A GUIDE to HBS Part II
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Buddhism in America
Buddhism in America The Columbia Contemporary American Religion Series Columbia Contemporary American Religion Series The United States is the birthplace of religious pluralism, and the spiritual landscape of contemporary America is as varied and complex as that of any country in the world. The books in this new series, written by leading scholars for students and general readers alike, fall into two categories: some of these well-crafted, thought-provoking portraits of the country’s major religious groups describe and explain particular religious practices and rituals, beliefs, and major challenges facing a given community today. Others explore current themes and topics in American religion that cut across denominational lines. The texts are supplemented with care- fully selected photographs and artwork, annotated bibliographies, con- cise profiles of important individuals, and chronologies of major events. — Roman Catholicism in America Islam in America . B UDDHISM in America Richard Hughes Seager C C Publishers Since New York Chichester, West Sussex Copyright © Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Seager, Richard Hughes. Buddhism in America / Richard Hughes Seager. p. cm. — (Columbia contemporary American religion series) Includes bibliographical references and index. ISBN ‒‒‒ — ISBN ‒‒‒ (pbk.) . Buddhism—United States. I. Title. II. Series. BQ.S .'—dc – Casebound editions of Columbia University Press books are printed on permanent and durable acid-free paper. -
RODDY-DISSERTATION.Pdf
Copyright by Conor Roddy 2011 The Dissertation Committee for Conor Roddy Certifies that this is the approved version of the following dissertation: Nietzsche’s Buddhist Leidmotive: A Comparative Study of Nietzsche’s Response to the Problem of Suffering Committee: Kathleen Marie Higgins, Supervisor Katherine Arens Lars Gustafsson A. P. Martinich Stephen H. Phillips Nietzsche’s Buddhist Leidmotive: A Comparative Study of Nietzsche’s Response to the Problem of Suffering by Conor Roddy, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2011 Dedication In loving memory of my parents Larry and Patricia Roddy Acknowledgements ―For Confucius,‖ as Herbert Fingarette once remarked, ―unless there are at least two human beings, there can be no human beings‖ (217). One cannot become a person on one‘s own in other words, and although it sometimes seems like a lonely process, one cannot write a dissertation by oneself either. There are so many people who made so many things possible for me to whom I wish to express my gratitude, and since I‘m not planning on writing another dissertation in the near future, I‘m going to do so now. I want to thank all my professors in Dublin, Honolulu, and Austin. When I was an undergraduate in Ireland, it was a passing remark by William Lyons that first got me interested in Nietzsche. During my time in Hawaii, Arindam Chakrabarti, Graham Parkes, and Roger Ames were particularly helpful. -
In the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2007 The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity Keith Aaron Moser University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the French Linguistics Commons Recommended Citation Moser, Keith Aaron, "The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity. " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/248 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Keith Aaron Moser entitled "The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Karen Levy, Major Professor We have read this dissertation and recommend its acceptance: John Romeiser, Stefanie Ohnesorg, Lisi Schoenbach Accepted for the Council: Carolyn R. -
November 2016 Amida Buddha Statue Which Rev
