FURTHER EDUCATION AWARDS 2014/15 Date of Issue: 16 May 2014
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The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
England LEA/School Code School Name Town 330/6092 Abbey
England LEA/School Code School Name Town 330/6092 Abbey College Birmingham 873/4603 Abbey College, Ramsey Ramsey 865/4000 Abbeyfield School Chippenham 803/4000 Abbeywood Community School Bristol 860/4500 Abbot Beyne School Burton-on-Trent 312/5409 Abbotsfield School Uxbridge 894/6906 Abraham Darby Academy Telford 202/4285 Acland Burghley School London 931/8004 Activate Learning Oxford 307/4035 Acton High School London 919/4029 Adeyfield School Hemel Hempstead 825/6015 Akeley Wood Senior School Buckingham 935/4059 Alde Valley School Leiston 919/6003 Aldenham School Borehamwood 891/4117 Alderman White School and Language College Nottingham 307/6905 Alec Reed Academy Northolt 830/4001 Alfreton Grange Arts College Alfreton 823/6905 All Saints Academy Dunstable Dunstable 916/6905 All Saints' Academy, Cheltenham Cheltenham 340/4615 All Saints Catholic High School Knowsley 341/4421 Alsop High School Technology & Applied Learning Specialist College Liverpool 358/4024 Altrincham College of Arts Altrincham 868/4506 Altwood CofE Secondary School Maidenhead 825/4095 Amersham School Amersham 380/6907 Appleton Academy Bradford 330/4804 Archbishop Ilsley Catholic School Birmingham 810/6905 Archbishop Sentamu Academy Hull 208/5403 Archbishop Tenison's School London 916/4032 Archway School Stroud 845/4003 ARK William Parker Academy Hastings 371/4021 Armthorpe Academy Doncaster 885/4008 Arrow Vale RSA Academy Redditch 937/5401 Ash Green School Coventry 371/4000 Ash Hill Academy Doncaster 891/4009 Ashfield Comprehensive School Nottingham 801/4030 Ashton -
1 Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice Graduated
Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice graduated from Trinity Laban Conservatoire of Music and Dance in 2015 with a First Class Honours degree in Contemporary Dance, and went on to gain an MA in Dance Performance at the University of Chichester. Currently the Lead Press and Communications Officer at the Royal Academy of Dance, Alice has previously worked in marketing and communications at organisations such as Trinity Laban and The Place, gaining an in depth and confident understanding of social media strategy. Amelia Wilkinson, MSc Physiotherapy (pre-reg), MSc Dance Science, BA (Hons) Sociology, APPI certified Pilates Instructor Enhancing Silver Swans® Provision Amelia originally trained as a dancer at The Royal Ballet School and is now a dance science educator, physiotherapist and Pilates instructor. Her expertise in health and wellbeing is informed by both her dance for health and physiotherapy research. Most recently she examined community dwelling stroke survivors’ perceptions of upper limb dysfunction and its impact on quality of life. She currently works as a Health and Performance Enhancement Tutor across two Centre for Advanced Training programmes and delivers dance science CPD courses across the UK and internationally for the RAD. Caroline Palmer, ARAD (Dip. PDTC) Analysing Discovering Repertoire Choreographic Style with Benesh Notation Caroline trained in classical ballet in London with Andrew Hardie and Maria Fay. She danced professionally for 10 years mainly with the Deutsche Opera in Dusseldorf. In 1979 Caroline retrained as a teacher at the Royal Academy of Dance and subsequently taught on the degree course at Laban, London. -
Centre Stage the Pipeline of Bame Talent
CENTRE STAGE THE PIPELINE OF BAME TALENT AndrewAndrew Lloyd Lloyd Webber Webber FoundationFoundation INTRODUCTION— hen I produced Bombay Dreams over a decade ago and was privileged Wto introduce the marvellous music of A R Rahman to a West End audience, one of our greatest difficulties was finding enough Asian actors. BAME diversity in the performing arts has once again been high on the agenda this year, from the runaway success of Hamilton on Broadway to the latest announcement from Arts Council England of £4.6 million to boost diversity. Very often the discussion is focussed on increasing the representation of diverse ethnicities on stage and this is crucially important. However, I’ve been acutely aware that one of the biggest issues is the lack of trained diverse talent coming through. Casting directors and theatre producers alike often complain that they’d like to cast more Black, Asian and Minority Ethnic performers but that they don’t get enough turning up to audition. Inspired by some of the success stories coming out of the Andrew Lloyd Webber Foundation’s scholarship programme – such as Emmanuel Kojo who is interviewed in these pages – the Foundation decided to commission this " I PASSIONATELY research. The aim was to come up with some positive recommendations that BELIEVE THAT can be adopted by people involved at every stage of the talent pipeline from THE STAGE NEEDS school to stage. TO REFLECT THE DIVERSITY OF THE UK I passionately believe that the stage needs to reflect the diversity of the POPULATION OR IT UK population or it risks becoming side-lined. -
