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The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
1 Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice Graduated
Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice graduated from Trinity Laban Conservatoire of Music and Dance in 2015 with a First Class Honours degree in Contemporary Dance, and went on to gain an MA in Dance Performance at the University of Chichester. Currently the Lead Press and Communications Officer at the Royal Academy of Dance, Alice has previously worked in marketing and communications at organisations such as Trinity Laban and The Place, gaining an in depth and confident understanding of social media strategy. Amelia Wilkinson, MSc Physiotherapy (pre-reg), MSc Dance Science, BA (Hons) Sociology, APPI certified Pilates Instructor Enhancing Silver Swans® Provision Amelia originally trained as a dancer at The Royal Ballet School and is now a dance science educator, physiotherapist and Pilates instructor. Her expertise in health and wellbeing is informed by both her dance for health and physiotherapy research. Most recently she examined community dwelling stroke survivors’ perceptions of upper limb dysfunction and its impact on quality of life. She currently works as a Health and Performance Enhancement Tutor across two Centre for Advanced Training programmes and delivers dance science CPD courses across the UK and internationally for the RAD. Caroline Palmer, ARAD (Dip. PDTC) Analysing Discovering Repertoire Choreographic Style with Benesh Notation Caroline trained in classical ballet in London with Andrew Hardie and Maria Fay. She danced professionally for 10 years mainly with the Deutsche Opera in Dusseldorf. In 1979 Caroline retrained as a teacher at the Royal Academy of Dance and subsequently taught on the degree course at Laban, London. -
BHASVIC HE Guide Creative Arts 20-21
Guide to Higher Education Creative Arts Dance .................................................................................................................................................... 3 Design ................................................................................................................................................... 7 Fine Art ................................................................................................................................................ 11 Music ................................................................................................................................................... 15 Photography ................................................................................................................................... 19 Sources & Links .............................................................................................................................. 23 See also the HE Subject Guide for English, Drama, Film & Media 1 What to ask on any Creative Arts open day Aspiring painter, illustrator, photographer or designer? Print out and use our list of open day questions when you're on a visit to a university or creative arts college. About the course How much contact time do I get with my tutor / lecturers? What is the split between theory and practical work? What range of modules is available to me? Will there be any public presentations / exhibitions of my work? Do I get to specialise in my second or third year? Equipment and facilities How -
Student Non-Academic Misconduct Policy and Procedures
Conservatoire for Dance & Drama Student Non-Academic Misconduct Policy & Procedures Student Non-Academic Misconduct Policy and Procedures Contents Section of Policy Contents of Section See Page No Introduction 4 1. Scope and Non-academic misconduct 5 Definitions of Professional Conduct Student Misconduct relating to admissions Misconduct Absence and withdrawal/non-engagement relating to this including: process Misconduct and School Rules, Regulations and Obligations Misconduct which is also a criminal offence 2. Definitions and Presumption of Innocence 10 Policies Burden of Proof Legal Context Anonymous Allegations Confidentiality Emergency Powers Complaints regarding the Misconduct Procedures Impact of misconduct procedures on academic studies Timescales Failure to comply with decisions 3. Misconduct Informal procedures 13 Procedures Informal warnings Formal Procedures Suspected Misconduct Concerns: Preliminary Enquiry Preliminary Enquiry Procedure Preliminary Enquiry Interview Process Preliminary Enquiry Findings and Outcomes o Preliminary Enquiry Findings o Preliminary Enquiry Outcomes 4. Misconduct Proceedings of Panel Hearings 17 proceedings: o Representation and Accompaniment; Witnesses General o Evidence Provisions o Adjournment 1 Conservatoire for Dance & Drama Student Non-Academic Misconduct Policy & Procedures 5. Misconduct Terms of Reference 18 Panel What the School will send to the student o Misconduct Panel Misconduct Panel Hearing Procedure Misconduct Panel Outcomes o Outcome Procedure o Finding(s) -
