February 1905) Winton J

Total Page:16

File Type:pdf, Size:1020Kb

February 1905) Winton J Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 2-1-1905 Volume 23, Number 02 (February 1905) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 23, Number 02 (February 1905)." , (1905). https://digitalcommons.gardner-webb.edu/etude/500 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. T H H ETl) OH THE ETUDE 47 SCRIBNER’S LATEST BOOR'S f PIANISTS' A DRAMATIC CANTATA OF MODERATE DIFFICULTY A Whole Library THE MUSIC STORY SERlES-(New Volume) JUST PUBLISHED Send 87 cents for the PIANISTS’ Of Technical Exercises THR VIOLIN, bv Paul Stoevlng. Professor of the Violin at th£ Guildhall School^ofMushrin London, F PARLOR ALBUM, a thoroughly Two Magnificent Collections THE COMING OF RUTH high-grade Album, printed from en¬ Condensed Into Less Than One Hundred Pages graved plates upon the finest finished of Vocal Music BV WILLIAM T. NOSS paper, and undoubtedly the finest Price $1.00 each $9.00 per dozen making Album of its kind ever published. A work suitable for choral i entions, singing societ] "n. —r ™«d.» « Bound in a flexible cover,-neat, sub. church choirs, containing so] ... stantial, and attractive. No music MODEL SONGS tone and bass, 'together witha mixed chorus, and in six scenes. --1 list ol new and old Musical Books lorwarded on request. This cantata is founded on the firFt chapter of the Book of IN TWO VOLUMES Ruth, being a work of exceptional merit, a fascinating a-’ structive presentation and portrayal of Biblical story, dr “NEW TECHNIC’ incident and human sympathy, conveying much that CHARLES SCRIBNER’S SONS Lovers of good vocal compositions will be A System of the Most Necessary No*. 153-157y FiftH1T;f#R AvenueA vAnun • • " " pleased with the excellent collections here throughout, expressive Daily Exercises to Produce a IPARLOR presented, embracing a wide variety of songs This work we consider far superior to most similar cantatas which have proven successful in the past. It is very easily cos¬ in quality, sentiment and compass. Some tumed and staged; can be prepared in from 12 to 15 rehearsals. PERFECT DEVELOPMENT >uld be without it. contents standard favorites are included, but the major The production of such cantatas tends to awaken Interest in Album Leaf. Am Camin, Angel's Serenade. Antiope, At the fountain, Austrian Song, Berceuse de ••Joc¬ portion are songs not to be found in any other a congregation, Sunday school or young people’s society. of tlie elyn," Bridal Chorus. Celebrated Serenade. Convent Aside from the social and educational benefit derived, it is a Belle, Cooing Doves. Plover Song, Fontaine. Loin du collections. The wide scope of the selections pleasant and profitable method of financially aiding any church Important Publications Bal. Melodic. Melody, Menuct, Paloma. Pizzicato enterprise. FINGERS. WRISTS, ARMS, *• Sylviai," Poet and Peasant^ make the volumes available for all voices. THEO. PRESSER, 1712 Chestnut St., Phila., Pa. Second Valve, Serenata, Simple Aveu. Slumbertong’, The cost is less than the price of any two of AND BODY Spring Morning Serenade, Sweet Memories. Twilight FOR PIANO SOLO Whispers. Violetta. Whispering Flowers, Whyt the songs. Examination of the appended lists CARL FISCHER AW NEW YORK ■will show that sacred and secular; grave and In the Shortest Possible Time SCHARWENKA, XAVER. Op. 77. Contributions to Finger Cultivation gay; the blithesome pastoral-, the swinging lullaby, are happily blended. Book I. Hand and Fingers in the ordinary position. SPECIAL 10 ETUDE HERS Exercises with a supporting Finger (for ele¬ By HVGO MANSFELDT mentary and middle classes). Breitkopf (ALBUM Volume 1 The Hour of Prayer (New), Reverie Edition 1958, CONTENTS Dance of the Snowflakes Book II. Exercises on Finger Stretches (for advanced Discount .... Ferreira pupils). Breitkopf Edition 1959, 50 per cent. City of Heart Content.. Reverie, Dear Old Hymns. .Maskell A Silent Prayer, and It fs as useful to the novice as to the ad¬ Book III. Exercises in simple and combined sideward stroke. How Oft’ When Watching Stars Grow North American March vanced student Breitkopf Edition i960, - Pale. .Armstrong It is a concentration of common-sense tui¬ Op. 78. Studies in Octave Playing. Breitkopf Edition New Sorvgs In the Woods. ... Seeboeck All by Marie Louka, Composer of .Life’s (A) Lesson.. .Armstrong tion and guarantees a perfection in finger-dexterity. 