RODDY-DISSERTATION.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

RODDY-DISSERTATION.Pdf Copyright by Conor Roddy 2011 The Dissertation Committee for Conor Roddy Certifies that this is the approved version of the following dissertation: Nietzsche’s Buddhist Leidmotive: A Comparative Study of Nietzsche’s Response to the Problem of Suffering Committee: Kathleen Marie Higgins, Supervisor Katherine Arens Lars Gustafsson A. P. Martinich Stephen H. Phillips Nietzsche’s Buddhist Leidmotive: A Comparative Study of Nietzsche’s Response to the Problem of Suffering by Conor Roddy, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2011 Dedication In loving memory of my parents Larry and Patricia Roddy Acknowledgements ―For Confucius,‖ as Herbert Fingarette once remarked, ―unless there are at least two human beings, there can be no human beings‖ (217). One cannot become a person on one‘s own in other words, and although it sometimes seems like a lonely process, one cannot write a dissertation by oneself either. There are so many people who made so many things possible for me to whom I wish to express my gratitude, and since I‘m not planning on writing another dissertation in the near future, I‘m going to do so now. I want to thank all my professors in Dublin, Honolulu, and Austin. When I was an undergraduate in Ireland, it was a passing remark by William Lyons that first got me interested in Nietzsche. During my time in Hawaii, Arindam Chakrabarti, Graham Parkes, and Roger Ames were particularly helpful. In Texas, my committee members Katherine Arens, Lars Gustafsson, A.P. Martinich and Stephen Phillips provided guidance and inspiration. My supervisor, Kathleen Higgins, was generous enough to take on that role during what must have been an extremely difficult time for her personally. I am grateful for her advice, encouragement, and patience. Robert Solomon, who was involved in this project at an early stage, passed away in 2007; his example as a philosopher and a human being lives on. I also want to acknowledge the UT philosophy department graduate program coordinators Jill and Sally Jackman for getting everything together for me all those times that I couldn‘t get it together myself. Thanks to my fellow graduate students in UH and UT, especially Blinn Combs and Ellen Stansell, and above v all to Alex and Connie Catlin; to all the folks in Maine who were so friendly during my year there, especially Jill Gordon and the Full Mooners; and thanks as well to my colleagues in Michigan, and in particular to Blair Morrissey and Andy Wible. His extreme individualism notwithstanding, Nietzsche acknowledged in an aphorism called ―collective spirit‖ that ―a good writer possesses not only his own spirit but also the spirit of his friends‖ (HAH 180). Many friends in Ireland, North America, and elsewhere have helped me out in all kinds of ways over the years. Thanks to the Celtic Cowboys in Austin and the cast and crew of Fadó, especially Hanna Ankarstrand, Phil Brasenell, Stephen Burns, Brian Costello, Pat Doab, Cynthia Holcomb, Andy Jones, Colum Kelly, Breslin McCartan, Brian O‘Callahan, Edwin O‘Hea, Noel O‘Mahony, and Mark Son. Thanks to Justin Kelly for putting me up on visits, and to Niall Tallon and Dee-Dee Lovering for driving halfway across Berlin to sort out some paperwork at the last minute. Thanks so much to all the gang in Hollywood and Dun Laoghaire for all the good times, especially Barbara, Julie, and Tom Connelly; Jason Furlong; Stephen and Liz Greene; Fionn Gunning; Robert Heffernan; Stephen Keegan; Juany Keville; Owen O‘Gorman, and all the O‘Gorman family; Michael O‘Hara; Sean O‘Hara; Jason Thomas; Niall Vaughan; and Michael Walsh. My apologies to those others whom I‘ve forgotten to include, and whom I ought, no doubt, to have remembered. Joe and Bairbre MacAnthony have treated me like one of the family in Toronto for decades now. I am also grateful to Brian and Dermot for their friendship, and to Declan, who died earlier this year and who is sadly missed. And of course, I want to say vi a special word of thanks to Grainne, who—like Nietzsche—has driven me intermittently crazy, but who has always made me feel more alive. I‘d like to remember my grandparents Michael and Bridgit Roddy, and Harry and Eileen Murphy, and I‘d also like to acknowledge my aunts and uncles, Dan, Moya, Ita, and Michael. My grandmother Eileen Murphy took care of me during my first years at university, and my aunt Eileen Murphy continues to look out for me—I will never forget their kindness. Dave and Geraldine Adam took me into their home years ago when I was an undergraduate, and haven‘t managed properly to get rid of me since. I am so grateful for their enduring generosity. Thanks also to Fionn and Justine, Jane and Alan, and especially to Cathal and to Nikki for everything. I want to thank my sister Addy, who—despite my best efforts to dissuade her— very thoughtfully flew all the way down from Alaska for the defense, and I‘d also like to thank my brothers and sisters Eoin, Kate, Nell, Alan, and Lar, and their partners Nate, Honor, Ben, and Conor for their love and support