Winston Churchill and the Second World War
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A Post-Caledonian Dolerite Dyke from Magerøy, North Norway: Age and Geochemistry
A post-Caledonian dolerite dyke from Magerøy, North Norway: age and geochemistry DAVID ROBERTS, JOHN G. MITCHELL & TORGEIR B. ANDERSEN Roberts. D., Mitchell, J. G. & Andersen, T. B.: A post-Caledonian dolerite dyke from Magerøy, North Norway: age and geochemistry. Norsk Geologisk Tidsskrift, Vol. 71, pp. 28�294. Oslo 1991 . ISSN 0029-196X. A post-Caledonian, NW-SE trending, dolerite dyke on Magerøy has a geochemicalsignature comparable to that of continental tholeiites. Clinopyroxenes from three samples of the dolerite gave K-Ar ages of ca. 312, ca. 302 and ca. 266 Ma, suggesting a Perrno-Carboniferous age. In view of low K20 contents of the pyroxenes and the possible presence of excess argon, it is argued that the most reliable estimate of the emplacement age of the dyke is provided by the unweighted mean value, namely 293 ± 22 Ma. This Late Carboniferous age coincides with the later stages of a major phase of rifting and crustal extension in adjacent offshore areas. The dyke is emplaced along a NW-SE trending fault. Parallel or subparallel faults on Magerøy and in other parts of northem Finnmark may thus carry a component of Carboniferous crustal extension in their polyphase movement histories. David Roberts, Geological Survey of Norway, Post Box 3006-Lade, N-7(}()2 Trondheim, Norway; John G. Mitchell, Department of Physics, The University, Newcastle upon Tyne NE1 7RU, England; Torgeir B. Andersen, Institutt for geologi, Post Box 1047, University of Oslo, N-41316 Oslo 3, Norway. In the Caledonides of northernmost Norway, maficdy kes tolites indicate an Early Silurian (Llandovery) age (Hen are common in many parts of the metamorphic allochthon ningsmoen 1961; Føyn 1967; Bassett 1985) for part of the and are invariably deformed and metamorphosed, locally succession. -
Hele Troms Og Finnmark Hele Tromsø
Fylkestingskandidater Kommunestyrekandidater 1 2 3 1 2 3 Ivar B. Prestbakmo Anne Toril E. Balto Irene Lange Nordahl Marlene Bråthen Mats Hegg Jacobsen Olaug Hanssen Salangen Karasjok Sørreisa 4 5 6 4 5 6 Fred Johnsen Rikke Håkstad Kurt Wikan Edmund Leiksett Rita H. Roaldsen Magnus Eliassen Tana Bardu Sør-Varanger 7. Kine Svendsen 16. Hans-Ole Nordahl 25. Tore Melby Hele Hele 8. Glenn Maan 17. May Britt Pedersen 26. Kjell Borch 7. Marlene Bråthen, 10. Hugo Salamonsen, 13. Kurt Michalsen, 9. Wenche Skallerud 18. Frode Pettersen 27. Ole Marius Johnsen Tromsø Nordkapp Skjervøy 10. Bernt Bråthen 19. Mona Wilhelmsen 28. Sigurd Larsen 8. Jan Martin Rishaug, 11. Linn-Charlotte 14. Grethe Liv Olaussen, Troms og Finnmark Tromsø 11. Klaus Hansen 20. Fredrik Hanssen 29. Per-Kyrre Larsen Alta Nordahl, Sørreisa Porsanger 12. Ida Johnsen 21. Dag Nordvang 30. Peter Ørebech 9. Karin Eriksen, 12. Klemet Klemetsen, 15. Gunnleif Alfredsen, 13. Kathrine Strandli 22. Morten Furunes 31. Sandra Borch Kvæfjord Kautokeino Senja senterpartiet.no/troms senterpartiet.no/tromso 14. John Ottosen 23. Asgeir Slåttnes 15. Judith Maan 24. Kåre Skallerud VÅR POLITIKK VÅR POLITIKK Fullstendig program finner du på Fullstendig program finner du på For hele Tromsø senterpartiet.no/tromso for hele Troms og Finnmark senterpartiet.no/troms anlegg og andre stukturer tilpas- Senterpartiet vil ha tjenester Det skal være trygt å bli Næringsutvikling – det er i • Øke antallet lærlingeplasser. nord, for å styrke vår identitet og set aktivitet og friluftsliv Mulighetenes landsdel Helse og beredskap nær folk og ta hele Tromsø i gammel i Tromsø nord verdiene skapes Senterpartiet vil: Senterpartiet vil: • Utvide borteboerstipendet, øke stolthet. -
The Reves Collection
