DOCSLIB.ORG

The Selected Letters of Ralph Waldo Emerson (Joel Myerson, Ed.)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Selected Letters of Ralph Waldo Emerson (Joel Myerson, Ed.) The Selected Letters of Ralph Waldo Emerson The Selected Letters of Ralph Waldo Emerson Edited by Joel Myerson Columbia University Press new york The Press acknowledges with thanks a Centennial gift from Betsy Carter and Paul Carter, Emeritus Trustee of the Press, toward the costs of publishing this book. Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright ᭧ 1997 Ralph Waldo Emerson Memorial Association All rights reserved Library of Congress Cataloging-in-Publication Data Emerson, Ralph Waldo, 1803–1882. [Correspondence. Selections] The selected letters of Ralph Waldo Emerson / edited by Joel Myerson. p. cm. Includes index. ISBN 0–231–10282–8 (acid-free paper) 1. Emerson, Ralph Waldo, 1803–1882—Correspondence. 2. Authors, American—19th century—Correspondence. I. Myerson, Joel. II. Title. PS1631.A4 1997 814Ј.3—dc21 [B] 97–15060 CIP Casebound editions of Columbia University Press books are printed on permanent and dura- ble acid-free paper. Printed in the United States of America c 10987654321 For Greta Contents Introduction 1 Chronology 17 Biographies 27 The Letters 39 Index 461 Introduction Ah you always ask me for that unwritten letter always due, it seems, always unwritten, from year to year, by me to you, dear Lidian,—I fear too more widely true than you mean,—always due & unwritten by me to every sister & brother of the human race. I have only to say that I also bemoan myself daily for the same cause—that I cannot write this letter, that I have not stamina & constitution enough to mind the two functions of seraph & cherub, oh no, let me not use such great words,—rather say that a photometer cannot be a stove.... Besides am I not, O best Lidian, a most foolish affectionate goodman & papa, with a weak side toward apples & sugar and all domesticities, when I am once in Concord? 1 Ralph Waldo Emerson did not feel comfortable writing letters. The excerpt above from a letter to his wife addresses the problems he had in fully expressing his feelings to her as well as to “every sister & brother of the human race.” As a well-known author and lecturer, who was often referred to as “the Sage of Concord,” Emerson had a firmly established public persona behind which he could take refuge. Whether he faced the public in print or on the lecture platform, he was able to be separated from them and their questions; but the medium of correspondence did not offer the same type of defensive barrier. Emerson was able to stave off those who wished access to the private man until 1939, when Ralph L. Rusk published his magisterial six- volume edition of The Letters of Ralph Waldo Emerson. Earlier editions of Emerson’s letters had been controlled by his family, friends, or literary executors. Besides a few scattered letters published in the typical nineteenth-century “life and letters” biographies of his friends and acquaintances or in newspaper and magazine articles (the most extensive being his correspondence with Henry David Thoreau), the only significant collections of Emerson’s letters published before Rusk’s edition were the ones that appeared in James Elliot Cabot’s two-volume Memoir of Ralph Waldo Emerson (1887) and in the book-length collections of his correspondence with Thomas Carlyle (3 vols.; 1883, 1886), the German writer Herman Grimm (1903), and his childhood friend William Henry Furness (1917), as well as his letters to the British poet John Sterling (1897) and his long-time friend Samuel Gray Ward (1899).2 In each case, the published letters presented a sanitized Emerson, a public portrait suitable for veneration. To accomplish Introduction 2 this, the editorial policies were appropriately lax; just as the makeup artist covers or eliminates the physical blemishes of the subject, these editors covered Emerson’s spelling and grammatical lapses, and eliminated references they considered too personally revealing according to the standards of the time or the picture of him that they were trying to present. Accordingly, the man who defined evil as “merely privative, not absolute” in his “Divinity School Address,” stood before the admiring pubiic as a smiling and beneficent Boston Brahmin incarnation of his own essay on “Self-Reliance.” This filio- pietistic editing may have satisfied the concerns of the family, but it did not present an Emerson in touch with the global wars and other concerns of the early twentieth century. Rusk’s edition changed forever the way in which we view Emerson. In nearly 2,800 pages, Rusk presents 2,313 letters never before published and 271 hitherto published only in part, as well as references to 509 letters already printed 3 and another 1,281 that were probably written. Rusk’s editorial policy is straightforward: he prints the letters as they were written with only a few, minor editorial interventions.4 Finally, the private Emerson is allowed to speak for himself directly to his public, and the results are impressive. Odell Shepard heralds the publication of the Letters with a front-page review in the New York Times Book Review, announcing that “[n]ot many events in the history of American literature have been more important than the publication of these long-awaited volumes,” for here is “a performance boldly planned and triumphantly achieved, of which America has every reason to be proud.” 