Disabilities And Self Help Delio Ag Anabledd a Sianlens Hunangymorth

An Art auction to raise money for DASH Ceredigion to celebrate 40 years of supporting children with disabilities and their families.

Ocsiwn Gelf i godi arian i DASH Ceredigion i ddathlu 40 mlynedd o gefnogi plant ag anableddau a'u teuluoedd.

We are extremely grateful to all the artists who have donated their work and to others who have given works for the auction and prizes for the raffle.

Rydym yn hynod o ddiolchgar i'r holl artistiaid sydd wedi cyfrannu eu gwaith ac i eraill sydd wedi rhoi gweithiau ar gyfer yr ocsiwn a gwobrau ar gyfer y raffl.

Since 1978, DASH Ceredigion has been organising a variety of leisure schemes for disabled children and young people within the county of Ceredigion. We do this so that local disabled children and their families can have a better quality of life with access to a wide choice of leisure facilities and opportunities. Parents and carers get time to recharge their batteries and disabled children and young people get time of their own for personal, social and creative development in a welcoming and fun environment.

Ers 1978, bu DASH Ceredigion yn trefnu amrywiaeth o gynlluniau hamdden i blant a phobl ifanc anabl yng Ngheredigion. Rydym yn gwneud hyn er mwyn i blant anabl lleol a'u teuluoedd gael gwell ansawdd bywyd gyda mynediad at ddewis ehangach o gyfleusterau hamdden a chyfleoedd eraill. Gall rhieni a gofalwyr gael cyfle am seibiant i fagu nerth tra bod y plant a'r bobl ifanc anabl yn cael amser eu hunain ar gyfer datblygiad personol, cymdeithasol a chreadigol mewn amgylchedd croesawgar.

www.dashceredigion.org.uk

Charity Number 1163672 Rhif Elusen

OCSIWN GELF ART AUCTION

Dydd Sadwrn MEHEFIN 16 JUNE Saturday 2.00pm (Rhagolwg / Viewing: 1.00pm)

Canolfan y MORLAN Centre ABERYSTWYTH Morfa Mawr (Queen's Rd.), Aberystwyth SY23 2HH

Viewing and registering to bid from 1.00pm.

Everybody wishing to bid will be required to register with their name, address and contact details.

Prices in the catalogue are guide prices only and details of art work are given in good faith as to artist, medium etc.

All winning bids are binding.

Artwork remains the property of DASH Ceredigion until payment is made.

We do not have facilities for card payment so all payments must be by cash or cheque on the day.

Postal bids can be sent to DASH Ceredigion, Byngalo Min-y-Môr, Wellington Gardens, Aberaeron SA46 0BQ. Please send in a sealed envelope marked DASH auction.

Light refreshments will be available to purchase during the viewing and the auction.

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Rhagolwg a chofrestru o 1.00pm.

Bydd gofyn i bawb sy'n dymuno gwneud cynnig am eitemau gofrestru trwy roi eu henwau, cyfeiriad a manylion cyswllt.

Prisiau canllaw yn unig a geir yn y catalog ac mae'r manylion am weithiau celf ynglyn ag artist, cyfrwng ac ati, yn ddilys hyd y gwyddys.

Os bydd eich cynnig yn fuddugol, rhaid talu am yr eitem.

Hyd y telir amdano, bydd unrhyw waith celf yn eiddo i DASH Ceredigion.

Nid oes gennym gyfleuster talu â cherdyn; felly bydd rhaid talu ag arian parod neu â siec ar y diwrnod.

Gellir anfon cynigion drwy'r post i DASH Ceredigion, Byngalo Min-y-Môr, Gerddi Wellington, Aberaeron SA46 0BQ. Defnyddiwch amlen wedi'i selio gan nodi Ocsiwn DASH os gwelwch yn dda.

Bydd lluniaeth ysgafn ar gael i'w brynnu yn ystod y rhagolwg a'r ocsiwn. Index of Lots Mynegai i'r Eitemau

1. Barry Arnold, Felin Cenarth 1 - painting/paentiad 2. James Leman, 2 floral silk designs/2 ddyluniad sidan o flodau - fine prints/pritiau cain (V&A, 1995) 3. Steven Doyle, Celtic handprint - screen-print/argraffiad â sgrîn 4. Bodge, Borth, 2016BC - painting/paentiad 5. Cariad Glass, stained glass panel/panel gwydr lliw 6. Gwenllian Beynon, Yma ac Acw - mono print 7. Y Ddafad Ddu/The Black Sheep, hand-knitted children's garment (blue) original design 8. Y Ddafad Ddu/The Black Sheep, dilledyn i blant wedi'i weu â llaw (pinc) cynllun gwreiddiol 9. Helen Tworkowski, Three Oranges in a Bowl - painting/paentiad 10. Averil Clifford Rees, Fruit with string - painting/paentiad 11. Wynne Melville Jones, Craig Elvis Eisteddfa Gurig - print, 31/250 12. Ann Williams, Study of a Ceredogion Cottage - painting/paentiad 13. Patti Keane, Marrow Boat - painting/paentiad 14. Andy McPherson, ceramic pot/potyn cerameg 15. Christopher Stranney, (fishing boat/ cwch pysgota) - painting/paentiad 16. Christopher Stranney, (cockerel and hen together with cockerel/ceiliog ac iâr yngh^yd â cheiliog) - paintings/paentiadau 17. Christopher Stranney, (horse/ceffyl) - painting/paentiad 18. Andrew Francis, Aberystwyth 3 - painting/paentiad 19. Alison Greeley, Pineapple & Aloe - linocut/toriad leino 4/28 20. Ruth Jên Evans, Cwiltiau - print 35/50 21/22. Huw Ceiriog, (21 &22) Ych yng Ngwedd - limited edition/argraffiad cyfyngedig o 300 23. Huw Ceiriog, Berwyn, limited edn./argraffiad cyfyngedig o 70 24. Huw Ceiriog, Marwnadau Llywelyn ap Gruffudd limited edn. /argraffiad cyfyngedig o 300 25. Huw Ceiriog, Kalan Gaeaf limited edn. of/argraffiad cyfyngedig o 60 26. Gwenllian Spink, hand-printed cards/ cardiau wedi'u hargraffu â llaw 27. Wendy Lloyd, Fferm Ceredigion - painting/paentiad 28. William Griffiths, Landrover - pencil drawing/darlun pensil 29. Lizzie Spikes, Cegin - painting/paentiad 30. Rhiannon, Tonneu - silver brooch/broets arian 31. Tegwyn Jones, Gwinllan a roddwyd... - calligraphy (limited edition)/ceinlythreniad (argraffiad cyfyngedig) 32. E. Meirion Roberts, I ddathlu canmlwyddiant geni John Saunders Lewis - print 330/500 33. Christopher Stranney, Nosey Calf - painting/paentiad 34. Christopher Stranney, Triptych - (horses together with 5 miniatures of horses and bull/ceffylau yngh^yd â 5 miniatur o darw a cheffylau) - paintings/paentiadau 35. Sue Lee, Badger - print&appliqué 36. Ruth Packham, floral design felt panel together with a collection of felt animals/ panel ffelt cynllun blodeuog ynghyd â chasgliad o anifeiliaid ffelt 37. Sarah Hudis, (Green man) - screen-print on cloth/print â sgrîn ar liain 38. Barry Arnold, Felin Cenarth 2 - painting/paentiad 39. Mary Lloyd Jones, Moel Famau - lithograph with hand colouring/lithograff gyda lliwio â llaw 22/40 40. Ali Scott, Gwarchod y Praidd/ Minding the Flock - felt work picture/llun gwaith ffelt 41. antique print/print hynafol, Cader Idris and Craig-y-Derin 42. antique print/print hynafol, Aberystwith 43. Hilary Smith, Plate of Oranges - painting/paentiad 44. Philip Huckin, un o lynnoedd Teifi/ one of the Teifi pools - painting/paentiad 45. Rolant Dafis, Cors Caron - art photogrph/ffotograff celf 46. Tad Klodnicki, (sunlight on rock/golau'r haul ar graig) - painting/paentiad 47. Tad Klodnicki, (red house/tŷ coch) - print 48. B J Sewell, Camnant - painting/paentiad 49. Griffith S Owen, (Yr Wyddfa o Ynysfor neu Bont y Traeth, Llanfrothen) - painting/paentiad 50. Tegwyn Jones, Yn ymyl Ty'n-y-coed - calligraphy & paint/llythrennu cain & phaent 51. Tegwyn Jones, Gwynt ar fôr - calligraphy & paint/llythrennu cain & phaent 52. Suzanne Lanchbury, Chameleon - ceramic sculpture/cerflun cerameg 53. Chloe Rodenhurst, Clever Lady Devil's Bridge - print 54. Gareth Owen, Hiraeth - signed digital print by the artist/print digidol gan yr artist wedi'i lofnodi 55. Cynthia Westney, White Sails - lino print/print leino 56. Valériane Leblond, Triptych: Calch Lasar, Taryaneu, Eskidyeu - original art work/gwaith celf gwreiddiol 57. Edrica Huws, The Viola giclée print of original patchwork/print giclée o glytwaith gwreiddiol 13/50 58. Edrica Huws Patchworks (2007) - rare book/llyfr prin 59. Alun Gwynedd Jones, The Dream of Captain Cat - lithograph 1/4 60. Tegwyn Jones, R S Thomas - cartoon portrait/portread cartŵn 61. Meri Wells, Y Daith - ceramic maquette/maquette cerameg 62. Edward Povey, (rural landscape/tirlun gwledig) - linocut/toriad leino 63. unattributed/heb ei briodoli, (Italian townscape with campanille/ treflun Eidalaidd gyda campanille) - painting/paentiad 64. Mary Lloyd Jones, Arenig - painting/paentiad 65. Tad Klodnicki, (house in woodland setting & landscape - back to back/ tŷ mewn llecyn coediog & thirlun - gefn wrth gefn) - paintings/paentiadau 66. Tad Klodnicki, (snow scene & rural landscape - back to back/ golygfa o eira & thirlun gwledig - gefn wrth gefn) - paintings/paentiadau 67. Shani Rhys James, The Dolls House - etching/ysgythriad 1/25 68. Margaret Worrall, Taith gyda'r Nos/ An Evening Stroll - painting/paentiad 69. Marcia Gibson-Watt, (Eglwys Cefnllys ger Llandrindod) print 70. Charles Rennie Mackintosh, drawings for His House for an Art lover - print portfolio: Pomegranate Publications, 1990)

Abbreviations Byrfoddau est./amc. - estimate/ amcan bris f - frame/ ffrâm m&f - mounted and framed/ wedi'i fowntio a fframio

LOT 1 (see also/gw. hefyd Lot 38) BARRY ARNOLD Felin Cenarth 1 / Cenarth Mill 1

acrylic on gesso board/ acrylig ar ford gesso image/ llun 43x29cm, m&f 61.5x47.5cm signed/ llofnod Arnold est./ amc. £130–£150 fbk: @barry.arnold.uk36 email: [email protected]

artist. Barry Arnold has lived in Pontgarreg, Ceredigion for 35 years with his wife, Christine, who is also an artist. The seascape, landscape, farms and buildings have proved an unlimited source of inspiration for his paintings. They have a feeling of warmth and tranquility, and he produces work that is representative of how the countryside ‘feels’ rather than looks and they seem to capture the ‘soul’ of the land. Barry works mainly with acrylic paint on board, rather than on canvas. artist. Mae Barry Arnold wedi byw ym Mhontgarreg ers 35 mlynedd gyda’i wraig, Christine, sydd hefyd yn artist. Bu’r môr, y dirwedd, y ffermydd a’r adeiladau yn ffynonellau diderfyn o ysbrydoliaeth ar gyfer ei baentiadau. Mae iddynt deimlad o gynhesrwydd a llonyddwch, ac mae Barry yn cynhyrchu gweithiau sy’n llwyddo i gynrychioli ‘enaid’ cefn gwlad. Bydd yn gweithio â phaent acrylig ar ford gan mwyaf, yn hytrach nag ar gynfas.

LOT 2 JAMES LEMAN (c.1688–1745) silk design/ dyluniad sidan (1706/7) floral subjects/ blodau

2 fine prints/ 2 brint cain (V&A, 1995) on card/ ar gerdyn image/ llun 30.4x23cm mounted 50x40cm est./ amc. £30–£40

Leman was one of the pre-eminent designers of silk textiles in the first half of the 18th century in England. 97 of his watercolour designs, bound in an original Spitalfields design book and dated 1706-1730, are in the Victorian and Albert museum.

Roedd Leman yn un o ddylunwyr tecstiliau sidan amlycaf hanner cyntaf y 18fed ganrif yn Lloegr. Ceir 97 o’i ddyluniadau dyfrlliw, wedi’u rhwymo mewn llyfr dylunio Spitalfields gwreiddiol dyddiedig 1706–1730, yn amgueddfa’r V&A. LOT 3 STEVEN DOYLE (1929–1994) Celtic handprint by Steven Doyle (letter/ llythyren T) screen-print/ argraffiad â sgrin image/ llun 31.5x51.5cm f 33.5x53.5cm approx. est./ amc. £30–£40

artist and printmaker. Steven Doyle was an Irish artist who was well known for his series of screen- prints based on the initial letters in the Book of Kells. artist, gwneuthurwr printiau. Artist Gwyddelig oedd Steven Doyle; roedd yn adnabyddus am ei gyfres o brintiau â sgrin yn seiliedig ar briflythrennau Llyfr Kells.

