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EDITED TRANSCRIPT Eros STX Global Corporation – Business Update Call
NOVEMBER 04, 2020 / 9:30PM GMT, Eros STX Global Corporation – Business Update Call REFINITIV STREETEVENTS EDITED TRANSCRIPT Eros STX Global Corporation – Business Update Call EVENT DATE/TIME: NOVEMBER 04, 2020 / 9:30PM GMT REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2020 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. 1 NOVEMBER 04, 2020 / 9:30PM GMT, Eros STX Global Corporation – Business Update Call CORPORATE PARTICIPANTS Adam Fogelson: STX Films - Chairman Andy Warren: Eros STX Global Corporation - CFO Bob Simonds: Eros STX Global Corporation - Co-Chairman & CEO Drew Borst: Eros STX Global Corporation - EVP Investor Relations & Business Development Noah Fogelson: Eros STX Global Corporation - Co-President Rishika Lulla Singh: Eros STX Global Corporation - Co-President & Director CONFERENCE CALL PARTICIPANTS Eric Katz, Wolfe Research, LLC - Research Analyst Robert Routh, FBN Securities, Inc., Research Division - Research Analyst Robert Fishman, MoffettNathanson LLC - Analyst Ted Cronin, Citigroup Inc., Research Division - Research Analyst Tim Nollen, Macquarie Research - Senior Media Analyst PRESENTATION Operator Good afternoon, ladies and gentlemen, and welcome to Eros STX Global Corporation Business Update Call. This call is being broadcast live on the Internet, and a replay of the call will be available on the company's website. The company published earlier certain financial information, including a 20-F transition report and 6-K filing which are available on the company's website. The company would like to remind everyone listening that during this call, it will be making forward- looking statements under the safe harbor provisions of the federal securities laws. -
Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
Cisco SCA BB Protocol Reference Guide
Cisco Service Control Application for Broadband Protocol Reference Guide Protocol Pack #60 August 02, 2018 Cisco Systems, Inc. www.cisco.com Cisco has more than 200 offices worldwide. Addresses, phone numbers, and fax numbers are listed on the Cisco website at www.cisco.com/go/offices. THE SPECIFICATIONS AND INFORMATION REGARDING THE PRODUCTS IN THIS MANUAL ARE SUBJECT TO CHANGE WITHOUT NOTICE. ALL STATEMENTS, INFORMATION, AND RECOMMENDATIONS IN THIS MANUAL ARE BELIEVED TO BE ACCURATE BUT ARE PRESENTED WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED. USERS MUST TAKE FULL RESPONSIBILITY FOR THEIR APPLICATION OF ANY PRODUCTS. THE SOFTWARE LICENSE AND LIMITED WARRANTY FOR THE ACCOMPANYING PRODUCT ARE SET FORTH IN THE INFORMATION PACKET THAT SHIPPED WITH THE PRODUCT AND ARE INCORPORATED HEREIN BY THIS REFERENCE. IF YOU ARE UNABLE TO LOCATE THE SOFTWARE LICENSE OR LIMITED WARRANTY, CONTACT YOUR CISCO REPRESENTATIVE FOR A COPY. The Cisco implementation of TCP header compression is an adaptation of a program developed by the University of California, Berkeley (UCB) as part of UCB’s public domain version of the UNIX operating system. All rights reserved. Copyright © 1981, Regents of the University of California. NOTWITHSTANDING ANY OTHER WARRANTY HEREIN, ALL DOCUMENT FILES AND SOFTWARE OF THESE SUPPLIERS ARE PROVIDED “AS IS” WITH ALL FAULTS. CISCO AND THE ABOVE-NAMED SUPPLIERS DISCLAIM ALL WARRANTIES, EXPRESSED OR IMPLIED, INCLUDING, WITHOUT LIMITATION, THOSE OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OR ARISING FROM A COURSE OF DEALING, USAGE, OR TRADE PRACTICE. IN NO EVENT SHALL CISCO OR ITS SUPPLIERS BE LIABLE FOR ANY INDIRECT, SPECIAL, CONSEQUENTIAL, OR INCIDENTAL DAMAGES, INCLUDING, WITHOUT LIMITATION, LOST PROFITS OR LOSS OR DAMAGE TO DATA ARISING OUT OF THE USE OR INABILITY TO USE THIS MANUAL, EVEN IF CISCO OR ITS SUPPLIERS HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. -