5 Reviewers praise Rusk for his editorial work and for giving us the unvarnished Emerson, one whom we could now reassess in light of this important new addition to his canon. Shepard feels that “those who know how he suffered throughout life with an almost total inability to heave his thought and feeling into spontaneously spoken words will be glad to know that he often made himself amends with a racing, garrulous, and somewhat slovenly pen.” Thus, the “effect of the many letters in which he thus lets himself go, oblivious of the points of punctuation and scornful of capital letters, is like that of a log- jam suddenly broken.” In addition to this new vitality, Van Wyck Brooks notices “an impression of Emerson that is new and unexpected in its concrete- ness....Itisthesocial and mundane Emerson who chiefly appears in these letters, and it will surprise many readers to find out how much of his life was social and mundane”; or, as Townsend Scudder III phrases it, the “casual explorer may get something of a shock to learn how much the brain of a great intellectual can be stuffed with the customary events of existence.” 6 Introduction But on the other side of the Atlantic, the man who embodied so many 3 aspects of American intellectual and literary history was not receiving such a positive reception. The reviewer in the Times Literary Supplement dismisses the letters because “as a whole they do little to illuminate that deeper side of him,” and the reviewer in the Manchester Guardian, after describing the six volumes as having “a massive dignity befitting the last rites of an inevitable canonisation,” goes on to complain that “Emerson was more concerned with what he said than with his way of saying it; and if, in fact, he had not much to say he had an irresistible impulse to go on saying it.” 7 These and many other reviews show that while everyone agrees that Rusk’s editorial work is superb, there is much less consensus about what the letters themselves demonstrate. Typical of this lack of agreement is the reviewer in Time, who, while positively commenting on Emerson’s letters, raises questions about letter writing in general: “The best letters are brief, direct, factual. The best letter writers are usually women and soldiers, who observe closely, state simply. Worst letter writers are usually writers—who philosophize.” 8 Part of the reason for this simultaneous praise of and resistance to Emerson’s letters may have been the fact that they were the first private documents of his to be released without serious editorial intervention and thus were a univocal presentation of a man whose private writings are truly multivocal. The only other edition of Emerson’s private writings published before Rusk’s Letters was The Journals of Ralph Waldo Emerson, edited by Emerson’s son, Edward Waldo Emerson, and grandson, Waldo Emerson Forbes, in ten volumes between 1909 and 1914. Just as in the various editions of letters edited by family members, the Journals, too, presented the “Sage of Concord” to the public. As the editors of the modern edition of Emerson’s journals characterize their predecessor, the editors of that earlier edition believed “[e]ssential privacy was not to be invaded, no one was to be embarrassed, texts were to be made grammatical and ‘correct,’ ‘trivia’ were to be elimi- nated,” resulting in a portrait of “what his chief editor felt impelled to make him, still more the mystic than the Yankee, and always, from beginning to end of the five thousand well-printed pages, ‘Mr.’ Emerson.” 9 Rusk’s edition literally breaks this mold by allowing readers to form their own versions of Emerson through enabling them to read his texts without mediation. Twenty years later, this task of reading the private Emerson was made considerably easier as four decades of intense (and highly professional) edito- rial work began. The mere six volumes of Emerson’s letters were soon joined by three volumes of his early lectures (1959–1972), sixteen volumes of journals Introduction 4 and miscellaneous notebooks (1960–1982), a new edition of the correspon- dence with Carlyle (1964), one volume of poetry notebooks (1986), four volumes of his complete sermons (1989–1992), three volumes of topical notebooks (1990–1994), and four additional volumes of letters (1990–1995).10 Both Joseph Slater, editor of the Carlyle correspondence, and Eleanor M.
Load more

Recommended publications
  • The Visitor Who Never Comes: Emerson and Friendship
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1993 The Visitor Who Never Comes: Emerson and Friendship Wallace Coleman Green Jr. College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Green, Wallace Coleman Jr., "The Visitor Who Never Comes: Emerson and Friendship" (1993). Dissertations, Theses, and Masters Projects. Paper 1539625830. https://dx.doi.org/doi:10.21220/s2-xxw7-ck83 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE VISITOR WHO NEVER COMES: EMERSON AND FRIENDSHIP A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Wallace Coleman Green, Jr 1993 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, May 1993 Robert Sieholnick, Director ichard Lowry -L Adam Potkay ii TABLE OF CONTENTS APPROVAL SHEET ............................................ ii TABLE OF CONTENTS ........................................ iii ACKNOWLEDGEMENTS ......................................... iv ABSTRACT ..................................................
