 52 A-6020 Innsbruck Tel.: 0043-512-507-4208 bzw.-4215 Fax: 0043-5 12-507-2883 e-mail: [email protected] e-mail: [email protected] Auflage 500 Stück 1 Bankverbindung Hypo-Bank Innsbruck, Ktnr. 2101 1014860, BLZ 57000 Nr. 3/4- Mai 1999 3 Editorial Liebe Freunde der Textmusik! Was vor einem Jahr als bescheidenes Pflanzchen begann, ist inzwischen Coup de chmur! gewachsen: Bei RedaktionsschluB lagen so viele Beitrage vor, daB wir uns entschlossen haben, unter dem Schwerpunkt Québec eine Doppelnummer BA T 3/4 herauszubringen. BA T 5 soll zu Beginn des Jahres 2000 erscheinen Le miniscere des Relacions internacionales und wird nach Frankreich, ltalien und Québec der hispanophonen Welt ge widmet sein. du Québec ese fier de s'associer au Wenn das frankophone Chanson heute Tag fúr Tag in starkere Konkur� renz zum franzosischen tritt, so steht auBer Zweifel, daB Québec eine Son Centre de la chanson québécoise derstellung einnimmt. Nicht erst die Idee und institutionelle Realisierung der Frankophonie, auch nicht der Vormarsch der ethnischen Musik und der World de l'Université d'Innsbruck Music haben Québec auf europaische Plattenteller gezaubert, nein, schon in den 50er Jahren lauschte das Publikum der Rive gauche gespannt der Poesie daos la promocion et des Quebecker Auteur-Compositeur-Interprete Félix Leclerc, dem mit Raymond Lévesque bald ein zweiter folgte. Die Zeit der boites a chansons im Montréal la diffusion de der spaten 50er und frühen 60er Jahre schlagt eine weitere Brücke nach Europa: Wahrend man das Phanomen der Caves von Saint-Germain imitiert la chanson und immer wieder groBe franzosische Namen in Montréal zu horen sind, ge langt das Quebecker Chanson selbst zu einer ersten groBen Blüte: Gilles Vigneaults Karriere etwa reicht zurück bis in diese Zeit. -
Karaoke Catalog Updated On: 25/10/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 25/10/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Before He Cheats - Carrie Underwood Wannabe - Spice Girls Sweet Caroline - Neil Diamond Zombie - The Cranberries I Will Survive - Gloria Gaynor Don't Stop Believing - Journey Dancing Queen - ABBA Sweet Child O'Mine - Guns N' Roses Perfect - Ed Sheeran Piano Man - Billy Joel Amarillo By Morning - George Strait Bohemian Rhapsody - Queen Africa - Toto Always On My Mind - Willie Nelson Uptown Funk - Bruno Mars Black Velvet - Alannah Myles Me And Bobby McGee - Janis Joplin Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Santeria - Sublime Take Me Home, Country Roads - John Denver Killing Me Softly - The Fugees Someone Like You - Adele Folsom Prison Blues - Johnny Cash Valerie - Amy Winehouse Livin' On A Prayer - Bon Jovi Can't Help Falling In Love - Elvis Presley Wagon Wheel - Darius Rucker New York, New York - Frank Sinatra Girl Crush - Little Big Town House Of The Rising Sun - The Animals What A Wonderful World - Louis Armstrong Summer Nights - Grease Jackson - Johnny Cash Jolene - Dolly Parton Crazy - Patsy Cline Let It Go - Idina Menzel (Sittin' On) The Dock Of The Bay - Otis Redding My Girl - The Temptations All Of Me - John Legend I Wanna Dance With Somebody - Whitney Houston Ring Of Fire - Johnny Cash Turn The Page - Bob Seger Neon Moon - Brooks & Dunn My Way - Frank Sinatra These Boots Are Made For Walkin' - Nancy Sinatra Strawberry Wine - Deana Carter I Want It That Way - Backstreet -