Impact of the Digital Revolution Presented by Andrew Ford WHAT IS the DIGITAL ECONOMY
Impact of the Digital Revolution Presented by Andrew Ford WHAT IS THE DIGITAL ECONOMY © 2015 Global Knowledge Training LLC. All rights reserved. 2016-03-30 Page 2 The new normal By 2020, every company will be an IT company and every leader will be a digital leader..."digital is the business; the business is digital. Peter Sondergaard, SVP and Head of Research - Gartner © 2015 Global Knowledge Training LLC. All rights reserved. 2016-03-30 Page 3 Andrew Ford Client Solutions Specialist © 2015 Global Knowledge Training LLC. All rights reserved. 2016-03-30 Page 4 Non traditional competitors © 2015 Global Knowledge Training LLC. All rights reserved. 2016-03-30 Page 5 Change moves at high speed Netflix BlockBuster Est. 1997 First Blockbuster store opened July 2015, Netflix reported its October 19, 1985 subscriber count reached 65.55 Viacom purchased Blockbuster million, with 42.3 million in the for $8.4 billion U.S. and 23.35 million 2000, the company turned down internationally a chance to purchase the still Currently developing original fledgling Netflix for $50 million content to compete with the Bankrupt September 23, 2010 major studios © 2015 Global Knowledge Training LLC. All rights reserved. 2016-03-30 Page 6 Netflix Disrupting Competitors Traditional TV viewing habits ABC, Acorn TV,Amazon Video, Home Movie distribution CBS, Crackle, Disney, Epix, Feeln, FilmOn, Fox on Demand, Motion Picture and Television Studios HBO GO, Hulu, NBC Direct, NimbleTV, OVGuide, Popcornflix, PBS, Roku, Sling TV, Vudu, YouTube More and more arriving everyday © 2015 Global Knowledge Training LLC. All rights reserved. 2016-03-30 Page 7 Disrupter or disrupted What is the future for you company? © 2015 Global Knowledge Training LLC. -
The Application Usage and Risk Report an Analysis of End User Application Trends in the Enterprise
The Application Usage and Risk Report An Analysis of End User Application Trends in the Enterprise 8th Edition, December 2011 Palo Alto Networks 3300 Olcott Street Santa Clara, CA 94089 www.paloaltonetworks.com Table of Contents Executive Summary ........................................................................................................ 3 Demographics ............................................................................................................................................. 4 Social Networking Use Becomes More Active ................................................................ 5 Facebook Applications Bandwidth Consumption Triples .......................................................................... 5 Twitter Bandwidth Consumption Increases 7-Fold ................................................................................... 6 Some Perspective On Bandwidth Consumption .................................................................................... 7 Managing the Risks .................................................................................................................................... 7 Browser-based Filesharing: Work vs. Entertainment .................................................... 8 Infrastructure- or Productivity-Oriented Browser-based Filesharing ..................................................... 9 Entertainment Oriented Browser-based Filesharing .............................................................................. 10 Comparing Frequency and Volume of Use -
22 Vs. Earth .2021`` DIRECT DOWNLOAD LINK FREE FULL 2160P