1994, - - - - - ' ' The Rajah March My Love. Smith The exercises require the closest application, •SWEET THOUGHTS OF HOME" .Mann (3 Keys) .... Parted. but when once mastered will enable the pupil to MERRY CHRISTMAS! HAPPY NEW YEAR! (THE NEW HOME SWEET HOME) Prayer for Strength. Strahm The above compositions are this writer’s best efforts. accomplish greater results in far less time than Queen of My Heart. .MacWalters We will mall these four pieces on receipt ol Two choice collections of medium difficult piano compositions by modern composers,—each collection Sung by Mme. Schumann- by any other system now in use. Heink in the Successful Comic Sailor’s Song. .Fesca 60c., or 18c. per copy, postpaid. containing compositions by Fi blitz, MacDowell, Heller, Hofmann, Scharwenka, and others. Opera. ” Love’s Lottery," by Stanife and Edwards. Sleep, Sleep, My Little Baby, Sleep... .Geibel The greatest results are achieved from the Price each, $1.25 net, paper ) Discount Slumber Song. .Read knowledge imparted through the illustrations and Price each, 2.00 net, cloth J 25 per cent. •THERE'S NOTHING NEW TO SAY" Song of Hope. WEYMANN & SON notations employed by the author in this volume. (2 Keys) .... Sweetheart Mine. .Kraft PUBLISHERS All technical problems are given a ready solu¬ By Alfred G. Robyn, composer Thou Art the Noblest. Olver tion in this the greatest system of technic. of “Answer.” Told iu the Twilight.. ....Kroeger 923 Market Street Philadelphia, Pa. .Stone Franz Liszt, to whom the author submitted BREITKOPF & HARTEL •WHERE THOU ART" 12 Keys To You, Dear Heart. By Angelo Mascheronl. com¬ Trinity (The). .. Rose his work while in Weimar, complimented him poser of "For All Eternity." Wae Is My Heart. .... Gilchrist highly upon the many original conceptions con¬ 11 E. Sixteenth Street NEW YORK Winter. .... Rickaby tained therein, and eulogized the book in most emphatic terms, expressing a surprise that such a SPECIALS, EXTRA practical work had not previously been thought of. HALOI...««|0c WALTZES ” LOLITA,** Coloralure Spanish Waltz Volume 2 Teachers simply glorify it, because of its intel¬ Song .... CONTENTS TIHKLINUYlllBiLsSSisiS ligent and valuable conciseness. No other book A TEXT-BOOK IN PIANO PLAYING By Hsvrrison Aldrich 2 Mands.,Gui.& Pia.,30c, Small Orch.25c, Large i Adown in the Valley.Sanderson I8c has met with such a sincere welcome from the STEP BY STEP A HAND-BOOK FOR TEACHERS Write for Discount and Catalot Aubade.Bach THE AMERICAN ACADEMY 13“ guild. Bells of Seville. Jude SSIBc Mansfeldt’s “ New Technic ” has created more 3 Y A. K. VIRGIL M. WITMARK & SONS Darling, Do You Love Me?.Fincke COMPANY DWILTZEKI SI8C accomplished and masterful pianists since its pub¬ 144-146 West 37th Street NEW YORK Dear Homeland.Slaughter lication than all the old-time so-called “ methods Flight of Ages..Bevan LOVE’S REMEMBHiNCE^ -119c and studies ” combined. And it has accomplished Heavenly Song. Graf this in such a brief space of time that even con¬ Issued in two 12010 volumes of 400 pages each. Price, $2.00 per vol.; to Teachers, $1.60. Ianthe. Pizzi TRINITY CHIMES Ifin noisseurs of the art are marveling. If I Knew What Poets Know .Armstrong 2 Man , Gul. & Pia.,30c, Small Orch ,25c, Large Orch.,36c, Band,25c. |Qv Vol. I out Nov. i, 1904; Vol. II will be out April 15, 1905. In My Hammock. Hartog One noted tutor of music has admirably en¬ Engelmann’s Latest Successes Lord (The) Victorious ...Ferreira CHAS. E. ROAT MUSIC COMPUHY, Battle Creel, Midi. dorsed the great merit of this work in the trite Address A. K. VIRGIL, 11 West Twenty-Second St., New York Love’s Golden Land.Harvey but significant statement that “ if he could not Man of Sorrows.Adams For sale also by THEO. PRESSER and book and music dealers generally LOVE'S JOY AND SORROW-Reverie JUST OUTI secure another copy he would not sell his for Melodious in character and easy to play Sleep, Baby, Sleep.Strahm Every TEACHER and