Santa Fe New Mexican, 04-17-1899 New Mexican Printing Company

Total Page:16

File Type:pdf, Size:1020Kb

Santa Fe New Mexican, 04-17-1899 New Mexican Printing Company University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 4-17-1899 Santa Fe New Mexican, 04-17-1899 New Mexican Printing Company Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing Company. "Santa Fe New Mexican, 04-17-1899." (1899). https://digitalrepository.unm.edu/sfnm_news/7423 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. iwwaew Hjsjm f f,' If ANTA FE NEW MEXICAN. r j VOL. 36. SECOND EDITION 8 A XTA FE, N. M., MONDAY, APRIL 17, 1899. CITY AND NORTHERN MAIL. NO. 48 Death of Hans Balatka. TRYIHG TO QUESTION PLATT. A SERIOUS OOTLOOK Chicago, April 17. Hans Balatka, one Diamond, Opal, Turquols Watch Repairing of the pioneers of music in the west, The Croker People Wish to Bring Up the Flrst-Clas- a, fitting a Specialty. Strictly died y of heart failure. Balatka the Kepublican Leader, Alamogordo's Progress. was in in- General Lawton Says That He born Huffnungstahl, Austria, New York, April 17. The Mazet and came to America In 1848. vestigation committee reconvened to- Needs 100,000 Soldiers in The Municipal Prodigy of New Mexico Is Growing Rapidly Under the S. New Go. day. At a conference held before the HANTFAOTTSRKRSPITZ,OF Jersey Volunteers Want to Hoff- ' Manila, Washington, April 17. Governor proceedings opened Assemblyman Care of Its Live Commercial Club Nurse. man offered a resolution for the Voorhees, of New Jersey, was at the calling investigation of rumors that a certain MEXICAN . white house y to present to the FILIGREE JEWELRY law firm in the of New Alamogordo, N. M., April 17. The will spend by building 50 splendid resi- COMPELL'D TO CONCENTRATE president the regiment of New City York, by Jersey vim with which improvements are be- dences in the town. Fully 200 houses --AND DEALER IN- volunteers in case it should be decided corrupt means, secured the passag3 - ing pushed here has a fascination for have been built home-seeker- s, to through the assembly of the "Astoria already by enlist additional volunteers. The It Davidson-Pec- gas the "real pur- the stranger, and is a rare thing for and the k people are He Had Evacuated All Captured Territory president said the latest advices from franchise," declaring J: DIAMONDS, WATCHES, pose was to enable the Consolidated Gas any one to visit the town and go away the first to go in on an Investment plan. SILVEEWAEE, His Forces Could Not the Philippines were that volunteers Company to force the consolidation of without investing something. Since the A fire brigade is being organized by there were 'Willing to remain until fight- New Mexican Be Divided for Garrison all gas interests In the city." The reso- representative came here the citizens for the protection of the CUT DECORATED CHINA. ing ceased. two-stor- GLASS, lutions further declared that it was nec- three weeks ago three elegant y many line buildings. A complete sys- Purposes, residences Free Lunch on Army Beef. essary to subpoena the law firm of have sprung up, and a large tem of water mains has been laid, the JFsamlne Eyes free of Charge for Lenses. of Prescription Washington, April 17. The Wade Tracy, Boardman & Piatt, Elihu Root, number smaller ones have been par- water falling 800 feet and giving 0"' 17. General erected. a4ir Manila, April Major court of inquiry spent the forenoon in- the incorporators of the Astoria Heat, tially Each citizen seems to vie mense pressure. .. Lawton, at to-d- said: "The with the in " Paite, specting a miscellaneous collection of Light & Power Company; Senator other the matter of improve- For household use and light irrigation is 100,000 ment. present prospect that troops canned roast beef, accumulated at Thomas C. Benjamin B. Odell, For instanc J. L. O'Shea, mas- purpows .plenty of w.n'-- can b? TT will be to Piatt, necessary pacify the Philip Washington barraiis from Cuba and Jr., Lemuel Ell Quigg ter mechanic of Kit railroad, has stiown secureff" at depths'raiiging from 40 to pine islands." Lawton's expediton has Porto Rico. The members of the court and John D. Crimmins. The resolut'ons commendable enterprise by placing a 100 feet. It costs $1 per foot to dig the H. B. CARTWRIGHT & BRO been ordered to and will return fence around Manila, sampled a number of cans. They said were defeated by a vote of five to two. picket his new home. In wellB. Some sort of scheme is now bing there All the he Immediately. territory