Downloaded from: justpaste.it/43ftj MOVIES ``22 Vs. Earth .2021`` DIRECT DOWNLOAD LINK FREE FULL 2160P A few sec ago Don’t miss!~MAXFLIX HD~! Where to Watch 22 vs. Earth (2021) Online Free? [DVD-ENGLISH] 22 vs. Earth (2021) Full Movie, 22 vs. Earth (2021) Full MovieS Free HD Google Drive!! 22 vs. Earth (2021) with English Subtitles ready for download,22 vs. Earth (2021) ::: 720p, 1080p, BrRip, DvdRip, High Quality. See 22 vs. Earth (2021) Full Movie in HD VERSION [⬇⬇⬇⬇⬇⬇⬇⬇⬇⬇⬇] ► 22 vs. Earth (2021) Full movie DIRECT LINK FREE ::: https://www.competize.com/en/league/view/121721-movies-22-vs- earth-direct-download-link Set before the events of ‘Soul’, 22 refuses to go to Earth, enlisting a gang of 5 new souls in attempt of rebellion. However, 22’s subversive plot leads to a surprising revelation about the meaning of life. Registration is fast and easy. You will have the opportunity to Watch when you register to get the complete episode FIND US ► Instagram: https://instagram.com ► Twitter: https://twitter.com ► Facebook: https://www.facebook.com Details of “22 vs. Earth (2021)” Title: 22 vs. Earth (2021) Full movie 22 vs. Earth (2021) ► STREAM OR DOWNLOAD HERE Quality: HD 720p, 1080p, 4K Release: 2021-04-30 Running time: 00:09:00 Genre: Family, Animation, Comedy Stars: Tina Fey, Alice Braga, Richard Ayoade, Micah Chen, Adela Drabek, Aiyanna Miorin, Karee Ducharme, Samantha Ho, Azriel Dalman, Juliana Alcaron Label and Keywords: earth, prequel, planet earth, soul, short film, life 22 vs. Earth (2021) Premiere Kijk Maar 22 vs. Earth (2021) Ser FilmThe 22 vs. -
Balaji Telefilms Limited
Balaji Telefilms Limited Company Overview BSE Code 532382 Balaji Telefilms Limited is in Media & BSE Symbol BALAJITELE Entertainment sector and it is in film production, distribution & entertainment industry. BTL was Key Highlights incorporated in 1994 as a private limited Latest Date 17 Sept 2018 company and became listed in the year 2000. Latest Price (Rs.) 106.5 BTL produces Television serial content, Movies 52 Week High (Rs.) 181 and digital content. 52 week low (Rs.) 102 BTL has produced 18000 hours of Television Face Value (Rs.) 2 content since its inception. BTL has produced Market Cap. (Rs. in Cr.) 1112 some of the best television serials in the country Net Worth (Rs. in Cr.) 853 including the famous K series of daily soap: TTM EPS (Rs.) -4.61 ‘Kyunki Saas Bhi Kabhi Bahu Thi', ‘Kahani PE Ratio (x) 0 Ghar Ghar Ki' and more recently created ‘Naagin-1', ‘Naagin-2' a weekend fiction based PB Ratio (x) 1.34 programming. EV/ EBITDA (x) -31.01 Market Cap./ Sales (x) 3.19 Segment Summary Shareholding Pattern The company operates in 3 segments. Promoters 33% FII 18% 1. TV Serial Production DII 35% The backbone of the company is their TV serial Non-Institutional 14% production business. BTL is in this business from the incorporation of the company in 1994. The returns from the TV Business are steady because the company operates on a cost-plus model, whereby company adds profit to the whole cost of production and bill that to the broadcaster. 2. Movie Production The company started movie production in 2001. -
The Export of European Films on SVOD Outside Europe
The export of European films on SVOD services outside Europe Christian Grece September 2019 A publication of the European Audiovisual Observatory Table of Contents Overview of 79 SVOD services in 21 countries worldwide Analysis by region and country ▪ North America – Canada and USA ▪ Latin America – Argentina, Brazil and Mexico ▪ South East Asia – Indonesia, Malaysia, Philippines, Singapore and Thailand ▪ East Asia – China and Japan ▪ India ▪ Oceania –Australia and New Zealand ▪ Middle East – The United Arab Emirates, Egypt and Saudi Arabia ▪ Individual countries - Russian Federation, South Africa and Turkey Introduction The aim of this report is to give a picture on the export of EU films on SVOD services outside of the European Union. 79 SVOD services in 21 countries worldwide are part of the sample. The report looks at the circulation of unique film titles and the volume/occurrences of films available on these services, on a regional and service basis. The first part gives a snapshot of the availability of EU films around the globe after which a overview for each region is provided. Methodology The analysis has been carried out based on data provided by Ampere Analysis and comprehends SVOD catalogue data collected in June 2019. A film is defined as a feature film, fiction film, documentary or other film content available in the “Film” / “Movie” section of the SVOD catalogues part of the sample. For the origin of a film, only the first country of production is taken into account. The production countries are based on data collected from the Observatory’s LUMIERE database on admissions to films in Europe, IMDb and the Movie database. -