Pop Article Url
Pop article url: http://www.oxfordmusiconline.com:80/subscriber/article/grove/music/46845 A term applied to a particular group of popular music styles. Originating mostly in the USA and Britain, from the 1950s on, these styles have subsequently spread to most parts of the world. In Western countries, and in many others too, they became the predominant popular music styles of the second half of the 20th century. Closely connected with the development of new media and music technologies, and with the growth of large-scale recording and broadcasting industries, mostly based in the West, pop music has generally been associated with young people. However, audiences have tended to broaden in the later part of the period. At the same time, new centres of production have emerged, including Japan, Africa and Australasia. By this time, in many parts of the world, pop music styles, derivatives and hybrids, could be regarded as the vernacular lingua franca. I. Introduction The term pop music originated in Britain in the mid-1950s as a description for ROCK AND ROLL and the new youth music styles that it influenced, and seems to have been a spin-off from the terms pop art and pop culture, coined slightly earlier, and referring to a whole range of new, often American, media-culture products. The etymology is less important than the sense, widespread at the time on both sides of the Atlantic, that in both musical styles and cultural patterns a decisive break was taking place. Indeed, in the early 1960s ‘pop music’ competed terminologically with BEAT MUSIC, while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll’. -
2017 DJ Music by Song
Artist Song 112 Cupid 112 Dance With Me Remix (Featuring Beanie Sigel) 112 Peaches & Cream 311 All Mixed Up 311 Amber 311 Beautiful Disaster 311 Borders 311 Brodels 311 Color 311 The Continuous Life 311 Creature Feature 311 Dont Let Me Down 311 Don't Stay Home 311 Down 311 Electricity 311 Galaxy 311 Guns (Are For Pussies) 311 Hive 311 Inner Light Spectrum 311 Jackolantern's Weather 311 Jupiter 311 Light Years 311 Loco 311 Love Song 311 Misdirected Hostility 311 No Control 311 Prisoner 311 Purpose 311 Random 311 Rub A Dub 311 Running 311 Starshines 311 Stealing Happy Hours 311 Strangers 311 Sweet 311 T&P Combo 311 Transistor 311 Tune In 311 Use Of Time 311 What Was I Thinking 702 Where My Girls At 702 Where My Girls At? 2002 Lady of the Moon 2002 Summer's End !!! AM/FM ? & The Mysterians 96 Tears .38 Special Hold On Loosely .38 Special Second Chance 'N Sync Bringin' Da Noise 'N Sync Bye Bye Bye 'N Sync Bye Bye Bye 'N Sync Crazy For You 'N Sync Digital Get Down 'N Sync Everything I Own 'N Sync For The Girl Who Has Everything 'N Sync Giddy Up 'N Sync Girlfriend 'N Sync God Must Have Spent A Little More Time On You 'N Sync Gone 'N Sync Here We Go 'N Sync Here We Go 'N Sync I Drive Myself Crazy 'N Sync I Just Wanna Be With You 'N Sync I Need Love 'N Sync I Thought She Knew 'N Sync I Want You Back 'N Sync I'll Be Good For You 'N Sync It Makes Me Ill 'N Sync It's Gonna Be Me 'N Sync It's Gonna Be Me 'N Sync Just Got Paid 'N Sync No Strings Attached 'N Sync Pop 'N Sync Sailing 'N Sync Tearin' Up My Heart 'N Sync That's When I'll Stop Loving You 'N Sync This I Promise You 'N Sync This I Promise You 'N Sync You Got It 'N Sync Feat. -