Young-Art-Catalogue-2016 06-1.Pdf
A DIFFERENT VIEWPOINT Tuesday 26 April – Friday 29 April Royal College of Art YOUNG ART 2016 Every child is an artist. The problem is how to remain ONCE A STAIRCASE. an artist once he grows up. NOW A STROLL —Pablo Picasso THROUGH HISTORY. As your home becomes more important, CONTENTS so does your insurer. A Year to Remember 2 A Different Viewpoint 3 About Young Art 4 Welcome 5 Thank You 7 Behind the Microscope 8 Dr Tessa Kasia A Word from the Rector 11 Dr Paul Thompson Young Art in Schools 14 Sir Christopher Frayling 16 Meet the Judges 18 A Day in the Life of a Framer 39 Silent Auction 40 Quiz 42 Acknowledgments 62 Catalogue compiled and edited by Maria Howard Home Insurance with contributions from Kate Dilnott-Cooper and India Jaques. Design by Clover Stevens. hiscox.co.uk Artwork photography by Charlie Milligan Cover by Nick Goodwin 1 Hiscox Underwriting Ltd is authorised and regulated by the Financial Conduct Authority. 15740 04/16 YOUNG ART 2016 A YEAR TO REMEMBER Last year we celebrated the 25th anniversary of the first Young Art exhibition by raising £89,200 for Cancer Research UK. With a record number of 8,300 entries submitted and 760 on display at the Royal College of A DIFFERENT VIEWPOINT Art, it was an exceptional showcase of children’s art. Tuesday 26 April – Friday 29 April Royal College of Art Everyone at YA would like to say an Kensington Gore, London SW7 2EU enormous thank you to all the people who made it happen – exhibitors, teachers, schools, parents, judges – Featuring works donated by leading contemporary artists and all our supporters who gave so and Royal Academicians, supporting Cancer Research UK generously to such an important cause. -
2019-20 Drama School V. University Choosing the Right Path for Your Future out of the Spotlight Speak the Speech, Training and Careers I Pray You
STUDENT GUIDE TO www.dramaandtheatre.co.uk/SGDE 2019-20 Drama School v. university Choosing the right path for your future Out of the spotlight Speak the speech, Training and careers I pray you... beyond performance Choosing and preparing monologues Comprehensive advice for those applying to study or train in any aspect of the performing arts 001_SGDE_COVER [APPROVED].indd 1 23/07/2019 13:16 Apply for BA (Hons) and Foundation Courses at ArtsEd! Exceptional triple threat training. Revolutionary stage and screen Acting training. ArtsEd was ranked the top Igniting your drama school for overall student satisfaction in the 2019 National Student Survey with over 90% of students passion for happy with their training. Find out more: www.artsed.co.uk performance [email protected] @ArtsEdLondon 0_SGDE_2019/20.indd 2 05/08/2019 12:48 Welcome Extra online STUDENT GUIDE TO material The Student Guide to Drama Education is also available to 2019-20 read free online, where you will elcome to the Student Guide to Drama Education – a guide designed to off er fi nd links to extra comprehensive advice to anyone thinking of applying to study or train in any aspect of pages of course- Wthe performing arts. listings. Visit www. Everything in this guide has been written straight ‘from the horse’s mouth’ dramaandtheatre. – students and graduates of all the major disciplines share what it’s like to study their courses; teaching staff from world-class Higher Education co.uk from institutions tell you what you need to know about applying for their October 2019. courses; and working professionals in the industry off er career tips for those all-important early years in and out of training. -
Cdmt.Org.Uk UK Guide Is Sponsored by 03
Guide as pages.qxp_Layout 1 06/03/2018 11:44 Page 1 TO PROFESSIONAL TRAINING, EDUCATION UKAND ASSESSMENT IN THE PERFORMING ARTS GUIDE2018 DANCE DRAMA MUSICAL THEATRE DANCE DRAMA MUSICAL THEATRE cdmt.org.uk UK Guide is sponsored by 03 CDMT is the quality assurance and membership body for the professional dance, drama and musical theatre industries. It is the first point of contact for those seeking information on education, training and assessment in the sector across the UK. Contents Welcome 05 Towards the CDMT 07 Membership 08 Quality Assurance 10 Accredited Schools 12 Map of Schools 14 Validated Awarding Organisations 16 Graded Exams 18 Affiliates 23 Recognised Awards 25 Careers Conference and Showcase Performance 26 Glyndwr Jones Director CDMT works in partnership with Liz Dale Head of Education and Training Nina Ritchie Membership and Office