PUPIL should have a copy of $500." Slumber Song.Cohen OUR. MASCOT Spring Meadows.Johnson SWALLOWS' RETURN Thousands of Mansfeldt’s “ New Technic ” A Pipe Organ Collection of Standard A characteristic patrol that sets the feet in motion Vision Beautiful.Armstrong ByLEANDER FISHER are now in use by scores of the most noted con¬ and* Original Compositions of Medium When the Green Turns Gold.Long He who wrote •• Robins’ Return ” servatories of the world, and within another Difficulty for Church and Recital Vse. Will mail a complete copy to Etude readers > pon receipt of decade it will be the only system of technical The Orgscn Player 30 cts. (stamps or coin) postpaid. exercises recognized among musicians. Compiled by PRESTONDDFCTnM WAnrWARE OR.EMw-a ra rx.. M. M. LEIDT,569 Main St., Buffalo,N.Y. d The Etude reader Price, $2.50.
Recommended publications
  • Sounding Nostalgia in Post-World War I Paris
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Sounding Nostalgia In Post-World War I Paris Tristan Paré-Morin University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Paré-Morin, Tristan, "Sounding Nostalgia In Post-World War I Paris" (2019). Publicly Accessible Penn Dissertations. 3399. https://repository.upenn.edu/edissertations/3399 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3399 For more information, please contact [email protected]. Sounding Nostalgia In Post-World War I Paris Abstract In the years that immediately followed the Armistice of November 11, 1918, Paris was at a turning point in its history: the aftermath of the Great War overlapped with the early stages of what is commonly perceived as a decade of rejuvenation. This transitional period was marked by tension between the preservation (and reconstruction) of a certain prewar heritage and the negation of that heritage through a series of social and cultural innovations. In this dissertation, I examine the intricate role that nostalgia played across various conflicting experiences of sound and music in the cultural institutions and popular media of the city of Paris during that transition to peace, around 1919-1920. I show how artists understood nostalgia as an affective concept and how they employed it as a creative resource that served multiple personal, social, cultural, and national functions. Rather than using the term “nostalgia” as a mere diagnosis of temporal longing, I revert to the capricious definitions of the early twentieth century in order to propose a notion of nostalgia as a set of interconnected forms of longing.
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • 2011 – Cincinnati, OH
    Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
    [Show full text]
  • UC Irvine UC Irvine Electronic Theses and Dissertations
    UC Irvine UC Irvine Electronic Theses and Dissertations Title Text Machines: Mnemotechnical Infrastructure as Exappropriation Permalink https://escholarship.org/uc/item/3cj9797z Author McCoy, Jared Publication Date 2020 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Text Machines: Mnemotechnical Infrastructure as Exappropriation DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in English by Jared McCoy Dissertation Committee: Professor Andrzej Warminski, Chair Professor Rajagopalan Radhakrishnan Professor Geoffrey Bowker 2020 © 2020 Jared McCoy Dedication TO MY PARENTS for their boundless love and patience …this requires a comprehensive reading of Heidegger that is hard, you know, to do quickly. Paul de Man ii Contents Contents ................................................................................................................................. iii Acknowledgements ................................................................................................................. v Curriculum Vitae ..................................................................................................................... vi Abstract of the Dissertation .................................................................................................... vii I. History of Inscription ...........................................................................................................