The Reves Collection Camille Pissarro, Self-Portrait, 1897-1898; Oil on canvas; 20 7/8 x 12 in. (53 x 31 cm); Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.44 AT THE DALLAS MUSEUM OF ART Teaching Materials prepared by Ken Kelsey, Gail Davitt, Carolyn Johnson, Cecilia Leach, Diane McClure, and Catherine Proctor Major underwriting of the exhibition is provided by Merrill Lynch and The Dallas Morning News. American Airlines is the official carrier for the exhibition. © 1995 Dallas Museum of Art. All rights reserved. Use with permission. Page 1 of 36 DEAR TEACHER: The Reves Collection is a resource guide for viewing art at the elementary and secondary student level. The materials are written in the form of dialogues, and are planned to aid both teacher and student as they explore individual objects and build a more personal connection to the decorative and fine artworks in the Reves Collection at the Dallas Museum of Art. This packet includes: 1. 13 ARTWORKS 2. A BIOGRAPHY of the Collectors, Wendy and Emery Reves 3. An INTRODUCTION 4. 13 OBJECT SHEETS (1 for each ARTWORK) 5. ACTIVITIES for Art, Language Arts, Social Studies, & Math/Science 6. A GLOSSARY 7. A BIBLIOGRAPHY 8. List of TEKS Addressed in these Teaching Materials 9. Two EVALUATION SHEETS (1 for this Teaching Packet & 1 for the Tour). _________________________________________________________ The printing in these materials has been manipulated in several ways. • The titles of individual artworks are italicized and bolded. For example, the title of the first artwork/object sheet is set of casters. -
Brevity, Skorpion & Battleaxe
DESERT WAR PART THREE: BREVITY, SKORPION & BATTLEAXE OPERATION BREVITY MAY 15 – 16 1941 Operation Sonnenblume had seen Rommel rapidly drive the distracted and over-stretched British and Commonwealth forces in Cyrenaica back across the Egyptian border. Although the battlefront now lay in the border area, the port city of Tobruk - 100 miles inside Libya - had resisted the Axis advance, and its substantial Australian and British garrison of around 27,000 troops constituted a significant threat to Rommel's lengthy supply chain. He therefore committed his main strength to besieging the city, leaving the front line only thinly held. Conceived by the Commander-in-Chief of the British Middle East Command, General Archibald Wavell, Operation Brevity was a limited Allied offensive conducted in mid-May 1941. Brevity was intended to be a rapid blow against weak Axis front-line forces in the Sollum - Capuzzo - Bardia area of the border between Egypt and Libya. Operation Brevity's main objectives were to gain territory from which to launch a further planned offensive toward the besieged Tobruk, and the depletion of German and Italian forces in the region. With limited battle-ready units to draw on in the wake of Rommel's recent successes, on May 15 Brigadier William Gott, with the 22nd Guards Brigade and elements of the 7th Armoured Division attacked in three columns. The Royal Air Force allocated all available fighters and a small force of bombers to the operation. The strategically important Halfaya Pass was taken against stiff Italian opposition. Reaching the top of the Halfaya Pass, the 22nd Guards Brigade came under heavy fire from an Italian Bersaglieri (Marksmen) infantry company, supported by anti-tank guns, under the command of Colonel Ugo Montemurro. -
(June 1941) and the Development of the British Tactical Air Doctrine
Journal of Military and Strategic VOLUME 14, ISSUE 1, FALL 2011 Studies A Stepping Stone to Success: Operation Battleaxe (June 1941) and the Development of the British Tactical Air Doctrine Mike Bechthold On 16 February 1943 a meeting was held in Tripoli attended by senior American and British officers to discuss the various lessons learned during the Libyan campaign. The focus of the meeting was a presentation by General Bernard Montgomery. This "gospel according to Montgomery," as it was referred to by Air Chief Marshal Arthur Tedder, set out very clearly Monty's beliefs on how air power should be used to support the army.1 Among the tenets Montgomery articulated was his conviction of the importance of air power: "Any officer who aspires to hold high command in war must understand clearly certain principles regarding the use of air