Administrator Ania Foreman Recognised Awards and Administrative Officer FANTASTIC GROUP Meryl Knight Finance Officer RATES AVAILABLE Fraser Stainton Administrator FROM £18 PP Cover left to right: Brian Slater / James Davies / David Bartholomew Above: Call us on 020 7851 0314 or email [email protected] Stephanie De Leng dedicated account handler who will organise your group trip! cdmt.org.uk 05 Welcome Welcome to a special edition of what has become fondly known as The Guide during a landmark year for the organisation of which I am proud to be Chairman. You could be forgiven in asking, but a Guide to what? Well, across the pages that follow are highlighted many of the finest professional schools, awarding organisations and other institutions whose commitment and dedication to the highest standards of teaching, learning and development in dance, drama and musical theatre are the envy of countless across the UK and further afield. -
Performance Program
Dance Visions 2020 Choreography by Lar Lubovitch UCI Claire Trevor School of the Arts Photo by Rose Eichenbaum DANCE VISIONS 2021 Artistic Directors Molly Lynch and Tong Wang February 25-27, 2021 8:00 p.m. PST University of California, Irvine Dr. Stephen Barker, Dean | Claire Trevor School of the Arts ARTISTIC DIRECTOR’S MESSAGE On behalf of the UCI Claire Trevor School of the Arts — Department of Dance, we are delighted to welcome you to our virtual production of “Dance Visions 2021!” Despite the many challenges this year, the creative process between choreographers and dancers allows for many interesting and diverse ideas to be expressed through movement. The outstanding choreographers included in this performance are professors Lindsay Gilmour, Chad Michael Hall, Ariyan Johnson, Vitor Luiz, Molly Lynch, Lisa Naugle, S. Ama Wray in collaboration with Alan Terricciano, and Distinguished Professor Lar Lubovitch. This production would not be possible without the joint effort of our highly regarded colleagues in the Department of Drama — Design and Stage Management Programs. Their talent and commitment help bring the artists’ visions to fruition. Together, the Dance Visions artistic team continues our tradition of excellence in dance, keeping the UCI Dance department at the forefront of education and performance both nationally and internationally. We would also like to thank all the Department of Dance donors. We are grateful for the many scholarships that are awarded to our students and support for the dance productions. It is extremely important for our dancers! We are all deeply saddened by the passing of one of our major supporters, Mr. -
News from Elmhurst Patron HRH the Duchess of Cornwall Summer 2014
News from Elmhurst Patron HRH The Duchess of Cornwall Summer 2014 Welcome... It seems like just yesterday that we celebrated the successes of last year and already we are preparing to welcome back the students for yet another great year. The summer period has been a time of great activity for the school, two hugely successful summer schools and the handover of the new boarding accommodation are just two highlights that spring to mind. Left to right, Peter Hawksworth, Robert Parker, Guest of Honour Gillian Lynne, Jessica Ward, Roy Shields; photo: Phil Hitchman On a personal note, this summer also saw my wedding to my long-term partner James Wheeler, hence the change of my name from Ward to work and energies of all staff and students in the creation of these. I feel Wheeler. I shall of course explain this to the students when term starts but very proud that our students show su ch great versatility in their dancing, wanted to share the name change with you. turning their hands to wonderful British choreography such as Ashton’s A Birthday Offering but equally able to get their teeth into challenging Having now completed four years at Elmhurst I continue to be incredibly steps set by William Forsythe in Second Detail ; this is admirable. proud of the students and staff, they are a credit to the school community. At Elmhurst we aim to be consistently outstanding in all that we do – Live, I would like to extend thanks to Birmingham Royal Ballet for continuing to Dance and Learn. It is of paramount importance to us to develop the whole be an inspiration to the students and for their ongoing support; we are person so that Elmhurst students are prepared for professional life beyond truly grateful. -
Faculty Technique