Centre for Advanced Training in Dance
OF MUSIC & DANCE OF TRINITY LABAN CONSERVATOIRE CATCENTRE FOR ADVANCED TRAINING IN DANCE TRINITYLABAN.AC.UK/CAT FULLY FUNDED PLACES AVAILABLE /TRINITYLABAN CENTRE FOR ADVANCED TRAINING WHO CAN APPLY? The Centre for Advanced Training (CAT) Do you see your future in dance? at Trinity Laban is part of an innovative scheme offering young people with potential Are you highly motivated and ready to commit in dance the opportunity to access high to an intensive programme of dance training? quality dance training, regardless of their personal circumstances. National CAT Are you aged 13–17? Centres are pioneers in prevocational training and research, promoting best All are welcome to apply regardless of practice and providing exceptional tuition previous dance experience. to young people. For more information on other centres across the UK visit nationaldancecats.co.uk TRINITY LABAN CAT PROGRAMME CAT students attend a full day of classes every Saturday during term time at the Laban Building. The programme of classes provides intensive and rigorous dance training taught by a highly experienced team of professional dance teachers and artists. The programme includes: / Contemporary dance / Ballet / Choreography / Dance fitness and health / Intensive holiday projects / End of year CAT show / Experience in different dance styles / Theatre trips / Careers advice / Individual training advice HOW TO APPLY Applications for Open Days and Auditions For application deadline, please visit trinitylaban.ac.uk/cat Open Days – February and March Come to a FREE open day to find out if CAT is the right choice for you. Open days include a practical dance class for the applicant with a presentation for parents/carers to find out more information. -
Centre for Advanced Training (CAT) at the Place
STUDENT & FAMILY INFORMATION HANDBOOK Printed copies available on request Contents Page 3 Welcome from the Programme Managers 4-5 General information 6-8 Behaviour guidelines 9-10 Course structure 11 Physical Health & Well-being 12 Individual training plans (ITP’s) 13 Streaming 14-18 Financial structure, Accommodation, Student Expenses & Fund For Excellence 19 Transferring & Exiting policies 20 Management Team Contact details Dear Student, Parents & Guardians, Welcome to the Centre for Advanced Training (CAT) at The Place. Since 2004 nine Dance Centres for Advanced Training have opened, hosted in recognised centres of excellence across England. The management teams and faculties strive passionately to develop their prevocational dance programmes, to inspire and support the training of young dancers across the country. Each centre aspires to help young dancers achieve their potential in their chosen discipline be it contemporary dance, circus arts, ballet, urban or South Asian dance forms. The Place CAT works in partnership with the National Centre for Circus Arts, who deliver a circus specialism strand through their London Youth Circus programme. In association with the national centres, there are also satellite centres, outreach programmes and foundation courses, to complement existing programmes and help prepare young dancers for audition at one of the National Centres. The Place CAT works with The Point in Hampshire, South East Dance in East Sussex and Hot House Dance in Hertfordshire to deliver extended outreach programmes in the South East. The national scheme is funded in part by Department for Education - Music and Dance Scheme (MDS). Through their association with the MDS the national dance CATs work in partnership with the country’s most prestigious music and dance residential schools and junior conservatoires including The Royal Ballet School and Guildhall School of Music and Drama. -
2019-20 Drama School V. University Choosing the Right Path for Your Future out of the Spotlight Speak the Speech, Training and Careers I Pray You
