Journals of Ralph Waldo Emerson 1820-1872
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The Dial and Transcendentalist Music Criticism” by WESLEY T
The ‘yearnings of the heart to the Infinite’: The Dial and Transcendentalist Music Criticism” by WESLEY T. MOTT “When my hoe tinkled against the stones, that music echoed to the woods and the sky . and I remembered with as much pity as pride, if I remembered at all, my acquaintances who had gone to the city to attend the oratorios.” So wrote contrary Henry Thoreau in “Walden” (1854; [Princeton UP, 1971], p. 159). His literary acquaintances, in fact, had made important contributions to the emergence of music criticism in Boston a decade earlier in the Transcendentalist periodical, the Dial. Published from 1840 to 1844 and edited by Margaret Fuller and Ralph Waldo Emerson, the Dial promised readers in the first issue to give voice to a “new spirit” and to “new views and the dreams of youth,” to aid “the progress of a revolution . united only in a common love of truth, and love of its work” (the Dial, 4 vols. [rpt. New York: Russell & Russell, 1961], 1:1-2. The definitive study is Joel Myerson, The New England Transcendentalists and the Dial: A History of the Magazine and Its Contributors [Rutherford, NJ: Fairleigh Dickinson UP, 1980]). Featuring poetry, essays, reviews, and translations on an eclectic range of literary, philosophical, theological, and aesthetic topics, the Dial published only four articles substantially about music: one by John Sullivan Dwight, one by John Francis Tuckerman, and two by Fuller (excluding her lengthy study Romaic and Rhine Ballads [3:137-80] and brief commentary scattered in review articles). Each wrote one installment of an annual Dial feature for 1840-42—a review of the previous winter’s concerts in Boston. -
The Legendary Visit of Emerson to Tallahassee
Florida Historical Quarterly Volume 34 Number 4 Florida Historical Quarterly, Vol 34, Article 6 Issue 4 1955 The Legendary Visit of Emerson to Tallahassee Alan J. Downes Part of the American Studies Commons, and the United States History Commons Find similar works at: https://stars.library.ucf.edu/fhq University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by STARS. It has been accepted for inclusion in Florida Historical Quarterly by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Downes, Alan J. (1955) "The Legendary Visit of Emerson to Tallahassee," Florida Historical Quarterly: Vol. 34 : No. 4 , Article 6. Available at: https://stars.library.ucf.edu/fhq/vol34/iss4/6 Downes: The Legendary Visit of Emerson to Tallahassee THE LEGENDARY VISIT OF EMERSON TO TALLAHASSEE by ALAN J. DOWNES Among the pioneers in the perennial migration of winter visitors to Florida was Ralph Waldo Emerson, the beloved philosopher of American ideals. In 1827, ten years before the flowering of the stirring essays on “The American Scholar” and ”Self-Reliance,” the unknown tubercular youth sailed into castle- shadowed St. Augustine harbor seeking the healing climate of the newly-acquired Florida Territory. During his ten-week stay the future scholar as a matter of habit recorded his random thoughts and his impressions of life around him in a series of journal entries, notebook jottings, and letters. These writings, now published in relative com- pleteness, constitute an important historical source, first be- cause of their record of Emerson’s momentous meeting with the atheistic Napoleonic prince-in-exile, Achille Murat; and second because of the light they throw upon social life in the old Spanish town just following American occupation. -
02 003-020 OGURA(責)山.Indd
The Japanese Journal of American Studies, No. 31 (2020) Copyright © 2020 Izumi Ogura. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. The Concord Community: Ralph Waldo Emerson and the Antislavery Movement Izumi OGURA* INTRODUCTION Traditional scholarship on Ralph Waldo Emerson (1803–82) tends to focus on his representative works from the 1830s, such as Nature (1836), “The American Scholar” (1837), and “The Divinity School Address” (1838).1 Many scholars contend that as Emerson emphasized the “self- supplied powers of the individual,”2 he did not make explicit statements opposing slavery.3 George M. Fredrickson writes in The Inner Civil War (1965) that Emerson’s “detachment” and seclusion led him to remain aloof from society and politics and that it was not until the outbreak of the Civil War that he became “an infl uential and active citizen.”4 He says that Emerson’s egoistic self-reliance transformed him into a “useful citizen” as he got involved in the slavery argument and the Civil War.5 For Emerson, the question of slavery was the turning point in his acceptance of “collective feeling as the equivalent of individual intuition.”6 In Virtue’s Hero (1990), Len Gougeon leads the way in revising past negative interpretations of Emerson’s attitude toward society. Still, in his 2012 article “Militant Abolitionism,” he states that even in the twenty-fi rst century, -
Philosophy of Anti-Slavery