American Academy of Ballet Mignon Furman, Director Summer School of Excellence 2010 Purchase College SUNY, Purchase, NY June 27 –August 8, 2010 Great Supervision American Welcome to Our • No need to worry about safety. Security is provided by Purchase Summer School College. Academy of • In addition, we have House Why our Summer Mothers (chaperones) and student Ballet Schools are so great: counselors. Progress and Enjoyment • Dancers are required to observe Summer School I have organized 29 Summer the rules of the dorm, and of the of Excellence 2010 Schools in the past, and Summer School. each one has been a success at Purchase College - students improve at an Two Special Programs unbelievable rate, and enjoy (See page 4) SUNY Purchase, NY the complete experience of our Summer School. • Technique Intensive - About Mignon Furman Mignon Furman an excellent way to refine Mignon Furman has, over a Director Great Faculty technique. period of years, organized no • My Faculty is at the top of less than 29 Summer Schools. Brian Loftus the teaching profession. Many • Performance Awards - only She has been teaching ballet for Associate Director teachers on the Faculty have available at our Summer more than 40 years. She was the been principal dancers with School. Director of the University of leading ballet companies. Cape Town Ballet School with Programs • Their many years of teaching Musicians special responsibility for teachers’ experience assures Summer Ballet classes are accompained by training. At the University she 6 weeks School dancers of high quality a roster of 7 fine musicians. formulated the programs to be June 27 - August 8 instruction. -
Mukeni Nel Photo: Christian Piccini
191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Mukeni Nel Photo: Christian Piccini Currently appearing in “Cats International Tour” playing Bill Bailey (Tumblebrutus) and Is understudying Mr Mistoffelees Other: Twin Greater London, England, United Location: Eye Colour: Black Kingdom Hair Colour: Black Height: 5'7" (170cm) Hair Length: Shaved Weight: 10st. 4lb. (65kg) Disability: Blind or visually impaired Playing Age: 16 - 20 years Voice Character: Friendly Appearance: Black-African Voice Quality: Fruity Nationality: British Credits 2018, Music Video, Dancer, Jasmine Thompson, Familia, SASHINSKI 2018, Television, Contestant, The Greatest Dancer (pilot), Thames Fremantle Syco 2018, Documentary, Myself, LOVE (BBC Documentary), The Round HouseTheatre, Jaha Browne 2018, Dance, Myself, DCP, The Urdang Academy, Neo (Nathan Gordon) 2017, Event, Dancer, Friend Like me, Four Corners Co, Dean Lee 2016, Concert, Dancer, Hertfordshire Schools music gala, Tring Park, Eva Blanco 2014, Ballet, Butler, Nanny Mcphee the ballet, Erico Montes Accents & Dialects: (* = native) American-Standard, English-Standard, Hampshire, RP Music & Dance: (* = highly skilled) Acro*, Ballet*, Ballroom Dancing, Baritone, Choreography, Contact Improvisation, Contemporary Dance*, Dance (general), Falsetto, Freestyle Dance, Jazz Dancing*, Lyrical Dance, Pas de Deux, Singing (general), Tap*, Tenor*, Tenor Baritone Sports: (* = highly skilled) Gymnastics, Running Other Skills: Acrobatics, DBS (CRB) clearance, Tumbling Vocal Range: C3 to A?5 (belt to B4) Training: The Urdang Academy, Level 6 National Diploma in Musical Theatre and Dance, 3 years, 2016 - 2019 Tring Park School for the Performing arts 2014-2016 Royal Ballet School Associates 2012-2014 Mukeni Nel 1/2 Powered by Spotlight and Tagmin The information in this CV has been provided by or on behalf of the client concerned via Spotlight.com. -
Federation of Drama Schools Agreement
INFORMATION FOR STUDENTS BA Acting or BA Stage & Production Management at East 15 Acting School offer holders only. The following does not apply to applicants holding offers on any other East 15 or University of Essex course. Applicants may only accept a place at one Federation of Drama Schools member school at any one time. If you have already accepted a place and subsequently change your mind and want to accept a later offer, you must cancel your acceptance of the previous place accepted, by writing to the relevant school. Cancellations can be received up to and including 1st July. After 15th July no Federation of Drama Schools member school may make an offer to a candidate who has been offered and accepted a place at another Federation of Drama Schools member school. It is absolutely essential that you do not accept and hold more than one offer of a place at any one time, but you are free to attend auditions/interviews at other schools and may change your mind as often as you wish (provided you decline, in writing the previous offer) up to the closing date given above. If you are offered a place on a course at a Federation of Drama Schools member school, you may, on accepting the offer, be asked for a deposit. Federation of Drama Schools strongly recommends that you make sure you understand each school’s current policy on deposits before entering into an agreement that could have financial implications for you FEDERATION OF DRAMA SCHOOLS SCHOOL’S MEMBERS ARE: ALRA – Academy of Life and Recorded Arts Arts Educational Schools London