Betsuin Centennial Observance and Shinran Shonin 750th Memorial Service he year: 1916. The world was in the midst of a raging war in Europe. THawaii had been a territory of the U.S. for only 16 years. Kihei Nomura, a lay Higashi Hongwanji devotee, purchased and remodeled a cottage into a chapel. In May, Rev. Shingyo Doi, from Gifu prefecture, established a temporary Higashi Hongwanji mission on Kukui street in downtown Honolulu to serve the unmet needs of a large local Japanese community. ‘wa’ Although a Higashi Hongwnji presence had already been established harmony in Waimea, Kauai, in 1899, there was no similar facility on Oahu at the time. In September 1916, the mission moved into a new building between Smith Higashi Hongwanji and Maunakea streets. Hawaii Betsuin The foundation of the Bulletin Hawaii Betsuin was made ofcial with a dedication ceremony of the Gohonzon, the November 2016 Amida Buddha statue which Rev. Doi had 11 brought from Japan. To accommodate the growing numbers Higashi Hongwanji of Nembutsu followers Mission of Hawaii and their families on Rev. Shingyo Doi (center) served as the temporary Betsuin’s first Oahu, the Betsuin minister at the Kukui St. temple. Photo from Betsuin archives At Higashi Hongwanji, we remain true to our origins moved to larger facilities on N. King street in Palama in 1921, then to the as an open Sangha, welcoming Banyan street location in 1939. Immediately following the attack of Pearl anyone who wishes to learn more Harbor on Dec. 7, 1941 and subsequent outbreak of World War II, the temple about the Jodo Shinshu was shut down and remained closed for the duration of hostilities. -
Omori Sogen the Art of a Zen Master
Omori Sogen The Art of a Zen Master Omori Roshi and the ogane (large temple bell) at Daihonzan Chozen-ji, Honolulu, 1982. Omori Sogen The Art of a Zen Master Hosokawa Dogen First published in 1999 by Kegan Paul International This edition first published in 2011 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © The Institute of Zen Studies 1999 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 10: 0–7103–0588–5 (hbk) ISBN 13: 978–0–7103–0588–6 (hbk) Publisher’s Note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original copies may be apparent. The publisher has made every effort to contact original copyright holders and would welcome correspondence from those they have been unable to trace. Dedicated to my parents Contents Acknowledgements Introduction Part I - The Life of Omori Sogen Chapter 1 Shugyo: 1904–1934 Chapter 2 Renma: 1934–1945 Chapter 3 Gogo no Shugyo: 1945–1994 Part II - The Three Ways Chapter 4 Zen and Budo Chapter 5 Practical Zen Chapter 6 Teisho: The World of the Absolute Present Chapter 7 Zen and the Fine Arts Appendices Books by Omori Sogen Endnotes Index Acknowledgments Many people helped me to write this book, and I would like to thank them all. -
Download.Php?File=%2FBB%2FBBS30 01%2FS0 140525X07000891a.Pdf&Code=81285B3b5f33a08f0244640216120c97 Mitchell, S
15th European Congress of Body Psychotherapy The Embodied Self in a dis-Embodied Society 13 - 16 October 2016Athens-Greece Under the Auspices of: ΠΡΟΛΟΓΟΣ ΑΠΟ ΤΟΥΣ ΠΡΟΕΔΡΟΥΣ ΤΗΣ ΟΡΓΑΝΩΤΙΚΗΣ ΚΑΙ ΕΠΙΣΤΗΜΟΝΙΚΗΣ ΕΠΙΤΡΟΠΗΣ ΠΕΡΙΕΧΟΜΕΝΟΥ 1) «Η αίσθηση που έχω αποκομίσει από την διαδικασία της προετοιμασίας του Συνεδρίου είναι πως αυτό που επιχειρήσαμε να αναδείξουμε μέσα από τον τίτλο του, Ο Ενσώματος Εαυτός στην Κοινωνία της Αποσύνδεσης, συνδέθηκε άμεσα και με την ατμόσφαιρα της διοργάνωσής του. Ατμόσφαιρα που χαρακτηρίστηκε από την σύνθεση, και την αρμονία, ενός δίπτυχου που ευνόησε τις συνθήκες για την μεγαλύτερη επένδυση της δημιουργικότητάς μας με το στοιχείο της χαράς. Νοιώθω ήδη πολύ “γεμάτη” από την συνεργασία ανάμεσα στα μέλη των Επιτροπών και μεταξύ των Επιτροπών. Μια συνεργασία που εμπεριείχε με ωριμότητα την ιδιαιτερότητα του Άλλου, θεωρώντας την πολύτιμο συστατικό της τελικής συλλογικής δημιουργίας. Επιπλέον, νοιώθω πολύ ικανοποιημένη που καταφέραμε να αξιοποιήσουμε στο έπακρο την ευκαιρία που μας έδωσε η διοργάνωση του Συνεδρίου και να δημιουργήσουμε δίκτυα επικοινωνίας και ανταλλαγής απόψεων σχετικά με το περιεχόμενο του Συνεδρίου και την Σωματική Ψυχοθεραπεία γενικότερα, με συναδέλφους από άλλους χώρους.Στα δίκτυα αυτά προσκαλέσαμε να συμμετέχουν συνάδελφοι από όλες τις κατευθύνσεις της Σωματικής Ψυχοθεραπείας καθώς και από συναφείς της κλάδους στην Ελλάδα. Στην ίδια πρόσκλησή μας ανταποκρίθηκαν με μεγάλη διαθεσιμότητα συνάδελφοι μέλη της ΕΑΒΡ, αλλά και Έλληνες Πανεπιστημιακοί οι οποίοι θεώρησαν τον τίτλο του Συνεδρίου ιδιαίτερα -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Joseph Elacqua