power." Montgomery also believed that flexibility was the greatest asset of air power. This allowed it to be applied as a "battle-winning factor of the first importance." As well, he fully endorsed the air force view of centralized control: "Nothing could be more fatal to successful results than to dissipate the air resource into small packets placed under the control of army formation commanders, with each packet working on its own plan. The soldier must not expect, or wish, to exercise direct command over air striking forces." Montgomery concluded his discussion by stating that it was of prime importance for the army and air 1 Arthur Tedder, With Prejudice: The war memoirs of Marshal of the Royal Air Force, Lord Tedder (London: Cassell, 1966), p. -
The Militia Gunners
Canadian Military History Volume 21 Issue 1 Article 8 2015 The Militia Gunners J.L. Granatstein Follow this and additional works at: https://scholars.wlu.ca/cmh Part of the Military History Commons Recommended Citation J.L. Granatstein "The Militia Gunners." Canadian Military History 21, 1 (2015) This Feature is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Canadian Military History by an authorized editor of Scholars Commons @ Laurier. For more information, please contact [email protected]. : The Militia Gunners The Militia Gunners J.L. Granatstein y general repute, two of the best in 1926 in Edmonton as a boy soldier, Bsenior artillery officers in the Abstract: Two of the best senior got his commission in 193[2], and in Canadian Army in the Second World artillery officers in the Canadian the summer of 1938 was attached Army in the Second World War were War were William Ziegler (1911-1999) products of the militia: William to the Permanent Force [PF] as an and Stanley Todd (1898-1996), both Ziegler (1911-1999) and Stanley instructor and captain. There he products of the militia. Ziegler had Todd (1898-1996). Ziegler served mastered technical gunnery and a dozen years of militia experience as the senior artillery commander in became an expert, well-positioned before the war, was a captain, and was 1st Canadian Infantry Division in Italy to rise when the war started. He from February 1944 until the end of in his third year studying engineering the war. Todd was the senior gunner went overseas in early 1940 with at the University of Alberta when in 3rd Canadian Infantry Division the 8th Field Regiment and was sent his battery was mobilized in the and the architect of the Canadian back to Canada to be brigade major first days of the war. -
Suez 1956 24 Planning the Intervention 26 During the Intervention 35 After the Intervention 43 Musketeer Learning 55
Learning from the History of British Interventions in the Middle East 55842_Kettle.indd842_Kettle.indd i 006/09/186/09/18 111:371:37 AAMM 55842_Kettle.indd842_Kettle.indd iiii 006/09/186/09/18 111:371:37 AAMM Learning from the History of British Interventions in the Middle East Louise Kettle 55842_Kettle.indd842_Kettle.indd iiiiii 006/09/186/09/18 111:371:37 AAMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Louise Kettle, 2018 Edinburgh University Press Ltd The Tun – Holyrood Road, 12(2f) Jackson’s Entry, Edinburgh EH8 8PJ Typeset in 11/1 3 Adobe Sabon by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain. A CIP record for this book is available from the British Library ISBN 978 1 4744 3795 0 (hardback) ISBN 978 1 4744 3797 4 (webready PDF) ISBN 978 1 4744 3798 1 (epub) The right of Louise Kettle to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 55842_Kettle.indd842_Kettle.indd iivv 006/09/186/09/18 111:371:37 AAMM Contents Acknowledgements vii 1. Learning from History 1 Learning from History in Whitehall 3 Politicians Learning from History 8 Learning from the History of Military Interventions 9 How Do We Learn? 13 What is Learning from History? 15 Who Learns from History? 16 The Learning Process 18 Learning from the History of British Interventions in the Middle East 21 2. -
Arts Books & Ephemera