unofficially that they had frequently all Republican members voting no. consequence, Mr. O'Shea is a popular agitated to furnish water for many will be and idol captured evacuated, seen the time when they would have Richard Croker refused to answer and a bigger gun than the fellow miles of country by forcing it from un- launches he seized be restored to per- who wrote OUTH been glad to get anything as good while questions as to how much he paid for He derneath the ground by compressed air. sons from whom Is now hon- Aguinaldo's soldiers on Indian campaigns in the west. Of stock in the United States Fidelity Bond mentioned for aldermanic This plan is a possibility for large Irri- IDE took them. difficulties in the ors In "The way 650 cans, six were found to be defective. Company, or whether the stock was the first ward, and he has a sure gation enterprises, and does not apply are those of in a walk-awa- OF fighting guerrillas given him. Croker will probably be re to the needs of the country immediately No. tropical country," said Lawton. "With Michigan Railway Law Invalid. The foundation for the new Tel. The has to the with a view to depot has surrounding Alamogordo. city s PLAZA 4. 17. su- ported assembly In the my brigade I could force my way from Washington, April his for con been laid, and it is only a question of a all the water necessary for every pur- one court an was handed being proceeded against end of the Island to the other if I preme opinion The United States short time before the railway officials pose, and the company is placing y tempt. Fidelity did not to trav- down Justice pro- best-know- have hold the territory by Peckham, Bond furnished bonds for will have their headquarters here. The in operation the n system for TOBACCO AND CIGARS. CROCKERY BARGAINS. But invalid that of the Company ersed. leaving garrisons behind nouncing portion most of the who are re members of the Commercial club are handling that commodity. would soon state law of Michigan to the city employes We handle a full line of smoking and Table doz. - - .40 eat up the whole force." relating to arranging to have a large club house Among the improvements to be in- tumblers, per Lawton sale of 1000-mi- railroad tickets. The quired give security. chewing tobacco, cigars and cigarettes. Wine doz. - - .50 regretted exceedingly being built, and will give a benefit entertain- by the company Is a - - glasses, per augurated railway .05 to cap-lure- d. of the law affected is Cienfuegos cigar Saucers mustard pots, each - - .10 compelled evacuate the territory part that provid- Death of a Chicago Lawyer, ment some time within the next two new mountain hotel for health -- seekers, La Confeslon - - 3 cigar for .35 China mustard pots, each - - .10 ing that these tickets shall be good two Chicago, April 17. Rufus King, a weeks to provide a nucleus fund for the modeled after the Montezuma hotel at Each best for the USTSee of seml-por- - and be sold at reduced rates. e. price. our line English MORE INFANTRY GOING. years prominent lawyer, died Sunday, aged purchase of a corner-ston- Las' Vegas hot springs. There is no ne- ceiain dinner ware. San 17. 77 Francisco, April The trans- Diplomatic Relations With Spain years. Last Sunday a party of eastern capi- cessity for dilating on the climatic at- port Hancock sails to-d- for Manila talists visited the for the Resumed. Volunteers to he Discharged. city purpose tractions of the region, for every one with the 21st infantry regiment. of looking into the possibility of secur- - who is familiar with New Mexico cli- - Washington, April 17. French Am- Washington, April 17. Orders were bassador Cambon advised Secretary Issued to-d- to General Brooke for the HAY. POTATOES & GRftlH, No. Three Powers of One Mind. Hay in behalf of Spain, that discharge of men in the regular army in 4 Washington, April 17. The secretary Duke d'Arcos has been chosen as Span- Cuba who enlisted only for the war with Bakery ish minister to Washington; also, that Patent flour of state, In a conversation said Spain. In large or small Imperial makes good bread, Bellamy-Storr- er would be gra- 5c a fresh that neither of the three powers to the persona quantities. loaf, every morning. ta as United States minister at Madrid. The Trial. 50 lbs Patent $1.40. treaty of Berlin scored a victory in the George Imperial, 17. The third week arrangement of the Samoan matter nor Fitzhugh Lee's Corps Will Disband. Canton, O., April be- of the trial of Mrs. Anna E. George for suffered defeat.