LOT 4 BODGE Borth 2016BC acrylic and white ink acrylig ac inc gwyn image/ llun 26.6x28.5cm m&f 36x38.5cm est./ amc. £80–£100

artist, community arts practitioner. Bodge is a member of Borth Arts / Celfyddydau Y Borth (fbk.: @BorthArts) and has exhibited in Wales and England. The group had a touring exhibition: ‘On the Edge/ Ar yr Ymyl’ in 2017. Inspired by local land and sea scape, the vibrant light which one experiences in Borth is reflected in Bodge’s work. She has worked with the community and local schools to create community murals e.g. on Borth Railway Station and sculptures (and she worked on the Cymerau project – cymerau.org). artist, arlunyddd celf yn y gymuned. Mae Bodge yn aelod o grŵp Celf y Borth/ Borth Arts (fbk.: @BorthArts) ac wedi arddangos ei gwaith yng Nghymru a Lloegr. Cafwyd arddangosfa deithiol gan y grŵp ‘Ar yr Ymyl/ On the Edge’ yn 2017. Caiff ei hysbrydoli gan y môr a’r dirwedd leol, ac mae’r golau llachar a geir yn y Borth yn cael ei adlewyrchu yng ngwaith Bodge. Mae hi wedi gweithio efo’r gymuned ac ysgolion lleol i greu murluniau cymunedol, e.e. ar Orsaf Reilffordd y Borth, a cherfluniau (bu hefyd yngweithio ar brosiect Cymerau). LOT 5 CARIAD GLASS stained glass/ gwydr lliw 24x20cm est./ amc. £50–£60 www.cariadglass.co.uk

Living and working in Llandysul, Chris Dodd and his wife Justine produce unique pieces. “We are passionate about our traditional craft, and still use tools and techniques that were used by stained glass artists hundreds of years ago.”

Yn Llandysul y mae Chris Dodd a’i wraig, Justine, yn byw, ac yn cynhyrchu darnau unigryw. “Rydym yn frwd ynglŷn â’n crefft draddodiadol, ac yn dal i ddefnyddio offer a thechnegau a ddefnyddiwyd gan artistiaid gwydr lliw ganrifoedd yn ôl.”

LOT 6 GWENLLIAN BEYNON Yma ac Acw (Here and There) (2014) mono print image/ llun 25x33.5cm, dry mount 34.2x44.2cm signed/ llofnod est./ amc. £100–£120 fbk: @Gwenllian Beynon Celf email: [email protected]

Artist, printmaker and creative multidisciplinary practitioner. Gwenllian has a BA in Fine Art from Cardiff School of Art and, since gaining a Masters degree at Wimbledon School of Art in 1996, has been a freelance artist and workshop facilitator inspiring creativity in others; utilizing non formal/ informal educational principles in settings such as schools, theatre and the community, this aspect of her creative practice is currently the focus of her doctorate. She has been a lecturer at the School of Applied Art and Art Practice, University of Wales Trinity St David since 2005 and is a senior lecturer at Y Coleg Cymraeg Cenedlaethol. Gwenllian has exhibited widely both here and abroad – in April (2018) she showed her work in Taith Contemporary Art (www.taith.eu)’s ‘A Moveable Feast’ exhibition in Vienna. She strives to work in a sustainable way, minimizing the risk to the environment; she mainly incorporates painting and printing within her works on paper. Amongst her multidisciplinary projects in Ceredigion one can note her Murlun y Bont in Pontrhydfendigaid – with Euros Lewis and the Eliffant Tregaron project, which was nominated for a Times Educational Supplement in 2012 for Widening Participation.

artist ac argraffydd sy’n gwneud defnydd o sawl disgyblaeth. Mae gan Gwenllian radd BA mewn Celfyddyd Gain o Ysgol Gelf Caerdydd a gradd Meistr o Ysgol Gelf Wimbledon (1996). Ers hynny bu’n gweithio fel artist llawrydd a hwylusydd gweithdai sy’n ysbrydoli creadigrwydd mewn eraill; defnyddia egwyddorion addysgol ffurfiol/anffurfiol mewn ysgolion, yn y theatr yn ogystal â’r gymuned, a chanolbwyntio ar y wedd hon ar ei gwaith y mae yn ei doethuriaeth ar hyn o bryd. Mae Gwenllian wedi bod yn ddarlithydd yn Ysgol Gelf a Dylunio a Chelf Ymarferol Prifysgol Cymru, y Drindod Dewi Sant ar gampws Caerfyrddin ers 2005 ac mae’n uwch-ddarlithydd yn y Coleg Cymraeg Cenedlaethol. Mae ganddi weithiau mewn casgliadau preifat ac mae’n arddangos yn eang, yma a thramor; ym mis Ebrill (2018) bu’n dangos ei gwaith yn arddangosfa Taith Contemporary Art (www.taith.eu ) yn Fienna. Ymdrecha i weithio mewn modd cynaladwy gan leihau’r risg i’r amgylchedd; yn fwyaf arbennig mae’n ymgorffori paentio ac argraffu yn ei gwaith ar bapur. Mae Gwenllian wedi gweithio efo Theatr Troed-y-rhiw, ac ymysg ei phrosiectau amlddisgyblaethol yng Ngheredigion gellir nodi Murlun y Bont – efo Euros Lewis, a phrosiect Eliffant Tregaron, a enwebwyd ar gyfer gwobr ‘Widening Participation’ y Times Educational Supplement yn 2012.

LOTS 7 & 8 2 original hand-knitted children garments designed and hand made at 2 ddilledyn gwreiddiol i blant wedi’u gweu a llaw, wedi’u cynllunio a’u gwneud yn THE BLACK SHEEP/ Y DDAFAD DDU, Tregaron (2014) est./ amc. £15–£20 each/ yr un

Lot 7 Lot 8

LOT 9 HELEN TWORKOWSKI Three Oranges in a Blue Bowl (undated/ heb ddyddiad) oil on canvas/ olew ar gynfas image/ llun 34x34cm, f. 40x40cm unglazed signed H. Tworkowski in pencil on back of frame/ llofnod mewn pensil ar gefn y ffrâm est./ amc. £50–£60

Helen is an artist who lives and works in rural Devon. She exhibits her work in local galleries.

Mae Helen yn artist sydd yn byw ac yn gweithio yn Nyfnaint. Mae'n arddangos ei gwaith mewn orielau lleol.

LOT 10 AVERIL CLIFFORD REES Fruit with string acrylic on paper/ acrylig ar bapur image/ llun 19x19cm approx. mounted/ wedi’i fowntio 28x28cm signed/ llofnod Averil Clifford est./ amc. £60–£70 www.averilcliffordrees.com email: [email protected] [bywg. ar y cefn/ bio. on the back]

artist. From a very young child, Averil was fascinated by drawing and painting. However, she was advised to drop art in the sixth form and concentrate on science, and she graduated with a first-class honours degree in Biochemistry at University College of Wales Aberystwyth. She continued painting as often as she could while bringing up a family and did a part-time foundation course. Two weeks before she was due to start a Fine Arts degree in 1993 Averil suffered a paralysing stoke. The amazing story of her recovery and how she learnt to draw and paint with her left hand was featured as ‘Success Story’ in Artists and Illustrators February 1998. Averil was joint winner at the Royal Cambrian Academy’s open exhibition in Conwy in 2012 and regularly exhibits her paintings in solo and group exhibitions. She is a member of Celf Canolbarth Cymru/Mid-Wales Arts and has works in private collections in Europe and beyond. artist. Roedd Averil wedi’i chyfareddu gan arlunio a phaentio ers pan oedd yn blentyn ifanc iawn. Fodd bynnag, cafodd ei chynghori i beidio â pharhau i astudio celf yn y chweched dosbarth a chanolbwyntio ar wyddoniaeth, a graddiodd gyda gradd anrhydedd dosbarth cyntaf mewn biocemeg yng Ngholeg Prifysgol Cymru, Aberystwyth. Parhaodd i baentio mor aml â phosib tra oedd yn magu ei theulu a dilyn cwrs sylfaen yn rhan amser. A hithau ar fin cychwyn ar gwrs gradd yn y Celfyddydau Cain yn 1993, cafodd ei pharlysu ar ei hochor dde. Ymddangosodd stori ryfeddol adferiad Averil a sut y dysgodd i arlunio a phaentio â’i llaw chwith, ‘Success Story’, yn y cylchgrawn Artists and Illustrators, Chwefror 1998. Roedd Averil yn gyd-enillydd arddangosfa agored Academi Frenhinol y Cambrian yn 2012 ac mae’n arddangos ei phaentiadau yn rheolaidd mewn arddangosfeydd unigol ac arddangosfeydd grŵp. Mae’n aelod o Gelf Canolbarth Cymru ac mae ganddi weithiau mewn casgliadau preifat yn Ewrop a thu hwnt. LOT 11 WYNNE MELVILLE JONES Craig Elvis Eisteddfa Gurig limited edn. print/ print argraffiad cyfyngedig (31/250) image/ llun 14.3x18.5cm approx. mounted/ mownt 23.5x27.2cm signed/ llofnod est./ amc. £50–£60 www.orielwynmel.co.uk

artist.Wynne Melville Jones became well known throughout Wales as a pioneer of bilingual PR activities and for his involvement in the Urdd (designer of the iconic ‘Mr Urdd’). The former art student has now returned to his main interest – visual art. This painting of Elvis Rock has generated considerable interest in the USA and a print can be seen in Gracelands. He paints Welsh landscapes using oils / acrylic. Darluniau o Gymru/ Paintings of Wales (Lolfa, 2017) artist. Mae Wyn Mel yn enw cyfarwydd yng Nghymru yn sgil ei waith arloesol ym myd cysylltiadau cyhoeddus a’i ymwneud â mudiad yr Urdd (fe oedd yn gyfrifol am y Mr Urdd eiconig). Mae’r cyn- fyfyriwr celf wedi dychwelyd at ei brif ddiddordeb – celf weledol, gan ddefnyddio olew / acrylig yn ei dirluniau o Gymru. Cafodd y darlun hwn o Graig Elvis (Elis oedd y graffiti gwreiddiol – pan oedd Islwyn Ffowc Elis yn ymgeisydd dros Blaid Cymru yn is-etholiad 1962) gryn sylw yn yr Unol Daleithiau ac mae print ohono yng nghyn-gartref Elvis yn Gracelands.

LOT 12 ANN WILLIAMS Study of a Ceredigion Cottage mixed media/ cyfryngau cymysg image/ llun 32x41.5cm mount/ mownt 48x56.7cm signed bottom right/ llofnod AW est./ amc. £60–£70 www.thepicturemakers.co.uk

artist and educator. After graduating from the Cardiff College of Art, Ann chose teaching as a career; her first post was at Coleg Ceredigion and subsequently she taught at Penglais School where she was head of Art. Ann is a member of Y Llunwyr/ The Picture makers, a collective of visual artists working in mid-Wales. She has exhibited with a number of groups and has works in private collections in UK, Europe and Canada. Recent solo exhibitions: Aberystwyth Arts Centre and MOMA Machynlleth (2016); she will be curating an exhibition ‘The Sea’ at Aberystwyth Arts Centre (27 July till early September 2018). Ann’s work shows the artistic process of recording images as seen and then pushing that process forward, often arriving at semi-abstract conclusions. “My paintings are in some ways an extension of earlier textile compositions that explore the landscape of Wales; they still have the strong sense of pattern, colour & texture and the brush strokes often mirror stitches.” See more of Ann’s paintings on: www.thepicturemakers.co.uk; 2 recent paintings – Gerddi Bodnant Gardens on fbk: @picturemakersart – May 2017 artist ac addysgwraig. Ar ôl graddio o Goleg Celf Caerdydd dewisodd Ann yrfa fel athrawes; cafodd ei swydd gyntaf yng Ngholeg Ceredigion cyn symud i Ysgol Penglais lle roedd yn bennaeth Celf. Mae Ann yn aelod o’r Llunwyr/ The Picture Makers, cymuned o artistiaid gweledol sy’n gweithio yng nghanolbarth Cymru. Mae wedi arddangos efo nifer o grwpiau ac mae ganddi weithiau mewn casgliadau preifat ym Mhrydain, yn Ewrop ac yng Nghanada. Arddangosfeydd unigol diweddar: Canolfan y Celfyddydau, Aberystwyth, a MOMA, Machynlleth (2016); bydd yn curadu arddangosfa ar ‘Y Môr’ yng Nghanolfan y Celfyddydau, Aberystwyth (27 Gorff.–Medi 2018). Mae gwaith Ann yn dangos y broses artistig o recordio delweddau fel y’u gwelir ar y pryd, ac yna o wthio’r broses honno ymlaen, gan ddod yn aml at ddiweddbwynt rhannol haniaethol. “Mae fy narluniau mewn rhai ffyrdd yn estyniad o gyfansoddiadau tecstil cynharach sy’n archwilio tirlun Cymru; maent â’r un teimlad o batrwm, lliw a gwead o hyd, ac mae’r strôciau brwsh yn aml yn adlewyrchu’r pwythau.”

