MAGAZINE O/HISTORY
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2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” Concert and Lecture Series
Loyola University Chicago Loyola eCommons History: Faculty Publications and Other Works Faculty Publications 5-2-1998 “Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” concert and lecture series David B. Dennis Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/history_facpubs Part of the History Commons Author Manuscript This is a pre-publication author manuscript of the final, published article. Recommended Citation Dennis, David B.. “Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” concert and lecture series. The American Bach Project and supported by the Wisconsin Humanities Council as part of the State of Wisconsin Sesquicentennial Observances, All Saints Cathedral, Milwaukee, Wisconsin, , : , 1998. Retrieved from Loyola eCommons, History: Faculty Publications and Other Works, This Article is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in History: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © David B. Dennis 1998 “Robert Schumann and the German Revolution of 1848” David B. Dennis Paper for “Music and Revolution,” concert and lecture series arranged by The American Bach Project and supported by the Wisconsin Humanities Council as part of the State of Wisconsin Sesquicentennial Observances, All Saints Cathedral Milwaukee, Wisconsin, 2 May 1998. 1 Let me open by thanking Alexander Platt and Joan Parsley of Ensemble Musical Offering, for inviting me to speak with you tonight. -
September 1933 Volume Xvii Published Quarterly Bythe
SEPTEMBER 1933 VOLUME XVII NUMBER 1 PUBLISHED QUARTERLY BYTHE STATE HISTORICAL SOCIETY OF WISCONSIN IMIIIIIMIiiiiiiiiiiiiiiiiiitllllllll^MlllllllIUIlllllllllllllllUlllllllllltllllllllllltMllllllllltllllllllllllllllHIIIIlllllllHIIIIIMIIII""!*!!*^ THE STATE HISTORICAL SOCIETY OF WISCONSIN THE STATE HISTORICAL SOCIETY OF WISCONSIN is a state- aided corporation whose function is the cultivation and en- couragement of the historical interests of the State. To this end it invites your cooperation; membership is open to all, whether residents of Wisconsin or elsewhere. The dues of annual mem- i bers are three dollars, payable in advance; of life members, thirty dollars, payable once only. Subject to certain exceptions, mem- bers receive the publications of the Society, the cost of producing which far exceeds the membership fee. This is rendered possible by reason of the aid accorded the Society by the State. Of the r work and ideals of the Society this magazine affords, it is be- I lieved, a fair example. With limited means, much has already | I i been accomplished; with ampler funds more might be achieved. So far as is known, not a penny entrusted to the Society has ever i E been lost or misapplied. Property may be willed to the Society in entire confidence that any trust it assumes will be scrupulously | TiiiiinimiiiiiiHiiiiii| executedM. I I THE WISCONSIN MAGAZINE OF HISTORY is published quarterly by the Society, at 116 E. Main St., Evansville, Wisconsin, in September, Decem- ber, March, and June, and is distributed to its members and exchanges; others who so desire may receive it for the annual subscription of three dollars, payable in advance; single numbers may be had for seventy-five cents. -
Making an Old-World Milwaukee: German Heritage, Nostalgia, and the Reshaping of the Twentieth Century City Joseph B
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2017 Making an Old-world Milwaukee: German Heritage, Nostalgia, and the Reshaping of the Twentieth Century City Joseph B. Walzer University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Ethnic Studies Commons, and the United States History Commons Recommended Citation Walzer, Joseph B., "Making an Old-world Milwaukee: German Heritage, Nostalgia, and the Reshaping of the Twentieth Century City" (2017). Theses and Dissertations. 1719. https://dc.uwm.edu/etd/1719 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. MAKING AN OLD-WORLD MILWAUKEE: GERMAN HERITAGE, NOSTALGIA AND THE RESHAPING OF THE TWENTIETH CENTURY CITY by Joseph B. Walzer A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History at The University of Wisconsin-Milwaukee August 2017 ABSTRACT MAKING AN OLD-WORLD MILWAUKEE: GERMAN HERITAGE, NOSTALGIA AND THE RESHAPING OF THE TWENTIETH CENTURY CITY by Joseph B. Walzer The University of Wisconsin-Milwaukee, 2017 Under the Supervision of Professor Rachel Buff This dissertation examines the importance of white ethnicity, and especially Germanness, in the “civic branding” and urban restructuring efforts of city officials, civic boosters, and business leaders in Milwaukee, Wisconsin in the mid-to-late twentieth century. Scholars have increasingly identified the significant roles the “revival” of European ethnic identities played in maintaining white racial privilege in response to the Civil Rights Movement since the 1960s. -