Recommended publications
  • 2011 – Cincinnati, OH
    Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
    [Show full text]
  • Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” Concert and Lecture Series
    Loyola University Chicago Loyola eCommons History: Faculty Publications and Other Works Faculty Publications 5-2-1998 “Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” concert and lecture series David B. Dennis Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/history_facpubs Part of the History Commons Author Manuscript This is a pre-publication author manuscript of the final, published article. Recommended Citation Dennis, David B.. “Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” concert and lecture series. The American Bach Project and supported by the Wisconsin Humanities Council as part of the State of Wisconsin Sesquicentennial Observances, All Saints Cathedral, Milwaukee, Wisconsin, , : , 1998. Retrieved from Loyola eCommons, History: Faculty Publications and Other Works, This Article is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in History: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © David B. Dennis 1998 “Robert Schumann and the German Revolution of 1848” David B. Dennis Paper for “Music and Revolution,” concert and lecture series arranged by The American Bach Project and supported by the Wisconsin Humanities Council as part of the State of Wisconsin Sesquicentennial Observances, All Saints Cathedral Milwaukee, Wisconsin, 2 May 1998. 1 Let me open by thanking Alexander Platt and Joan Parsley of Ensemble Musical Offering, for inviting me to speak with you tonight.
    [Show full text]
  • February 1905) Winton J
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 2-1-1905 Volume 23, Number 02 (February 1905) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 23, Number 02 (February 1905)." , (1905). https://digitalcommons.gardner-webb.edu/etude/500 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. T H H ETl) OH THE ETUDE 47 SCRIBNER’S LATEST BOOR'S f PIANISTS' A DRAMATIC CANTATA OF MODERATE DIFFICULTY A Whole Library THE MUSIC STORY SERlES-(New Volume) JUST PUBLISHED Send 87 cents for the PIANISTS’ Of Technical Exercises THR VIOLIN, bv Paul Stoevlng. Professor of the Violin at th£ Guildhall School^ofMushrin London, F PARLOR ALBUM, a thoroughly Two Magnificent Collections THE COMING OF RUTH high-grade Album, printed from en¬ Condensed Into Less Than One Hundred Pages graved plates upon the finest finished of Vocal Music BV WILLIAM T. NOSS paper, and undoubtedly the finest Price $1.00 each $9.00 per dozen making Album of its kind ever published.
