'Battle at Long Range'
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Snooker World Championship – Hall of Fame
aus: Hugo Kastner: SNOOKER – Spieler, Regeln & Rekorde Update: Mai 2012 Snooker World Championship – Hall of Fame Es begann 1927 … 1927 wurde die erste Weltmeisterschaft im Snooker in der Camkin’s Hall in Birmingham ausgetragen. Ein Vergleich mit heute ist schier unmöglich, wenngleich mit dem legendären Joe Davis nicht nur der Initiator des Turniers, sondern gleichzeitig der für die nächsten achtzehn Jahre unschlagbare Meister dieses Sports die Trophäe sowie ₤6 10s gewann. Snooker war noch kein Breitensport, die Tische, Kugeln und Queues nicht von der heutigen Qualität und die Weltmeisterschaft trotz aller Perfektion der Champions nur eine Randnotiz in den internationalen Gazetten. Der absolute Tiefpunkt wurde in den Fünfzigerjahren erreicht, als 1952 zwei Organisationen Weltmeisterschaftsturniere veranstalteten, die Billiard Association eine „offizielle“ mit sage und schreibe zwei (!) Teilnehmern. Zwischen 1952 und 1957 fanden mäßig beachtete Matchplay- Weltturniere statt, danach erlosch das Snookerleben auf WM-Niveau für einige Jahre vollkommen. Ab 1964 waren die unregelmäßig ausgetragenen Challenge-Turniere, die alle an den Titelverteidiger John Pulman gingen, die Krönung des bescheiden dahin dümpelnden Snookerjahres. Moderne Zeiten … Crucible Theatre … Erst mit Ende der Sechzigerjahre ging man zum Knockout-Format zurück, das bei den folgenden acht Turnieren mit John Spencer, Ray Reardon und Alex Higgins drei Allzeitgrößen der Snookergeschichte zu Titelehren führte. Ab dieser Zeit darf man vom modernen Snooker sprechen, wenngleich die meisten Snooker-Kommentatoren erst ab den Turnieren von 1976 den großen Durchbruch zum Massensport zu erkennen glauben. Nun waren die WM-Matches nicht mehr über die gesamte Saison verteilt, sondern wurden über circa zwei Wochen an einem Ort durchgeführt. Der Tabakkonzern Embassy übernahm damals das Sponsoring der World Championships, die ab dem folgenden Jahr 1977 allesamt im Crucible Theatre in Sheffield durchgeführt wurden. -
Games Ancient and Oriental and How to Play Them, Being the Games Of
CO CD CO GAMES ANCIENT AND ORIENTAL AND HOW TO PLAY THEM. BEING THE GAMES OF THE ANCIENT EGYPTIANS THE HIERA GRAMME OF THE GREEKS, THE LUDUS LATKUNCULOKUM OF THE ROMANS AND THE ORIENTAL GAMES OF CHESS, DRAUGHTS, BACKGAMMON AND MAGIC SQUAEES. EDWARD FALKENER. LONDON: LONGMANS, GEEEN AND Co. AND NEW YORK: 15, EAST 16"' STREET. 1892. All rights referred. CONTENTS. I. INTRODUCTION. PAGE, II. THE GAMES OF THE ANCIENT EGYPTIANS. 9 Dr. Birch's Researches on the games of Ancient Egypt III. Queen Hatasu's Draught-board and men, now in the British Museum 22 IV. The of or the of afterwards game Tau, game Robbers ; played and called by the same name, Ludus Latrunculorum, by the Romans - - 37 V. The of Senat still the modern and game ; played by Egyptians, called by them Seega 63 VI. The of Han The of the Bowl 83 game ; game VII. The of the Sacred the Hiera of the Greeks 91 game Way ; Gramme VIII. Tlie game of Atep; still played by Italians, and by them called Mora - 103 CHESS. IX. Chess Notation A new system of - - 116 X. Chaturanga. Indian Chess - 119 Alberuni's description of - 139 XI. Chinese Chess - - - 143 XII. Japanese Chess - - 155 XIII. Burmese Chess - - 177 XIV. Siamese Chess - 191 XV. Turkish Chess - 196 XVI. Tamerlane's Chess - - 197 XVII. Game of the Maharajah and the Sepoys - - 217 XVIII. Double Chess - 225 XIX. Chess Problems - - 229 DRAUGHTS. XX. Draughts .... 235 XX [. Polish Draughts - 236 XXI f. Turkish Draughts ..... 037 XXIII. }\'ci-K'i and Go . The Chinese and Japanese game of Enclosing 239 v. -
Major General Andrew Gilbert Wauchope
