Brexit Means Discord for Uk Music Festivals
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Facilitating Music Tourism for Scotland's
Facilitating Music Tourism for Scotland’s Creative Economy AHRC Creative Economy Engagement Fellowship Report Dr Matthew Ord Dr Adam Behr Contents Table of Contents Acknowledgements ................................................................................................................... i List of Abbreviations ............................................................................................................... ii Executive Summary ............................................................................................................... iii Summary of Key findings .............................................................................................................. iii Key recommendations ..................................................................................................................... v Further research .............................................................................................................................. vi Introduction: music tourism in Scotland ............................................................................... 1 What is music tourism? What is a music tourist? ........................................................................... 3 Methodology ................................................................................................................................... 4 Chapter 1. Connecting music and tourism: knowledge and networks ............................... 5 Introduction .................................................................................................................................... -
NOEA Yearbook2018
CREATE / COLLABORATE / CONTROL 2019 YEARBOOK CELEBRATING 40 YEARS National Outdoor Events Association AS THE UK’S LEADING OUTDOOR TRADE www.noea.org.uk ASSOCIATION NATIONAL OUTDOOR EVENTS ASSOCIATION 2019 YEARBOOK 3 CONTENTS An Introduction to the National Outdoor Events Association 5 Code of Professional Practice | Legal AdVice | Insurance Panel 6 Message from the President and Vice President 8-9 UniVersitY of DerbY – Event SafetY Diploma 9 NOEA – Values and Goals 10-11 CEO’s Report 12 NOEA Scotland 13 General Council Members 2018/2019 Picture GallerY 14 General Council Members 2018/2019 Contact Details 15 NeW Council Members 16 Events IndustrY Forum 17 So Where Did It Go Wrong – A Suppliers PerspectiVe 18 40th AnniVersarY of NOEA 18-19 Business Visits & Events Partnership Working With VisitBritain 20 Special Memberships and Affiliations 21 Event Solutions NOEA 16th Annual Convention and AWards Dinner 21 2018 AWard Winners Pictures 22 Judges for the AWards 23 NOEA 2018 AWard Winners 24-25 Recording Breaking Convention 25 NOEA AWard Sponsors Logos 25 Futures Sponsors 26 AWards Sponsors 27-28 Media Partner 28 2Can Productions Members NeWs 29-38 Front cover photographs: Annual Convention and AWards Dinner Packages 42-43 Stage Lighting SerVices, Tintern AbbeY List of NOEA Members – Full details 44-67 Bournemouth 7s, SomersbY Cider Garden Classified Headings IndeX 68-76 We Are the Fair, El Dorado FestiVal Richmond Event Management Ltd, The opinions expressed by contributors to this publication are not Bristol Balloon Fiesta always a reflection of the opinions or the policy of the Association National Outdoor Events Association, PO BoX 4495, Wells BA5 9AS Tel. -
White+Paper+Music+10.Pdf
In partnership with COPYRIGHT INFORMATION This white paper is written for you. Wherever you live, whatever you do, music is a tool to create connections, develop relationships and make the world a little bit smaller. We hope you use this as a tool to recognise the value in bringing music and tourism together. Copyright: © 2018, Sound Diplomacy and ProColombia Music is the New Gastronomy: White Paper on Music and Tourism – Your Guide to Connecting Music and Tourism, and Making the Most Out of It Printed in Colombia. Published by ProColombia. First printing: November 2018 All rights reserved. No reproduction or copying of this work is permitted without written consent of the authors. With the kind support of the World Tourism Organization (UNWTO). The opinions expressed in this publication are those of the authors. They do not purport to reflect the opinions or views of the UNWTO or its members. The designations employed and the presentation of material in this publication do not imply the expression of any opinions whatsoever on the part of the Secretariat of the World Tourism Organization concerning the legal status of any country, territory, city or area, or of its authorities or concerning the delimitation of its frontiers or boundaries. Address Sound Diplomacy Mindspace Aldgate, 114 Whitechapel High St, London E1 7PT Address ProColombia Calle 28 # 13a - 15, piso 35 - 36 Bogotá, Colombia 2 In partnership with CONTENT MESSAGE SECRETARY-GENERAL, UNWTO FOREWORD EXECUTIVE SUMMARY 1. INTRODUCING MUSIC TOURISM 1.1. Why Music? 1.2. Music as a Means of Communication 1.3. Introducing the Music and Tourism Industries 1.3.1. -
Terror Fried Brains