LOT 13 PATTI KEANE Marrow Boat watercolor and mixed media dyfrlliw a chyfryngau cymysg image/ llun 18.8x14.5cm approx. m&f 38.2x32.6cm signed bottom right/ llofnod gwaelod dde PK est./ amc. £80–£100 www.patti-keane.com/about

artist. Patti studied Art in Wolverhampton and Farnham Surrey. She draws and paints on varying scales – from tiny animation characters to large installations. “My paintings sometimes move from a flat surface to a three dimensional space. I create my structure using heavy watercolour paper. For the larger scale works I create a framework of welded builders mesh.” She has exhibited her work in Wales and England and holds workshops. This work was part of Patti’s solo exhibition ‘The Water Margin’ in MOMA Machynlleth in 2009. artist. Astudiodd Gelf yn Wolverhampton a Farnham, Surrey. Mae Patti yn arlunio a phaentio ar raddfeydd amrywiol – o gymeriadau animeiddio bychain i osodweithiau mawr. “Mae fy mhaentiadau weithiau’n symud o arwynebedd fflat i ofod tri dimensiwn. Rwyf yn creu fy strwythur gan ddefnyddio papur dyfrlliw trwm. Ar gyfer y gweithiau sydd ar raddfa fawr mi fyddaf yn creu fframwaith drwy ddefnyddio rhwyll adeiladwyr wedi ei weldio.” Mae wedi arddangos ei gwaith yng Nghymru a Lloegr, ac mae hi hefyd yn cynnal gweithdai. Roedd y gwaith hwn yn rhan o arddangosfa unigol Patti ‘The Water Margin’ yn MOMA, Machynlleth, yn 2009. LOT 14 ANDY MCPHERSON pot/ potyn ceramic/ cerameg height/ uchder 22.5cm diameter of base/ gwaelod 12.3cm, d. of top 22cm est./ amc. £60–£70 email: [email protected]

artist, animator, illustrator and ceramicist. Andy is very well respected in the animation world and has worked on feature films such as Paddington 2 and the Oscar nominated L’Illusioniste as well as TV films such as A Child’s Christmas in Wales and TV series Horrid Henry. He also worked as an illustrator with Jenny Steele Scolding on a children's book - Percy Pengelly and the Wibble Wobble by Jenny Steele Scolding, Illustrated by Andy McPherson (2014). For examples of Andy’s ceramic work see: Ceramics by Andy McPherson on pinterest.com and andymcpherson98 on flickr.com. He sells his work at the Aberystwyth Arts Centre. artist, animeiddiwr, dylunydd a lluniwr gweithiau cerameg. Mae Andy yn uchel ei barch yn y byd animeiddio ac wedi gweithio ar ffilmiau fel Paddington 2 a L’Illusioniste , a enwebwyd ar gyfer Oscar, yn ogystal â ffilmiau teledu fel A Child’s Christmas in Wales a’r gyfres Horrid Henry . Gweithiodd hefyd fel dylunydd efo Jenny Steele Scolding ar gyfrol i blant – Percy Pengelly and the Wibble Wobble (2014). Gallwch weld enghreifftiau o grochenwaith Andy ar pinterest.com (Ceramics by Andy McPherson) ac ar flickr.com (andymcpherson98). Mae’n gwerthu ei waith yng Nghanolfan y Celfyddydau, Aberystwyth.

LOTS 15-17 CHRISTOPHER STRANNEY (see also/ gw. hefyd Lots 33, 34) Casgliad o luniau o’i hoff anifeiliaid fferm (ag eithrio un llun o gwch pysgota): teirw, ieir a cheiliogod, ceffylau – amrywiol feintiau. (2011 - 14) A collection of his favourite farm animals (apart from one of a fishing boat): bulls, cockerels and hens, horses – various sizes (2011 - 14) acrylic/ acrylig on the frameless canvases the painting extends onto the sides ar y cynfasau heb ffrâm mae’r llun yn ymestyn at yr ochrau

This young man from Northern Ireland regularly spends time with his brothers volunteering their building and carpentry skills in third world countries. With his brother Stephen, was invaluable in helping with the garden party fundraiser for DASH in Plas Hendre in 2014 for which he also contributed a selection of his paintings. Although naïve in style, they clearly portray his love for the animals on the family’s small holding.

Mae’r gŵr ifanc hwn o Ogledd Iwerddon yn gwirfoddoli’n rheolaiddd efo’i frodyr gan ddefnyddio’i sgiliau adeiladu a gwaith saer yng ngwledydd y trydydd byd. Gyda’i frawd Stephen bu’n gymorth anhepgorol yn yr arddwest i godi arian i DASH ym Mhlas Hendre yn 2014. Cyfrannodd hefyd nifer o’i luniau sydd, er yn naïf eu harddull, yn portreadu’n glir ei gariad tuag at yr anifeiliad ar dyddyn y teulu. LOT 15 fishing boat/ cwch pysgota image/ llun 12x16.5cm approx., f 18x23cm est./ amc. £5–£10

LOT 16 cockerel and hen/ ceiliog ac iâr & cockerel/ ceiliog 16.5x12cm approx., f 23x18cm est./ amc. £10–£15

LOT 17 horse/ ceffyl 16.5x12cm, f 23x18 est./ amc. £5–£10

LOT 18 ANDREW FRANCIS Aberystwyth 3 (2014) acrylic on board/ acrylig ar ford image/ llun 39.5x60cm, f 45x66cm signed bottom left/ llofnod AF est./ amc. £180–£200 www.andrewfrancisart.co.uk

Andrew has been a full time artist since 2009, following a career in the graphic arts. He works mostly in landscape painting and uses a variety of media, from acrylic and oil to collage and found materials. His subject matter is the west country and Wales - particularly his home county of Ceredigion. “My work is all about the coast, the river and the mountains. Colour and form are important to me. I take a journalistic approach and I aim to evoke a sense of place and time.”

Yn dilyn gyrfa ym maes graffeg, ers 2009 mae Andrew yn artist llawn amser. Paentio tirluniau a wna gan fwyaf, gan ddefnyddio amrywiaeth o gyfryngau, o acrylig ac olew i collage a defnyddiau y daw ar eu traws ar hap. Ei bynciau yw de-orllewin Lloegr a Chymru –yn enwedig Ceredigion. “Mae a wnelo fy ngwaith i gyd â’r arfordir, yr afonydd a’r mynyddoedd. Mae lliw a ffurf yn bwysig i mi. Byddaf yn defnyddio dull newyddiadurol – fy nod yw ysgogi ymdeimlad o le ac amser.”

LOT 19 ALISON GREELEY Pineapple & Aloe linocut/ toriad leino (4/28) image/ llun 33x44cm, m&f 47x48cm signed/ llofnod Alison Greeley est./ amc. £ 50–£60

artist, printmaker and musician. Ali Greeley studied Fine Art at Aberystwyth University achieving a BA and MA in painting and printmaking. She has exhibited widely and has works in many private collections and is a member of Aberystwyth Printmakers. Ali is well known as an accomplished oboist and cor anglais player, and also sings in a ‘60s’ girl group called ‘The Hornettes’. artist, argraffydd a cherddor. Astudiodd Ali Gelfyddyd Gain ym Mhrifysgol Aberystwyth gan ennill graddau BA ac MA mewn paentio a gwneud printiau. Mae hi wedi arddangos yn eang, ac mae ganddi weithiau mewn nifer o gasgliadau preifat; mae hefyd yn aelod o Argraffwyr Aberystwyth. Mae hi’n adnabyddus fel chwaraewraig ddawnus ar yr obo a’r cor anglais, ac mae hefyd yn canu mewn grŵp merched ‘60au’ o’r enw ‘The Hornettes’.

LOT 20 RUTH JÊN EVANS Cwiltiau (2012) limited edn. print/ print argraffiad cyfyngedig (35/50) image/ llun 20x29cm approx., m&f 33x42.5cm signed/ llofnod RJE 2012 est./ amc. £80–£100 www.ruthjen.co.uk

artist and printmaker. Ruth Jên has a BA degree in Fine Art, specialising in printmaking, from Cardiff College of Art and an MA in Fine Art from Aberystwyth University. She is an well-known printmaker, who has exhibited extensively both in Wales and abroad. Although printmaking is her main activity, she has expanded her skills to include design, illustration, murals and part-time teaching. As well as working in the field of education, in galleries, schools and colleges, she also has experience in organising and running community projects. This print, Cwiltiau (Quilts), is one of her ever popular humorous and inventive ‘Welsh Ladies’ series. gwneuthurwraig printiau ac artist. Graddiodd Ruth Jên mewn Celfyddyd Gain, gan arbenigo mewn gwneud printiau, o Goleg Celf Caerdydd ac enillodd MA mewn Celfyddyd Gain o Brifysgol Aberystwyth. Mae’n adnabyddus fel gwneuthurwraig printiau o fri ac wedi arddangos yn helaeth yng Nghymru a thros y dŵr. Er mai printio yw ei phrif weithgaredd, mae wedi ehangu ei sgiliau i gynnwys dylunio, darlunio, llunio murluniau ac addysgu rhan-amser. Yn ogystal â gweithio yn y maes addysg, mewn orielau, ysgolion a cholegau, mae ganddi hefyd brofiad o drefnu a chynnal gweithdai a chyweithiau cymunedol. Mae’r print hwn yn un o’i chyfres hynod boblogaidd, dyfeisgar a llawn hiwmor, ‘Menywod Cymreig’.

LOTS 21–25 HUW CEIRIOG

Llyfrynnau wedi’u hargraffu â llaw/ Hand printed booklets

Never conceived of as being a commercial venture, Huw does not sell his publications but, rather, chooses to give them to his friends. Therefore it is rare to find these items coming up on the open market. After graduating from The College of Librarianship Wales, Huw spent his working life at the National Library of Wales (amongst other things he prepared a catalogue of David Jones’s Library, which was published by the Library, 1995). Having studied book production as a student, he became interested and passionate about creating his own hand printed items. He bought a desk-top printer and type, and ink and paper while he lived at Llety Gwyn, Llanbadarn before he moved to Aberffrwd, Cwm Rheidol. In 1973, he was able to develop his equipment when he bought an old early 20th- century “Arab” treadle platen printing press from the widow of Llanidloes printer John Ellis. [Halifax, J.Wade c.1909] The name of the press changed with every house move: Llety Gwyn, Arad Goch,Y Wern. Over the years, Huw has produced one book, about 40 booklets as well as other smaller items. As a poet himself, it is not surprising that the subject matter of the booklets is mostly poetry, the number produced for each item ranging from a few hundreds to around twenty. A number of his publications feature the work of various artists such as Gareth Lloyd Hughes and Tegwyn Jones.

Gan nad yw’n hoffi gwerthu ei gynnyrch, cyflwynodd Huw y rhan fwyaf o’i lyfrynnau i’w gyfeillion. Felly, prin iawn yw’r cyfle i brynu eitemau fel y rhain ar y farchnad agored. Mae Huw Ceiriog yn adnabyddus fel argraffydd ac fel bardd. Ar ôl hyfforddi i fod yn llyfrgellydd, treuliodd ei yrfa yn y Llyfrgell Genedlaethol (ymhlith pethau eraill, paratôdd gatalog o lyfrgell David Jones, a gyhoeddwyd gan y Llyfrgell). Datblygodd ei ddiddordeb mewn creu llyfrynnau wedi’u hargraffu â llaw tra oedd yn fyfyriwr yng Ngholeg Llyfrgellwyr Cymru, a phan ddaeth cyfle, prynodd beiriant argraffu pen bwrdd a theip ac inc a phapur, a dechrau argraffu. Symudodd o’r Llety Gwyn, Llanbadarn, i fyw yn Aber-ffrwd, Cwm Rheidol, ac yn 1973 prynodd hen wasg argraffu Arab (c.1909) gan weddw’r argraffydd John Ellis, Llanidloes. Oherwydd iddo symud tŷ dair gwaith, mae wedi bod yn berchen ar bedair “gwasg” o ran enw gan ei fod yn newid yr enw bob tro. O ran pynciau’r cynnyrch, barddoniaeth sydd fwyaf poblogaidd ganddo. Dros y blynyddoedd cynhyrchodd un llyfr, tua 40 llyfryn a mân eitemau eraill, gyda’r rhediad yn amrywio o ychydig gannoedd i tuag ugain. Yn ei gyhoeddiadau, cydweithiodd â nifer o artistiaid megis Gareth Lloyd Hughes a Tegwyn Jones. Nid datblygu gwasg fasnachol oedd bwriad Huw ond yn hytrach creu gwaith â llaw o ran diddordeb. “Creu’r eitemau sy’n rhoi pleser nid eu marchnata.”

LOTS 21 & 22 Ych yng Ngwedd (cerddi wedi’u dethol a’u diweddaru gan Marged Haycock) with wood engravings by/ gydag ysgythriadau pren gan Gareth Lloyd Hughes (Gwasg y Wern, 1993) limited edn./ argraffiad cyfyngedig o 300 est./ amc. £30–£40 yr un/ each (2 gopi)

LOT 23 Berwyn detholiad o gerdd Cynddelw (Gwasg yr Arad Goch, 1975) limited edn./ argraffiad cyfyngedig o 70 i’r rhai fu ar daith gerdded Adfer ‘Canlyn Owain ar Ferwyn’ 18 Ionor 1975 prin iawn/ very rare est./ amc. £20–£25

LOT 24 Marwnadau Llywelyn ap Gruffudd (Gwasg y Wern, 1982) limited edn./ argraffiad cyfyngedig o 300 est./amc. £25–£30

LOT 25 Kalan Gaeaf (allan o Lyfr Coch Hergest) (Gwasg y Wern, 1977) limited edn./argraffiad cyfyngedig o 60 very rare/ prin iawn est./ amc. £25–£30

LOT 26 GWENLLIAN SPINK 10 hand-printed floral-design cards (one design)/ 10 cerdyn cynllun blodau wedi’u hargraffu â llaw (2014) individually signed wedi’u llofnodi’n unigol Gwenllian Saran est./ amc. £25–£30 for the set/ am y set www.gwenllianspink.com

Gwenllian, from Aberystwyth, was awarded the prestigious young artist scholarship at the 2015 National Eisteddfod, which she used to study traditional woodblock printing in Japan in summer 2016. Her installation (aluminium foil & light box) ‘Dawns y Drudwy’/Murmuration’ was exhibited at the 2016 National Eisteddfod to much acclaim. She is in her 3rd year studying for a Fine Art Drawing degree at Camberwell College of Arts. She is the great grand-daughter of the renowned artist Edrica Huws.

Enillodd Gwenllian yr ysgoloriaeth i artist ifanc yn Eisteddfod Genedlaethol Meifod a’i ddefnyddio i fynd i Siapan yn haf 2016 i astudio printio traddodiadol ar flociau pren. Cafodd ei gosodiad (ffoil alwminiwm a blwch golau) ‘Dawns y Drudwy’ ei arddangos yn y Lle Celf yn Eisteddfod 2016 gan ennill clod mawr. Mae Gwenllian ar ei 3edd flwyddyn yn astudio am radd Celf Gain yng Ngholeg Celf Camberwell. Mae’n orwyres i’r artist adnabyddus Edrica Huws.