Major General Andrew Gilbert Wauchope The Wauchope family is one of the oldest in Liberton Parish; a document bearing the name Gilbert Wauchope is dated around 1390. Andrew Gilbert Wauchope was born at Niddrie House in Edinburgh on the 5th July 1846, the third of four children born to Andrew Wauchope and Frances daughter of Henry Lloyd of Lloydsborough, county Tipperary, Ireland. He attended school at Worksop in Nottinghamshire, and later at Stubbington House near Fareham in Hampshire. On leaving school, he became a cadet at the Naval College, Portsmouth in 1859, leaving there on 3rd July 1862. He joined the 42nd Royal Highlanders (The Black Watch), as an Ensign in November 1865, aged nineteen. In 1867, he was promoted to Lieutenant, and became Adjutant on 5th April 1870. He resigned this position in August 1873, in order to go with his regiment to the Gold Coast, where he arrived on 30th November that year. During the subsequent fighting against the Ashanti army, he was severely wounded in the shoulder, the bullet only being extracted some years later. For his actions in this fighting, he was mentioned in despatches. On returning to Scotland the following year, he was appointed Acting Adjutant at the regimental depot in Perth, and held that post until March 1876. At that time, he went with his regiment to Malta, as Musketry Instructor, later moving to Cyprus in 1878 as a Civil Commissioner. He was promoted to Captain on 14th September 1878, and later made a member of the Order of St Michael and St George (CMG), for his services in Cyprus. -
Tillicoultry Estate and the Influence of The
WHO WAS LADY ANNE? A study of the ownership of the Tillicoultry Estate, Clackmannanshire, and the role and influence of the Wardlaw Ramsay Family By Elizabeth Passe Written July 2011 Edited for the Ochils Landscape Partnership, January 2013 Page 1 of 24 CONTENTS Page 2 Contents Page 3 Acknowledgements, introduction, literature review Page 5 Ownership of the estate Page 7 The owners of Tillicoultry House and Estate and their wives Page 10 The owners in the 19th century - Robert Wardlaw - Robert Balfour Wardlaw Ramsay - Robert George Wardlaw Ramsay - Arthur Balcarres Wardlaw Ramsay Page 15 Tenants of Tillicoultry House - Andrew Wauchope - Alexander Mitchell - Daniel Gardner Page 17 Conclusion Page 18 Nomenclature and bibliography Page 21 Appendix: map history showing the estate Figures: Page 5 Fig. 1 Lady Ann’s Wood Page 6 Fig. 2 Ordnance Survey map 1:25000 showing Lady Ann Wood and well marked with a W. Page 12 Fig. 3 Tillicoultry House built in the early 1800s Page 2 of 24 ACKNOWLEDGEMENTS My grateful thanks are due to: • Margaret Cunningham, my course tutor at the University of Strathclyde, for advice and support • The staff of Clackmannanshire Libraries • Susan Mills, Clackmannanshire Museum and Heritage Officer, for a very useful telephone conversation about Tillicoultry House in the 1930s • Elma Lindsay, a course survivor, for weekly doses of morale boosting INTRODUCTION Who was Lady Anne? This project was originally undertaken to fulfil the requirements for the final project of the University of Strathclyde’s Post-graduate Certificate in Family History and Genealogy in July 2011. My interest in the subject was sparked by living in Lady Anne Grove for many years and by walking in Lady Anne’s Wood and to Lady Anne’s Well near the Kirk Burn at the east end of Tillicoultry. -
Colonization, Education, and the Formation of Moral Character: Edward Gibbon Wakefield's a Letter from Sydney
1 Historical Studies in Education / Revue d’histoire de l’éducation ARTICLES / ARTICLES Colonization, Education, and the Formation of Moral Character: Edward Gibbon Wakefield’s A Letter from Sydney Bruce Curtis Carleton University ABSTRacT Edward Gibbon Wakefield proposed a scheme of “systematic colonization” that he claimed would guarantee the formation of civilized moral character in settler societies at the same time as it reproduced imperial class relations. The scheme, which was first hatched after Wakefield read Robert Gourlay’s A Statistical Account of Upper Canada, inverted the dominant under- standing of the relation between school and society. Wakefield claimed that without systematic colonization, universal schooling would be dangerous and demoralizing. Wakefield intervened in contemporary debate about welfare reform and population growth, opposing attempts to enforce celibacy on poor women and arguing that free enjoyment of “animal liberty” made women both moral and beautiful. RÉSUMÉ Edward Gibbon Wakefield propose que son programme de « colonisation systématique » ga- rantirait la formation de colons au caractère moral et civilisé. Ce programme, né d’une pre- mière lecture de l’oeuvre de Robert Gourlay, A Statistical Account of Upper Canada, contri- buerait à reproduire la structure des classes sociales impériales dans les colonies. Son analyse inverse la relation dominante entre école et société entretenue par la plupart de réformateurs de l’éducation. Sans une colonisation systématique, prétend Wakefield, la scolarisation universelle serait cause de danger politique et de démoralisation pour la société. Wakefield intervient dans le débat contemporain entourant les questions d’aide sociale et de croissance de la population. Il s’oppose aux efforts d’imposer le célibat au femmes pauvres et il argumente que l’expression de leur ‘liberté animale’ rend les femmes morales et belles. -