February 1905) Winton J
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 2-1-1905 Volume 23, Number 02 (February 1905) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 23, Number 02 (February 1905)." , (1905). https://digitalcommons.gardner-webb.edu/etude/500 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. T H H ETl) OH THE ETUDE 47 SCRIBNER’S LATEST BOOR'S f PIANISTS' A DRAMATIC CANTATA OF MODERATE DIFFICULTY A Whole Library THE MUSIC STORY SERlES-(New Volume) JUST PUBLISHED Send 87 cents for the PIANISTS’ Of Technical Exercises THR VIOLIN, bv Paul Stoevlng. Professor of the Violin at th£ Guildhall School^ofMushrin London, F PARLOR ALBUM, a thoroughly Two Magnificent Collections THE COMING OF RUTH high-grade Album, printed from en¬ Condensed Into Less Than One Hundred Pages graved plates upon the finest finished of Vocal Music BV WILLIAM T. NOSS paper, and undoubtedly the finest Price $1.00 each $9.00 per dozen making Album of its kind ever published. -
MAGAZINE A/HISTORY
WISCONSIN MAGAZINE a/HISTORY .a . ?** Published Quarterly by the II STORICAL SOCIETY OF WI i September 1943 WISCONSIN MAGAZINE of HISTORY EDWARD P. ALEXANDER, Editor LILLIAN KRUEGER, Assistant Editor CONTENTS Chats with the Editor Edward P. Alexander 1 American Germans in Two World Wars Carl Wittke 6 Thure Kumlien, Koshkonong Naturalist Angie Kumlien Main 17 Hans Balatka and the Milwaukee Musical Society J. J. Schlicher 40 John Ogden, Milwaukee Pioneer Marion G. Ogden 56 Milwaukee's First Mass Peter Leo Johnson 75 DOCUMENTS: Wisconsin As Depicted in the Michigan Press Sidney Glazer 83 BOOK NOTES 94 THE SOCIETY AND THE STATE 114 The WISCONSIN MAGAZINE OF HISTORY is published quarterly by the STATE HISTORICAL SOCIETY OF WISCONSIN, 816 State Street, Madison. Distributed to members as part of their dues (Annual membership, $3.00; Life, $30). Yearly subscription, $3.00; single number, 75 cents. Communications should be addressed to the editor. The Society does not assume responsibility for statements made by contributors. Entered as second-class matter at the post office at Madison, Wis- consin, under the act of August 24, 1912. Copyright 1943 by the STATE HISTORICAL SOCIETY OF WISCONSIN. Paid for by the Maria L. and Simeon Mills Editorial Fund and by the George B. Burrows Fund. THE COVER BREAKING SOD NEAR EDGERTON, C. 1865. The plow is similar to one- drawn by five yoke of oxen and used in clearing Thure Kumlien's Kosh- konong farm in the 1840's. One such plow described by the Rev. Alfred Brunscn measured 16 feet in length, 12 inches deep, and 8 inches wide, and cut a furrow 24 inches wide. -
Opera in English: Class and Culture in America, 1878–1910
OPERA IN ENGLISH: CLASS AND CULTURE IN AMERICA, 1878–1910 Kristen M. Turner A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2015 Approved by: Annegret Fauser Mark Evan Bonds John Nádas Katherine K. Preston Philip Vandermeer ©2015 Kristen M. Turner ALL RIGHTS RESERVED ii ABSTRACT Kristen M. Turner: Opera in English: Class and Culture in America, 1878–1910 (Under the direction of Annegret Fauser) European grand opera performed in English translation was a potent cultural force in the United States at the end of the long nineteenth century. Analysis of business correspondence, theater records, advertisements, reviews, and social commentaries, reveals that rhetoric about opera engaged with issues of class, race, gender, and nationalism. Critics identified foreign-language grand opera as a high art, suitable primarily for the upper class and educated listeners. In contrast, writers viewed the same operas sung in English as entertainment for a middle-class audience who wished to enjoy opera in the vernacular performed by American singers. Southern small towns, such as Raleigh, North Carolina, used English-language opera and art music to reinforce racial boundaries and to project a civic identity as a refined, middle-class city. The African American community, as a result of segregation and oppression, had different conceptions about art, class, and culture than the white majority. African American writers framed English-language performances by the all-black Theodore Drury Grand Opera Company as a way to resist racial tyranny by emphasizing the skill of the troupe’s singers and the sophistication of its educated black audience. -