wake up! wake up! it’s yer sunny side up Summer Solstice 2003 Free/Donation Issue 411/412 TERROR FRIED BRAINS “Every ten years or so, the United States Poached Rights needs to pick up some small crappy little Switch on the news and you hear about CRAP ARREST OF THE WEEK country and throw it against the wall, just to more terrorists being arrested. But who For reading the paper! show the world we mean business.”-Michael are they? In December, five Turks and a An American anti-war prisoner serving time Ledden, holder of the ‘Freedom Chair’ at Briton were charged under the Terrorism for protesting at a military base was put the American Enterprise Institute. Act 2000 for supporting the Turkish into solitary confinement for eight days af- Last week a poll revealed that a third Revolutionary People’s Liberation Party- ter he got sent and distributed anti-war ar- of Americans believe that weapons of mass Front, or DHKP-C. They were nicked be- ticles from such radical publications as the destruction have been found in Iraq, while New York Times, Readers’ Digest, cause DHKP-C has been banned by the Newsweek, and The Guardian! Better not 22 per cent reckon Iraq actually used UK government and the six arrestees were send him this weeks SchNEWS then. them! Even before the war, half of those supposedly “facilitating the retention or www.naplesnews.com/03/06/florida/ polled said the Iraq regime was responsi- control of terrorist property.” Guns? d939395a.htm ble for September 11th. But no one’s found Bombs? Er, no, the people arrested were any weapons of mass destruction let alone simply in possession of magazines, vid- handcuffed at gunpoint and driven to Govan used them (well apart from the Americans eos and posters that supported the Police Station. -
2020-21 Parent-Student Handbook
LIGHTHOUSE CHRISTIAN SCHOOL www.lcschool.org 3008 – 36th St. NW, Gig Harbor, WA 98335 Ph. 253-858-5962 Fax 253-858-8911 PARENT-STUDENT HANDBOOK For 2020-2021 Let your light shine before men…. Matthew 5:16 LCS Parent/Student Handbook 2020-21 - 1 Table of Contents SECTION 1: ABOUT LIGHTHOUSE CHRISTIAN SCHOOL .................................................................. 4 WELCOME! .................................................................................................................................................. 4 OUR MISSION .............................................................................................................................................. 4 STATEMENT OF FAITH ............................................................................................................................... 4 OUR CORE VALUES ................................................................................................................................... 5 PHILOSOPHY OF EDUCATION .................................................................................................................. 5 EDUCATIONAL AFFILIATIONS ................................................................................................................... 6 SECTION 2: SCHOOL LEADERSHIP ..................................................................................................... 7 SCHOOL BOARD ......................................................................................................................................... 7 -
Music Industry's Contribution Towards Inclusive
MUSIC INDUSTRY’S CONTRIBUTION TOWARDS INCLUSIVE AND SUSTAINABLE DEVELOPMENT THE CASE OF CUBA «THE MUSIC ISLAND» 1 STRENGTHENING THE COMPETITIVENESS, ORGANIZATIONAL PERFORMANCE AND EXPORT CAPACITY OF THE CUBAN MUSIC INDUSTRY MUSIC INDUSTRY’S CONTRIBUTION TOWARDS INCLUSIVE AND SUSTAINABLE DEVELOPMENT The case of Cuba, the music island SEPTEMBER 2017 The undertaking of this study counted on the participation of researchers, © UNIDO, MINCULT, All rights reserved. specialists and management officials of the system of institutions of the © On the present edition: Project UNIDO-MINCULT-KOICA (150354) Ministry of Culture of Cuba (ICM, CIDMUC, CENDA, ACDAM, CUBARTE), «Strengthening of competiveness, organizational performance and export its record labels (EGREM, Bis Music, Abdala, Colibrí), the United Nations capacity of the Cuban music industry», 2017. Industrial Development Organization and international consultancy Sound Diplomacy. With the information collected, this document was drafted by ISBN 978-959-7216-67-4 the following persons: This document has been produced without formal United Nations edition. Center for research and development of the cuban music The designations employed and the presentation of the material in this Laura Vilar Álvarez, Tania García Lorenzo, Gloria Ochoa de Zabalegui documents does not imply the expressions of any opinion whatsoever on Aguilera, Jolettne Rego González, Ailer Pérez Gómez the part of the Secretariat of the United Nation Industrial Development Organization concerning the legal status of any country, -
Music Industry's Contribution Towards Inclusive And