Citragupta: A Case Study in Esoteric Buddhist Appropriation1 Introduction For several decades, the Mahākaruṇā-garbhodbhava-maṇḍala2 大悲胎藏生曼荼攞, an iconographic, visual, and ritual device characteristic of Japanese Shingon 眞言 Buddhism, has been a rich source for academic scholarship on Esoteric Buddhism. First appearing in the Mahāvairocanābhisambodhi-sūtra,3 variants of the Garbhodbhava-maṇḍala are discussed in seven of its chapters as well as in a wealth of supplementary literature.4 For lack of a better term to refer collectively to these texts, I have employed the term “Garbhodbhava cycle.” Several studies relating to the Garbhodbhava-maṇḍala have blazed new trails, constructing a wholly new framework for present maṇḍala scholars. Toganoo Shōun’s 栂尾祥雲 study of maṇḍalas5 provided a crucial framework for the field of maṇḍala studies. Tajima Ryūjun 田嶋隆純 analysed both the Garbhodbhava- 1 I would like to express my deep and profound gratitude to Bernard Faure and Michael Como, each of whom provided invaluable assistance as the seeds of this project first began to sprout. I am also heavily indebted to Rolf Giebel for his unending assistance in the restoration of potential Sanskrit text titles. Sanskrit terms in this paper are romanized according to the IAST system, but with one slight variation. Rather than utilizing the Sanskrit anusvāra using the vague “ṃ” of IAST, I have elected to romanize this sound more strictly. When occurring before a plosive consonant, the anusvāra is romanized as the appropriate class nasal (ex: “saṅgraha” rather than “saṃgraha.” In all other cases—such as occurrence before non-plosives or at the end of any morpheme—the anusvāra is romanized as “ṃ.” 2 The Maṇḍala Arising from the Matrix of Great Compassion. -
Zen Classics: Formative Texts in the History of Zen Buddhism
Zen Classics: Formative Texts in the History of Zen Buddhism STEVEN HEINE DALE S. WRIGHT, Editors OXFORD UNIVERSITY PRESS Zen Classics This page intentionally left blank Zen Classics Formative Texts in the History of Zen Buddhism edited by steven heine and dale s. wright 1 2006 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright ᭧ 2006 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Zen classics: formative texts in the history of Zen Buddhism / edited by Steven Heine and Dale S. Wright. p. cm Includes bibliographical references and index. Contents: The concept of classic literature in Zen Buddhism / Dale S. Wright—Guishan jingce and the ethical foundations of Chan practice / Mario Poceski—A Korean contribution to the Zen canon the Oga hae scorui / Charles Muller—Zen Buddhism as the ideology of the Japanese state / Albert Welter—An analysis of Dogen’s Eihei goroku / Steven Heine—“Rules of purity” in Japanese Zen / T. -
Nichiren Buddhism in the Contemporary Jazz Improvisation of Herbie Hancock & Wayne Shorter
54 (3/2019), pp. 65–79 The Polish Journal DOI: 10.19205/54.19.4 of Aesthetics Steve Odin* Nichiren Buddhism in the Contemporary Jazz Improvisation of Herbie Hancock & Wayne Shorter Abstract This essay explains how Nichiren Buddhist philosophy and practice of Soka Gakkai Inter- national (SGI) in Japan inspired the contemporary jazz improvisation of musical legends Herbie Hancock and Wayne Shorter. The essay concludes with the jazz aesthetics of spon- taneous musical improvisation formulated by Herbie Hancock and Wayne Shorter based on the Nichiren Buddhist theory and practice of “value creation” by tapping our Buddha nature as the source of infinite creative possibilities. Keywords Jazz, Improvisation, Aesthetics, Nihilism, Value Creation, Aesthetic Value, Beauty, Novelty, Variations, Spontaneity, Extemporaneity, Japanese Philosophy, Buddha Nature, Unlimited Possibilities, Multiple New Perspectives, Nichiren Buddhism, Lotus Sutra, Tendai Bud- dhism, Soka Gakkai International Introduction This essay analyzes contemporary jazz improvisation in the music of jazz legends Herbie Hancock (b. 1940) and Wayne Shorter (b. 1933), who have both been longtime members of Soka Gakkai International (SGI), a lay branch of Nichiren Shōshū Buddhism in Japan.1 It