Arts 5. Dom Gusman vole les Confitures chez le Cardinal, dont il est reconnu. Tome 2, 1. Adoration Des Mages. Tableau peint Chap. 6. par Eugene Deveria pour l'Eglise de St. Le Mesle inv. Dupin Sculp. A Paris chez Dupin rue St. Jacques A.P.D.R. [n.d., c.1730.] Leonard de Fougeres. Engraving, 320 x 375mm. 12½ x 14¾". Slightly soiled A. Deveria. Lith. de Lemercier. [n.d., c.1840.] and stained. £160 Lithograph, sheet 285 x 210mm. 11¼ x 8¼". Lightly Illustration of a scene from Dom Juan or The Feast foxed. £80 with the Statue (Dom Juan ou le Festin de pierre), a The Adoration of the Magi is the name traditionally play by Jean-Baptiste Poquelin, known by his stage given to the representation in Christian art of the three name Molière (1622 - 1673). It is based on the kings laying gifts of gold, frankincense, and myrrh legendary fictional libertine Don Juan. before the infant Jesus, and worshiping Him. This Engraved and published in Paris by Pierre Dupin interpretation by Eugene Deveria (French, 1808 - (c.1690 - c.1751). 1865). From the Capper Album. Plate to 'Revue des Peintres' by his brother Achille Stock: 10988 Devéria (1800 - 1857). As well as a painter and lithographer, Deveria was a stained-glass designer. Numbered 'Pl 1.' upper right. Books & Ephemera Stock: 11084 6. Publicola's Postscript to the People of 2. Vauxhall Garden. England. ... If you suppose that Rowlandson & Pugin delt. et sculpt. J. Bluck, aquat. Buonaparte will not attempt Invasion, you London Pub. Octr. 1st. 1809, at R. -
Catalogue 244: the Churchills 1 15
The Churchills Catalogue 244 July 2021 ABOUT THIS CATALOGUE Most of the books in this catalogue are from the private library of the late The Hon. David Levine AO RFD QC. Most carry his bookplate or book label, usually affixed to the upper pastedown or upper free endpaper. TERMS AND CONDITIONS OF SALE Unless otherwise described, all books are in the original cloth or board binding, and are in very good, or better, condition with defects, if any, fully described. Our prices are nett, and quoted in Australian dollars. Traditional trade terms apply. Items are offered subject to prior sale. All orders will be confirmed by email. PAYMENT OPTIONS We accept the major credit cards, PayPal, and direct deposit to the following account: Account name: Kay Craddock Antiquarian Bookseller Pty Ltd BSB: 083 004 Account number: 87497 8296 Should you wish to pay by cheque we may require the funds to be cleared before items are sent. GUARANTEE As a member or affiliate of the associations listed below, we embrace the time-honoured traditions and courtesies of the book trade. We also uphold the highest standards of business principles and ethics, including your right to privacy. Under no circumstances will we disclose any of your personal information to a third party, unless your specific permission is given. TRADE ASSOCIATIONS Australian and New Zealand Association of Antiquarian Booksellers [ANZAAB] Antiquarian Booksellers’ Association [ABA(Int)] International League of Antiquarian Booksellers [ILAB] Australian Booksellers Association REFERENCES CITED Cohen: Bibliography of the Writings of Sir Winston Churchill. By Ronald Cohen. In three volumes. Thoemmes Continuum, London, 2006. -
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books Prints from the Collection of the Hon. Christopher Lennox-Boyd Arts 3801 [Little Fatima.] [Painted by Frederick, Lord Leighton.] Gerald 2566 Robinson Crusoe Reading the Bible to Robinson. London Published December 15th 1898 by his Man Friday. "During the long timer Arthur Lucas the Proprietor, 31 New Bond Street, W. Mezzotint, proof signed by the engraver, ltd to 275. that Friday had now been with me, and 310 x 490mm. £420 that he began to speak to me, and 'Little Fatima' has an added interest because of its understand me. I was not wanting to lay a Orientalism. Leighton first showed an Oriental subject, foundation of religious knowledge in his a `Reminiscence of Algiers' at the Society of British mind _ He listened with great attention." Artists in 