Invigorating the American Orchestral Tradition Through New Music
FEARLESS PROGRAMMING: INVIGORATING THE AMERICAN ORCHESTRAL TRADITION THROUGH NEW MUSIC Octavio Más-Arocas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2016 Committee: Emily Freeman Brown, Advisor Timothy F. Messer-Kruse Graduate Faculty Representative Marilyn Shrude Kenneth Thompson © 2016 Octavio Más-Arocas All Rights Reserved iii ABSTRACT Emily Freeman Brown, Advisor Despite great efforts by American composers, their prodigious musical output has been mostly ignored by American orchestras. Works by living American composers account for an annual average of only 6% of all the music performed by American orchestras, while works by living composers of all nationalities combined totals a meager 11%. This study examines some of the historical breaking points in the relationship between American orchestras and new music. Five exceptional orchestras are cited, the New York Philharmonic, Los Angeles Philharmonic, Chicago Symphony Orchestra, the Atlanta Symphony, and the Seattle Symphony, that are thriving while successfully incorporating new music in their programing. This document draws attention to the significant role new music can play in the future of American orchestras by analyzing the programing of new music and projects that support composers, identifying innovative orchestral leaders and composers who have successfully served in advisory positions, and by recognizing and discussing the many creative strategies orchestras are using today. This document attempts to increase the understanding of the need for change in concert programing while highlighting several thrilling examples of innovative strategies that are making an essential contribution to the future of orchestral music. -
Milwaukee County Historical Society
Title: German-American Collection Reference Code: Mss-0408 Inclusive Dates: 1830’s – ongoing Quantity: 16.31 cu. ft. total Location: LM, Sh. 145 (1.3 cu. ft.) LC, Sh. 011 (0.01 cu. ft.) WH, (15.0 cu. ft.) OS SM “B” (1 item) OS SM “D” (2 items) OS SM “G” (1 item) OS XLG (1 item) Scope and Content: This collection brings together various items related to German-American history that have been found in MCHS collections. Access and Use: No restrictions Language: English, German Arrangement: Folder Heading Box # File # File 1. German-American Heritage -Milwaukee's German Heritage pamphlet prepared by Library Council of 1 1 Metropolitan Milwaukee. -Sesquicentennial Lectures Commemorating 150 Years of German 1 1 Immigration to Wisconsin: 4th program "Value Systems of German Immigrants” flyer - UWM April 24, 1987. -How Germans Become Americans Ernest Bruncken 1898, State Historical 1 1 Society of Wisconsin. -Max Kade Institute for German-American Studies at the University of 1 1 Wisconsin-Madison booklet, n.d. -The German-American in Politics William George Bruce German Club 1 1 Dinner, Jan. 15, 1914, Chicago, IL. -A Directory of German-American Resources and Organizations German- 1 1 American Contacts Staff, United States Information Agency, May 1986. -"Hamburg as an Emigration City" article from Museum of Hamburg History 1 1 (German and English text) 1984. -Germans to America lists of passengers arriving at U.S. ports, 1850-1855 1 1 pamphlet, Scholarly Resources, Wilmington, DE. -Germans to America lists of passengers arriving at U.S. ports, 1850-1855 1 1 pamphlet, Scholarly Resources Inc., Wilmington, DE. -
Emilio and Emily Calamara: a Tale of Two Musicians Sheri Mignano Crawford
Emilio and Emily Calamara: A Tale of Two Musicians Sheri Mignano Crawford It is not an unusual story when two musicians fall in love but this is a tale of two musicians with successful careers and intertwined lives that did not end well. The unraveling of their world and how they became estranged has been shrouded in mystery. Even their contributions and accomplishments have remained mostly unknown and underappreciated. It begins with a well- respected harp guitarist who fell in love with a married woman who taught mandolin. A young handsome Italian immigrant Emilio Calamara encountered a regal bourgeois American woman with roots allegedly dating back to the American Revolution. Emily Regina Jeanette “Nettie” Welch, née Macomber and Signore Calamara both excelled at being the best in their fields and associated with the finest musicians, received stellar recognition from their peers and