during good and not so good times. Finally, I want to acknowledge my immeasurable debt to my mother and father, both of whom died during the writing of this dissertation. Each of them, in their contrasting but complementary ways, lived what seemed to me to be a truly exemplary life. May any merit that arises from this work benefit all sentient beings… vii Nietzsche’s Buddhist Leidmotive: A Comparative Study of Nietzsche’s Response to the Problem of Suffering Publication No._____________ Conor Roddy, Ph.D. The University of Texas at Austin, 2011 Supervisor: Kathleen Marie Higgins I argue in this dissertation that Nietzsche‘s struggle to free himself from Schopenhauer and Wagner‘s influence interferes with his understanding of Buddhism, which he tends to tar with the same brush that he used on his mentors. I claim that Nietzsche has more in common with Mahayana Buddhism than he realizes, and suggest that he would have had more sympathy for Buddhist strategies for confronting suffering if his conception of such strategies had been more adequate. I offer a reading of the eternal recurrence according to which it promotes an existential reorientation towards the present moment that is very much in the spirit of Zen. I contend that the apparently irresoluble differences between the Nietzschean and Buddhist positions on questions relating to a karmic ―moral world order‖ can be overcome on a careful interpretation, and that there are more than superficial parallels between the way that both Nietzsche and Zen thinkers ascribe spiritual significance to a certain kind of spontaneous action. viii Key to Abbreviations With the exception of the Selected Letters, parenthetic references to works by Nietzsche in the text are to section numbers, not page numbers. Basic Writings of Nietzsche and The Portable Nietzsche each contain several complete works. For posthumous fragments not included in The Will to Power, I have relied on the Digital Critical Edition of the Complete Works and Letters published online by Nietzsche Source, and have cited according to the standard system used therein. Full details of all the texts listed below can be found in the bibliography at the back. AOM Assorted Opinions and Maxims (Volume II, part one of Human, All Too Human) AC The Antichrist BGE Beyond Good and Evil BT The Birth of Tragedy BW Basic Writings of Nietzsche CW The Case of Wagner D Daybreak DS David Strauss the Confessor and the Writer (First Unfashionable Observation) EH Ecce Homo GM On the Genealogy of Morals GS The Gay Science HAH Human, All Too Human HL On the Utility and Liability of History for Life (Second Unfashionable Observation) NCW Nietzsche Contra Wagner NF Nachgelassene Fragmente (Posthumous fragments in the online Digital Critical Edition) NR The Nietzsche Reader PN The Portable Nietzsche RWB Richard Wagner in Bayreuth (Fourth Unfashionable Observation) SE Schopenhauer as Educator (Third Unfashionable Observation) SL Selected Letters TI Twilight of the Idols UW Unpublished Writings from the Period of Unfashionable Observations WLN Writings from the Late Notebooks WP The Will to Power WS The Wanderer and His Shadow (Volume II, part two of Human, All Too Human) Z Thus Spoke Zarathustra ix Table of Contents Acknowledgements ..................................................................................................v Abstract ................................................................................................................ viii Key to Abbreviations ............................................................................................. ix Introduction 1 Opening Remarks...................................................................................1 2 Dissertation Plan ..................................................................................10 PART 1 THE INFLUENCE OF SCHOPENHAUER AND WAGNER .....................13 Chapter 1 Schopenhauer 1.1 Introduction ..........................................................................................14 1.2 Schopenhauer‘s Debt to Indian Philosophy .........................................16 1.3 Nietzsche‘s Reception of Schopenhauer ..............................................23 1.4 Differences between Schopenhauer and Buddhism .............................33 1.5 Nihilism and Buddhism .......................................................................39
Recommended publications
  • In the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2007 The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity Keith Aaron Moser University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the French Linguistics Commons Recommended Citation Moser, Keith Aaron, "The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity. " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/248 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Keith Aaron Moser entitled "The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Karen Levy, Major Professor We have read this dissertation and recommend its acceptance: John Romeiser, Stefanie Ohnesorg, Lisi Schoenbach Accepted for the Council: Carolyn R.