    [Show full text]
  • MAGAZINE A/HISTORY
    WISCONSIN MAGAZINE a/HISTORY .a . ?** Published Quarterly by the II STORICAL SOCIETY OF WI i September 1943 WISCONSIN MAGAZINE of HISTORY EDWARD P. ALEXANDER, Editor LILLIAN KRUEGER, Assistant Editor CONTENTS Chats with the Editor Edward P. Alexander 1 American Germans in Two World Wars Carl Wittke 6 Thure Kumlien, Koshkonong Naturalist Angie Kumlien Main 17 Hans Balatka and the Milwaukee Musical Society J. J. Schlicher 40 John Ogden, Milwaukee Pioneer Marion G. Ogden 56 Milwaukee's First Mass Peter Leo Johnson 75 DOCUMENTS: Wisconsin As Depicted in the Michigan Press Sidney Glazer 83 BOOK NOTES 94 THE SOCIETY AND THE STATE 114 The WISCONSIN MAGAZINE OF HISTORY is published quarterly by the STATE HISTORICAL SOCIETY OF WISCONSIN, 816 State Street, Madison. Distributed to members as part of their dues (Annual membership, $3.00; Life, $30). Yearly subscription, $3.00; single number, 75 cents. Communications should be addressed to the editor. The Society does not assume responsibility for statements made by contributors. Entered as second-class matter at the post office at Madison, Wis- consin, under the act of August 24, 1912. Copyright 1943 by the STATE HISTORICAL SOCIETY OF WISCONSIN. Paid for by the Maria L. and Simeon Mills Editorial Fund and by the George B. Burrows Fund. THE COVER BREAKING SOD NEAR EDGERTON, C. 1865. The plow is similar to one- drawn by five yoke of oxen and used in clearing Thure Kumlien's Kosh- konong farm in the 1840's. One such plow described by the Rev. Alfred Brunscn measured 16 feet in length, 12 inches deep, and 8 inches wide, and cut a furrow 24 inches wide.
    [Show full text]
  • Opera in English: Class and Culture in America, 1878–1910
    OPERA IN ENGLISH: CLASS AND CULTURE IN AMERICA, 1878–1910 Kristen M. Turner A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2015 Approved by: Annegret Fauser Mark Evan Bonds John Nádas Katherine K. Preston Philip Vandermeer ©2015 Kristen M. Turner ALL RIGHTS RESERVED ii ABSTRACT Kristen M. Turner: Opera in English: Class and Culture in America, 1878–1910 (Under the direction of Annegret Fauser) European grand opera performed in English translation was a potent cultural force in the United States at the end of the long nineteenth century. Analysis of business correspondence, theater records, advertisements, reviews, and social commentaries, reveals that rhetoric about opera engaged with issues of class, race, gender, and nationalism. Critics identified foreign-language grand opera as a high art, suitable primarily for the upper class and educated listeners. In contrast, writers viewed the same operas sung in English as entertainment for a middle-class audience who wished to enjoy opera in the vernacular performed by American singers. Southern small towns, such as Raleigh, North Carolina, used English-language opera and art music to reinforce racial boundaries and to project a civic identity as a refined, middle-class city. The African American community, as a result of segregation and oppression, had different conceptions about art, class, and culture than the white majority. African American writers framed English-language performances by the all-black Theodore Drury Grand Opera Company as a way to resist racial tyranny by emphasizing the skill of the troupe’s singers and the sophistication of its educated black audience.
    [Show full text]
  • Invigorating the American Orchestral Tradition Through New Music
    FEARLESS PROGRAMMING: INVIGORATING THE AMERICAN ORCHESTRAL TRADITION THROUGH NEW MUSIC Octavio Más-Arocas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2016 Committee: Emily Freeman Brown, Advisor Timothy F. Messer-Kruse Graduate Faculty Representative Marilyn Shrude Kenneth Thompson © 2016 Octavio Más-Arocas All Rights Reserved iii ABSTRACT Emily Freeman Brown, Advisor Despite great efforts by American composers, their prodigious musical output has been mostly ignored by American orchestras. Works by living American composers account for an annual average of only 6% of all the music performed by American orchestras, while works by living composers of all nationalities combined totals a meager 11%. This study examines some of the historical breaking points in the relationship between American orchestras and new music. Five exceptional orchestras are cited, the New York Philharmonic, Los Angeles Philharmonic, Chicago Symphony Orchestra, the Atlanta Symphony, and the Seattle Symphony, that are thriving while successfully incorporating new music in their programing. This document draws attention to the significant role new music can play in the future of American orchestras by analyzing the programing of new music and projects that support composers, identifying innovative orchestral leaders and composers who have successfully served in advisory positions, and by recognizing and discussing the many creative strategies orchestras are using today. This document attempts to increase the understanding of the need for change in concert programing while highlighting several thrilling examples of innovative strategies that are making an essential contribution to the future of orchestral music.