in particular, from a fellow Chicagoan, luthier Joseph Bohmann. In exchange for solicited endorsements and testimonials, their reciprocal arrangement with Bohmann expected that they performed on his musical instruments. As his stable of musicians grew, Bohmann greatly amplified his prestige and standing among luthiers and musicians. It is no different today when a manufacturer and a musician agree upon mutually satisfying benefits. Emilio and Nettie Calamara were not naïve about the stress-related pressures associated with brand loyalty; however, in the course of their marriage and professional careers, other decisions ultimately damaged their marital and professional partnership. And in the end, they would pay dearly. ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ In the autumn of 1872 Gregorio Calamara and his son Emilio departed from the port of Gibraltar on the Ismailia and arrived at Castle Garden.1 Their last residence had been Siracusa, Sicily. -
What Lies Beneath: Uncovering the Health of Milwaukee's People, 1880-1929 Brigitte Marina Charaus Marquette University
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects What Lies Beneath: Uncovering the Health of Milwaukee's People, 1880-1929 Brigitte Marina Charaus Marquette University Recommended Citation Charaus, Brigitte Marina, "What Lies Beneath: Uncovering the Health of Milwaukee's People, 1880-1929" (2010). Dissertations (2009 -). Paper 68. http://epublications.marquette.edu/dissertations_mu/68 WHAT LIES BENEATH; UNCOVERING THE HEALTH OF MILWAUKEE’S PEOPLE, 1880-1929 by Brigitte M. Charaus, B.A., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin December 2010 ABSTRACT WHAT LIES BENEATH; UNCOVERING THE HEALTH OF MILWAUKEE’S PEOPLE, 1880-1929 Brigitte M. Charaus, B.A., M.A. Marquette University, 2010 The true measure of a city's health is the health of its people. To truly understand how Milwaukee came to be known as the “healthiest city” in 1930, one must examine the health needs of common Milwaukeeans from 1880 to 1929. This study seeks to complement Judith Leavitt's pioneering work on public health in Milwaukee by presenting a picture, not of the politics of health reform, but of the personal side of health in the city. Through an extensive examination of records including, but not limited to, coroner's reports, hospital records, personal correspondence, newspapers, cemetery data, and institutional records, a picture of the overall health of the city's population emerges. These records speak of the urban environment and its effects on everyday people. Communicable diseases, tragic accidents, suicides, physical examinations, venereal diseases, housing problems, and occupational hazards are only a portion of the health story that Milwaukee created at the turn of the last century. -
THE RHETORIC of DEMOCRACY in AMERICAN MUSICAL DISCOURSE, 1842–1861 Molly Leeanna Barnes a Dissertation Submitted to the Facult
THE RHETORIC OF DEMOCRACY IN AMERICAN MUSICAL DISCOURSE, 1842–1861 Molly Leeanna Barnes A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Evan Bonds Tim Carter Annegret Fauser Katherine Preston Philip Vandermeer © 2016 Molly Leeanna Barnes ALL RIGHTS RESERVED ii ABSTRACT MOLLY LEEANNA BARNES: The Rhetoric of Democracy in American Musical Discourse, 1842–1861 (Under the direction of Mark Evan Bonds) In the United States, art music has long operated in an uneasy cultural space, divided between associations with the elite and aspirations to mass appeal. This tension became especially acute in the antebellum years, when dramatic changes to the country’s social and political landscape, including massive immigration from Europe, conflict over the institution of slavery, and increasing social and economic inequalities posed serious threats to the democratic American experiment. These circumstances prompted many commentators to voice idealistic hopes about the capacity of classical music in general and instrumental music in particular to unify, uplift, and democratize American society. This dissertation examines antebellum American public discourse about classical music and the powerful rhetoric that promoted this music as a means of realizing the ideal of democratic egalitarianism during a period of palpable discord. Commentaries about music and its social role in newspapers, periodicals, and magazines generally addressed one or more of three interrelated currents. First, the spiritual aspect of art music—the tradition of Kunstreligion inherited from early-nineteenth-century central Europe— figured prominently for many writers.