    [Show full text]
  • Seeking a Forgotten History
    HARVARD AND SLAVERY Seeking a Forgotten History by Sven Beckert, Katherine Stevens and the students of the Harvard and Slavery Research Seminar HARVARD AND SLAVERY Seeking a Forgotten History by Sven Beckert, Katherine Stevens and the students of the Harvard and Slavery Research Seminar About the Authors Sven Beckert is Laird Bell Professor of history Katherine Stevens is a graduate student in at Harvard University and author of the forth- the History of American Civilization Program coming The Empire of Cotton: A Global History. at Harvard studying the history of the spread of slavery and changes to the environment in the antebellum U.S. South. © 2011 Sven Beckert and Katherine Stevens Cover Image: “Memorial Hall” PHOTOGRAPH BY KARTHIK DONDETI, GRADUATE SCHOOL OF DESIGN, HARVARD UNIVERSITY 2 Harvard & Slavery introducTION n the fall of 2007, four Harvard undergradu- surprising: Harvard presidents who brought slaves ate students came together in a seminar room to live with them on campus, significant endow- Ito solve a local but nonetheless significant ments drawn from the exploitation of slave labor, historical mystery: to research the historical con- Harvard’s administration and most of its faculty nections between Harvard University and slavery. favoring the suppression of public debates on Inspired by Ruth Simmon’s path-breaking work slavery. A quest that began with fears of finding at Brown University, the seminar’s goal was nothing ended with a new question —how was it to gain a better understanding of the history of that the university had failed for so long to engage the institution in which we were learning and with this elephantine aspect of its history? teaching, and to bring closer to home one of the The following pages will summarize some of greatest issues of American history: slavery.
    [Show full text]
  • A Boston Bookstore at the Turn of the Century
    A Boston Bookstore at the Turn of the Century BY FREDERIC G. MELCHER ^ liHE suggestion of this subject for a paper before the X. American Antiquarian Society was mine, and I appre- ciate the confidence of your Director that this subject might be made interesting and suitable. The history of the Ameri- can book trade has interested me increasingly as years have gone by. Sixty-one of them have passed since I accepted a chance to start work in the Boston bookshop of Lauriat, then Estes and Lauriat. I had prepared for Massachusetts Tech at Newton High School, but at the last moment had turned firmly against science and had decided to go to work, as college entrance then required more of Greek and Latin. Jobs were scarce in 1895 as the business cycle was at one of its low ebbs because of the "panic of '93" and the silver tide threatening from the West. That I turned, so fortunately for me, to retailing for a vocation, then considered without prestige or glamor, was due to the influence of my Grandfather Bartlett, who had inherited from Atkins uncles a part inter- est in a four-story French roof building at 301-305 Wash- ington Street, directly opposite the Old South Church, whose chief ground floor and basement tenant was Estes and Lauriat. The publishing department under Dana Estes had just moved to its newly erected building at 212 Summer Street, while the bookselling was continued under Mr. Lauriat at the 301 frontage on Washington Street. 38 AMERICAN ANTIQUARIAN SOCIETY [April, I have now been away from Boston forty years and more, but those first years are as clear and vivid as any of my sixty years with books.