STUDENT GUIDE TO www.dramaandtheatre.co.uk/SGDE 2019-20 Drama School v. university Choosing the right path for your future Out of the spotlight Speak the speech, Training and careers I pray you... beyond performance Choosing and preparing monologues Comprehensive advice for those applying to study or train in any aspect of the performing arts 001_SGDE_COVER [APPROVED].indd 1 23/07/2019 13:16 Apply for BA (Hons) and Foundation Courses at ArtsEd! Exceptional triple threat training. Revolutionary stage and screen Acting training. ArtsEd was ranked the top Igniting your drama school for overall student satisfaction in the 2019 National Student Survey with over 90% of students passion for happy with their training. Find out more: www.artsed.co.uk performance [email protected] @ArtsEdLondon 0_SGDE_2019/20.indd 2 05/08/2019 12:48 Welcome Extra online STUDENT GUIDE TO material The Student Guide to Drama Education is also available to 2019-20 read free online, where you will elcome to the Student Guide to Drama Education – a guide designed to off er fi nd links to extra comprehensive advice to anyone thinking of applying to study or train in any aspect of pages of course- Wthe performing arts. listings. Visit www. Everything in this guide has been written straight ‘from the horse’s mouth’ dramaandtheatre. – students and graduates of all the major disciplines share what it’s like to study their courses; teaching staff from world-class Higher Education co.uk from institutions tell you what you need to know about applying for their October 2019. courses; and working professionals in the industry off er career tips for those all-important early years in and out of training. -
Cdmt.Org.Uk UK Guide Is Sponsored by 03
Guide as pages.qxp_Layout 1 06/03/2018 11:44 Page 1 TO PROFESSIONAL TRAINING, EDUCATION UKAND ASSESSMENT IN THE PERFORMING ARTS GUIDE2018 DANCE DRAMA MUSICAL THEATRE DANCE DRAMA MUSICAL THEATRE cdmt.org.uk UK Guide is sponsored by 03 CDMT is the quality assurance and membership body for the professional dance, drama and musical theatre industries. It is the first point of contact for those seeking information on education, training and assessment in the sector across the UK. Contents Welcome 05 Towards the CDMT 07 Membership 08 Quality Assurance 10 Accredited Schools 12 Map of Schools 14 Validated Awarding Organisations 16 Graded Exams 18 Affiliates 23 Recognised Awards 25 Careers Conference and Showcase Performance 26 Glyndwr Jones Director CDMT works in partnership with Liz Dale Head of Education and Training Nina Ritchie Membership and Office Administrator Ania Foreman Recognised Awards and Administrative Officer FANTASTIC GROUP Meryl Knight Finance Officer RATES AVAILABLE Fraser Stainton Administrator FROM £18 PP Cover left to right: Brian Slater / James Davies / David Bartholomew Above: Call us on 020 7851 0314 or email [email protected] Stephanie De Leng dedicated account handler who will organise your group trip! cdmt.org.uk 05 Welcome Welcome to a special edition of what has become fondly known as The Guide during a landmark year for the organisation of which I am proud to be Chairman. You could be forgiven in asking, but a Guide to what? Well, across the pages that follow are highlighted many of the finest professional schools, awarding organisations and other institutions whose commitment and dedication to the highest standards of teaching, learning and development in dance, drama and musical theatre are the envy of countless across the UK and further afield. -
Student Fd/Ba Handbook 2020-2021
STUDENT FD/BA HANDBOOK 2020-2021 STUDENT HANDBOOK 2020-21 INTRODUCTION RAMBERT SCHOOL OF BALLET & CONTEMPORARY DANCE CLIFTON LODGE ST MARGARETS ROAD TWICKENHAM TW1 1QN TEL: 020 8892 8090 EMAIL: [email protected] WEB: www.rambertschool.org.uk INFORMATION RELATING TO THE COVID-19 PANDEMIC From March 2020 all Conservatoire Member Schools were required to close their physical sites as a result of emergency measures imposed by the UK government in response to the Covid19 pandemic. Since this time, the Conservatoire central office has liaised closely with all of its Member Schools to ensure students are not unduly disadvantaged by measures taken, to guarantee that support and good practice can be shared across all Schools, and ensure that the Conservatoire is meeting its obligations with regard to the Office for Students’ requirements. The Covid19 pandemic has required all of our Schools to take emergency measures to deliver the courses of study online. As government restrictions ease, Schools may resume on-site delivery partially and/or fully, depending on the requirements they must fulfil to ensure the safety of all students and staff. However, should the government re-impose a more severe level of restrictions, this may force Schools to adjust their delivery again, meaning the delivery of your course may need to partially or fully be online. Changes to how Conservatoire courses of study have previously been delivered in Member Schools prior to March 2020 are rigorously consulted upon and reviewed by the Conservatoire Learning, Teaching and Quality Assurance Committee, and by the External Examiner for each course. These bodies ensure that the quality of delivery meets the appropriate standards and that there is independent oversight of proposed changes. -
Annual Report 2017