LOT 27 WENDY LLOYD Fferm Ceredigion oil on board/ olew ar ford image/ llun 19x24cm approx., m&f 34x38cm signed bottom left/ llofnod WMLl est./ amc. £100–£120 email: [email protected]

artist. Wendy lives on a farm in Ceredigion and was trained under the supervision of Roy Marsden. Her love of landscape fuels her need to paint and Wendy rarely needs to look much further than her home county to find inspiration. She has exhibited widely across Wales over the years and had a solo exhibition at Fountain Fine Art, Llandeilo in 2016. “I paint in a variety of styles including portraits and landscapes and enjoy experimenting with new ideas for things I paint.” (to see paintings from her solo exhibition google ‘Wendy Lloyd solo exhibition at Fountain art’) artist. Mae Wendy yn byw ar fferm yng Ngheredigion ac fe’i hyfforddwyd dan oruchwyliaeth Roy Marsden. Mae ei chariad at dirlun yn tanio’i hangen i baentio a does dim rhaid iddi edrych fawr pellach na’i sir enedigol am ysbrydoliaeth. Mae wedi arddangos yn eang ar draws Cymru dros y blynyddoedd ac yn 2016 cafodd arddangosfa unigol yn Fountain Fine Art, Llandeilo. “Rwyf yn paentio mewn amrywiol arddulliau gan gynnwys portreadau a thirluniau, ac yn mwynhau arbrofi â syniadau newydd gyda’r pethau dwi’n eu paentio.” (I weld paentiadau o’i harddangosfa unigol, gwglwch ‘Wendy Lloyd solo exhibition at Fountain Art’.)

LOT 28 WILLIAM GRIFFITHS Land Rover pencil on paper/ pensil ar bapur image/ llun 20x29cm, f 24.5x33.5cm signed/ llofnod W. Griffiths (1993) est./ amc. £5-£10

William Griffiths, originally from Tywyn, lives in Pontrhydfendigaid and is an enthusiastic, selt-taught artist.

Magwyd William yn ardal Tywyn Meirionydd ond bellach mae'n byw ym Mhontrhydfendigaid. Dysgodd ei hun i arlunio.

LOT 29 LIZZIE SPIKES Cegin (kitchen) acrylic on driftwood/ acrylig ar froc môr 33x40cm approx, depth/ dyfnder 5cm. est./ amc. £90 - £100 driftwooddesigns.co.uk shop: Driftwood Designs, Eastgate, Aberystwyth

artist and illustrator. Lizzie creates images inspired by the language, imagery and culture of her native West Wales. Although she went away to art college she was drawn back to the sea and sky of Aberystwyth. “I love walking the beaches and coming across pieces of driftwood that have elements to their shape, form and colour which dictate what they should become ... I find blocks that I know will make perfect harbour walls, curved pieces for fish and wider boards for stretches of sky. I have always found the wood far more inspiring than a blank canvass or piece of pristine paper. I also like that my work gives a new purpose to the old and unwanted pieces of flotsam and jetsam.” (interview January 26, 2013 on simplethings.com) She launched her illustrated book of Welsh songs and rhymes Gyda’n Gilydd (2015) that helped her learn Welsh as a small child, to pass on to her own young children, to coincide with a solo exhibition in Cardiff (a 2nd expanded edition is in preparation). The Welsh language is an important element in her works. artist a darlunydd. Mae Lizzie yn creu delweddau sydd wedi’u hysbrydoli gan iaith, delweddaeth a diwylliant ei chartref yng ngorllewin Cymru. Er iddi adael i fynd i goleg celf, roedd galwad môr ac awyr Aberystwyth yn rhy gryf. “Byddaf wrth fy modd yn cerdded ar hyd y traethau a dod ar draws darnau o froc môr ag elfennau yn eu siâp, eu ffurf a’u lliw sy’n dweud beth ddylai ddod ohonynt ... Dwi’n darganfod blociau o bren rydw i’n gwybod fydd yn gwneud waliau harbwr perffaith, darnau crwm ar gyfer pysgod a darnau lletach ar gyfer yr awyr. Rydw i bob amser wedi ffeindio bod pren yn rhoi llawer mwy o ysbrydoliaeth i mi na chynfas wag neu ddarn o bapur dilychwin. Hefyd rwyf yn hoffi fod fy ngwaith yn rhoi pwrpas newydd i’r hen ddarnau gwrthodedig o froc môr.”Lansiodd ei llyfr darluniadol o hwiangerddi Cymraeg, Gyda’n Gilydd , yn 2015 er młyn trosglwyddo i’w phlant ei hun yr hyn oedd wedi’i helpu hi i ddysgu’r iaith pan oedd hi’n ferch fach (mae ail argraffiad diwygiedig ar y gweill). Yr un pryd, roedd ganddi arddangosfa unigol o’i gwaith yng Nghaerdydd ac mae’r Gymraeg yn elfen hollbwysig ynddo.

LOT 30 RHIANNON – silver brooch / broets arian “Tonneu” (waves) est./ amc. £70–£85 original design and handmade cynllun gwreiddiol wedi’i wneud â llaw Gemwaith Rhiannon Jewellery, Tregaron www.rhiannon.co.uk

Over the years, Rhiannon’s exclusive jewellery – handmade in silver, gold and Welsh Gold - has developed an international reputation for quality of design and manufacture. Both her new designs and old favourites are inspired by living and working as closely as possible to the old language and traditions of the Celts, - but rather than copy from actual historical finds, she prefers to create her own new designs following old traditions and visual conventions.

Dros y blynyddoedd, mae gemwaith cain Rhiannon – wedi’i wneud â llaw o arian, aur ac Aur Cymru – wedi ennill clod yn rhyngwladol am ansawdd eithriadol ei chynlluniau a’i chrefftwaith. Ysbrydolwyd y cynlluniau gan y wefr o fyw a gweithio mor agos â phosib at iaith a thraddodiad hynafol y Celtiaid. Yn hytrach nag efelychu darganfyddiadau hanesyddol go iawn, mae’n well gan Rhiannon gynllunio gwaith newydd sy’n defnyddio hen gonfensiynau gweledol.

LOT 31 (see also/ gw. hefyd 50, 51, 60) TEGWYN JONES Gwinllan a roddwyd i’m gofal... (Saunders Lewis)

print - calligraphy/ ceinlythreniad one of a limited no./ un o nifer cyfyngedig 42x42cm est./ amc. £20–£30

artist, cartoonist, calligrapher and author. A retired lexicographer, who worked for the University of Wales Welsh Dictionary, Tegwyn Jones is well-known not only as a scholar and as an authority on Welsh ballads but also as a cartoonist (see Lot 61) and calligrapher (in the style of David Jones). artist, cartwnydd, ceinlythrennwr, awdur. Treuliodd Tegwyn ei yrfa fel geiriadurwr yn gweithio ar Eiriadur Prifysgol Cymru ac mae’n adnabyddus nid yn unig fel ysgolhaig ac un sy’n awdurdod ar faledi, baledwyr a llên gwerin, ond hefyd fel cartwnydd (gw. Lot 61) a cheinlythrennwr (yn arddull David Jones). Cyhoeddodd nifer o lyfrau, gan gynnwys llyfrau i blant.

LOT 32 E. MEIRION ROBERTS (1913–2000) I ddathlu canmlwyddiant geni John Saunders Lewis (1993) print calligraphy/ ceinlythreniad limited number/ nifer cyfyngedig (330/500) image/ llun 29x20.5cm approx. m&f 40.6x31.5cm est./ amc. £20–£25

artist and illustrator. E. Meirion Roberts was a very successful commercial artist and designer. A keen angler, he designed the book jacket for his friend and fellow angling enthusiast John McNeillie’s Country Blackmith and designed Bala and District Angling Association’s fine logo. artist a dylunydd. Roedd E. Meirion Roberts yn hynod lwyddiannus ac adnabyddus fel artist masnachol a dylunydd ym maes llyfrau plant, ayb (siacedi llyfrau fel Cyn Oeri’r Gwaed gan Islwyn Ffowc Elis). Lluniodd gartwnau o Gymry amlwg, e.e. Tecwyn Lloyd, a phrintiau cyfyngedig ar gyfer achlysuron arbennig fel y print hwn (enghraifft arall yw ‘Gweddi dros Gymru’, Lewis Valentine, ar gyfer Eisteddfod Bro Colwyn 1995. Cyhoeddwyd ei gyfrol, Darlun o Arlunydd , hefyd yn 1995 (Gwasg Gwynedd).

LOTS 33-34 CHRISTOPHER STRANNEY (see/gw. Lots 15-17)

LOT 33 Nosey calf (2011) approx. 25.5x30.5cm depth/ dyfnder 1.6cm est./ amc. £15–£20

LOT 34 Triptych – horses/ ceffylau 20x20cm. x 3, depth/ dyfnder 3.7cm not signed/ heb lofnod together with/ ynghyd â 5 miniatures (horses and bull)with easels 8.8x6.8cm approx. not signed/ heb lofnod est./ amc. £20–£25

LOT 35 SUE LEE Badger print & appliqué 24x31cm est./ amc. £ 20–£25 www.marmaldecatdesigns.co.uk

artist. Sue has a Fine Arts degree from Staffordshire University. She has been making collages using ink, painted paper, pastel ink coloured pencils for about 18 years and has had various exhibitions, both group and solo, in London, Cardiff, Bristol and Aberystwyth. She says that the relatively recent discovery of sewing combined with painting has thrown up many new possibilities, directions and dreams for her as a maker. artist. Cafodd Sue radd yn y Celfyddydau Cain ym Mhrifysgol Swydd Stafford. Mae wedi bod yn llunio collages gan ddefnyddio inc, papur wedi’i baentio a phensiliau inc lliw pastel ers tua 18 mlynedd ac wedi cael amrywiol arddangosfeydd o’i gwaith, fel aelod o grŵp ac yn unigol, yn Llundain, Caerdydd, Bryste ac Aberystwyth. Dywed fod darganfod gwnïo yn gymharol ddiweddar a’i gyfuno â phaentio wedi esgor ar nifer o bosibiliadau, cyfeiriadau a breuddwydion newydd iddi hi fel gwneuthurwraig.

LOT 36 RUTH PACKHAM floral design felt panel 26.5x 65cm, unframed & a collection of felt creatures panel ffelt patrwm blodeuog, heb ffrâm & chasgliad o greaduriaid ffelt est./ amc. £25–£35 www.ruthpackham.com (www.cambrianmountainwool.org)

artist, printmaker and felt sculptor. Ruth is a member of Borth Arts and has a Fine Arts degree from Newcastle Upon Tyne Polytechnic. Her artistic practice has moved from video installation to vegetable dyeing fabric for appliqué through to screen-printing on fabric and is now firmly rooted in felt making. Ruth creates soft sculpture inspired by nature and felt pictures depicting the crows, jackdaws and rocks of Borth. She uses wet felting as well as needle felting. Her unique style is easy to recognize in her small animals and birds which she portrays both in a realistic way and in imaginary shapes and colours.Through working internationally and exhibiting her work in the UK, Ruth has become a well-respected felt maker. She regularly conducts workshops in Wales and abroad. dyeinghousegallery.com/en/dhg-exclusive-interviews-ruth-packham/ artist, gwneuthurwraig printiau, cerflunydd mewn ffelt. Mae Ruth yn aelod o grŵp Celf y Borth ac mae ganddi radd Celfyddydau Cain o goleg Polytechnig Newcastle Upon Tyne. Mae ei gwaith artistig wedi symud o osodiadau fideo i lifo deunydd efo llysiau ar gyfer appliqué , ac yna at brintio â sgrin ar ddeunydd; bellach mae’n canolbwyntio ar waith ffelt. Mae Ruth yn creu cerfluniau meddal sydd wedi’u hysbrydoli gan natur a lluniau ffelt sy’n portreadu brain, jac-dos a chreigiau’r Borth. Defnyddia ffeltio gwlyb yn ogystal â ffeltio â nodwydd. Mae’n hawdd adnabod ei harddull unigryw ar sail yr adar a’r anifeiliaid bach y mae’n eu portreadu mewn modd realistig a hefyd ar ffurf siapiau a lliwiau dychmygol. Drwy ei gwaith rhyngwladol a’i harddangosfeydd yn y Deyrnas Unedig, daeth Ruth yn wneuthurwr ffelt uchel ei pharch. Mae’n cynnal gweithdai yn rheolaidd yng Nghymru a thramor. LOT 37 SARAH HUDIS (Green Man) A level piece screen-print on cloth print â sgrîn ar liain mixed media 24x24 inches approx./ modfedd unsigned/ heb lofnod est./ amc. £10–£15

Sarah is currently studying for an MA in Modern contemporary literature at the University of East Anglia. Mae Sarah, sy’n dod o Aberystwyth, ar hyn o bryd yn astudio am radd MA ym Mhrifysgol East Anglia ac yn awdur An English to Welsh Dictionary of Feminist Terms (www.seameditions.com)

LOT 38 (see/ gw. Lot 1) BARRY ARNOLD Melin Cenarth 2/ Cenarth Mill 2 acrylic on gesso board/ acrylig ar ford gesso image/ llun 26x39cm approx. m&f 45x57cm approx. signed/ llofnod - Arnold est./ amc. £130–£150

LOT 39 (gw. Lot 64 am y testun Cymraeg) MARY LLOYD JONES RCA Moel Famau (2013) limited edn. print print argraffiad cyfyngedig (22/40) image/ llun 26x43cm approx. sheet (paper/ papur) 34x53cm approx. signed/ llofnod est./ amc. £80–£100

screenprint, lithograph with hand colouring on hahnemuhle paper (with copy of print Publishing Documentation by Paul Croft) print â sgrin, lithograff gyda lliwio â llaw ar bapur hahnemuhle (ynghyd â chopi o Ddogfen Cyhoeddi’r print gan Paul Croft)

Internationally acclaimed artist and printmaker Mary Lloyd Jones is one of Wales’s foremost living artists. Born in Pontarfynach in 1934, Mary has exhibited regularly since 1966 and her works are in numerous public and private collections worldwide. She has received many honours, including being made an Honorary Fellow of Aberystwyth University – where some of her work is exhibited in the quad of Old College. Inspired by the Welsh landscape and in particular the man-made marks on that landscape, her bold expressionist paintings are noted for their use of vibrant and rich colour (Martin Tinney Gallery): “My aim is that my work should reflect my relationship with the land, an awareness of history, and the treasures of our literary and oral traditions. I search for devices that will enable me to create multi-layered images. This has led to my involvement with the beginnings of language, early man-made marks and the Ogham and Bardic alphabets.” “My painting is a celebration of wildernesses and often contain references to the mysterious signs and marks made by our early ancestors who had a relationship with the the natural world that we have lost.” Mary’s use of earthy colours are prompted by the rich palette of colours found in the local landscape: “You can find these amazing purples and reds in the heather for example, and by incorporating that into a work, you’re placing it, locating it but not in a completely explicit fashion. It’s very open ended (Part of the landscape. Wales Online 14/5/2010). Mary also feels a strong association between colour and musical sounds/colours; as she suggested to Andrew Green (article on her 2017 exhibition in Martin Tinney gallery, gwallter.com 17/11/17): "Any individual work has its own key, rhythm, orchestration and dynamic movement."