    [Show full text]
  • Omori Sogen the Art of a Zen Master
    Omori Sogen The Art of a Zen Master Omori Roshi and the ogane (large temple bell) at Daihonzan Chozen-ji, Honolulu, 1982. Omori Sogen The Art of a Zen Master Hosokawa Dogen First published in 1999 by Kegan Paul International This edition first published in 2011 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © The Institute of Zen Studies 1999 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 10: 0–7103–0588–5 (hbk) ISBN 13: 978–0–7103–0588–6 (hbk) Publisher’s Note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original copies may be apparent. The publisher has made every effort to contact original copyright holders and would welcome correspondence from those they have been unable to trace. Dedicated to my parents Contents Acknowledgements Introduction Part I - The Life of Omori Sogen Chapter 1 Shugyo: 1904–1934 Chapter 2 Renma: 1934–1945 Chapter 3 Gogo no Shugyo: 1945–1994 Part II - The Three Ways Chapter 4 Zen and Budo Chapter 5 Practical Zen Chapter 6 Teisho: The World of the Absolute Present Chapter 7 Zen and the Fine Arts Appendices Books by Omori Sogen Endnotes Index Acknowledgments Many people helped me to write this book, and I would like to thank them all.
    [Show full text]
  • What Price Love.Pdf
    Ring 2018 articles V2.qxp_RING 2018 5/19/18 4:20 PM Page 1 B Y P E T E R B A S S E T T WHAT ichard Wagner’s Der Ring des Nibelungen is rarely described as an extended love story, but that is what it is. The changing relationships throughout the four oRperas tend to obscure this central idea but, when you think about PRICE it, love is the thread that binds the whole story together—not love confined to a single pair of individuals but love as the alternative to hatred and revenge, power and property, greed and envy. The story begins with love’s renunciation and ends with its triumph as LOVE? the one irreplaceable, transforming ingredient in a new world order. That surely is the significance of the soaring orchestral melody that concludes Götterdämmerung. It is difficult to separate the allegory of the Ring from events in A century before post-Napoleonic europe when rival forces were attempting, on the one hand, to restore reactionary systems of government (think George Orwell’s 1984, of them as the gods) and, on the other hand, to establish new sys- tems of capital ushered in by the Industrial Revolution (think of alberich and his ilk). The result was a chain of political uprisings the Ring warned of throughout europe in the 1830s and ’40s—and incredible intellec- tual and creative ferment. Goethe and Beethoven were alive when the rise of totalitarianism Wagner was a teenager, Charles Darwin was four years his senior, and Karl Marx was five years his junior.
    [Show full text]
  • Download.Php?File=%2FBB%2FBBS30 01%2FS0 140525X07000891a.Pdf&Code=81285B3b5f33a08f0244640216120c97 Mitchell, S
    15th European Congress of Body Psychotherapy The Embodied Self in a dis-Embodied Society 13 - 16 October 2016Athens-Greece Under the Auspices of: ΠΡΟΛΟΓΟΣ ΑΠΟ ΤΟΥΣ ΠΡΟΕΔΡΟΥΣ ΤΗΣ ΟΡΓΑΝΩΤΙΚΗΣ ΚΑΙ ΕΠΙΣΤΗΜΟΝΙΚΗΣ ΕΠΙΤΡΟΠΗΣ ΠΕΡΙΕΧΟΜΕΝΟΥ 1) «Η αίσθηση που έχω αποκομίσει από την διαδικασία της προετοιμασίας του Συνεδρίου είναι πως αυτό που επιχειρήσαμε να αναδείξουμε μέσα από τον τίτλο του, Ο Ενσώματος Εαυτός στην Κοινωνία της Αποσύνδεσης, συνδέθηκε άμεσα και με την ατμόσφαιρα της διοργάνωσής του. Ατμόσφαιρα που χαρακτηρίστηκε από την σύνθεση, και την αρμονία, ενός δίπτυχου που ευνόησε τις συνθήκες για την μεγαλύτερη επένδυση της δημιουργικότητάς μας με το στοιχείο της χαράς. Νοιώθω ήδη πολύ “γεμάτη” από την συνεργασία ανάμεσα στα μέλη των Επιτροπών και μεταξύ των Επιτροπών. Μια συνεργασία που εμπεριείχε με ωριμότητα την ιδιαιτερότητα του Άλλου, θεωρώντας την πολύτιμο συστατικό της τελικής συλλογικής δημιουργίας. Επιπλέον, νοιώθω πολύ ικανοποιημένη που καταφέραμε να αξιοποιήσουμε στο έπακρο την ευκαιρία που μας έδωσε η διοργάνωση του Συνεδρίου και να δημιουργήσουμε δίκτυα επικοινωνίας και ανταλλαγής απόψεων σχετικά με το περιεχόμενο του Συνεδρίου και την Σωματική Ψυχοθεραπεία γενικότερα, με συναδέλφους από άλλους χώρους.Στα δίκτυα αυτά προσκαλέσαμε να συμμετέχουν συνάδελφοι από όλες τις κατευθύνσεις της Σωματικής Ψυχοθεραπείας καθώς και από συναφείς της κλάδους στην Ελλάδα. Στην ίδια πρόσκλησή μας ανταποκρίθηκαν με μεγάλη διαθεσιμότητα συνάδελφοι μέλη της ΕΑΒΡ, αλλά και Έλληνες Πανεπιστημιακοί οι οποίοι θεώρησαν τον τίτλο του Συνεδρίου ιδιαίτερα
    [Show full text]
  • Historical Painting Techniques, Materials, and Studio Practice
    Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.