    [Show full text]
  • Emilio and Emily Calamara: a Tale of Two Musicians Sheri Mignano Crawford
    Emilio and Emily Calamara: A Tale of Two Musicians Sheri Mignano Crawford It is not an unusual story when two musicians fall in love but this is a tale of two musicians with successful careers and intertwined lives that did not end well. The unraveling of their world and how they became estranged has been shrouded in mystery. Even their contributions and accomplishments have remained mostly unknown and underappreciated. It begins with a well- respected harp guitarist who fell in love with a married woman who taught mandolin. A young handsome Italian immigrant Emilio Calamara encountered a regal bourgeois American woman with roots allegedly dating back to the American Revolution. Emily Regina Jeanette “Nettie” Welch, née Macomber and Signore Calamara both excelled at being the best in their fields and associated with the finest musicians, received stellar recognition from their peers and in particular, from a fellow Chicagoan, luthier Joseph Bohmann. In exchange for solicited endorsements and testimonials, their reciprocal arrangement with Bohmann expected that they performed on his musical instruments. As his stable of musicians grew, Bohmann greatly amplified his prestige and standing among luthiers and musicians. It is no different today when a manufacturer and a musician agree upon mutually satisfying benefits. Emilio and Nettie Calamara were not naïve about the stress-related pressures associated with brand loyalty; however, in the course of their marriage and professional careers, other decisions ultimately damaged their marital and professional partnership. And in the end, they would pay dearly. ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ In the autumn of 1872 Gregorio Calamara and his son Emilio departed from the port of Gibraltar on the Ismailia and arrived at Castle Garden.1 Their last residence had been Siracusa, Sicily.
    [Show full text]
  • THE RHETORIC of DEMOCRACY in AMERICAN MUSICAL DISCOURSE, 1842–1861 Molly Leeanna Barnes a Dissertation Submitted to the Facult
    THE RHETORIC OF DEMOCRACY IN AMERICAN MUSICAL DISCOURSE, 1842–1861 Molly Leeanna Barnes A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Evan Bonds Tim Carter Annegret Fauser Katherine Preston Philip Vandermeer © 2016 Molly Leeanna Barnes ALL RIGHTS RESERVED ii ABSTRACT MOLLY LEEANNA BARNES: The Rhetoric of Democracy in American Musical Discourse, 1842–1861 (Under the direction of Mark Evan Bonds) In the United States, art music has long operated in an uneasy cultural space, divided between associations with the elite and aspirations to mass appeal. This tension became especially acute in the antebellum years, when dramatic changes to the country’s social and political landscape, including massive immigration from Europe, conflict over the institution of slavery, and increasing social and economic inequalities posed serious threats to the democratic American experiment. These circumstances prompted many commentators to voice idealistic hopes about the capacity of classical music in general and instrumental music in particular to unify, uplift, and democratize American society. This dissertation examines antebellum American public discourse about classical music and the powerful rhetoric that promoted this music as a means of realizing the ideal of democratic egalitarianism during a period of palpable discord. Commentaries about music and its social role in newspapers, periodicals, and magazines generally addressed one or more of three interrelated currents. First, the spiritual aspect of art music—the tradition of Kunstreligion inherited from early-nineteenth-century central Europe— figured prominently for many writers.