Snapshot an Extraordinary Shift in Media Behaviour Patterns During an Extraordinary Time
April 2020 Global Digital Subscription Snapshot An extraordinary shift in media behaviour patterns during an extraordinary time The arrival of the Coronavirus has brought about a dramatic shift in media behaviour globally. As people’s freedom of movement is severely restricted, they have flocked to high-quality content providers as they seek out entertainment, escapism, inspiration and trustworthy news coverage. Since its inception, the Global Digital Subscription Snapshot has served as a celebration of the success achieved by publishers in finding new revenue streams and expanding audiences paying for high-quality, curated content in the digital era. In this report, we continue to do so but have to acknowledge the extraordinary circumstances contributing to success at the moment. The extreme limitations imposed on the ways and means in which people can spend their time and money has translated into a surge in people consuming more content online. Interestingly, it has also highlighted the role that high-quality content has to play in people’s lives as they return to established content brands for trusted content. While we expect behaviour patterns to shift again once the pandemic recedes, the current situation does provide an unprecedented opportunity for publishers and streaming services to connect with, engage and nurture new audiences. The increased use of video streaming services has been widely reported in recent weeks. Since February alone, Disney+ has added 20 million new subscribers taking its subscriber base to 50 million. On the back of this, the company is close to hitting subscription targets it originally set for 2024. While publishers are yet to release digital subscription figures which shows their performance since lockdowns started, internet traffic numbers hint that local news publishers might be the biggest beneficiaries of changing internet behaviour. -
SVOD Digest: Table of Contents
SVOD Digest: Table of Contents Published in November 2017, the SVOD Digest report provides succinct state-of-play detail for 337 SVOD platforms across 50 countries. Price: £500/€600/$650 The 54-page report saves time for busy executives by presenting tabular information with one-page per country (OK – India and the US are two pages). Not every platform is listed – just the main ones in each country. We have concentrated on platforms providing TV episodes and movies – so not sports, for example. Our subscriber estimates only include paying subscribers at end-2017 – not trialists or those receiving free access. SVOD Digest platforms covered by country Country No of Platforms covered platforms Argentina 9 Netflix; Amazon Prime Video; Blim; Claro Video; Telefonica On Video; Arnet Play; HBO; Crackle; Qubit Australia 6 Netflix; Amazon Prime Video; Stan; Foxtel Play; YouTube Red; Hayu Austria 10 Netflix; Amazon Prime Video; Amazon Channels; Sky Ticket; Maxdome; A1 Now; TV Now Plus; Flimmit; Rakuten; 3TV Belgium 7 Netflix; Amazon Prime Video; Videoland; Yelo; RTL a l'Infiniti; Movies & Series; Be TV Brazil 6 Netflix; Amazon Prime Video; Claro Video; Globo Play; HBO; Crackle Bulgaria 4 Netflix; Amazon Prime Video; Voyo; Maxi Canada 5 Netflix; Amazon Prime Video; CraveTV; Illico; Fibe Alt TV Chile 8 Netflix; Amazon Prime Video; Blim; Claro Video; Movistar Play; HBO; Crackle; Qubit China 5 Youku Tudou; Iqiyi; Tencent Video; TMall Box Office; LeEco Colombia 8 Netflix; Amazon Prime Video; Blim; Claro Video; Movistar Play; HBO; Crackle; Qubit SVOD -