is shown how Hancock * University of Hawaii Department of Philosophy Email: [email protected] 1 This paper is based on my presentation at the first Jazz and Philosophy Intermodal Conference (JPIC 2017) held May 5–7, 2017 in Winslow, Arizona on old Route 66 (made famous by the Eagles’ song “Take It Easy”) at the historic La Posada Hotel. The conference 66 S t e v e O d i n __________________________________________________________________________________________________ and Shorter developed an innovative jazz aesthetics of musical improvisa- tion based on the teachings of Nichiren Buddhism, which itself has its roots in Tendai Buddhist philosophy and the Lotus Sutra. -
Download a PDF Copy of the Guide to Jodo Shinshu Teachings And
Adapted from: Renken Tokuhon Study Group Text for Followers of Shinran Shonin By: Kyojo S. Ikuta Guide & Trudy Gahlinger to June 2008 Jodo Shinshu Teachings and Practices INTRODUCTION This Guide to Jodo Shinshu Teachings and Practices is a translation of the Renken Tokuhon Study Group Text for Followers of Shinran Shonin. TheGuide has been translated from the original version in Japanese and adapted for Jodo Shinshu Temples in North America. TheGuide has been developed as an introduction to Jodo Shinshu for the layperson. It is presented in 2 parts. Part One describes the life and teachings of the Buddha, and the history and evolution of Jodo Shinshu teachings. Part Two discusses Jodo Shinshu practices, including Jodo Shinshu religious days and services. The Calgary Buddhist Temple gratefully acknowledges the Renken Tokuhon Study Group for providing the original text, and our mother Temple in Kyoto - the Jodo Shinshu Hongwanji-ha - for supporting our efforts. It is our hope that this Guide will provide a basic foundation for understanding Jodo Shinshu, and a path for embracing the life of a nembutsu follower. Guide to Jodo Shinshu Teachings and Practices Table of Contents PART ONE: JODO SHINSHU TEACHINGS 1 THE LIFE OF THE BUDDHA . 2 1.1 Birth of the Buddha . 2 1.2 Renunciation . 2 1.3 Practice and Enlightenment . 2 1.4 First Sermon . 2 1.5 Propagation of the Teachings and the Sangha . 3 1.6 The Buddha’s Parinirvana . 3 1.7 The First Council . 4 2 SHAKYAMUNI’S TEACHINGS. 5 2.1 Dependent Origination (Pratitya-Samutpada) . 5 2.2 The Four Marks of Dharma. -
'Just Open Your Mouth and Say A': A-Syllable Practice for the Time of Death In
Pacific World Journal Third Series Number 8 Fall 2006 Special Issue: Honoring James H. Sanford Guest Editor: Charles D. Orzech Just Open Your Mouth and Say “A”: A-Syllable Practice for the Time of Death in Early Medieval Japan Jacqueline I. Stone Princeton University JAPANESE BUDDHISTS OF THE EARLY medieval period often sought to die in a ritualized fashion that would encourage right mindfulness in their last moments. One’s thoughts at the time of death were held to exert a particular force over one’s postmortem fate; persons who died with a mind calmly focused on the Buddha were believed thereby to escape the miserable cycle of samsara and achieve “birth in a pure land” (ōjō, 往生), where one’s eventual attainment of buddhahood would be assured. Such exemplary deaths are described in great numbers in ōjōden (“accounts of birth in the Pure Land,” 往生傳) and other Buddhist hagiographical literature of the latter Heian period (794–1185), while texts of instruction for deathbed practice (rinjū gyōgisho, 臨終行儀書) offer recommendations for how practice in one’s last days or hours should be conducted. The most sought-after postmortem destination was the Pure Land of Utmost Bliss (Skt. Sukhāvatī; Jpn. Gokuraku jōdō, 極楽浄土), the realm of the Buddha Amida (Skt. Amitābha, Amitāyus), said to lie billions of worlds away in the western quadrant of the cosmos. The scholar-monk Genshin (源信, 942–1017), whose treatise Ōjō yōshū (Essentials of Birth in the Pure Land) contains the first set of instructions for deathbed practice compiled in Japan, recommended contemplation at life’s end of Amida’s physical marks; his radiant light, embracing the devotee; and his welcoming descent (raigō, 来迎), together with his host of attendant bodhisattvas, to escort the dying person to his pure land.