MUSIC INDUSTRY’S CONTRIBUTION TOWARDS INCLUSIVE AND SUSTAINABLE DEVELOPMENT THE CASE OF CUBA «THE MUSIC ISLAND» 1 MUSIC INDUSTRY’S CONTRIBUTION TOWARDS INCLUSIVE AND SUSTAINABLE DEVELOPMENT THE CASE OF CUBA «THE MUSIC ISLAND» Strengthening the competitiveness, organizational perfomance and export capacity of the Cuban music industry SEPTEMBER 2017 PRESENTATION 5 CULTURAL AND CREATIVE INDUSTRIES FOR AN INCLUSIVE AND SUSTAINABLE DEVELOPMENT 7 Cultural and creative industries at global level and in the region of Latin American and the Caribbean 9 The music industry within the creative universe 12 UNIDO´s approach for creative industries 16 Cuba «the Music Island». Opportunities for developing its music industry 18 CURRENT CONTEXT Undertaking of this study counted on the participation of researchers, © ONUDI, MINCULT, All rights reserved. OF THE MUSIC specialists and management officials of the system of institutions of the © On the present edition: Project ONUDI-MINCULT-KOICA (150354) INDUSTRY IN CUBA 37 Ministry of Culture of Cuba (ICM, CIDMUC, CENDA, ACDAM, CUBARTE), its «Strengthening of competiveness, organizational performance and export record labels (EGREM, Bis Music, Abdala, Colibrí), the United Nations In- capacity of the Cuban music industry», 2017. dustrial Development Organization and international consultancy Sound Potentialities of the music Diplomacy. With the information collected, drafting of this document was This document has been produced without formal United Nations edition. industry in Cuba 39 in charge of the following -
Recipients Address Goes Here
Summer Days Festival 2016 Clitheroe Castle, Clitheroe Peppermint Events Ltd. Bar & Alcohol Management Plan (CONFIDENTIAL) Contents 1. Introduction to Peppermint Bars & Events Ltd 2. Core team names & further information 3. Operating Systems 4. Responsible Drinking Policy SUMMER DAYS FESTIVAL 2016 - CLITHEROE P E P P E R M I N T B A R S A N D E V E N T S | P R I V A T E A N D C O N F I D E N T I A L P A G E 1 O F 14 1. Introduction With over 10 years’ experience, we are industry leaders in providing festival bars for events of all sizes. Our reputation is based on a quality, accountability and a professional service. During that time we worked on a wide range and breath of UK festivals including; The British Summer Time Concerts in Hyde Park, Glasgow Summer Sessions, Bestival, Secret Garden Party, Shakedown Festival, Bingley Music Live, Field Day, RockNess, Camp Bestival, Henley Regatta, T4 on the Beach, Lovebox, Hevy Festival, Led Festival, Red Bull X fighters, Cowes Week, Metro Weekender, Eastern Electrics, Circo Loco, Shakedown and many more. One of the other sides to our business is to build and manage “pop up” bar environments which can last between 1 week to 3 months, past projects have included The Moose bar in Canary Wharf, The Moose in Manchester Spinning Fields and The Feast Restaurant and Bar as part of the Brighton Pavilion Ice Rink. We are committed to the continual process of making the event a safe and pleasant environment for the public to enjoy themselves through effectively managing the sale of alcohol. -
FROM GLYNDEBOURNE to GLASTONBURY: the IMPACT of BRITISH MUSIC FESTIVALS an Arts and Humanities Research Council-Funded Literature Review
FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS An Arts and Humanities Research Council-funded literature review ANNOTATED BIBLIOGRAPHY This research review, consisting of a 170-entry annotated bibliography, was produced as part of an AHRC Connected Communities programme project entitled ‘The Impact of Festivals’. It supports a report, ‘From Glyndebourne to Glastonbury: The Impact of British Music Festivals’, published by the Arts and Humanities Research Council, launched at Cheltenham Jazz Festival on 29th April 2016. Authors: Dr Emma Webster and Professor George McKay University of East Anglia February 2016 Author: AB Associates Ltd Year: 2003 Title: Social and Economic Impact Assessment of Shetland Music Reference Type: Report Location: Publisher: Scalloway: AB Associates Ltd Number of Pages/Page numbers: 104 Keywords: Shetland, economic impact, social impact, income, expenditure, tourism, employment, volunteers, folk music, SWOT URL: http://www.shetlandarts.org/images/2009/06/Social-and-Economic-Impact-Assesment- of-Shetland-Music-2003.pdf Date accessed: 17-Dec-15 Abstract: The main purpose of the study is to provide baseline data on the scale and nature of the music industry in 2002, to assess its economic and social impact, and to identify some of the key issues and opportunities facing the industry. Research Notes: The report estimates the economic impact of two Shetland music festivals as being £117,000 in 2002 (the Folk Festival, and Fiddle and Accordion Festival), and the time spent by voluntary helpers amounted to the equivalent of half a job over a year, i.e. 0.5 FTE. In addition, it is estimated that visitors to the Festivals spent a further £69,000 indirectly on accommodation, food, etc. -
Music As a Tourist Product – the Management and Marketing Model