Songs by Artist
TOTALLY TWISTED KARAOKE Songs by Artist 37 SONGS ADDED IN SEP 2021 Title Title (HED) PLANET EARTH 2 CHAINZ, DRAKE & QUAVO (DUET) BARTENDER BIGGER THAN YOU (EXPLICIT) 10 YEARS 2 CHAINZ, KENDRICK LAMAR, A$AP, ROCKY & BEAUTIFUL DRAKE THROUGH THE IRIS FUCKIN PROBLEMS (EXPLICIT) WASTELAND 2 EVISA 10,000 MANIACS OH LA LA LA BECAUSE THE NIGHT 2 LIVE CREW CANDY EVERYBODY WANTS ME SO HORNY LIKE THE WEATHER WE WANT SOME PUSSY MORE THAN THIS 2 PAC THESE ARE THE DAYS CALIFORNIA LOVE (ORIGINAL VERSION) TROUBLE ME CHANGES 10CC DEAR MAMA DREADLOCK HOLIDAY HOW DO U WANT IT I'M NOT IN LOVE I GET AROUND RUBBER BULLETS SO MANY TEARS THINGS WE DO FOR LOVE, THE UNTIL THE END OF TIME (RADIO VERSION) WALL STREET SHUFFLE 2 PAC & ELTON JOHN 112 GHETTO GOSPEL DANCE WITH ME (RADIO VERSION) 2 PAC & EMINEM PEACHES AND CREAM ONE DAY AT A TIME PEACHES AND CREAM (RADIO VERSION) 2 PAC & ERIC WILLIAMS (DUET) 112 & LUDACRIS DO FOR LOVE HOT & WET 2 PAC, DR DRE & ROGER TROUTMAN (DUET) 12 GAUGE CALIFORNIA LOVE DUNKIE BUTT CALIFORNIA LOVE (REMIX) 12 STONES 2 PISTOLS & RAY J CRASH YOU KNOW ME FAR AWAY 2 UNLIMITED WAY I FEEL NO LIMITS WE ARE ONE 20 FINGERS 1910 FRUITGUM CO SHORT 1, 2, 3 RED LIGHT 21 SAVAGE, OFFSET, METRO BOOMIN & TRAVIS SIMON SAYS SCOTT (DUET) 1975, THE GHOSTFACE KILLERS (EXPLICIT) SOUND, THE 21ST CENTURY GIRLS TOOTIMETOOTIMETOOTIME 21ST CENTURY GIRLS 1999 MAN UNITED SQUAD 220 KID X BILLEN TED REMIX LIFT IT HIGH (ALL ABOUT BELIEF) WELLERMAN (SEA SHANTY) 2 24KGOLDN & IANN DIOR (DUET) WHERE MY GIRLS AT MOOD (EXPLICIT) 2 BROTHERS ON 4TH 2AM CLUB COME TAKE MY HAND -
DJ Song List by Song
A Case of You Joni Mitchell A Country Boy Can Survive Hank Williams, Jr. A Dios le Pido Juanes A Little Bit Me, a Little Bit You The Monkees A Little Party Never Killed Nobody (All We Got) Fergie, Q-Tip & GoonRock A Love Bizarre Sheila E. A Picture of Me (Without You) George Jones A Taste of Honey Herb Alpert & The Tijuana Brass A Ti Lo Que Te Duele La Senorita Dayana A Walk In the Forest Brian Crain A*s Like That Eminem A.M. Radio Everclear Aaron's Party (Come Get It) Aaron Carter ABC Jackson 5 Abilene George Hamilton IV About A Girl Nirvana About Last Night Vitamin C About Us Brook Hogan Abracadabra Steve Miller Band Abracadabra Sugar Ray Abraham, Martin and John Dillon Abriendo Caminos Diego Torres Absolutely (Story Of A Girl) Nine Days Absolutely Not Deborah Cox Absynthe The Gits Accept My Sacrifice Suicidal Tendencies Accidentally In Love Counting Crows Ace In The Hole George Strait Ace Of Hearts Alan Jackson Achilles Last Stand Led Zeppelin Achy Breaky Heart Billy Ray Cyrus Across The Lines Tracy Chapman Across the Universe The Beatles Across the Universe Fiona Apple Action [12" Version] Orange Krush Adams Family Theme The Hit Crew Adam's Song Blink-182 Add It Up Violent Femmes Addicted Ace Young Addicted Kelly Clarkson Addicted Saving Abel Addicted Simple Plan Addicted Sisqó Addicted (Sultan & Ned Shepard Remix) [feat. Hadley] Serge Devant Addicted To Love Robert Palmer Addicted To You Avicii Adhesive Stone Temple Pilots Adia Sarah McLachlan Adíos Muchachos New 101 Strings Orchestra Adore Prince Adore You Miley Cyrus Adorn Miguel