Oriel Martin Tinney Gallery: artwales.com/gallery-mtg-en.php First Language – to accompany the exhibition at the National Library of Wales 2006 Carolyn Davies and Lynne Bebb, All the Colours of Light: Mary Lloyd Jones Ceridwen Lloyd Morgan, Delweddau o’r Ymylon, Bywyd a Gwaith Mary Lloyd Jones (2002)

LOT 40 ALI SCOTT Gwarchod y Praidd / Minding the Flock felt work picture/ llun gwaith ffelt 36.5x27cm approx. signed verso/ llofnod ar y cefn Ali S est./ amc. £100–£120 www.aliscottfeltartist.co.uk email: [email protected] felt artist. Member of the International Feltmakers Association. Ali was featured in the March/April 2017 edition of Creative with Workbox magazine, issue 160 (cover and interview). “In my work I use mostly Merino wool and include various fibres such as silk, bamboo and soya, which I hand dye. After carding the wool I love to ‘paint’ with it, building up layers of wool to create a rich depth of jewel like colours. frequently incorporate spun yarn for definition and silk fabrics for a contrasting surface texture.” artist ffelt. Aelod o Gymdeithas Ryngwladol Gwneuthurwyr Ffelt. Cafodd Ali sylw yn rhifyn Mawrth / Ebrill 2017 o’r cylchgrawn Creative with Workbox (llun clawr a chyfweliad). “Byddaf yn defnyddio gwlân Merino yn bennaf yn fy ngwaith ac yn cynnwys amrywiol ffibrau fel sidan, bambŵ a soia, y byddaf yn eu llifo â llaw. Ar ôl cribo’r gwlân rwyf yn hoff o ‘baentio’ ag ef, gan adeiladu haenau o wlân i greu lliwiau dwfn, cyfoethog, tebyg i emau, ac yn aml yn ymgorffori edafedd wedi’i nyddu er mwyn diffinio yn ogystal â deunyddiau sidan i gael gwead arwynebedd cyferbyniol.” LOTS 41-42 ANTIQUE PRINTS

LOT 41 Thomas Cartwright after/ ar ôl EDWARD PUGH Cader Idris and Craig-y-Derin (E. Williams, Strand, 1813) aquatint engraving/ engrafiad acwatint with label verso ‘This print is over 100 years old and supplied by Olwen Caradoc Evans [1918–98], Conwy, Wales’ image/ llun 20x25cm, m&f 32x38cm approx. est./ amc. £60–£70

LOT 42 William Radclyffe after/ ar ôl Henry WARREN Aberystwith (Newton & Co) line engraving/ ysgythriad llinell the colouring is later/ mae’r lliwio yn ddiweddarach 7.5x5 inch/ modfedd est./ amc. £15–£20

LOT 43 HILARY SMITH Plate of Oranges acrylic on board/ acrylig ar ford 47x62cm signed/ llofnod est./ amc. £70–£90 email: [email protected]

“I mostly work with acrylics and the pictures I paint are connected to familiar situations and the people I live and work with. I concentrate on abstract paintings and portraits.” (Ceredigion Art Trail 2015)

“Rydw i’n gweithio’n bennaf gydag acrylig ac mae’r lluniau rwyf yn eu paentio yn gysylltiedig â sefyllfaoedd a’r bobl rwyf yn byw ac yn gweithio gyda nhw. Byddaf yn canolbwyntio ar baentiadau haniaethol a phortreadau.” (Llwybr Celf Ceredigion, 2015)

LOT 44 PHILIP HUCKIN Un o Lynnoedd Teifi (One of the Teifi Pools) (2017) watercolour/ dyfrlliw image/ llun 18x18cm, mounted/ mownt 34x34cm est./ amc. £200–£300 www.thepicturemakers.co.uk; www.philip-huckin.com fbk: @ybeudybach email: [email protected]

landscape artist. Philip grew up in Oxford and studied Art and History at The University College of Wales Aberystwyth, where he gained a BA degree in 1975. After a career in education in England, including preparing national training materials in Art and Design, he returned to his old university in 2010 to study for a Master’s Degree in Fine Arts (2012). The desire to return to Wales had been growing during the final stage of his career with an aspiration to paint and draw the Welsh landscape. No word exists in the English language to describe this longing but Welsh gives the perfect word, Hiraeth, a yearning for a place whose absence makes life incomplete. The study of the landscape formed the focus of the MA and during the course he began to study Welsh in a desire to draw closer to the landscape he was portraying; the names and deep cultural history that pervades the valleys, hills, villages and man-made structures in Ceredigion. His detailed landscapes are the result of scrupulous observation; the result is an understanding of light and landscape, with all its undulations, patchwork of colours, patterns and textures. Philip has works in public and private collections and has exhibitions regularly in various galleries. He will have a solo exhibition in MOMA, Machynlleth in spring 2019. He collaborated with the poet Cyril Jones and the scholar David Austin to produce two books, which represent a creative response to the Arth valley and to Strata Florida: Hud Afon Arth, 2015 (the Magic of River Arth) and Ysbryd Ystrad Fflur, 2017 (the Spirit of Ystrad Fflur); both books are bilingual and are published by Gwasg Gwynfil, Tregaron. artist tirluniau. Yn enedigol o Rydychen, astudiodd Philip Gelf a Hanes yng Ngholeg Prifysgol Cymru. Aberystwyth, lle cafodd radd BA yn 1975. Yn dilyn gyrfa yn y byd addysg yn Lloegr, yn cynnwys paratoi deunyddiau hyfforddi cenedlaethol ar gyfer Celf a Dylunio, daeth yn ôl i’w hen goleg yn 2010 i astudio ar gyfer gradd Meistr mewn Celfyddyd Gain (2012). Tua diwedd ei yrfa yn y byd addysg daeth awydd cynyddol arno i ddychwelyd i Gymru ac i baentio a darlunio’r tirlun Cymreig. Rhyw hiraeth ydoedd am brofiad a lle oedd bellach ar goll ac wedi gadael gagendor mawr yn ei fywyd. Astudio’r tirlun lleol oedd canolbwynt ei astudiaethau MA ac yn ystod ei gwrs dechreuodd ddysgu Cymraeg er mwyn gallu treiddio’n ddyfnach i hanfod y tirlun hwnnw a’i ddiwylliant: yr enwau a’r hanes maith sy’n gymaint rhan o ddyffrynnoedd, bryniau, pentrefi ac adeiladau Ceredigion. Mae ganddo weithiau mewn casgliadau cyhoeddus a phreifat ac mae’n arddangos ei waith yn rheolaidd mewn nifer o orielau. Bydd arddangosfa unigol o’i waith yn MOMA Machynlleth gwanwyn nesaf (2019). Cydweithiodd â’r bardd Cyril Jones a’r llenor a’r ysgolhaig David Austin i gynhyrchu dau lyfr sy’n ymateb creadigol i ddyffryn afon Arth: Hud Afon Arth (2015) ac i Ystrad Fflur: Ysbryd Ystrad Fflur (2017) a gyhoeddwyd gan Wasg Gwynfil, Tregaron. LOT 45 ROLANT DAFIS Cors Caron (2012) art photograph/ ffotograff celf image/ llun 41x58cm framed/ ffrâm 47x48cm est./ amc. £50—£60 www.rolantdafis.com

photographer. Rolant is an independent photographer with over 20 years experience working with many and varied clients, from editorial to architecture and marketing through to fine art and contemporary art galleries and auction houses (senior photographer with Sothebys for 5 years). One of his series of Cors Caron can be seen in the Talbot, Tregaron. ffotograffydd. Mae Rolant yn gweithio fel ffotograffydd annibynnol ers dros 20 mlynedd, gan wneud gwaith i nifer o gwsmeriaid gwahanol, yn cynnwys cylchgronau, asiantaethau dylunio, orielau celf clasurol a chyfoes, yn ogystal ag arwerthwyr (bu’n brif ffotograffydd gyda Sothebys am bum mlynedd). Mae un o’i gyfres ar Gors Caron i’w weld yn y Talbot yn Nhregaron.

LOTS 46 & 47 TAD KLODNICKI (1904-1982) (See also/ gw. hefyd Lots 65, 66) artist dyfrlliwiau blaenllaw/ eminent American watercolourist.

Tad (Tadeusz) Klodnicki was born in Krakow, Poland. He studied art, architecture and engineering and subsequently held a post as Assisitant Professor of Civil Engineering at Lvov and, after a period of freelance work when he won 1st prize for Bridge Design in an International Competition at Warsaw in 1937, he became an Assistant Professor of Architecture at Warsaw Polytechnic. He joined the Polish underground army in 1940, but was taken prisoner in 1944 and sent to a POW camp in Germany. After being released he supported himself as an artist in Germany before moving to Massachusetts, USA, in 1951. He became a well-respected member of the vibrant Rockford Art Colony, taught and also exhibited regularly, having works in public and private collections. He was a member of many New England art associations, including the North Shore Art Assoc., The New England Watercolor Society (Boston Watercolor Society), and also the Salmagundi Club and American Professional League in New York, and was an elected member of the American Watercolor Society (AWS).

Ganed Tad (Tadeusz) Klodnicki yn Krakow, gwlad Pwyl. Astudiodd gelf, pensaernïaeth a pheirianneg. Cafodd swydd fel Is-athro mewn Peirianneg Sifil yn Lvov ac yn dilyn cyfnod o weithio ar ei liwt ei hun, pryd yr enillodd y wobr 1af am gynllunio pont mewn cystadleuaeth ryngwladol yn Warsaw yn 1937, fe’i penodwyd yn Is-athro mewn Pensaernïaeth yng Ngholeg Politechneg Warsaw. Ymunodd â byddin gwrthsafwyr gwlad Pwyl yn 1940, ond fe’i carcharwyd yn 1944 a’i anfon i wersyll yn yr Almaen. Ar ôl cael ei ryddhau cynhaliodd ei hun fel artist yn yr Almaen cyn symud i Massachusetts, UDA, yn 1951. Daeth yn aelod uchel ei barch o’r gymuned fywiog o artistiaid yn Rockford; bu’n dysgu ac yn arddangos yn rheolaidd ac mae nifer o’i weithiau mewn casgliadau cyhoeddus a phreifat. Roedd yn aelod o nifer o gymdeithasau celf yn New England, yn eu plith The Guild of Boston Artists, a hefyd y Salmagundi Club, a’r American Professional League yn Efrog Newydd, ac fe’i hetholwyd yn aelod o’r AWS (American Watercolor Society).