ANNUAL REPORT 2017 Outside cover 2017.indd 1 01/05/2018 13:02:14 Outside cover 2017.indd 2 01/05/2018 13:02:14 EQUITY ANNUAL REPORT 2017 THE EIGHTY SEVENTH ANNUAL REPORT Adopted by the Council at its meeting held on 30 April, 2018 for submission to the Annual Representative Conference 20-21 May, 2018 Equity Incorporating the Variety Artistes’ Federation Guild House Upper St Martin’s Lane London WC2H 9EG Tel: 020 7379 6000 Fax: 020 7379 7001 E-mail: [email protected] Website: www.equity.org.uk Annual report 2017 cover_contents FINAL.indd 5 01/05/2018 12:56:18 Annual report 2017 cover_contents FINAL.indd 6 01/05/2018 12:56:18 CHAPTERCONTENTS 1: GENERAL A. ANNUAL REPRESENTATIVE CONFERENCE ...............................................................................................................7 B. ELECTIONS & REFERENDUMS ..................................................................................................................................7 C. LOBBYING ACTIVITY ..................................................................................................................................................7 D. MARKETING AND COMMUNICATION .......................................................................................................................8 E. RECRUITMENT & RETENTION ..................................................................................................................................9 F. CLARENCE DERWENT AWARDS ..............................................................................................................................11 -
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Presentation Title Lorem ipsum dolor sit amet, NEXTconsectetur STEPSadipiscing elit. CAT AUDITION TOOLKIT 2020 We will cover: • Careers in dance • Where can I study? • The difference between University and Vocational/Conservatoire training • How to apply • How to write a personal statement • Fee Waivers • CAT Audition Toolkit Information 2 What jobs are there in Dance? • Performer • Choreographer • Dance Teaching - Schools sector / Private Dance Schools / Community Dance Practitioner / Dance Lecturer or Academic Researcher • Dance Project Co-ordinator or Administrator • Dance/Arts Officer • Lighting Designer/Technical Production • Costume / Set Designer • Dance Producer • Dance Photographer / Film Maker / Journalist • Composer for Dance • Dance Scientist • Dance Movement Therapist • Physiotherapy / Osteopathy • Health & Fitness e.g. Pilates, Yoga, Personal Trainer 3 University Undergraduate Degree Courses E.g. Middlesex, Roehampton, Chichester • A very wide range • Some offer Dance as a single subject • Some combined with another subject (Dance and Drama / Dance and Art) You can search on the UCAS website: http://www.ucas.com/ 4 Performing Arts Vocational Training School Often offer a wider range of dance styles, musical theatre focus, ballet focus… • E.g. London Studio Centre, • Bird College • Laine Theatre Arts, • Urdang Academy, • Central School of Ballet, • Arts Ed…. 5 Conservatoires Conservatoires UK is an umbrella The Conservatoire for Dance and Drama organisation for 11 specialist music, comprises 6 specialist schools performing -
34261-HSFC Prospectus 2019 Pages.Indd
Sowing the seeds for your future Prospectus 2019 Apply online or download an application form at www.hereford.ac.uk Why Choose Us? Outstanding Examination Results Widest Choice of Courses Fantastic Range of Enrichment Activities Outstanding Support and Guidance Good Transport Links OFSTED Grades the College Outstanding in All Areas of its Work Students Feel Supported, Achieve Excellent Results and Enjoy Being at College The College has a National Reputation and was named ‘Sixth Form College of the Year 2016’ by the Times Educational Supplement This Prospectus is full of information about the College and its courses. If you would like to fi nd out more you can: 4 check out our website - www.hereford.ac.uk 4 follow us on Facebook - www.facebook.com/Herefordsfc 4 follow us on Twitter - www.twitter.com/herefordsfc T: 01432 355166 / www.hereford.ac.uk 1 A Message from the Principal recognised in the educational sector students enjoy learning, socialising and when we received the Times Educational exploring ideas with people of their own Supplement’s fi rst Sixth Form College of age. We have suffi cient numbers to make the Year Award in 2016. The College has worthwhile teams and groups which also retained its Ofsted Outstanding allow you to follow shared interests and grade for the last fourteen years, being help you to achieve your best. the only sixth form college in the West Many of our students travel from Midlands to have achieved this. neighbouring counties including Wales. High Achievements in All Areas We do not want the cost of transport to be a barrier to studying with us and We achieve outstanding results and travel is subsidised.