Ed Van De Gevel Trying to Figure out the Rules of a Futuristic Chess Set
No. 143 -(VoJ.IX) ISSN-0012-7671 Copyright ARVES Reprinting of (parts of) this magazine is only permitted for non commercial purposes and with acknowledgement. January 2002 Ed van de Gevel trying to figure out the rules of a futuristic chess set. 493 Editorial Board EG Subscription John Roycroft, 17 New Way Road, London, England NW9 6PL e-mail: [email protected] EG is produced by the Dutch-Flemish Association for Endgame Study Ed van de Gevel, ('Alexander Rueb Vereniging voor Binnen de Veste 36, schaakEindspelStudie') ARVES. Subscrip- 3811 PH Amersfoort, tion to EG is not tied to membership of The Netherlands ARVES. e-mail: [email protected] The annual subscription of EG (Jan. 1 - Dec.31) is EUR 22 for 4 issues. Payments Harold van der Heijden, should be in EUR and can be made by Michel de Klerkstraat 28, bank notes, Eurocheque (please fill in your 7425 DG Deventer, validation or garantee number on the The Netherlands back), postal money order, Eurogiro or . -e-mail: harold van der [email protected] bank cheque. To compensate for bank charges payments via Eurogiro or bank Spotlight-column: cheque should be EUR 27 and EUR 31 Jurgen Fleck, respectively, instead of 22. NeuerWeg 110, Some of the above mentioned methods of D-47803 Krefeld, payment may not longer be valid in 2002! Germany Please inform about this at your bank!! e-mail: juergenlleck^t-online.de All payments can be addressed to the Originals-column: treasurer (see Editorial Board) except those Noam D. Elkies by Eurogiro which should be directed to: Dept of Mathematics, Postbank, accountnumber 54095, in the SCIENCE CENTER name of ARVES, Leiderdorp, The Nether- One Oxford Street, lands. -
National Library of Ireland
ABOUT TOWN (DUNGANNON) AISÉIRGHE (DUBLIN) No. 1, May - Dec. 1986 Feb. 1950- April 1951 Jan. - June; Aug - Dec. 1987 Continued as Jan.. - Sept; Nov. - Dec. 1988 AISÉIRÍ (DUBLIN) Jan. - Aug; Oct. 1989 May 1951 - Dec. 1971 Jan, Apr. 1990 April 1972 - April 1975 All Hardcopy All Hardcopy Misc. Newspapers 1982 - 1991 A - B IL B 94109 ADVERTISER (WATERFORD) AISÉIRÍ (DUBLIN) Mar. 11 - Sept. 16, 1848 - Microfilm See AISÉIRGHE (DUBLIN) ADVERTISER & WATERFORD MARKET NOTE ALLNUTT'S IRISH LAND SCHEDULE (WATERFORD) (DUBLIN) March 4 - April 15, 1843 - Microfilm No. 9 Jan. 1, 1851 Bound with NATIONAL ADVERTISER Hardcopy ADVERTISER FOR THE COUNTIES OF LOUTH, MEATH, DUBLIN, MONAGHAN, CAVAN (DROGHEDA) AMÁRACH (DUBLIN) Mar. 1896 - 1908 1956 – 1961; - Microfilm Continued as 1962 – 1966 Hardcopy O.S.S. DROGHEDA ADVERTISER (DROGHEDA) 1967 - May 13, 1977 - Microfilm 1909 - 1926 - Microfilm Sept. 1980 – 1981 - Microfilm Aug. 1927 – 1928 Hardcopy O.S.S. 1982 Hardcopy O.S.S. 1929 - Microfilm 1983 - Microfilm Incorporated with DROGHEDA ARGUS (21 Dec 1929) which See. - Microfilm ANDERSONSTOWN NEWS (ANDERSONSTOWN) Nov. 22, 1972 – 1993 Hardcopy O.S.S. ADVOCATE (DUBLIN) 1994 – to date - Microfilm April 14, 1940 - March 22, 1970 (Misc. Issues) Hardcopy O.S.S. ANGLO CELT (CAVAN) Feb. 6, 1846 - April 29, 1858 ADVOCATE (NEW YORK) Dec. 10, 1864 - Nov. 8, 1873 Sept. 23, 1939 - Dec. 25th, 1954 Jan. 10, 1885 - Dec. 25, 1886 Aug. 17, 1957 - Jan. 11, 1958 Jan. 7, 1887 - to date Hardcopy O.S.S. (Number 5) All Microfilm ADVOCATE OR INDUSTRIAL JOURNAL ANOIS (DUBLIN) (DUBLIN) Sept. 2, 1984 - June 22, 1996 - Microfilm Oct. 28, 1848 - Jan 1860 - Microfilm ANTI-IMPERIALIST (DUBLIN) AEGIS (CASTLEBAR) Samhain 1926 June 23, 1841 - Nov. -
Tocqueville and Lower Canadian Educational Networks