LOT 46 untitled original/ gwaith gwreiddiol di-deitl (sunlight on rock/ golau’r haul ar graig) watercolour on board/ dyfrlliw ar gerdyn unframed/ heb ei fframio 37.25x51cm unsigned/ heb lofnod est./ amc. £250–£300

LOT 47 untitled/ heb deitl (red house/ tŷ coch) fine quality print of original watercolour print o ansawdd uchel o ddyfrlliw gwreiddiol signed/ â llofnod: Tad Klodnicki A.W.S. 39x56.5cm approx. est./ amc. £90–£100

LOT 48 B.J. SEWELL Camnant mixed media painting on paper paentiad cyfrwng cymysg ar bapur image/ llun 17x23cm, m&f 26x36cm signature/ llofnod est./ amc. £20–£30

LOT 49 GRIFFITH S. OWEN untitled/ heb deitl

(view of Snowdon from Ynysfor or Pont y Traeth Llanfrothen golygfa o’r Wyddfa o Ynysfor neu Bont y Traeth, Llanfrothen) watercolour/ dyfrlliw image/ llun 19x27.5cm approx., m&f 32x41cm signature/ llofnod GRIFFITH S OWEN 1948 est./ amc. £30–£40

LOTS 50 & 51 TEGWYN JONES (see/gw. Lots 31, 60)

Lot 50 Yn ymyl Ty’n-y-coed calligraphy and paint llythrennu cain a phaent image/ llun 39x30cm, m&f 53x42.5cm est./ amc. £20–£30

LOT 51 Gwynt ar fôr calligraphy and paint llythrennu cain a phaent image/ llun 37x29cm m&f 51.5x42cm signed/ llofnod Tegwyn est./ amc. £20–£30

LOT 52 SUZANNE LANCHBURY Chameleon stoneware ceramic sculpture/ cerflun cerameg 18x29cm, depth/ dyfnder19cm est./ amc. £250–£350 www.suzannelanchebury.co.uk email: [email protected]

ceramic artist. Suzanne has a degree in Ceramics from the Camberwell College of Arts. Her love of animals from an early age, has continued to be a source of inspiration in her work. She creates stoneware sculptures describing quirky characters and mysterious woodland creatures. Hers is a landscape of storytellers, daydreamers and mischievous children, often in disguise.Texture and surface decoration are very important and Suzanne’s previous work with textiles is a major influence on her technique. Textures are created using impressed fabrics, wallpaper or found objects – a piece of lace was used to create the reptilian skin of the chameleon. artist cerameg. Mae gan Suzanne radd mewn Cerameg o Goleg Celfyddydau Camberwell. Dechreuodd gymryd diddordeb mewn anifeiliaid pan oedd yn blentyn, ac mae anifeiliaid wedi parhau i fod yn ffynhonnell o ysbrydoliaeth i’w gwaith. Mae’n arbenigo mewn creu cerfluniau crochenwaith sy’n delweddu cymeriadau rhyfeddol a chreaduriaid dirgel y goedwig, a thrwy ei gwaith mae’n creu byd unigryw yn llawn storïwyr, breuddwydion, a phlant direidus sy’n hoff o wisgo lan. Mae gwead ac addurn yr arwyneb yn bwysig iawn iddi ac mae ei gwaith cynharach gyda thecstiliau wedi dylanwadu ar ei thechneg. Caiff y gweadau eu creu drwy wasgu deunyddiau, papur wal a gwrthrychau y daw ar eu traws – defnyddiodd ddarn o les i greu croen y madfall.

LOT 53 CHLOE RODENHURST Clever Lady Devil’s Bridge print image/ llun 28.6x20cm, m&f 42.2x32.3cm approx. signed on the mounting/ llofnod ar y mownt est./ amc. £50–£60 fbk: @Chloe Rodenhurst Art

artist. Chloe lives in Pontrhydfendigaid and produces naïve style watercolour paintings of Wales, retelling local myths and legends where the landscapes are inspired by textile patterns. She is a member of The Association of British Naive Artists :“I like the sort of art that tells a story. Indeed we have always told stories through our painting and my work belongs to this folk art tradition. I find the naïve style and vibrant colours of Asian art most inspiring and a passion for textiles informs my perspective of the landscapes in which my tales are set.” (www.britishnaives.co.uk)

artist. Mae Chloe yn cynhyrchu darluniau dyfrlliw o Gymru mewn arddull naïf, yn ailadrodd mythau a chwedlau lleol lle mae’r tirweddau wedi’u hysbrydoli gan batrymau tecstiliau. Mae’n aelod o’r Association of British Naive Artists. (britishnaives.co.uk) “Rydw i’n hoffi’r math o gelf sy’n dweud stori. Yn wir rydym ni bob amser wedi dweud storïau drwy gyfrwng ein paentio ac mae fy ngwaith yn perthyn i’r traddodiad hwn o gelf gwerin. Mae arddull naïf a lliwiau llachar celf Asia yn fy ysbrydoli’n fawr ac mae fy angerdd am decstiliau’n rhoi arweiniad i mi ar y ffordd rwy’n edrych ar y tirweddau lle mae fy storïau’n cael eu lleoli. ” LOT 54 GARETH OWEN Hiraeth digital print/ print digidol image/ llun 29x29cm, m&f 52.5x52.5cm signed bottom left/ llofnod est./ amc. £70–£90 www.orielgarethowen.com

artist, poet and educator. After graduating with a degree in Fine Art from Cardiff College of Art in 1970, Gareth chose a teaching career, becoming head of Art and Design at Ysgol y Creuddyn, Llandudno - where, amongst others, he taught Bedwyr Williams. Gareth is a conceptual artist and his touring exhibitions represent the culmination of projects that are usually developed over 3 years. For example, the recent EnglUniau exhibition (which includes this work) mainly addressed the relationships between words, poetry and visual art. The content of his work is related to his background and awareness of being Welsh. His aim is to marry all this with formal considerations of visual art, concepts such as the painting as an object and illusions to do with the surface of the picture. Gareth was one of 30 artists who contributed images to David Greenslade’s volume of poetry Rarely Pretty Reasonable (2013).

“Hiraeth is at times a completely appropriate emotion, of course, but it is an emotion with which one must be careful. We must be mindful not to dwell too much in the past. This image is about ‘Hiraeth’. Here we see a person in the here and now but his mind is elsewhere. It is also an example of my love for the visual nature of words. I use the fact that the letter H begins and ends the word ‘HIRAETH’ which creates interesting corners to the frame.” artist, bardd ac addysgwr. Ar ôl graddio mewn Celfyddyd Gain o Goleg Celf Caerdydd yn 1970, dewisodd Gareth yrfa fel athro, gan ddod yn bennaeth Celf a Dylunio yn Ysgol y Creuddyn – lle, ymhlith eraill, y bu’n dysgu Bedwyr Williams. Mae Gareth yn artist cysyniadol ac mae ei arddangosfeydd teithiol yn cynrychioli penllanw prosiectau arbennig sy’n cael eu datblygu dros gyfnod o dair blynedd fel arfer. Roedd yn un o 30 o artistiaid a gyfrannodd ddelweddau i gyfrol farddoniaeth David Greenslade, Rarely Pretty Reasonable (2013). Mae cyd-destun gwaith Gareth yn ymwneud â’i ddiddordebau, sy’n tarddu o’i gefndir a’i ymwybyddiaeth Gymreig. Cafodd ei fagu ar aelwyd yn Llanuwchllyn oedd yn gadarnle i’r “pethe” ac roedd ei dad, Ifor Owen, a’i daid yn artistiaid hynod ddawnus. Ystyria Gareth ei gelfyddyd fel cyfrwng i bontio celf weledol â’r “pethe”. Ceisia briodi hyn oll ag ystyriaethau ffurfiol celfyddyd weledol, megis y darlun fel gwrthrych ac effeithiau rhithiol yn ymwneud ag wyneb y darlun. Daw’r gwaith hwn o’i arddangosfa ddiweddar EnglUniau sy’n delio yn bennaf â’r cysylltiadau rhwng geiriau, barddoniaeth a chelf weledol.

“Mae hiraeth yn emosiwn hollol briodol ar adegau, wrth gwrs, ond mae’n emosiwn y mae’n rhaid bod yn ofalus ohono. Rhaid bod yn wyliadwrus nad yw rhywun yn byw’n ormodol yn y gorffennol. Dyma ddelwedd sy’n ymdrin â ‘hiraeth’. Yma gwelir person mewn lle ac amser ond mae ei feddwl yn rhywle arall. Dyma hefyd enghraifft o’m hoffter o natur weledol geiriau. Yma gwneir defnydd o’r ffaith fod y llythyren H ar ddechrau a diwedd y gair ‘HIRAETH’. Mae hyn yn creu corneli diddorol i’r ffrâm.” LOT 55 CYNTHIA WESTNEY White Sails lino print/ print leino image/ llun 25.5x29cm, m&f 43.5x49.5cm signed/ llofnod CW est./ amc. £50–£60 email: [email protected]

Cynthia began painting as a hobby over 30 years ago while living and working in Baden- Wuerttemberg, Germany, attending classes at the Volkshochschule, Tuebingen, then learnt printmaking at the University of Tuebingen Drawing Institute. After returning to Wales in 1998, she became a founding member of ‘Printers in the Sticks’, a printmaking group based in Ystrad Meurig; she also exhibits her paintings and prints with Mid Wales Arts and Ceredigion Art Society. (fbk: @grwpLlanfairClydogauGroup 8 May, 2016)

Dechreuodd Cynthia baentio fel hobi dros 30 mlynedd yn ôl pan oedd yn byw ac yn gweithio yn Baden-Wuerttemberg, yn yr Almaen, ac yn mynychu dosbarthiadau yn y Volkshochschule, Tuebingen. Yna aeth ymlaen i ddysgu sgiliau argraffu yn Ysgol Arlunio Prifysgol Tuebingen. Ar ôl dychwelyd i Gymru yn 1998, sefydlodd y grŵp argraffu ‘Printers in the Sticks’ yn Ystrad Meurig; mae hi hefyd yn arddangos ei gwaith efo Celf Canolbarth Cymru a Chymdeithas Gelf Ceredigion. (fbk: @grwpLlanfairClydogauGroup, 8 Mai 2016)

LOT 56 VALÉRIANE LEBLOND Triptych: Calch Llasar, Taryaneu, Eskidyeu original artwork/ gwaith celf gwreiddiol * mixed media on paper/ cyfryngau cymysg ar bapur image/ llun 25x25cm, m&f 34x34cm, bespoke frame (white) signed/ llofnod est./ amc. £250 – £300 www.valeriane-leblond.eu

artist and illustrator. “My artworks often deal with the idea of belonging, how people inhabit the land, what makes the place they call home. Most of my works have details and sub-stories that you may notice if you look longer... There is a narrative aspect in my paintings and I often have to write down what I have in mind before I start to paint it.” In 2016 Valériane was commissioned by the National Library of Wales to create a map of Wales as part of 'The Year of Legends' 2017. This Triptych also was part of an exhibition to celebrate the Mabinogion at the Aberystwyth Arts Centre. She has illustrated several books for children, collaborating with Siân Lewis to produce Pedair Cainc y Mabinogi (2017); also the cover illustration, 'Adar Troellog', Resurgence and Ecologist issue 304, Sept/Oct 2017 - 'Together we are stronger'. artist a arlunydd. “Mae fy ngwaith celf yn aml yn ymwneud â'r syniad o berthyn, sut mae pobl yn perthyn i'r tir, beth sy'n gwneud y lle y mae'n nhw'n galw'n gartref. Mae i'r rhan fwyaf o fy ngweithiau fanylion ac is-storiau y gallwch eu gweld o edrych yn fanwl. Y mae agwedd naratif i fy lluniau ac yn aml bydd rhaid imi ysgrifennu yr hyn sy gen i yn fy meddwl cyn dechrau ei baentio.” Comisynnwyd hi gan y Llyfrgell Genedlaethol yn 2016 i greu map fel rhan o ddathliadau 'Blwyddyn Chwedlau Cymru' 2017. Roedd y Triptych hwn hefyd yn rhan o arddangosfa yng Nghanolfan Celfyddydau Aberystwyth i ddathlu y Mabinogi. Mae Valériane wedi dylunio nifer o lyfrau plant; cydweithiodd efo Siân Lewis i gynhyrchu Pedair Cainc y Mabinogi (2017) a lluniodd lun clawr, ‘Adar Troellog' i rifyn 304 (Medi/Hyd. 2017) o'r cylchgrawn Resurgence and Ecologist – ‘Together We Are Stronger'.

*limited fine art prints sell for £40 individually/ printiau cyfyngedig yn gwerthu yn unigol am £40

LOTS 57- 58 EDRICA HUWS (1907 – 1999)

LOT 57 The Viola (1998) high quality giclée print of original patchwork print giclée o ansawdd uchel o glytwaith gwreiddiol limited edn./ argraffiad cyfyngedig (13/50) image/ llun 27x37cm approx., mounted 40x50cm est./ amc. £60–£70

artist and poet. Edrica Huws was an artist who discovered her true métier, patchwork, when she was past fifty, bringing to patchwork an entirely new vision of its scope. Over the years, her reputation has grown and she is now internationally recognised as being one of the finest textile artists. She is much revered, not only in patchwork circles (see e.g. Deborah Wirsu, ‘Edrica Huws - Patchwork Pioneer’ (deborahwirsu.com Oct. 2015) but also by the wider artistic community, as an important artist. Edrica Huws (née Tyrwhitt) studied at Chelsea Art School and the Royal College of Art and was a successful freelance artist in London. However, marriage to Anglesey-born artist, sculptor and industrial designer Richard Huws in 1931 and bringing up 5 children meant that she had to abandon any thought of work as an artist. She began to keep her ‘rag-bags’ of material left over from dressmaking for the children and herself and collecting bits of fabric whilst living in Talwrn and thinking about the medium of patchwork. Towards the end of the 1950s, she took up art again but now with her original concept of creating patchwork pictures, insisting that the medium of patchwork should be considered as a serious art form. Her ‘Observations on the medium of patchwork’ (published in Edrica Huws Patchworks, 2007) gives a fascinating insight into her concept and the new methods she invented, the eye of a creative artist being always in evidence [see Lot 58]. Exhibitions of her work in France and in Japan brought much acclaim and most of her 187 patchworks are in collections in these countries (there is one work in the National Library of Wales’s collection). But it was not until the retrospective exhibition held by Oriel Ynys Môn in 2007 that Edrica’s extraordinarily original work was brought to the attention of an increasingly appreciative British audience. Ten years later (2017), the National Eisteddfod returned to Anglesey and celebrated Edrica Huws’s contribution by producing a limited edition of five special prints, of which this is one. This patchwork was commissioned by Kazuo Goto who sent a photo of his new viola to the artist.Her feeling of success with this work stimulated her last burst of creativity.