    [Show full text]
  • Zen Classics: Formative Texts in the History of Zen Buddhism
    Zen Classics: Formative Texts in the History of Zen Buddhism STEVEN HEINE DALE S. WRIGHT, Editors OXFORD UNIVERSITY PRESS Zen Classics This page intentionally left blank Zen Classics Formative Texts in the History of Zen Buddhism edited by steven heine and dale s. wright 1 2006 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright ᭧ 2006 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Zen classics: formative texts in the history of Zen Buddhism / edited by Steven Heine and Dale S. Wright. p. cm Includes bibliographical references and index. Contents: The concept of classic literature in Zen Buddhism / Dale S. Wright—Guishan jingce and the ethical foundations of Chan practice / Mario Poceski—A Korean contribution to the Zen canon the Oga hae scorui / Charles Muller—Zen Buddhism as the ideology of the Japanese state / Albert Welter—An analysis of Dogen’s Eihei goroku / Steven Heine—“Rules of purity” in Japanese Zen / T.
    [Show full text]
  • Empty Cloud, the Autobiography of the Chinese Zen Master Xu
    EMPTY CLOUD The Autobiography of the Chinese Zen Master XU YUN TRANSLATED BY CHARLES LUK Revised and Edited by Richard Hunn The Timeless Mind . Undated picture of Xu-yun. Empty Cloud 2 CONTENTS Contents .......................................................................................... 3 Acknowledgements ......................................................................... 4 Introduction .................................................................................... 5 CHAPTER ONE: Early Years ............................................................ 20 CHAPTER TWO: Pilgrimage to Mount Wu-Tai .............................. 35 CHAPTER THREE: The Journey West ............................................. 51 CHAPTER FOUR: Enlightenment and Atonement ......................... 63 CHAPTER FIVE: Interrupted Seclusion .......................................... 75 CHAPTER SIX: Taking the Tripitaka to Ji Zu Shan .......................... 94 CHAPTER SEVEN: Family News ................................................... 113 CHAPTER EIGHT: The Peacemaker .............................................. 122 CHAPTER NINE: The Jade Buddha ............................................... 130 CHAPTER TEN: Abbot At Yun-Xi and Gu-Shan............................. 146 CHAPTER ELEVEN: Nan-Hua Monastery ..................................... 161 CHAPTER TWELVE: Yun-Men Monastery .................................... 180 CHAPTER THIRTEEN: Two Discourses ......................................... 197 CHAPTER FOURTEEN: At the Yo Fo & Zhen Ru Monasteries
    [Show full text]
  • A GUIDE to HBS Part II
    A GUIDE TO HBS Part II The Teachings and Practices of Honmon Butsuryu Shu By Rev. Nisso R. Fukuoka 2015 Honmon Butsuryu Shu Public Relations Bureau This book contains a collection of various articles (on the Lotus Sutra, Nichiren Buddhism, HBS etc.) as well as a record of question answers session etc. These articles were written over a period of several years. I wish to express my gratitude to Bernord Farrell, who kindly assisted in revising my articles in English with his ample knowledge of English. A GUIDE TO HBS PART II 1. The Lotus Sutra—The Most Worshipped Sutra. 4 2. What Is Buddhism? What Is The Lotus Sutra? 9 3. Division of Religious Groups in Japan 15 4. Four Sourses of Suffering Maxim 17 5. An Explanation of Descriptions in the Lotus Sutra 21 6. The Differences Between SGI (Soka Gakai)and HBS (Honmon Butsuryu Shu) 26 7. Does HBS have precepts? 29 8. The Odaimoku—NamuMyohoRengekyo 31 9. Is The Odaimoku Japanese? 33 10. Why HBS displays the statue of Nichiren Shonin in front of the Gohonzon 35 11. The Three Treasures—Sanbo 36 12. Kanjo Mon 39 13. The Gohonzon (The Object of worship) of HBS 41 14. Oko (Gathering of Members for Religious Service) 44 15. Chant the Odaimoku With Your Prayer Wholeheartedly 46 16. The Genealogy of HBS I 49 17. The Genealogy of HBS II 53 18. The Genealogy of HBS III 57 19. The Genealogy of HBS IV 66 20. Honmon Butsuryu Shu (HBS) 72 21. LIFE (INOCHI) 75 1 The Lotus Sutra—The Most Worshipped Sutra The King of Sutra—The Lotus Sutra hapter 16 of the Lotus Sutra, The Lifespan of the Eternal Buddha, elucidated that Shakamuni Buddha, the historical Buddha, who appeared in India stated: "My good sons, I became Buddha in the very far distant past and it has been countless, millions of nayutas of kalpas since CI, in fact, attained Buddhahood.