    [Show full text]
  • El Llegat Dels Germans Grimm En El Segle Xxi: Del Paper a La Pantalla Emili Samper Prunera Universitat Rovira I Virgili [email protected]
    El llegat dels germans Grimm en el segle xxi: del paper a la pantalla Emili Samper Prunera Universitat Rovira i Virgili [email protected] Resum Les rondalles que els germans Grimm van recollir als Kinder- und Hausmärchen han traspassat la frontera del paper amb nombroses adaptacions literàries, cinema- togràfiques o televisives. La pel·lícula The brothers Grimm (2005), de Terry Gilli- am, i la primera temporada de la sèrie Grimm (2011-2012), de la cadena NBC, són dos mostres recents d’obres audiovisuals que han agafat les rondalles dels Grimm com a base per elaborar la seva ficció. En aquest article s’analitza el tractament de les rondalles que apareixen en totes dues obres (tenint en compte un precedent de 1962, The wonderful world of the Brothers Grimm), així com el rol que adopten els mateixos germans Grimm, que passen de creadors a convertir-se ells mateixos en personatges de ficció. Es recorre, d’aquesta manera, el camí invers al que han realitzat els responsables d’aquestes adaptacions: de la pantalla (gran o petita) es torna al paper, mostrant quines són les rondalles dels Grimm que s’han adaptat i de quina manera s’ha dut a terme aquesta adaptació. Paraules clau Grimm, Kinder- und Hausmärchen, The brothers Grimm, Terry Gilliam, rondalla Summary The tales that the Grimm brothers collected in their Kinder- und Hausmärchen have gone beyond the confines of paper with numerous literary, cinematographic and TV adaptations. The film The Brothers Grimm (2005), by Terry Gilliam, and the first season of the series Grimm (2011–2012), produced by the NBC network, are two recent examples of audiovisual productions that have taken the Grimm brothers’ tales as a base on which to create their fiction.
    [Show full text]
  • April 1911) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1911 Volume 29, Number 04 (April 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 04 (April 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/568 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. TWO PIANOS THE ETUDE FOUR HANDS New Publications The following ensemble pieces in- S^s?^yssL*aa.‘Sffi- Anthems of Prayer and Life Stories of Great nai editions, and some of the latest UP-TO-DATE PREMIUMS Sacred Duets novelties are inueamong to addthe WOnumberrks of For All Voices &nd General Use Praise Composers OF STANDARD QUALITY A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. sis Edited by JAMES FRANCIS COOKE Subscription Price, $1.60 per jeer In United States Alaska, Cuba, Po Mexico, Hawaii, Pb’”—1— "-“-“* *k- "•* 5 In Canada, »1.7t STYLISH PARASOLS FOUR DISTINCT ADVANCE STYLES REMITTANCES should be made by post-offlee t No.
    [Show full text]
  • Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” Concert and Lecture Series
    Loyola University Chicago Loyola eCommons History: Faculty Publications and Other Works Faculty Publications 5-2-1998 “Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” concert and lecture series David B. Dennis Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/history_facpubs Part of the History Commons Author Manuscript This is a pre-publication author manuscript of the final, published article. Recommended Citation Dennis, David B.. “Robert Schumann and the German Revolution of 1848,” for “Music and Revolution,” concert and lecture series. The American Bach Project and supported by the Wisconsin Humanities Council as part of the State of Wisconsin Sesquicentennial Observances, All Saints Cathedral, Milwaukee, Wisconsin, , : , 1998. Retrieved from Loyola eCommons, History: Faculty Publications and Other Works, This Article is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in History: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © David B. Dennis 1998 “Robert Schumann and the German Revolution of 1848” David B. Dennis Paper for “Music and Revolution,” concert and lecture series arranged by The American Bach Project and supported by the Wisconsin Humanities Council as part of the State of Wisconsin Sesquicentennial Observances, All Saints Cathedral Milwaukee, Wisconsin, 2 May 1998. 1 Let me open by thanking Alexander Platt and Joan Parsley of Ensemble Musical Offering, for inviting me to speak with you tonight.