1858. Ten years later, in 1868, he made a Painted by Alexr. Fraser. Engraved by Charles G. journey to Egypt and in the autumn of 1873 he worked Lewis. London, Published Octr. 15, 1836 by Henry in Damascus where he made many studies and where Graves & Co., Printsellers to the King, 6 Pall Mall. he probably gained the inspiration for the present work. vignette of a shipwreck in margin below image. Gerald Philip Robinson (printmaker; 1858 - Mixed-method, mezzotint with remarques showing the 1942)Mostly declared pirnts PSA. wreck of his ship. 640 x 515mm. Tears in bottom Printsellers:Vol.II: margins affecting the plate mark. -
To Revel in God's Sunshine
To Revel in God’s Sunshine The Story of RSM J C Lord MVO MBE Compiled by Richard Alford and Colleagues of RSM J C Lord © R ALFORD 1981 First Edition Published in 1981 Second Edition Published Electronically in 2013 Cover Pictures Front - Regimental Sergeant Major J C Lord in front of the Grand Entrance to the Old Building, Royal Military Academy Sandhurst. Rear - Army Core Values To Revel in God’s Sunshine The Story of the Army Career of the late Academy Sergeant Major J.C. Lord MVO MBE As related by former Recruits, Cadets, Comrades and Friends Compiled by Richard Alford (2nd Edition - Edited by Maj P.E. Fensome R IRISH and Lt Col (Retd) A.M.F. Jelf) John Lord firmly believed the words of Emerson: “Trust men and they will be true to you. Treat them greatly and they will show themselves great.” Dedicated to SOLDIERS SOLDIERS WHO TRAIN SOLDIERS SOLDIERS WHO LEAD SOLDIERS The circumstances of many contributors to this book will have changed during the course of research and publication, and apologies are extended for any out of date information given in relation to rank and appointment. i John Lord when Regimental Sergeant Major The Parachute Regiment Infantry Training Centre ii CONTENTS 2ND EDITION Introduction General Sir Peter Wall KCB CBE ADC Gen – CGS v Foreword WO1 A.J. Stokes COLDM GDS – AcSM R M A Sandhurst vi Editor’s Note Major P.E Fensome R IRISH vii To Revel in God’s Sunshine Introduction The Royal British Legion Annual Parade at R.M.A Sandhurst viii Chapter 1 The Grenadier Guards, Brighton Police Force 1 Chapter 2 Royal Military College, Sandhurst. -
The Making of the Meyerson Photography by Danny Tu Rner
THE MAKING OF THE MEYERSON PHOTOGRAPHY BY DANNY TU RNER Dallas is the city where, not so many years ago, the symphony went broke. Now, Dallas is home to one of the great concert halls of the world and to a symphony that shows eve,y sign of belonging there. The unlike ly story of how Dallas transformed itselffrom a musical backwater to a cultural star is chronicled in The Meyerson Symphony Center: Building a Dream, a new book by Laurie Shulman due out this month from University of North Texas Press. These excerpts from Shulman's book reveal the inside story of the critical moments when the hall's future, not to mention its very exis tence, hung in the balance. Thirty years ago, the reputation of the Dallas Symphony Orchestra was well established: It was financiallyinept, chaotically managed, and musically undistinguished. After a series of disasters in the 1973 sea son, including a musicians' strike, the board declared bankruptcy-----a rst in the history of any American symphony orchestra. The emergency-----and the embarrassing headlines-awakened the Dallas civic leadership. Longtime cultural stalwart Henry S. Miller, Jr. suddenly found himself and the symphony besieged with offersto help. With a renewed commitment from the business community, the sym phony was reorganized, refi.nanced, and rejuvenated. An exciting young director, Eduardo Mata, was hired and ticket sales began to percolate. Inevitably the question arose: How can we conceive of building a great symphony with.our first constructing a hall to house it? The answer to this question fell in 1979 to young Robert Decherd, scion ofthe Dealey family (now chairman of Belo Corp., publisher of the Morning News) who had been handed the symphony's reins.