    [Show full text]
  • Defeating Surgical Anguish: a Worldwide Tale of Creativity
    Journal of Anesthesia and Patient Care Volume 3 | Issue 1 ISSN: 2456-5490 Research Article Open Access Defeating Surgical Anguish: A Worldwide Tale of Creativity, Hostility, and Discovery Iqbal Akhtar Khan*1 and Charles J Winters2 1Independent Scholar, Lahore, Pakistan 2Neurosurgeon, Washington County, 17-Western Maryland Parkway, Suit #100, Hagerstown, MD21740, United States *Corresponding author: Iqbal Akhtar Khan, MBBS, DTM, FACTM, PhD, Independent Scholar, Lahore, Pakistan, E-mail: [email protected] Citation: Iqbal Akhtar Khan, Charles J Winters (2018) Defeating Surgical Anguish: A Worldwide Tale of Creativity, Hostility, and Discovery. J Anesth Pati Care 3(1): 101 Received Date: March 01, 2018 Accepted Date: December 11, 2018 Published Date: December 13, 2018 In Memoria There are countless persons who have suffered through the ages around the world but not mentioned in any text or inscription. The following examples are sad but true tales of the journey through experimentation and torture. Ms. Eufame MacAlyane of Castle Hill Edinburg who, in 1591, was burned alive by order of the ruler of Scotland, King James I, who was an early opponent of “pain free labor”. Her “unforgivable offense” was to seek pain relief during labor [1]. Mrs. Kae Seishu volunteered as the brave first human subject to test “Tsusensan”, an oral anesthetic mixture formulated by her husband Dr. Seishu Hanaoka. The product met great success but she became permanently blind, presumably from repeated experimentation [2]. Their husbands’ agony and anguish is unimaginable! As such, it was a personalized, immeasurable, and unsharable experience. Apropos is a quote from an Urdu poet! Unknown remained their beloveds’ graves, Their nameless, traceless sanctuary.
    [Show full text]
  • Journals of Ralph Waldo Emerson 1820-1872
    lil p lip m mi: Ealpi) ^alUa emeraum* COMPLETE WORKS. Centenary EdittOH. 12 vols., crown 8vo. With Portraits, and copious notes by Ed- ward Waldo Emerson. Price per volume, $1.75. 1. Nature, Addresses, and Lectures. 3. Essays : First Series. 3. Essays : Second Series. 4. Representative Men. 5. English Traits. 6. Conduct of Life. 7. Society and Solitude. 8. Letters and Social Aims. 9. Poems, xo. Lectures and Biographical Sketches, 11. Miscellanies. 13. Natural History of Intellect, and other Papers. With a General Index to Emerson's Collected Works. Riverside Edition. With 2 Portraits. la vols., each, i2mo. gilt top, $1.75; the set, $31.00. Little Classic Edition. 13 vols. , in arrangement and coo- tents identical with Riverside Edition, except that vol. la is without index. Each, i8mo, $1.25 ; the set, $15 00. POEMS. Household Edition. With Portrait. lamo, $1.50} full gilt, $2.00. ESSAYS. First and Second Series. In Cambridge Classics. Crown 8vo, $1.00. NATURE, LECTURES, AND ADDRESSES, together with REPRESENTATIVE MEN. In Cambridge Classics. Crown 8vo, f i.oo. PARNASSUS. A collection of Poetry edited by Mr. Emer- son., Introductory Essay. Hoitsekold Edition. i2mo, 1^1.50, Holiday Edition. Svo, $3.00. EMERSON BIRTHDAY BOOK. With Portrait and Illus- trations. i8mo, $1.00. EMERSON CALENDAR BOOK. 32mo, parchment-paper, 35 cents. CORRESPONDENCE OF CARLYLE AND EMERSON. 834-1872. Edited by Charles Eliot Norton. 2 ols. crown Svo, gilt top, $4.00. Library Edition. 2 vols. i2mo, gilt top, S3.00. CORRESPONDENCE OF JOHN STERLING AND EMER- SON. Edited, with a sketch of Sterling's life, by Ed- ward Waldo Emerson.
    [Show full text]
  • Songs by Title
    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
    [Show full text]
  • Freedom Trail N W E S
    Welcome to Boston’s Freedom Trail N W E S Each number on the map is associated with a stop along the Freedom Trail. Read the summary with each number for a brief history of the landmark. 15 Bunker Hill Charlestown Cambridge 16 Musuem of Science Leonard P Zakim Bunker Hill Bridge Boston Harbor Charlestown Bridge Hatch Shell 14 TD Banknorth Garden/North Station 13 North End 12 Government Center Beacon Hill City Hall Cheers 2 4 5 11 3 6 Frog Pond 7 10 Rowes Wharf 9 1 Fanueil Hall 8 New England Downtown Crossing Aquarium 1. BOSTON COMMON - bound by Tremont, Beacon, Charles and Boylston Streets Initially used for grazing cattle, today the Common is a public park used for recreation, relaxing and public events. 2. STATE HOUSE - Corner of Beacon and Park Streets Adjacent to Boston Common, the Massachusetts State House is the seat of state government. Built between 1795 and 1798, the dome was originally constructed of wood shingles, and later replaced with a copper coating. Today, the dome gleams in the sun, thanks to a covering of 23-karat gold leaf. 3. PARK STREET CHURCH - One Park Street, Boston MA 02108 church has been active in many social issues of the day, including anti-slavery and, more recently, gay marriage. 4. GRANARY BURIAL GROUND - Park Street, next to Park Street Church Paul Revere, John Hancock, Samuel Adams, and the victims of the Boston Massacre. 5. KINGS CHAPEL - 58 Tremont St., Boston MA, corner of Tremont and School Streets ground is the oldest in Boston, and includes the tomb of John Winthrop, the first governor of the Massachusetts Bay Colony.