    [Show full text]
  • TLEX GRID (EAST REGULAR) - APRIL 2021 (4/12/2021 - 4/18/2021) - WEEK #16 Date Updated:3/25/2021 2:29:43 PM
    TLEX GRID (EAST REGULAR) - APRIL 2021 (4/12/2021 - 4/18/2021) - WEEK #16 Date Updated:3/25/2021 2:29:43 PM MON (4/12/2021) TUE (4/13/2021) WED (4/14/2021) THU (4/15/2021) FRI (4/16/2021) SAT (4/17/2021) SUN (4/18/2021) SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM 05:00A 05:00A NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 05:30A 05:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:00A 06:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:30A 06:30A (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:00A 07:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:30A 07:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 08:00A 08:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) CASO CERRADO CASO CERRADO CASO CERRADO
    [Show full text]
  • THE GETAWAY GIRL: a NOVEL and CRITICAL INTRODUCTION By
    THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION By EMILY CHRISTINE HOFFMAN Bachelor of Arts in English University of Kansas Lawrence, Kansas 1999 Master of Arts in English University of Kansas Lawrence, Kansas 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2009 THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION Dissertation Approved: Jon Billman Dissertation Adviser Elizabeth Grubgeld Merrall Price Lesley Rimmel Ed Walkiewicz A. Gordon Emslie Dean of the Graduate College ii ACKNOWLEDGMENTS I would like to express my appreciation to several people for their support, friendship, guidance, and instruction while I have been working toward my PhD. From the English department faculty, I would like to thank Dr. Robert Mayer, whose “Theories of the Novel” seminar has proven instrumental to both the development of The Getaway Girl and the accompanying critical introduction. Dr. Elizabeth Grubgeld wisely recommended I include Elizabeth Bowen’s The House in Paris as part of my modernism reading list. Without my knowledge of that novel, I am not sure how I would have approached The Getaway Girl’s major structural revisions. I have also appreciated the efforts of Dr. William Decker and Dr. Merrall Price, both of whom, in their role as Graduate Program Director, have generously acted as my advocate on multiple occasions. In addition, I appreciate Jon Billman’s willingness to take the daunting role of adviser for an out-of-state student he had never met. Thank you to all the members of my committee—Prof.
    [Show full text]
  • The Abandoned Child in Contemporary German
    THE ABANDONED CHILD IN CONTEMPORARY GERMAN LITERATURE AND FILM by Heidrun Jadwiga Kubiessa Tokarz A dissertation submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Languages and Literature The University of Utah August 2016 Copyright © Heidrun Jadwiga Kubiessa Tokarz 2016 All Rights Reserved The University of Utah Graduate School STATEMENT OF DISSERTATION APPROVAL The dissertation of Heidrun Jadwiga Kubiessa Tokarz has been approved by the following supervisory committee members: Katharina Gerstenberger , Chair 02/18/2016 Date Approved Joseph Metz , Member 02/18/2016 Date Approved Karin Baumgartner , Member 02/18/2016 Date Approved Esther Rashkin , Member 02/18/2016 Date Approved Maeera Shreiber , Member 02/18/2016 Date Approved and by Katharina Gerstenberger , Chair/Dean of the Department/College/School of Languages and Literature and by David B. Kieda, Dean of The Graduate School. ABSTRACT This dissertation examines the motif of the abandoned child as a symptom of postwar German memory culture in German literature and film from the late 1980s to the second decade of the 21st century. As part of German postwar memory culture, the abandoned child motif emerged in the early postwar years and established itself in German memory discourse as Kriegskind (war baby), while representing certain war- related experiences of victimization. This study focuses on the change the motif reflects against the backdrop of Germany’s unification, the surge toward normalization, and globalization. The abandoned child motif in German cultural texts at the end of the 20th and at the beginning of the 21st century is a threshold figure which is symptomatic of the past as well as the present, of the victim and the perpetrator, and of suffering as well as guilt.