    [Show full text]
  • Richard Wagner RIENZI Der Letzte Der Tribunen
    Richard Wagner RIENZI der letzte der Tribunen Grande opera tragica in cinque atti Libretto di Richard Wagner Dal romanzo “Rienzi, the Last of the Roman Tribunes” di Edward Bulwer-Lytton Traduzione italiana di Guido Manacorda Prima rappresentazione Dresda, Königliches Hoftheater 20 ottobre 1842 PERSONAGGI COLA DI RIENZI tribuno romano tenore IRENE, sua sorella soprano STEFANO COLONNA capo della famiglia Colonna basso ADRIANO suo figlio mezzosoprano PAOLO ORSINI capo della famiglia Orsini basso RAIMONDO legato pontificio basso BARONCELLI tenore CECCO DEL VECCHIO basso UN MESSO DI PACE soprano Cittadini romani, inviati delle città lombarde, nobili romani, cittadini di Roma, messi dipace, ecclesiastici di ogni ordine, guardie romane. Wagner: Rienzi – atto primo ATTO PRIMO [N° 1 - Introduzione] Scena I° Una via di Roma. Sullo sfondo la chiesa del Laterano; sul davanti a destra la casa di Rienzi. È notte (Orsini con 6-8 suoi partigiani davanti alla casa di Rienzi) ORSINI ORSINI È qui, è qui! Su, svelti amici. Hier ist’s, hier ist’s! Frisch auf, ihr Freunde. appoggioate la scala alla finestra! Zum Fenster legt die Leiter ein! (Due nobili salgono la scala ed entrano per una finestra aperta nella casa di Rienzi) La fanciulla più bella di Roma sarà mia, Das schönste Mädchen Roms sei mein; penso che sarete d’accordo con me. ihr sollt mich loben, ich versteh’s. (I due nobili portano Irene fuori dalla casa) IRENE IRENE Aiuto! Aiuto! O Dio! Zu Hilfe! Zu Hilfe! O Gott! GLI O RSINIANI DIE ORSINI Ah, che divertente rapimento Ha, welche lustige Entführung dalla casa del plebeo! aus des Plebejers Haus! IRENE IRENE Barbari! Osate un tale oltraggio? Barbaren! Wagt ihr solche Schmach? GLI O RSINIANI DIE ORSINI Non opporre resistenza, bella fanciulla, Nur nicht gesperrt, du hübsches Kind, Vedi: sono troppi gli aspiranti! du siehst, der Freier sind sehr viel! ORSINI ORSINI Vieni, pazzerella, non essere cattiva.
    [Show full text]
  • The Role of Music in European Integration Discourses on Intellectual Europe
    The Role of Music in European Integration Discourses on Intellectual Europe ALLEA ALLEuropean A cademies Published on behalf of ALLEA Series Editor: Günter Stock, President of ALLEA Volume 2 The Role of Music in European Integration Conciliating Eurocentrism and Multiculturalism Edited by Albrecht Riethmüller ISBN 978-3-11-047752-8 e-ISBN (PDF) 978-3-11-047959-1 e-ISBN (EPUB) 978-3-11-047755-9 ISSN 2364-1398 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover: www.tagul.com Typesetting: Konvertus, Haarlem Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Foreword by the Series Editor There is a debate on the future of Europe that is currently in progress, and with it comes a perceived scepticism and lack of commitment towards the idea of European integration that increasingly manifests itself in politics, the media, culture and society. The question, however, remains as to what extent this report- ed scepticism truly reflects people’s opinions and feelings about Europe. We all consider it normal to cross borders within Europe, often while using the same money, as well as to take part in exchange programmes, invest in enterprises across Europe and appeal to European institutions if national regulations, for example, do not meet our expectations.