    [Show full text]
  • “Standardization of Cultural Products in Latin Pop-Music”
    “STANDARDIZATION OF CULTURAL PRODUCTS IN LATIN POP-MUSIC” RESEARCH PAPER PREPARED FOR THE 28TH ANNUAL ILASSA CONFERENCE ON LATIN AMERICA TO BE HELD AT THE UNIVERSITY OF TEXAS AT AUSTIN FROM FEBRUARY 7TH THROUGH FEBRUARY 9TH ISRAEL ALONSO CHAVEZ LATIN AMERICAN AND CARIBBEAN CENTER FLORIDA INTERNATIONAL UNIVERSITY MIAMI, FLORIDA [email protected] 2008 Introduction 2 This work represents the initial stage of a project whose seed germinated thanks in part to what seems to be an ongoing debate between two different approaches to music in the sociological field. The first approach puts much of its emphasis on the functional dimension of music. That is, on the social functions it performs, enables and enhances; but also on its economic functionality. The subservience of music to economic ends does not imply a loss in terms of creativity for the representatives of this perspective. The second perspective does not deny that music fulfills certain economic and social functions. Yet, unlike the former, the latter warns against the atrophy of creativity that can be brought about by the models implented by “the culture industries”, to use Theodor W. Adorno’s concept. My concern here lies with the question of whether the claims made by this important member of the Frankfurt school about the products of “the culture industries” can be substantiated with empirical evidence. I want to investigate whether popular music (Latin pop music in this case) is indeed, as Adorno says, just another standardized product fashioned after the formulas of “the culture industries”. This work, however, forms part of a broader preoccupation with the issue of musical style, what causes it and what makes it change.
    [Show full text]
  • The Legendary Visit of Emerson to Tallahassee
    Florida Historical Quarterly Volume 34 Number 4 Florida Historical Quarterly, Vol 34, Article 6 Issue 4 1955 The Legendary Visit of Emerson to Tallahassee Alan J. Downes Part of the American Studies Commons, and the United States History Commons Find similar works at: https://stars.library.ucf.edu/fhq University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by STARS. It has been accepted for inclusion in Florida Historical Quarterly by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Downes, Alan J. (1955) "The Legendary Visit of Emerson to Tallahassee," Florida Historical Quarterly: Vol. 34 : No. 4 , Article 6. Available at: https://stars.library.ucf.edu/fhq/vol34/iss4/6 Downes: The Legendary Visit of Emerson to Tallahassee THE LEGENDARY VISIT OF EMERSON TO TALLAHASSEE by ALAN J. DOWNES Among the pioneers in the perennial migration of winter visitors to Florida was Ralph Waldo Emerson, the beloved philosopher of American ideals. In 1827, ten years before the flowering of the stirring essays on “The American Scholar” and ”Self-Reliance,” the unknown tubercular youth sailed into castle- shadowed St. Augustine harbor seeking the healing climate of the newly-acquired Florida Territory. During his ten-week stay the future scholar as a matter of habit recorded his random thoughts and his impressions of life around him in a series of journal entries, notebook jottings, and letters. These writings, now published in relative com- pleteness, constitute an important historical source, first be- cause of their record of Emerson’s momentous meeting with the atheistic Napoleonic prince-in-exile, Achille Murat; and second because of the light they throw upon social life in the old Spanish town just following American occupation.