    [Show full text]
  • Franz Liszt Reproduction from the Original Oil Painting, 1837–39 Klassik Stiftung Weimar, Acc
    CHECKLIST Liszt in Paris: Enduring Encounters August 29 through November 16, 2008 Ary Scheffer (1795–1858) Franz Liszt Reproduction from the original oil painting, 1837–39 Klassik Stiftung Weimar, acc. no. LGE/01351 Franz Liszt (1811–1886) Seven Brilliant Variations, for the Piano Forte, to a Theme of Rossini, op. 2 London: T. Boosey & Co., [1825?] First English edition PMC 2036; The Mary Flagler Cary Music Collection Variations on preexisting themes—particularly those taken from operas—were popular during the nineteenth century and frequently cultivated by virtuoso performer-composers. These instrumental works were conceived as a means of displaying a performer’s (rather than a composer’s) skill, brilliance, artistry, and technical prowess. The adolescent Liszt based these variations on the theme “Ah come nascondere la fiamma,” from Rossini’s 1819 opera Ermione. Years later Liszt would compose a virtuosic piece based on the overture to Rossini’s Guillaume Tell. [Playbill for a concert at the Theatre Royal, Covent Garden, England, 2 June 1827] [London: W. Rey, 1827] James Fuld Collection After arriving in Paris in 1823, Liszt and his father made three visits to England (1824, 1825, and 1827). This playbill documents Liszt’s appearance at Covent Garden on 2 June 1827. The featured artist at the end of the first part, Master Liszt performed a fantasia. Such works were of an improvisatory character, introducing familiar tunes that served as themes to be varied and embellished. In this case, Liszt chose the popular melody Rule Britannia. For many years the young virtuoso had already proven most adept at improvising on tunes suggested to him on the spot.
    [Show full text]
  • University of Oklahoma Graduate College Pianistic Analysis of Bedřich Smetana's Piano Cycle Dreams, Six Characteristic Pieces
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PIANISTIC ANALYSIS OF BEDŘICH SMETANA’S PIANO CYCLE DREAMS, SIX CHARACTERISTIC PIECES FOR PIANO A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By KRISTINA HENCKEL Norman, Oklahoma 2016 PIANISTIC ANALYSIS OF BEDŘICH SMETANA’S PIANO CYCLE DREAMS, SIX CHARACTERISTIC PIECES FOR PIANO A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY ______________________________ Dr. Jane Magrath, Chair ______________________________ Dr. Barbara Fast ______________________________ Dr. Marvin Lamb ______________________________ Dr. Michael Lee ______________________________ Dr. Joseph Havlicek © Copyright by KRISTINA HENCKEL 2016 All Rights Reserved. ACKNOWLEDGMENTS My many thanks go out to every member (past and present) who served on my doctoral committee: The chair Dr. Jane Magrath, Dr. Michael Lee, Dr. Marvin Lamb, Dr. Barbara Fast, Dr. Joseph Havlicek, Dr. Jeongwon Ham, and Dr. Stephen Beus. Your guidance and commitment were absolutely vital for my growth as a writer of this document. A special thanks goes to Dr. Magrath who guided me through the most challenging part of my degree, this document, and who supported my desire to showcase the value and beauty of the piano works of Smetana and the contributions of other Czech composers and scholars. I am absolutely certain that it is only through the dedication and tireless work of my editor, Mark Worcester, that I have been able to complete a document of such depth and scope. He went beyond proofing my writing and made me feel like I had a collaborator and partner in this process. Enormous thanks go to my mom Krista Pelechová, my husband Terrel, and my children, Elishka and Maksim, for their tireless support, patience and love.
    [Show full text]