    [Show full text]
  • Shaping American Identity Through Music: Nationality, Taste, and Power at the Cincinnati May Festival, 1873-1905
    Shaping American Identity through Music: Nationality, Taste, and Power at the Cincinnati May Festival, 1873-1905. by Mishona Collier A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In Music and Culture Carleton University Ottawa, Ontario © 2013 Mishona Collier Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94623-7 Our file Notre reference ISBN: 978-0-494-94623-7 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • November 1936) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1936 Volume 54, Number 11 (November 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 11 (November 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/850 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. <TK‘xuiu:uiu.uik3iuMi,c/^mgi:;i' November 1936 Price 25 Cents MUSIC beginnings IMPORTANT ADDITIONS TO SUCCESSFULLY BY MANY TEACHERS USING THISI*«,, ARE GUIDED MODERN PIANO PEDAGOGY In Violin Classes In Piano Qasses In Priva te Lessons THE CLASS VIOLIN INSTRUCTOR MY FIRST EFFORTS IN THE PIANO CLASS • PIANO • •y A.. Hathjw,, tad Herbert Butli (Piano Class Book No. 1) MUSIC PLAY for EVERY DAY IN loom The Cateway to Piano Playing carfare -Irk hi, «rt. ft, ue A remarkable first book for classes of piano An introduction to the piano for pupils of beginners. Its application to practical class pro¬ pre-school or kindergarten eg" by eoep, OfKftl MARY LOUISE cedures Is simple.
    [Show full text]
  • "Singing the Body Eclectic: Immigrant Cultural Resources in America's Music Libraries" in "Music Librarianship In
    "Singing the body eclectic: Immigrant cultural resources in America's music libraries" in "Music librarianship in America, Part 3: Music librarians and American music" The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Krummel, D. W. 1991. "Singing the body eclectic: Immigrant cultural resources in America's music libraries" in "Music librarianship in America, Part 3: Music librarians and American music". Harvard Library Bulletin 2 (1), Spring 1991: 77-84. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42661665 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 77 Singing The Body Eclectic: Immigrant Cultural Resources 1n America's Music Libraries D. W Krummel ur European ancestors no doubt sang for joy once they got past Ellis Island. 0 At least we have been proud to believe this. What they sang, and why, and how, we do not really know, for this evidence is badly documented. Although the inadequacy of the extant evidence causes scholars by nature to lament, in matters of political import it also encourages guilt and anger. The subject of immigrant cultural resources can also suggest a different agenda: an effort to determine what American music libraries are and are not, could be or can never be, want to be but may be helpless to be. In a sense the strengths of America's music libraries were achieved largely at the neglect of all but two of its immigrant communities.
    [Show full text]
  • MAGAZINE O/HISTORY
    MAGAZINE o/HISTORY Published Quarterly by the STATE HISTORICAL SOCIETY OF WISCONSIN December WISCONSIN MAGAZINE of HISTORY EDWARD P. ALEXANDER, Editor LILLIAN KRUEGER, Assistant Editor CONTENTS Chats with the Editor Edward P. Alexander 129 The Milwaukee Convention Marcella Killian 135 Nicolas Boilvin, Indian Agent P. L. Scanlan 145 Captain Quarles Leads Company F to Mexico J. L. Loomis 170 The Milwaukee Musical Society in Time of Stress J. J. Schlicher 178 Thure Kumlien, Koshkcnoug Naturalist (II) Angie Kumlien Main 194 A Midwestern Mystery Robert N. Cool 221 BOOK NOTES 225 THE SOCIETY AND THE STATE 242 The WISCONSIN MAGAZINE OF HISTORY is published quarterly by the STATE HISTORICAL SOCIETY OF WISCONSIN, 816 State Street, Madison. Distributed to members as part of their dues (Annual membership, $3.00; Life, $30). Yearly subscription, $3.00; single number, 75 cents. Communications should be addressed to the editor. The Society does not assume responsibility for statements made by contributors. Entered as second-class matter at the post office at Madison, Wis- consin, under the act of August 24, 1912. Copyright 1943 by the STATE HISTORICAL SOCIETY OF WISCONSIN. Paid for by the Maria L. and Simeon Mills Editorial Fund and by the George B. Burrows Fund. THE COVER FORT MCKAY AT PRAIRIE DU CHIEN, 1814. This rare water color drawing is preserved among the papers of Andrew Bulger (vol. 1, no. 149, p. 1) in the Public Archives of Canada at Ottawa. Bulger was sent to Fort McKay in 1814 and was in command there for a short rime near the end of the British occupation.
    [Show full text]