    [Show full text]
  • Boston a Guide Book to the City and Vicinity
    1928 Tufts College Library GIFT OF ALUMNI BOSTON A GUIDE BOOK TO THE CITY AND VICINITY BY EDWIN M. BACON REVISED BY LeROY PHILLIPS GINN AND COMPANY BOSTON • NEW YORK • CHICAGO • LONDON ATLANTA • DALLAS • COLUMBUS • SAN FRANCISCO COPYRIGHT, 1928, BY GINN AND COMPANY ALL RIGHTS RESERVED PRINTED IN THE UNITED STATES OF AMERICA 328.1 (Cfte gtftengum ^regg GINN AND COMPANY • PRO- PRIETORS . BOSTON • U.S.A. CONTENTS PAGE PAGE Introductory vii Brookline, Newton, and The Way about Town ... vii Wellesley 122 Watertown and Waltham . "123 1. Modern Boston i Milton, the Blue Hills, Historical Sketch i Quincy, and Dedham . 124 Boston Proper 2 Winthrop and Revere . 127 1. The Central District . 4 Chelsea and Everett ... 127 2. The North End .... 57 Somerville, Medford, and 3. The Charlestown District 68 Winchester 128 4. The West End 71 5. The Back Bay District . 78 III. Public Parks 130 6. The Park Square District Metropolitan System . 130 and the South End . loi Boston City System ... 132 7. The Outlying Districts . 103 IV. Day Trips from Boston . 134 East Boston 103 Lexington and Concord . 134 South Boston .... 103 Boston Harbor and Massa- Roxbury District ... 105 chusetts Bay 139 West Roxbury District 105 The North Shore 141 Dorchester District . 107 The South Shore 143 Brighton District. 107 Park District . Hyde 107 Motor Sight-Seeing Trips . 146 n. The Metropolitan Region 108 Important Points of Interest 147 Cambridge and Harvard . 108 Index 153 MAPS PAGE PAGE Back Bay District, Showing Copley Square and Vicinity . 86 Connections with Down-Town Cambridge in the Vicinity of Boston vii Harvard University ...
    [Show full text]
  • Sheet Music Collection
    McLean County Museum of History Sheet Music Collection Inventoried by Sharon Tallon, Museum Library volunteer German translation by Eleanor Mede April 2012 Collection Information VOLUME OF COLLECTION: Three Boxes COLLECTION DATES: 1870 – 1968 PROVENANCE: None RESTRICTIONS: Collection has several brittle documents. Before making photocopies of items please obtain permission from librarian or archivist. REPRODUCTION RIGHTS: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History. ALTERNATIVE FORMATS: None OTHER FINDING AIDS: None LOCATION: Archives Scope Note This collection includes approximately 750 individual pieces of sheet music, booklets and books copyrighted from 1870 through 1968. A few are encapsulated and may appear in displays in the People or Politics room on the Museum’s first floor. Sheet music also is sometimes featured in temporary, but long-running, displays. People who lived in (or once lived in) McLean County donated most, if not all, of the individual sheets, booklets and books of music that represent the 90 years of music listed in this collection. The first section (Box 1, Folders 1 through 6) is devoted to music that has a direct connection to McLean County. Other sections in Box 1 include music with Chicago connections as well as other places in Illinois, a few other states and Canada, as well as cultural and subject-related music. Dance and instrumental music (with or without vocal) make up the bulk of Box 2 along with a listing and some sheet music by Irving Berlin and Walt Disney. Five folders (10, 11, 15, 16, and 17) are devoted to German instrumental music.
    [Show full text]
  • Dr. Samuel Cabot Iii
    DR. SAMUEL CABOT III You’ve heard what has been said about the richie-rich “Boston Brahmins,” that the “Lowells talk only to the Cabots, / And the Cabots talk only to God.” Well, here we find Dr. Samuel Cabot III, a Cabot who should be talking only to God — but what he is doing here instead is, he is exchanging bird notes with Henry Thoreau. THE LOWELL FAMILY THE CABOT FAMILY HDT WHAT? INDEX DR. SAMUEL CABOT III DR. SAMUEL CABOT III 1815 September 20, Wednesday: Representatives of Austria, France, Great Britain, Prussia, and Russia met in Paris to work out a new peace treaty. The allied powers agreed to compel France to return all works of art taken from them during the florut of Napoléon Bonaparte. The allies required that France give up 2/3ds of the territory won between 1790 and 1792, plus Savoy, that it pay 600,000,000 francs in reparations and 200,000,000 francs for the construction of forts along its border to protect its neighbors, and that it pay for 150,000 allied soldiers to man various fortresses throughout France for 7 years. Samuel Cabot III was born in Boston to Samuel Cabot, Jr. and Elizabeth Perkins, daughter of the “merchant king” Colonel Thomas Perkins. His father and his grandfather, Thomas Handasyd Perkins, were 2 of the wealthiest men in 19th-Century Boston. His brothers would include James Elliot Cabot and Edward Clarke Cabot. He would be fitted for college at the Boston Latin School. THE CABOT FAMILY HDT WHAT? INDEX DR. SAMUEL CABOT III DR.
    [Show full text]