Music as a Tourist Product – The Management and Marketing Model Ivana Paula Gortan-Carlin Juraj Dobrila University, Faculty of Educational Sciences, Croatia [email protected] Aleksandra Krajnović University of Zadar, Department of Economics, Croatia [email protected] Abstract. Selective forms of tourism are gaining importance in the tourist market. Cultural tourism, as a selective form of tourism par excellence, records a significant growth. Today it appears on the tourist market either as a stand-alone tourist product or as a integrated product of a tourist destination. During its development, cultural tourism has gained its numerous sub-forms, among which music-cultural tourism stands out. Music-cultural tourism is a specific form of selective tourism, primarily because of its universal, evergreen character and ''language'' of music; it takes on an additional meaning through a socio-cultural aspect while observing music through its wide range, from traditional music, as a ''democratic'' form of popular expression to the most sophisticated forms of classical music. The authors explain the occurrence and characteristics of these new forms of selective tourism - music tourism and describe the control model of this system. The basic assumptions on which the model is based are as follows: a fully built management system of music tourism based on a partnership network of the tourist destination’s stakeholders, systematic planning and effective promotion of the music-cultural tourist product and, last but not least: raising awareness on the existence of and the need for further promotion of culture and cultural values, specifically music as a form of intangible cultural heritage through this form of tourism. -
Student and Youth Travel
Student and Youth Travel A Bibliography of Research and Publications Compiled by Dr. Julie Wilson and Dr. Greg Richards for: International Student Travel Confederation (ISTC) and Association for Tourism and Leisure Education (ATLAS)) January 2004 Student and Youth Travel: A Bibliography of Research and Publications International Student Travel Confederation (ISTC) Serving student travellers since 1949, the philosophy of the ISTC is that student travel, and the exchange of ideas it encourages, contributes to education and plays an important role in developing greater international understanding. Specialist student travel and student services organisations comprise the ISTC's international network of 5,000 offices in 106 countries. With special student ticket arrangements on most of the world’s airlines, an international student identity card (ISIC) and a full range of surface travel, study and work abroad programmes ISTC member organisations provide educational experiences through travel to over 10 million youth and student travellers each year. Association for Tourism and Leisure Education (ATLAS) The Association for Tourism and Leisure Education (ATLAS) was established in 1991 to develop transnational educational initiatives in tourism and leisure. ATLAS provides a forum to promote staff and student exchange, transnational research and to facilitate curriculum and professional development. ATLAS currently has members in more than 50 countries. Bibliographic and Ordering Information Authors: Wilson, J. and Richards, G. Year: 2003 Title: Student and Youth Travel: A Bibliography of Research and Publications Publisher: International Student Travel Confederation (ISTC), Amsterdam, The Netherlands. ISBN: 90-75775-18-0 Student and Youth Travel: A Bibliography of Research and Publications Introduction In 2000, the International Student Travel Confederation (ISTC) began to compile a review of existing studies on the youth and student travel market and the characteristics of today’s independent young traveller. -
Association of Independent Festivals Six-Year Report 2014
Association of Independent Festivals Six-Year Repor t 2014 Dr Emma Webster Live Music Exchange [email protected] Executive Summary ............................................................................................ 1 Introduction ...................................................................................................... 4 The festival ‘ecology’ ....................................................................................... 6 The Association of Independent Festivals ............................................................... 6 A brief history of festivals .................................................................................... 8 Risk factors for the festival sector and examples of cancelled festivals ...................... 11 The festival market in context ............................................................................ 12 Festivals and the state – austerity and secondary ticketing ....................................... 12 Consumer confidence ................................................................................... 13 Is PRS for Music getting tough on festival promoters? .............................................. 14 Festivals and the broader music industries .......................................................... 14 The ‘Glastonbury effect’ ............................................................................... 15 Competition in and outside of the UK ................................................................ 16 Technology – social media, RFID