Bunka Shuppan Kyoku, Edrica Huws: Patchwork Pictures (Tokyo, 1982) Catharine Huws Nagashima, Edrica Huws: Patchwork Pictures (catalogue of a retrospective exhibition at the Mitsukoshi Gallery, Tokyo, 2000) Daniel Huws ed., Edrica Huws Patchworks / Clytweithiau Edrica Huws [see/gw. Lot 58] See also Ceridwen Lloyd Morgan’s article on the 2007 exhibition, ‘Pioneer of Patchwork’ in Planet 185 (Oct/ Nov. 2007 pp. 118-121). artist a bardd. Roedd Edrica Huws yn artist a ddarganfu ei gwir métier , sef clytwaith, pan oedd dros ei hanner cant, gan ddod at glytwaith â gweledigaeth hollol newydd o’i bosibiliadau. Mae wedi ennill bri cynyddol dros y blynyddoedd ac fe’i cydnabyddir yn rhyngwladol heddiw fel un o’r artistiaid tecstiliau gorau. Bellach, mae wedi ennyn parch nid unig mewn cylchoedd clytwaith, ond hefyd gan y gymuned artistig ehangach, fel artist o bwys.

Astudiodd Edrica Huws (née Tyrwhitt) yn Ysgol Gelf Chelsea a’r Coleg Celf Brenhinol ac roedd yn artist llwyddiannus yn gweithio ar ei liwt ei hun yn Llundain. Fodd bynnag, ar ôl priodi’r Monwysyn Richard Huws – artist, cerflunydd a dylunydd diwydiannol – yn 1931 a magu pump o blant, bu’n rhaid iddi roi o’r neilltu unrhyw uchelgais i fod yn artist. Pan oedd yn byw ym mhentref Talwrn, aeth ati i gadw ‘bagiau rhacs’ o ddefnyddiau dros ben ar ôl gwnïo dillad i’r plant ac iddi ei hun, yn ogystal â chasglu darnau o ddeunyddiau amrywiol wrth ddechrau meddwl am clytwaith fel cyfrwng. Tua diwedd y 1950au dechreuodd wneud gwaith celf unwaith eto, ond bellach â’i chysyniad gwreiddiol o greu lluniau clytwaith, gan fynnu y dylai clytwaith gael ei ystyried o ddifrif fel celfyddyd. Mae ei ‘Observations on the medium of patchwork’ (a gyhoeddwyd yn Clytweithiau Edrica Huws , 2007) yn taflu goleuni arbennig ar ei chysyniad a’r dulliau newydd a ddyfeisiwyd ganddi, â llygad yr artist creadigol yn hollbresennol [gw. Lot 58]. Creodd gyfanswm o 187 o glytweithiau, a derbyniodd arddangosfeydd o’i gwaith yn Ffrainc ac yn Siapan glod uchel; mewn casgliadau yn y gwledydd hyn y mae’r rhan fwyaf o’i chlytweithiau (ceir un clytwaith yng nghasgliad y Llyfrgell Genedlaethol). Ond ni chafodd y gynulleidfa oedd yn cynyddol werthfawrogi ei gwaith ym Mhrydain gyfle i weld ei chlytweithiau gwreiddiol tan i arddangosfa ol-syllol o waith hynod wreiddiol Edrica Huws cael ei chynnal gan Oriel Ynys Môn yn 2007. Ddeng mlynedd yn ddiweddarach, dychwelodd yr Eisteddfod Genedlaethol i Ynys Môn (2017), gan ddathlu cyfraniad Edrica Huws drwy gynhyrchu nifer cyfyngedig o bum print arbennig, gan gynnwys yr eitem hon. Comisiynwyd y clytwaith hwn gan Kazuo Goto, a anfonodd ffotograff o’i fiola newydd at yr artist. Ysgogodd ei hymdeimlad o falchder yn y gwaith hwn ei hyrddiad olaf o greadigrwydd yn 1998. LOT 58 Daniel Huws (ed./gol.), Edrica Huws Patchworks/ Clytweithiau Edrica Huws (Manaman, 2007) rare book/ llyfr prin This book is out of print and much sought after. Mae’r llyfr hwn allan o brint ac mae galw mawr amdano. est./ amc. £100—£120

Cyhoeddwyd y llyfr hwn i gydfynd â'r arddangosfa ol-syllol yn Oriel Ynys Môn yn 2007 a chynhwysir 65 plât lliw./ This book was published to coincide with the retrospective exhibition at Oriel Ynys Môn in 2007 and includes 65 colour plates. It also has a 'A Biographical Sketch/ Braslun Bywgraffyddol' by her son, Daniel Huws, an article by Val Shields on 'Edrica Huws's place in the history of patchwork/ Safle Erica Huws yn hanes clytwaith' as well as Erica Huws's 'Observations on the medium of patchwork': “While maintaining a clear contour, I aim at ambiguous density in the mass: this is for me the prime interest, to break up the surface, and to suggest depths beyond the representational. When the eye rests upon a part of the picture I always hope that it will find something there that is not explicit, that poses a question, that offers more than one answer.” In the way she achieved this she acknowledged her debt to the French Impressionists / Roedd yn cydnabod ei dyled i'r Argraffiadwyr Ffrengig am y modd y llwyddodd i wneud hyn: “The tone is always more important than the colour. To be aware of tone is to be master of your material.” Ac roedd effeithiau annisgwyl cyfosod darnau o ddeunydd yn peri pleser iddi ac ynddo'i hun yn rhan o'r broses greadigol/ and the unexpected effects of the juxtaposition of pieces of fabric delighted her and were themselves part of the creative process: “The fabric must suggest the method …”

LOT 59 ALUN GWYNEDD JONES The Dream of Captain Cat (2014)

Stone lithograph with gouache hand-colouring (1/4) Lithograff carreg gyda lliwio â llaw mewn gouache image/llun 30x30cm approx., m&f 47x48cm signed/ llofnod A est./amc. £40—£50

printmaker, historian. While he was a student in UCL, Alun studied printmaking part time at The Central School of Art, London, with Norman Ackroyd and, although he followed an academic career as a historian, printmaking has remained a passion. He is a member of Aberystwyth Printmakers. Alun has works in private collections in the UK and USA. argraffydd, hanesydd. Tra oedd yn fyfyriwr yn UCL astudiodd Alun argraffu yn rhan amser yn y Central School of Art, Llundain, gyda Norman Ackroyd, ac er iddo ddilyn gyrfa academaidd fel hanesydd, mae ei angerdd am argraffu wedi parhau. Mae Alun yn aelod o Argraffwyr Aberystwyth ac mae ganddo weithiau mewn casgliadau preifat yn y Deyrnas Unedig ac yn yr Unol Daleithiau. LOT 60 (see/gw. Lot 31) TEGWYN JONES cartoon portrait of portread cartwn o R. S. Thomas graphite and ink on pape graffit ac inc ar bapur image/ llun: 8.5x11 inch/ modfedd m&f 12x15 modfedd est./ amc. £25–£40 signed/ llofnod Tegwyn

artist, calligrapher (see lots 31, 50, 51), cartoonist and author. Tegwyn Jones is very well-known for his political cartoons in Welsh periodicals and other publications and he collects the works of other political cartoonists from several countries. He has also created cartoon portraits of eminent Welshmen including Saunders Lewis, which appeared on the cover of the Welsh periodical Barn, (December, 1973).

Mae Tegwyn Jones yn enwog am ei gartwnau politicaidd. Bu’n gyfrannwr cyson i’r cylchgrawn Barn dan olygyddiaeth Alwyn D. Rees a gwelwyd ei gartwnau bachog mewn nifer o gyhoeddiadau eraill sy’n gyfarwydd iawn i’r Cymry Cymraeg. Creodd hefyd nifer o bortreadau cartŵn o Gymry enwog, gan gynnwys un o Saunders Lewis, a ymddangosodd ar glawr Barn (Rhagfyr 1973).

LOT 61 MERI WELLS, RCA maquette of Y Daith (The Journey) length/ hyd approx 24cm width/ llêd 6.5cm height/ uchder 18cm ceramic/ cerameg est./ amc. £100–£120 www.meriwells.co.uk

ceramic sculptor. Elected as a member of the International Academy of Ceramics in 2007, Meri is an internationally acclaimed ceramic sculptor and her work can be found in major collections in Europe as well as in Wales (she also shows at the Martin Tinney Gallery and The Cambrian Academy Conwy). She was instrumental in founding the International Ceramic Festival in Aberystwyth in 1987; this festival which is held every two years at the Aberystwyth Arts Centre is Europe’s premier ceramics festival (internationalceramicsfestival.org). Meri’s figurative sculptures are part human, part animal or bird; these characters are contemporary yet at the same time mythological – often relating to Welsh folklore – and they suggest emotions and tensions that lie under the surface of all human relationships. This maquette, wood-fired up to 1280 C. in the kiln at her studio outside Machynlleth, was the starting point for her series of large scale pieces on modern-day refugees which was commissioned for the ‘Crossings’ exhibition which toured Ireland and Wales 2017- 18; in 2017 Meri was invited to show the work in Germany and Catalunia, and also at the prestigious Galerie du Don in France. “Her large sculptures consist of a series of seven anthropomorphic clay figures, Walking, waiting. crossing, queuing. Their faces, with features reminiscent of rabbits and sheep, express fear, hopelessness and resignation. Their dignity and individuality has been taken away; they have become part of an anonymous crowd that is herded like animals to the boats. All they can do is wait patiently in line for their turn and pray for the best.” [see image below]

Fig 1. Arddangosfa 'Crossings' Exhibition

cerflunydd cerameg. Etholwyd Meri yn aelod o’r Academi Cerameg Ryngwladol yn 2007. Mae ei cherfluniau cerameg wedi ennill clod rhyngwladol a gwelir ei gwaith mewn prif gasgliadau yn Ewrop yn ogystal ag yng Nghymru (Mae hi hefyd yn dangos ei gwaith yn Oriel Martin Tinney ac yn Academi Cambrian Conwy). Meri oedd un o brif sylfaenwyr yr Ŵyl Cerameg Ryngwladol yn Aberystwyth yn 1987; cynhelir yr ŵyl bob dwy flynedd yng Nghanolfan y Celfyddydau, Aberystwyth, a hon yw gŵyl cerameg bwysicaf Ewrop. Mae cerfluniau ffigurol Meri yn rhannol ddynol, ac yn rhannol yn anifeiliaid neu adar; cymeriadau sy’n gyfoes ond yr un pryd yn fytholegol yw’r rhain – yn aml yn gysylltiedig â llên gwerin Cymru – ac maent yn awgrymu teimladau a thensiynau sy’n gorwedd o dan yr wyneb ym mhob perthynas ddynol. Y maquette hwn, a daniwyd gan goed mewn odyn hyd at wres o 1280 ºC, oedd man cychwyn ei chyfres drawiadol o saith darn mawr ar ffoaduriaid cyfoes a gomisiynwyd ar gyfer arddangosfa deithiol ‘Crossings’ a gynhaliwyd yn Iwerddon a Chymru yn 2017–18. Yn 2017 gwahoddwyd Meri i ddangos y gwaith yn yr Almaen a Chatalunia, a hefyd yn y Galerie du Don yn Ffrainc. “Mae ei cherfluniau mawr yn cynnwys cyfres o saith o ffigurau clai anthropomorffig, Cerdded, aros, croesi, ciwio. Mae eu hwynebau, â’u nodweddion sy’n ein hatgoffa am gwningod a defaid, yn mynegi ofn, anobaith a phlygu i’r drefn. Tynnwyd eu hurddas a’u hunaniaeth oddi arnynt; daethant yn ran o’r dorf ddienw sy’n cael eu corlannu fel anifeiliaid i’r cychod. Yr unig beth y gallant ei wneud yw aros yn amyneddgar yn un llinell am eu tro a gweddïo am y gorau.” [gw. llun uchod]

‘The Art of Meri Wells’: friendsoftheglynnvivian.com/downloads/newsletter_summer11.pdf Karen Westendorf on the ‘Crossings’ exhibition in: walesartsreview.org 17/3/17 LOT 62 EDWARD POVEY (b.1951), RCA (1993–2012) untitled (rural landscape/ tirlun gwledig) linocut/ toriad leino signed/ llofnod Ed Povey May 1979 image/ llun 27x20.7cm m&f 50x42cm approx. est./ amc. £80–£90