Nathaniel Adam Tobias Coleman [email protected] • http://natcphd.me PHIL3061: The philosophy of anti-slavery Slavery. It was wrong, wasn't it? That much we know. Yet, why was it wrong? The societies that benefitted from slavery had to be convinced that it was wrong. Indeed, they had to be persuaded to give it up. Moreover, for them, it was not enough that the case for slavery was shown to be unsound; they wanted to hear the case against slavery. Although we don't need to be persuaded by the case against slavery, we struggle to explain exactly what that case is. For this reason, we will revisit, analyse, and evaluate some of the arguments historically used to explain the wrongness of slavery. To do this, we shall focus on a period of time that we might call 'the longer eighteenth century of British abolitionism': it begins with the Germantown Protest of 1688 and ends, 150 years later, with the final emancipation of all persons enslaved-as-negro in the British Empire, in 1838. However, we frame our investigation by the anglophone world established by British imperialism, not because Britain's abolition of negro slavery was the first—no, that occurred in St-Domingue (later Haiti), in 1793—but rather because Britain currently enjoys (deservedly or not) special moral praise for its 'leading' contribution to the emancipation of all persons enslaved-as-negro, across all the European empires. Ultimately, by evaluating the arguments of (1) European abolitionists, (2) enslaved Africans, and (3) Haitian revolutionaries, we will grasp the place that these arguments occupy in the broader philosophical debate among three major moral theories: (a) the utilitarian idea that a policy is wrong, if its painful results outweigh its pleasurable results, (b) the theory of natural rights, according to which a policy is wrong, if it violates a person's human right, and (c) the theory of human flourishing, according to which a policy is wrong, if it corrupts a person's character. -
A072d7cb17b564d401082d34b5
THE LIFE AND WORK OF LUTHER ORLANDO EMERSON 1 820- 1915 by KA IN S. BLAND FORD A thesis Prese nted to the Faculty of t he Department o f Mus i c o f Christopher Newport Un iversity I n par t i a l fulfi l l me n t of the Requireme nts f or the Degre e Ba c he l or o f Mus i c Apri l, 1994 CAPTAINJOHN SMITH LffiRARY CHRISTOPHER NEWPORT UNIVERSITY NEWPORT NEWS. VIRGINIA Approved by Director /'p, v Hines, Ph .D . /71c~ « . 2~:r4 -~ Ma rk U. Re i me r D.M . Reader ABSTRACT Luther Orlando Emerson (1820-1915), along with many other New England composers, was a pioneer in the field of music education. Compiler and composer of music for churches, singing schools, choral societies, and public schools, and through his work at music conventions, and teaching positions in various institutes throughout Massachusetts, Emerson played a maj or role in the promotion of music education for the masses. Widely popular in his day, Emerson made great contributions in sacred music, as he was devoted to elevating the standards and general character of church music. The objective of this thesis is to explore the life and work of this most .prolific, nineteenth-century composer. The content of the first chapter is the early life of Emerson: his home life, early musical experiences, and his early education. The second chapter's subjects are his formal music education, beginning professional work in teaching and conventions, and his first books. The subjects of the third chapter are Emerson's main convention work and his later life. -
The American Transcendentalists
THE AMERICAN TRANSCENDENTALISTS ESSENTIAL WRITINGS Edited and with an Introduction by Lawrence Buell THE MODERN LIBRARY NEW YORK CONTENTS INTRODUCTION xi A NOTE ON THE TEXTS xxix I. ANTICIPATIONS 1.. MARY MOODY EMERSON, Letters to a Future Transcendentalist (1817-51) 3 2. SAMUEL TAYLOR COLERIDGE, Reason Versus Understanding (1825,1829) 9 3. WILLIAM ELLERY CHANNING, Humanity's Likeness to God (1828) 11 4. THOMAS CARLYLE, The Age of Machinery (1829) 16 5. RALPH WALDO EMERSON, A Young Minister Refuses to Perform a Crucial Duty (1832) 20 6. FREDERIC HENRY HEDGE, The Significance of Kantian Philosophy (1834) 23 7. GEORGE RIPLEY, Victor Cousin and the Future of American Philosophy (1838) 25 II. MANIFESTOS AND DEFINITIONS 1. RALPH WALDO EMERSON, Nature(\836) 31 vi • Contents Contents • vii 2. AMOS BRONSON ALCOTT, from The Doctrine and Discipline of Human 2. Ralph Waldo Emerson Declines George Ripley's Invitation to Join Culture(1836) 68 Brook Farm (1840) 201 3. ORESTES BROWNSON, The Reconciliation of God, Humanity, State, 3. RALPH WALDO EMERSON, "Self-Reliance" (1841) 208 and Church (1836) 76 4. ELIZABETH PALMER PEABODY, from "Plan of the West Roxbury 4. RALPH WALDO EMERSON, "The American Scholar" (1837) 82 Community" (1842) 232 5. CHRISTOPHER PEARSE CRANCH, from "Transcendentalism" (1839) 100 5. GEORGE RIPLEY et al, Brook Farm's (First Published) Constitution (1844) 235 6. GEORGE RIPLEY, Letter of Intent to Resign (1840) 103 6. THEODORE PARKER, from "A Sermon of Merchants" (1846) 244 7. RALPH WALDO EMERSON, "The Transcendentalist" (1841) 107 7. MARGARET FULLER, On the Italian Revolution (1847-50) 251 8. CHARLES DICKENS, On Boston Transcendentalism (1842) 123 8. -