    [Show full text]
  • Tutti Siamo Dei Buddha Il Tathāgatagarbha O Natura-Di-Buddha Nei Testi Di Dharma L’Autrice Ringrazia
    Angela Crosta Tutti siamo dei Buddha Il Tathāgatagarbha o natura-di-Buddha nei testi di Dharma L’autrice ringrazia: Nicola Bianco per i suggerimenti, la revisione dei vocaboli cinesi e giappo- nesi, le traduzioni di alcuni brani dal cinese e giapponese. Andreana Gallo per la collaborazione nelle traduzioni dall’inglese. Mario Nanmon Fatibene, maestro della scuola Zen Rinzai della tradizione di Scaramuccia, per la gentile revisione dei capitoli riguardanti il Chan-Zen. In copertina: elaborazione grafica dell’autrice da pitture murali della grotta 322 (dei 10.000 Buddha) di Mogao, Dunhuang, Cina, circa VII secolo. Se non diversamente indicato, le immagini sono opera dell'autrice. ISBN 978-1-326-01531-2 Copyright © 2014 Angela Crosta Finito di stampare nel mese di settembre 2014 Edizioni Lulu, Raleight (North Carolina USA) www.lulu.com Tutti i diritti sono riservati; è vietato ristampare e riprodurre con qualsiasi mezzo meccanico, digitale o di altra natura qualunque parte di questo libro. L’illecito sarà penalmente perseguibile a norma art. 17 L. 663 dl 22-4-1941 e succ. 3 INDICE Introduzione 5 Note di glossario 8 1. La buddhità è presente in tutti gli esseri, ma ricoperta dai kleśa: il Tathāgatagarbha sūtra 11 2. Il Tathāgatagarbha degli esseri senzienti: il Buddha-dhātu; il concetto di “sé /io”; il cap. XII delM. Mahāparinirvāṇa sūtra 2.1 Buddha‒dhātu 17 2.2 Il concetto di “sé / io” 24 3. Tathāgatagarba e “mente” - Il Lankāvatāra sūtra 3.1 Purezza e luminosità della mente 28 3.2 Il Lankāvatāra sūtra e l’ālayavijñāna 31 4. Il Tathāgatagarbha e gli esseri malvagi: i gotra e gli icchantika; l’unico veicolo 40 5.
    [Show full text]
  • Agon Shu Unites Buddhist Traditions in Fire Rites Festival Costume
    The Japan Times Monday, March 24, 2014 3 national head Eric Johnston evening. STAFF WRITER Even as osaka aspires to be- Osaka come an international jazz mec- ca like Paris or Stockholm, the during his re-election campaign region will continue to promote these past two weeks, one of the itself as an asian gateway. lesser known successes osaka Indeed, since Kansai Interna- Mayor To ru ha shi mo to touted tional airport opened in 1994, was creating the osaka Govern- touting its asian connections has The city of Nara’s Sento-kun mascot welcomes visitors at JR ment Tourism Bureau to pro- been the one consistent theme Nara Station in April 2010. kyodo mote the area to tourists and in the otherwise numerous, and convention organizers. at times schizophrenic, efforts to ‘culture creation’ often The new bureau marks the create a lasting domestic and in- latest effort by a local govern- ternational image. yet what those ment in Kansai to distinguish connections are, beyond trade easier than it looks itself and grab a piece of the do- relations, or why asian tour- Eric Johnston dents of the dada school need mestic and international tourism ists should automatically prefer STAFF WRITER apply. modern Kansai over other parts Osaka Second, there should be a of the country is never made connection to the image of the clear. For all the official rhetoric about locality held by the rest of the na- KANSAI With the central government the need for the prefectures in tion or the world, although just announcing earlier this year that Kansai to distinguish themselves how obvious that connection PERSPECTIVE it hopes to attract 20 million for- from each other, let alone from should be to those unfamiliar eign visitors to Japan by the 2020 the rest of the country, there with the region’s history is the pie.
    [Show full text]