Encounters on Education Volume 7, Fall 2006 pp. 113 - 130 Tocqueville and Lower Canadian Educational Networks Bruce Curtis Sociology and Anthropology, Carleton University, Canada ABSTRACT Educational history is commonly written as the history of institutions, pedagogical practices or individual educators. This article takes the trans-Atlantic networks of men involved in liberal political and educational reform in the early decades of the nineteenth century as its unit of analysis. In keeping with the author’s interest in education and politics in the British North American colony of Lower Canada, the network is anchored on the person of Alexis de Tocqueville, who visited the colony in 1831. De Tocqueville’s more or less direct connections to many of the men involved in colonial Canadian educational politics are detailed. Key words: de Tocqueville, liberalism, educational networks, monitorial schooling. RESUMEN La historia educativa se escribe comúnmente como la historia de las instituciones, de las prácticas pedagógicas o de los educadores individuales. Este artículo toma, como unidad de análisis, las redes transatlánticas formadas por hombres implicados en las reformas liberales políticas y educativas durante las primeras décadas del siglo XIX. En sintonía con el interés del autor en la educación y la política en la colonia Británico Norteamericana de Lower Canadá, la red se apoya en la persona de Alexis de Tocqueville, que visitó la colonia en 1831. Las relaciones de Tocqueville, más o menos directas, con muchos de los hombres implicados en política educativa del Canadá colonial son detalladas en este trabajo. Descriptores: DeTocqueville, Liberalismo, Redes educativas, Enseñanza monitorizada. RÉSUMÉ L’histoire de l’éducation est ordinairement écrite comme histoire des institutions, des pratiques pédagogiques ou d’éducateurs particuliers. -
CHESS MASTERPIECES: (Later, in Europe, Replaced by a HIGHLIGHTS from the DR
CHESS MASTERPIECES: (later, in Europe, replaced by a HIGHLIGHTS FROM THE DR. queen). These were typically flanKed GEORGE AND VIVIAN DEAN by elephants (later to become COLLECTION bishops), though in this case, they are EXHIBITION CHECKLIST camels with drummers; cavalrymen (later to become Knights); and World Chess Hall of Fame chariots or elephants, (later to Saint Louis, Missouri 2.1. Abstract Bead anD Dart Style Set become rooKs or “castles”). A September 9, 2011-February 12, with BoarD, India, 1700s. Natural and frontline of eight foot soldiers 2012 green-stained ivory, blacK lacquer- (pawns) completed each side. work folding board with silver and mother-of-pearl. This classical Indian style is influenced by the Islamic trend toward total abstraction of the design. The pieces are all lathe- turned. The blacK lacquer finish, made in India from the husKs of the 1.1. Neresheimer French vs. lac insect, was first developed by the Germans Set anD Castle BoarD, Chinese. The intricate inlaid silver Hanau, Germany, 1905-10. Silver and grid pattern traces alternating gilded silver, ivory, diamonds, squares filled with lacy inscribed fern sapphires, pearls, amethysts, rubies, leaf designs and inlaid mother-of- and marble. pearl disKs. These decorations 2.3. Mogul Style Set with combine a grid of squares, common Presentation Case, India, 1800s. Before WWI, Neresheimer, of Hanau, to Western forms of chess, with Beryl with inset diamonds, rubies, Germany, was a leading producer of another grid of inlaid center points, and gold, wooden presentation case ornate silverware and decorative found in Japanese and Chinese clad in maroon velvet and silk-lined. -
Inventaire Des Jeux Combinatoires Abstraits
INVENTAIRE DES JEUX COMBINATOIRES ABSTRAITS Ici vous trouverez une liste incomplète des jeux combinatoires abstraits qui sera en perpétuelle évolution. Ils sont classés par ordre alphabétique. Vous avez accès aux règles en cliquant sur leurs noms, si celles-ci sont disponibles. Elles sont parfois en anglais faute de les avoir trouvées en français. Si un jeu vous intéresse, j'ai ajouté une colonne « JOUER EN LIGNE » où le lien vous redirigera vers le site qui me semble le plus fréquenté pour y jouer contre d'autres joueurs. J'ai remarqué 7 catégories de ces jeux selon leur but du jeu respectif. Elles sont décrites ci-dessous et sont précisées pour chaque jeu. Ces catégories sont directement inspirées du livre « Le livre des jeux de pions » de Michel Boutin. Si vous avez des remarques à me faire sur des