Emerson Society Papers
Volume 27, number 1 spring 2016 EmErson sociEty PaPErs choral setting of Emerson’s “Boston Hymn” Premieres at symphony Hall WESLEY T. M OTT Worcester Polytechnic Institute Ralph Waldo Emerson enjoyed concerts by the Handel and Emerson composed the poem at the urging of his friend Haydn Society (H+H) in Boston and deeply admired both the music critic John Sullivan Dwight for the Grand namesake composers.1 H+H reciprocated on June 18, 2015, Jubilee Concert celebrating President Lincoln’s Emancipa- tion Proclamation, at the Boston Music Hall on New Year’s placing Emerson at the center of the finale of its ambitious 3 2014–2015 Bicentennial season at Symphony Hall. Day 1863. Ticket proceeds, the broadside declared, would Gabriela Lena Frank (b. 1972), award-winning com- benefit freed slaves. The twenty-nine listed supporters of the poser-in-residence for both the Houston and the Detroit event were prominent abolitionists and civic and cultural Symphony Orchestras, was commissioned by H+H and the luminaries including H. W. Longfellow, former mayor Josiah Library of Congress to arrange Emerson’s poem “Boston Quincy Jr., Edward E. Hale, Francis Parkman, James T. Hymn” for chorus and chamber ensemble.2 Her My Angel, Fields, Dial contributor and businessman S. G. Ward, his name is freedom premiered in a program titled “Handel R. W. Emerson, J. M. Forbes (railroad magnate and future + Haydn Sings” conducted by H+H artistic director Harry father-in-law to Emerson’s younger daughter Edith), Christophers. Works by Handel, Samuel Webbe, Gwyneth Charles E. Norton, O. W. Holmes, J. -
Guide to the Old Manse Book Collection: IMLS Selections
. .• ·... • •• ·•.;:: INS11TUTE oi • •••••• Museum and llbrary .-•~:• SERVICES .• •••• .• •: THE TRUSTEES OF RESERVATIONS ARCHIVES & RESEARCH CENTER Guide to The Old Manse Book Collection: 400 of 2,100 books selected for an IMLS grant, chosen for rarity & historical importance by Connie Colburn November 2017 Last updated: March 2018 Sarah Hayes Archives & Research Center 27 Everett Street, Sharon, MA 02067 www.thetrustees.org [email protected] 781-784-8200 Page 1 of 33 The Trustees of Reservations – www.thetrustees.org Extent: 2,100 books, 400 of which are described here. Copyright © 2018 The Trustees of Reservations ADMINISTRATIVE INFORMATION PROVENANCE Acquired in 1939 with the purchase of The Old Manse from the estate of Sarah Ripley Thayer Ames (1874-1939), facilitated by her husband and executor, John Worthington Ames (1871-1954). OWNERSHIP & LITERARY RIGHTS The Old Manse Book Collection is the physical property of The Trustees of Reservations. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. CITE AS The Old Manse Book Collection. The Trustees, Archives & Research Center. RESTRICTIONS ON ACCESS This collection is open for research. Restricted Fragile Material may only be consulted with permission of the archivist. Page 2 of 33 The Trustees of Reservations – www.thetrustees.org OVERVIEW This project was made possible in part by the Institute of Museum and Library Services (IMLS). This document represents some of the work that The Trustees was able to do at The Old Manse because of a 2017 IMLS grant. Funds generously awarded by IMLS made it possible for many books within the intact 2,100 volume library to receive conservation, protective book cases, and in-depth cataloguing and research. -
Explanation of Emerson's Hamatreya
EXPLANATION OF EMERSON’S HAMATREYA B. S. S. BHAGAVAN Assistant Professor Dept.of English V. S. University SPS Nellore, (AP) INDIA The Sage of concord, the American transcendentalist, R. W. Emerson known for his Philosophical and Literary writing . Emerson had developed strong passion in the Hindu’s scriptures during his Harvard days. He started reading Vedantic Philosophy in 1840’s, and continued throughout his life. Emerson’s prose and poetry filled with Vedantic quotations. Emerson borrowed themes from Upanishads and other Hindu scriptures for his essays. The Philosopher and Over soul , spiritual law and etc. Best examples of Emerson essays which echoes the Vedantic ideology. The titles of few poems like Hamatreya, Bramha and etc, are borrowed from hindu scriptures. Emerson used Upanishadic concepts as a themes of his poems such as wood notes , the celestial love, sphinx and sprit. The objective of this present study is to interpret Emerson’s poem Hamatreya and contend contrary to the observations of Emersonian critics in explaining the meaning of the title Hamatreya. Key words: Philosophical—Scriptures—Vedantic—Upanishads—Echoes. INTRODUCTION Emerson the profounder of American transcendalism can be called as poet among philosophers and a philosopher among poets. The centre idea of Emerson’s philosophy of life authenticity of intuition and genuine emotion is in a sense, a poetic view of life. As a theorist of aesthetic experience, Emerson always highlighted poetic inspiration and gave least importance to poetic techniques. According to Emerson the poet is a seer and a visionary, But not a mere craftsman. For him “It is not meter, Rhyme which makes a poem beautiful but argument in poem. -