May 2019 Investor Presentation
INVESTOR PRESENTATION | MAY 2019 FORWARD-LOOKING STATEMENTS This presentation (the “Presentation”) relates to ChiCken Soup For the Soul Entertainment, InC. (“CSS Entertainment” or the “Company”), whiCh Completed its initial publiC ofFering in August 2017 pursuant to a qualiFied oFFering statement (“OFFering Statement”) Filed under Regulation A as promulgated under the SeCurities Act oF 1933, as amended (the “Act”). The Company Completed its aCquisition oF SCreen Media Ventures, LLC in November 2017 as Further desCribed in the Company’s Current report on Form 8-K, initially Filed on November 6, 2017 and amended on January 16, 2018 and January 17, 2018 (the “SCreen Media 8-K”). The Company Completed its aCquisition oF Pivotshare, InC. in August 2018 as further desCribed in the Company’s Current report on Form 8-K, Filed on August 28, 2018 (the “Pivotshare 8-K”). The Company Completed its aCquisition oF A Sharp InC., dba A Plus, on DeCember 28, 2018 as Further desCribed in the Company’s Current report on Form 8-K, Filed on January 2, 2019 (the “A Plus 8-K”). On May 14, 2019, the Company CommenCed a joint venture, CraCkle Plus LLC (“JV Entity” or “Crackle Plus”), with CPE Holdings, InC., (“CPEH”) an aFFiliate oF Sony PiCtures Television InC. (“Sony”), and CraCkle, InC., a wholly owned subsidiary of CPEH (“CraCkle”). The joint venture and related transaCtions are disCussed in the Company’s Current reports on Form 8-K Filed with the SeCurities and ExChange Commission on April 2, 2019 and May 15, 2019. This presentation Contains various inFormation and projeCtions regarding the joint venture thereunder. -
International Intellectual Property Alliance®
I NTERNATIONAL I NTELLECTUAL P ROPERTY A LLIANCE® 1818 N STREET, NW, 8TH FLOOR · WASHINGTON, DC 20036 · TEL (202) 355-7924 · FAX (202) 355-7899 · WWW.IIPA.COM · EMAIL: [email protected] September 14, 2012 Filed via www.regulations.gov, Docket No. USTR–2012–0011 Stanford K. McCoy, Esq. Assistant U.S. Trade Representative for Intellectual Property and Innovation Office of the U.S. Trade Representative Washington, DC 20508 Re: IIPA Written Submission Re: 2012 Special 301 Out-of-Cycle Review of Notorious Markets: Request for Public Comments, 77 Fed. Reg. 48583 (August 14, 2012) Dear Mr. McCoy: In response to the August 14, 2012 Federal Register notice referenced above, the International Intellectual Property Alliance (IIPA)1 provides the Special 301 Subcommittee with the following written comments to provide examples of Internet and physical “notorious markets” – those “where counterfeit or pirated products are prevalent to such a degree that the market exemplifies the problem of marketplaces that deal in infringing goods and help sustain global piracy and counterfeiting.” We hope our filing will assist the Office of the United States Trade Representative (USTR) in “identifying potential Internet and physical notorious markets that exist outside the United States and that may be included in the 2012 Notorious Markets List.” We express appreciation to USTR for publishing a notorious markets list as an “Out of Cycle Review” separately from the annual Special 301 Report. This list has successfully identified key online and physical marketplaces that are involved in intellectual property rights infringements, and has led to some positive developments. These include closures of some Internet websites whose businesses were built on illegal conduct, greater cooperation from some previously identified “notorious” and other suspect sites, and the facilitation of licensing agreements for legitimate distribution of creative materials.