jeux que j'aurai oubliés ou une mauvaise classification de certains, contactez-moi via mon blog (http://www.papatilleul.fr/). La définition des jeux combinatoires abstraits est disponible ICI. Si certains ne répondent pas à cette définition, merci de me prévenir également. LES CATÉGORIES CAPTURE : Le but du jeu est de capturer ou de bloquer un ou plusieurs pions en particulier. Cette catégorie se caractérise souvent par une hiérarchie entre les pièces. Chacune d'elle a une force et une valeur matérielle propre, résultantes de leur capacité de déplacement. ELIMINATION : Le but est de capturer tous les pions de son adversaire ou un certain nombre. Parfois, il faut capturer ses propres pions. BLOCAGE : Il faut bloquer son adversaire. Autrement dit, si un joueur n'a plus de coup possible à son tour, il perd la partie. -
'Offensive and Riotous Behaviour'? Performing the Role of an Audience
‘Offensive and Riotous Behaviour’? Performing the Role of an Audience in Irish Cinema of the mid-1910s Denis Condon, Nation University of Ireland Maynooth In September 1915, Frederick Arthur Sparling, proprietor of the Bohemian Picture Theatre, Dublin, prosecuted William Larkin on a charge of offensive and riotous behaviour for protesting in the auditorium during a screening of A Modern Magdalen (US: Life Photo Film, 1915). The protest was part of an ongoing campaign by the Catholic church-based vigilance committees – led by the Dublin Vigilance Committee (DVC) – against certain kinds of imported popular culture, initially targeting newspapers, magazines and books and moving on by 1915 to theatrical shows and films.1 Larkin played a leading role in the confrontational elements of the campaign, gaining notoriety among theatre and cinema owners as he successfully drew press attention to the DVC’s activities. Newspaper accounts of this case stand out in early Irish cinema history as providing the most extensive evidence of audience behaviour, but they also pose methodological questions. These include what the most appropriate way is to discuss Larkin’s protest, which was not “normal” behaviour but a kind of spectacular performance – honed and rehearsed – whose rhetorical intent was to suggest that he spoke for a silent majority too timid to voice their own interpretation of unacceptable images. Accounts of this case suggest that Larkin and the DVC rejected the attentive passivity apparently demanded of cinema audiences by such factors as the feature film’s growing dominance on the cinema programme in order to provide a space for performances of a Catholic Irishness they thought inadequately – or sometimes insultingly – portrayed on screen. -
Chess Play Icons and the Staunton Chess Set Design
EARLY NINETEETH CENTURY CHESS PLAY ICON SETS, MODERN CHESS PLAY ICON SETS, AND THE STAUNTON CHESS SET OF 1849 “The Staunton pattern…[was] the basis of all modern figurines in diagrams...”. Ken Whyld, Chess Play Diagrams. With all due respect, Ken Whyld was wrong. Early nineteenth century chess play iconography rather than the Staunton chess set style of 1849 was the basis of our modern chess play diagrams. Chess play set icons identical to those we use today appeared in the works of English chess author William Lewis as of 1818. Moreover, specific elements of certain chess play icon sets used in the early nineteenth century publications of two English authors, Charles Stopford Kenny and William Lewis, predate the Staunton chess set while in toto they match the Staunton chess set’s design in every particular. This begs the question as to whether the famous Staunton Chess Set design was in fact an employment of shapes already familiar to chess students for over three decades. As of the early 1800s, books on chess play were numerous. These books often provided chess play diagrams along with the text. The symbols, or icons, used to represent the various game pieces were not, however, standardized: various authors and publishing houses used their own icon sets and symbols. Iconographic choice remained in flux over the next half century, both on the Continent and in England. However, English conventions (particularly as represented in the numerous works of Kenny and Lewis) came to dominate English, French and to a lesser degree American chess publications by circa 1830.