Early Poems of Ralph Waldo Emerson
Early Poems of Ralph Waldo Emerson Ralph Waldo Emerson Early Poems of Ralph Waldo Emerson Table of Contents Early Poems of Ralph Waldo Emerson...................................................................................................................1 Ralph Waldo Emerson...................................................................................................................................1 LIFE OF RALPH WALDO EMERSON.......................................................................................................2 POEMS.....................................................................................................................................................................14 THE SPHYNX.............................................................................................................................................14 EACH AND ALL........................................................................................................................................17 THE PROBLEM..........................................................................................................................................18 TO RHEA....................................................................................................................................................20 THE VISIT...................................................................................................................................................22 URIEL..........................................................................................................................................................23 -
Emerson Society Papers
Volume 7, Number 1 Spring 1996 Emerson Society Papers Emerson and the North American Review: New Letters Wesley T. Mott Worcester Polytechnic Institute A new letter from Ralph Waldo Emerson to Lorettus them to Cabot in Beverly for correction. She is worried Sutton Metcalf, managing editor of the North American that Emerson's use of the word "crowner" is inappropri Review, and two letters by Metcalf concerning the same ate, that an allusion to Bonaparte is too "elliptical," and matter, shed new light on Emerson's compositional prac especially that the beginning of the essay is "confusingly tices in his declining years. The letters help document an abrupt and varied."" But Ellen is too late. Waldo writes her extended awkward episode revealing the confusion that from Boston on 16 August that he returned his "correctid sometimes resulted from the editorial collaboration—in sheets to Osgood & Co, immediately; & only yesterday this case from three separate locations—of Ellen Tucker received your lines & Mr Cabot's corrections." He goes Emerson, James Elliot Cabot, and Emerson himself. on to complain about cuts in the manuscript, including a On 7 June 1877, Cabot arrived in Concord to help quotation by Michael Faraday, but promises,"I shall obey Ellen work on her father's manuscripts.' Atleast one ofthe your united opinion with thanks & trust. tasks presumably was preparation for publication of"Per "Perpetual Forces" was published in the September- petual Forces," the title of a lecture Emerson had given October issue ofthe North American Review. The Faraday frequently between 18 November 1862 and 19 November quotation was restored, satisfying Emerson's complaint, 1863.^ This was the manuscript referred to in Emerson's but evident from new letters is that Ellen's and J. -
Emersonian Perfectionism: a Man Is a God in Ruins
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-2007 Emersonian Perfectionism: A Man is a God in Ruins Brad James Rowe Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the American Studies Commons, Religion Commons, and the United States History Commons Recommended Citation Rowe, Brad James, "Emersonian Perfectionism: A Man is a God in Ruins" (2007). All Graduate Theses and Dissertations. 109. https://digitalcommons.usu.edu/etd/109 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. EMERSONIAN PERFECTIONISM: A MAN IS A GOD IN RUINS by Brad James Rowe A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in English Approved: _____________________________ ________________________ Paul Crumbley Evelyn Funda Major Professor Committee Member _____________________________ ________________________ Michael Sowder Byron R. Burnham Committee Member Dean of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2007 ii Copyright Brad James Rowe 2007 All Rights Reserved iii ABSTRACT Emersonian Perfectionism: A Man Is a God in Ruins by Brad James Rowe, Master of Science Utah State University, 2007 Major Professor: Dr. Paul Crumbley Department: English Ralph Waldo Emerson is a great American literary figure that began his career as a minister at Boston’s Second Church. He discontinued his ministry to become an essayist and lecturer and continued as such for the remainder of his life.