artist and sculptor. Edward Povey is a renowned symbolist artist. His work is highly acclaimed and collected. After a foundation course in fine arts at Eastbourne College of Art and Design in 1972-3 Edward studied at the University College of North Wales Bangor from 1974 and studied painting under Selwyn Jones. Although, over the years he has lived and worked in many parts of the world, he retained a foothold in North Wales and this work is from his early period when he lived in Bethesda. He is noted for his public murals on buildings in North Wales (and elsewhere) in the 1980s -1990s e.g. in Upper Bangor, Helter Skelter in Caernarfon, and Neuadd Powis, Bangor University – commissioned work: The Hall of Illusion 1993; the latter was named by The Times in 2005 as being one of the ten most important university-owned artworks in Britain. Over the years, his interest in symbolism and the relationship between art and the psyche developed, moviong through different ‘periods’ of researching new ways to evolve concepts until 2009, when he withdrew from gallery representation seeking a seclusion to re-evaluate his painting. 2013-15 saw the fruit of his radical new evolvement in which he collaborated with his second wife, the American artist Tolar Schultz, in building a new concept of combining abstraction and liminal figuration. (see poveyandschultz.com). He has exhibited widely and has works in public, corporate and private collections all over the world. To see works held in museum collections in Britain (a great many in Wales incl. The National Library of Wales, Ceredigion Museum – ‘The Return of St. Padarn (1981), Bangor University) see: artuk.org He has been the subject of several studies, television programmes and interviews, attracting the attention of the art world as early as 1986,when he was interviewed by Sir Hugh Casson about his career (following his much acclaimed showing of his 1981-2 comissioned painting, The Trial of St. Deiniol, at the Art Expo New York 1986). In 2011 MOMA Wales produced a monograph, Paul Islwyn Thomas at al, Edward Povey – his life and works. artist a cherflunydd. Mae Edward Povey yn artist symbolaidd adnabyddus ac mae ei weithiau wedi ennill bri ac yn hynod gasgladwy. Ar ôl dilyn cwrs sylfaen mewn celfyddyd gain yng Ngholeg Celf a Dylunio Eastbourne yn 1972, bu'n fyfyriwr yng Ngholeg Prifysgol Gogledd Cymru Bangor o 1974 ymlaen pryd y bu'n astudio paentio dan Selwyn Jones. Er iddo fyw a gweithio mewn amrywiol rannau o'r byd, cadwodd gysylltiad â Chymru – perthyn y gwaith hwn i'r cyfnod cynnar pan oedd yn byw ym Methesda. Mae Edward yn nodedig am ei furluniau 'cyhoeddus' yng ngogledd Cymru (a mannau eraill) yn y 1980au a'r 1990au, e.e. Bangor Uchaf, Caernarfon, ac yn Neuadd Powis ym Mhrifysgol Bangor – gwaith comisiwn: The Hall of Illusion (1993); enwyd yr olaf gan The Times yn 2005 fel un o'r deg gwaith pwysicaf oedd yn eiddo i brifysgolion Prydain. Dechreuodd ymddiddori fwyfwy mewn symbolaeth a'r berthynas rhwng celf â'r seice (astudiodd am radd seicoleg ym Mangor); bu'n ymchwilio dulliau newydd o ddatblygu cysyniadau ac o 1994 ymlaen dechreuodd gerflunio yn ogystal a phaentio. Cafodd gyfnod o encil am ychydig flynyddoedd o 2009 ymlaen gan ymwrthod ag arddangos ei weithiau mewn orielau, er mwyn ail-asesu ei baentio a gwelir ffrwyth y datblygiad hwn yn 2013-5 yn ei waith ar y cyd â'i ail wraig, yr artist Americanaidd Tolar Schulz, yn datblygu cysyniad newydd o gyfuno'r haniaethol a'r ffigurol sydd 'ar y trothwy'. (gw. poveyandschultz.com) Mae wedi arddangos yn eang a cheir ei waith mewn casgliadau cyhoeddus, corfforaethol a phreifat ar draws y byd. I weld y gweithiau sydd mewn casgliadau cyhoeddus yng ngwledydd Prydain (nifer helaeth yng Nghymru, gan gynnwys y Llyfrgell Genedlaethol, Amgueddfa Ceredigion – Dychweliad Padarn Sant (1981), a Phrifysgol Bangor), gw. artuk.org Cafwyd nifer o astudiaethau o'i waith yn ogystal a nifer o raglenni teledu a chyfweliadau, a denodd sylw'r byd celf mor gynnar â 1986 pan gafiodd ei gyf-weld ynglyn â'i yrfa gan Syr Hugh Casson (ar ôl iddo ennill clod mawr pan gafodd ei baentiad, Yr Achos yn erbyn Sant Deiniol (1982) ei ddangos yn Art Expo Efrog Newydd yn 1986 – pryd y'i cofnodwyd gan y ffotograffydd Dith Pram).

LOT 63 unattributed/ heb ei briodoli untitled/ heb deitl (Italian townscape with campanille treflun Eidalaidd gyda campanille) watercolour/ dyfrlliw image/ llun 34x24cm approx. m&f 46.5x36.5cm est./amc. £30–£40

LOT 64 (for English text see Lot 39) MARY LLOYD JONES RCA Arenig 3 (2014) mixed media/ cyfrwng cymysg image/ llun: 22x25.3cm, m&f 35.8x41cm signed/ llofnod est./ amc. £240–£260 www.marylloydjones.co.uk

Mae Mary Lloyd Jones wedi ennill cydnabyddiaeth ryngwladol ac yn un o’r prif artistiaid sy’n byw ac yn gweithio yng Nghymru. Cafodd ei geni ym Mhontarfynach yn 1934; mae wedi arddangos yn gyson ers y chwedegau a cheir ei gwaith mewn nifer o gasgliadau cyhoeddus a phreifat ledled y byd. Derbynniodd nifer o anrhydeddau, gan gynnwys cael ei gwneud yn Gymrawd Anrhydeddus Prifysgol Aberystwyth – lle mae peth o’i gwaith i’w weld ym mhedrongl yr Hen Goleg. Tirlun Cymru sy’n ei hysbrydoli, yn enwedig ôl dyn ar y tirlun, ac mae paentiadau mynegiadol beiddgar Mary yn nodedig am eu defnydd o liwiau llachar a chyfoethog. “Yn fy ngwaith rwyf yn anelu at adlewyrchu fy mherthynas â’r tir, fy ymwybyddiaeth o hanes, o drysorau ein llenyddiaeth a’n traddodiad llafar. Byddaf yn chwilio am ddulliau sy’n caniatáu i mi greu haenau yn fy nelweddau. Mae hyn wedi fy arwain i edrych ar ddechreuad ieithoedd ac ar farciau cynnar dynion ar gerrig, ar yr wyddor Ogam ac ar Goelbren y Beirdd.” (Oriel Martin Tinney).

“Mae fy mheintiadau yn ddathliad o anialdiroedd ac yn aml yn cynnwys cyfeiriadau at arwyddion a marciau dirgel a wnaed gan ein hynafiaid oedd â pherthynas efo’r byd naturiol yr ydym bellach wedi’i cholli.” Defnyddia Mary liwiau sydd wedi’u symbylu gan y palet cyfoethog a welir yn y tirlun lleol. “Er enghraifft, gallwch weld lliwiau porffor a choch rhyfeddol yn y grug, a thrwy ymgorffori hynny mewn gwaith rydych yn ei osod neu’n ei leoli, ond nid mewn modd hollol benodol. Mae’n benagored iawn.” ( Part of the landscape, Wales Online 14/5/2010). Mae Mary hefyd yn ymdeimlo â’r cysylltiad agos rhwng lliw a lliw/seiniau cerddorol, fel yr esboniodd i Andrew Green (erthygl ar arddangosfa yn Oriel Martin Tinney 2017, gwallter.com 17/11/17): “Mae gan bob gwaith unigol ei gywair, ei rhythm, ei offeryniaeth a’i symudiad deinamig ei hun.”

LOTS 65-66 TAD KLODNICKI (see/gw. Lots 46, 47)

LOT 65 2 untitled originals back to back 2 lun gwreiddiol di-deitl gefn wrth gefn (rural landscape and house in woodland setting tirlun gwledig a thŷ mewn llecyn coediog) watercolour on paper/ dyfrlliw ar bapur 38.4x57cm approx. unsigned/ heb lofnod est./ amc. £250–£300

LOT 66 2 untitled originals back to back 2 lun gwreiddiol di-deitl gefn wrth gefn (rural landscape and snow scene tirlun gwledig a golygfa o eira) watercolour on paper/ dyfrlliw ar bapur 38.4x57cm approx. unsigned/ heb lofnod est./ amc. £250–£300

LOT 67 SHANI RHYS JAMES RCA The Dolls House (2008) etching/ ysgythriad (1/25) image/ llun 39.5x45cm m&f: 63.5x70cm signed/ llofnod est./ amc. £300–£350 axisweb.org/p/shanirhysjames/

One of the most important artists working in Britain today. Shani Rhys James has developed over a long and distinguished career a unique and highly personal style of intense psychological power. Taking almost exclusively the female form – frequently herself – as her subject, Rhys James has continued to explore the role of women within domestic spaces. In recent work the female figure has become entwined with images of flowers, either in the wallpaper that surrounds them or as part of a still life composition. In Rhys James’s paintings, forms take on a life of their own, subverting the traditional ‘feminine’ arts of still life and home decorating.(connaughtbrown.co.uk) SRJ: “My desire is to produce powerful, emotional paintings which are read for their content, their colour and their abstract elements. I have to be emotionally and mentally taken over by my paintings ...” Shani has exhibited widely throughout her career and has won major awards; her work is featured in many important collections. The Rivalry of Flowers (Seren, 2013) was published to coincide with her solo exhibition. She has an exhibition – ‘The Inconstant State’ – at the Connaught Brown Gallery 20 April – 26 May 2018.

Un o’r artistiaid pwysicaf sy’n gweithio ym Mhrydain heddiw. Drwy gydol ei gyrfa hir a nodedig, mae Shani Rhys James wedi datblygu arddull unigryw a hynod bersonol sy’n cael ei nodweddu gan bŵer seicolegol dwys. Gan gymryd y ffurf fenywaidd – hi ei hun, yn aml – fel ei hunig bwnc, bron, mae Rhys James wedi parhau i archwilio rôl gwragedd o fewn cyd-destun domestig. Yn ei gweithiau diweddar mae’r ffigwr benywaidd yn cael ei gydblethu â delweddau o flodau, un ai yn y papur wal sy’n eu hamgylchu neu fel enghraifft o fywyd llonydd. Ym mhaentiadau Rhys James mae ffurfiau yn meddiannu eu bywydau eu hunain, gan wyrdroi celfyddydau ‘benywaidd’ traddodiadol bywyd llonydd ac addurno’r cartref (connaughtbrown.co.uk). SRJ: “Fy nod yw cynhyrchu paentiadau pwerus, emosiynol y gellir eu darllen ar sail eu cynnwys, eu lliw a’u helfennau haniaethol. Mae’n rhaid imi gael fy meddiannu, yn emosiynol ac yn feddyliol, gan fy mhaentiadau ...” Mae Shani wedi arddangos yn eang drwy gydol ei gyrfa ac wedi ennill nifer o wobrau pwysig, a gwelir ei gwaith mewn nifer o’r prif gasgliadau. Cyhoeddwyd The Rivalry of Flowers (Seren, 2013) i gydredeg â’i harddangosfa unigol. Mae ganddi arddangosfa – ‘The Inconstant State’ – yn Oriel Connaught Brown 20 Ebrill–26 Mai 2018.

LOT 68 MARGARET WORRALL Taith gyda’r Nos/ An Evening Stroll acrylic/ acrylig image/ llun 39x50cm, f 46x56cm signed/ llofnod M W est./ amc. £80–£100 email: [email protected]

“I have been living in Aberystwyth for several years, and have been painting as a hobby for 18 years in acrylic pastel and watercolours.” (Ceredigion Art Trail 2017). Margaret regularly sells her work to raise money for the air ambulance and has raised over £2000.

“Rydw i wedi byw a gweithio yn Aberystwyth ers sawl blwyddyn, 18 o’r rheiny’n paentio fel hobi mewn pastel acrylig a dyfrlliw.” (Llwybr Celf Ceredigion, 2017). Mae Margaret yn gwerthu ei gwaith yn rheolaidd er mwyn codi arian i’r Ambiwlans Awyr ac wedi codi dros £2000.

LOT 69 MARCIA GIBSON-WATT Eglwys Cefnllys ger Llandrindod (1988) print signed/ llofnod M image/ llun 70x98mm m&f 153x180mm est./ amc. £10–£15

Marcia Gibson-Watt is a graduate of Kingston Art College, where she specialised in Graphic Design. She has exhibited in the Royal Academy Summer Exhibition on several occasions. Her work is characterised by an impressionist approach. She has specialised in miniatures and this is a print of one of her 'miniature pictures of Powys' 1988 exhibition at Bleddfa Gallery, Knighton.

Graddiodd Marcia o Goleg Celf Kingston, gan arbenigo mewn Dylunio Graffig. Mae wedi arddangos ei gwaith droeon yn Arddangosfa Haf yr Academi Frenhinol. Defnyddia ddull argraffiadol yn ei gwaith. Mae wedi arbenigo mewn miniaturau ac mae hwn yn brint o un o'r darluniau yn ei harddangosfa o 'luniau miniatur o Bowys' yn Oriel Bleddfa, Ceintyn yn 1988.

LOT 70 CHARLES RENNIE MACKINTOSH drawings for His House for an Art Lover argraffiad dalennau rhydd/ loose leaf edition Print Portfolio (Pomegranate Publications, 1990) 8 high quality 13x15inch reproductions of his actual drawings for the 1901 competition to design a house for an art connoisseur... 8 atgynhyrchiad ansawdd uchel 13x15modfedd o'i ddarluniau gwreiddiol ar gyfer cystadleuaeth 1901 i gynllunio tŷ ar gyfer connoisseur celf... est./ amc . £20 - £30 Alphabetical index with Lot numbers Mynegai yn nhrefn yr wyddor â rhifau eitemau

Antique prints 41, 42 Barry ARNOLD 1, 38 Gwenllian BEYNON 6 BODGE 4 CARIAD GLASS 5 Huw CEIRIOG 21, 22, 23, 24, 25 Averil CLIFFORD REES 10 DAFAD DDU (BLACK SHEEP) 7, 8 Rolant DAFIS 45 Steven DOYLE 3 Ruth Jên EVANS 20 Andrew FRANCIS 18 Marcia GIBSON-WATT 69 Alison GREELEY 19 William GRIFFITHS 28 Philip HUCKIN 44 Sarah HUDIS 37 Edrica HUWS 57, 58 Shani Rees JAMES 67 Alun Gwynedd JONES 59 Mary Lloyd JONES 39, 64 Tegwyn JONES 31, 50, 51, 60 Wynne Melville JONES 11 Patti KEANE 13 Tad KLODNICKI 46, 47, 65, 66 Suzanne LANCHBURY 52 Valériane LEBLOND 56 Sue LEE 35 James LEMAN 2 Wendy LLOYD 27 Charles Rennie MACKINTOSH 70 Andy McPHERSON 14 Gareth OWEN 54 Griffith S OWEN 49 Ruth PACKHAM 36 Edward POVEY 62 RHIANNON 30 E Meirion ROBERTS 32 Chloe RODENHURST 53 Ali SCOTT 40 B J SEWELL 48 Hillary SMITH 43 Lizzie SPIKES 29 Gwenllian SPINK 26 Christopher STRANNEY 15, 16, 17, 33, 34, Helen TWORKOWSKI 9 Meri WELLS 61 Cynthia WESTNEY 55 Ann WILLIAMS 12 Margaret WORRALL 68 UNATTRIBUTED 63