LONG-THESIS.Pdf (11.15Mb)

Total Page:16

File Type:pdf, Size:1020Kb

LONG-THESIS.Pdf (11.15Mb) Copyright by Michael James Long 2011 The Thesis committee for Michael James Long Certifies that this is the approved version of the following thesis: ‘Tab’ Figurines and Social Identity at Middle Preclassic La Blanca APPROVED BY SUPERVISING COMMITTEE: Supervisor:________________________________________ Julia Guernsey ________________________________________ David Stuart ‘Tab’ Figurines and Social Identity at Middle Preclassic La Blanca by Michael James Long, B.A.; B.A. Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2011 ‘Tab’ Figurines and Social Identity at Middle Preclassic La Blanca by Michael James Long, M.A. The University of Texas at Austin, 2011 SUPERVISOR: Julia Guernsey This thesis examines a special group of Middle Preclassic (900-600 BC) figurines excavated at La Blanca, an early Mesoamerican site on the Pacific Coast of Guatemala. Figurines at La Blanca are ubiquitous and derive from both elite and non-elite household contexts. Because of their widespread distribution, archaeologists associate figurines with daily practice and household ritual in ancient Mesoamerica. They represent a rare opportunity to examine materializations of the human body across social strata, and because their depositional contexts do not seem to suggest ritual care, their context of use remains enigmatic. With the dawn of the Middle Preclassic period, the community at La Blanca was at the center of a dramatic transition: in addition to the reconfiguring of political, social, and economic structures, the nature of personhood was profoundly transformed during this period. I argue that figurines were actively involved in the ongoing negotiation of iv social identity and personhood at La Blanca during this important transitional period. I specifically discuss a group of figurines from La Blanca called ‘tab’ figurines, which are remarkable for their exaggerated sexual characteristics and distinct approach to depicting the human form. I examine the ‘tab’ figurine assemblage in depth and examine how aspects of their context, form, and function helped their makers negotiate social identity at La Blanca. v Table of Contents List of Tables ....................................................................................................................vii List of Figures .................................................................................................................viii Introduction .........................................................................................................................1 Chapter 1: Overview of Preclassic Figurines at La Blanca................................................. 8 Chapter 2: Tab Figurines at La Blanca.............................................................................. 34 Chapter 3: Tab Figurines and Social Complexity at La Blanca ........................................63 Chapter 4: Interpreting Figurines in Fragments................................................................ 82 Chapter 5: Public Humor, Private Parts .........................................................................105 Conclusion ......................................................................................................................125 Figures ............................................................................................................................. 130 Bibliography .................................................................................................................... 179 vi List of Tables Table 2.1: La Blanca tab figurine styles, by tab type .......................................................48 Table 2.2: La Blanca T1 tab styles, by subtype ................................................................ 50 Table 2.3: La Blanca T2 tab styles, by subtype ................................................................ 53 Table 2.4: La Blanca T3 tab styles, by subtype ................................................................ 55 Table 2.5: La Blanca T5 tab styles, by subtype ................................................................ 55 Table 2.6: Coincidence of anthropomorphic traits and tab types ..................................... 56 Table 2.7: La Blanca T6 tab styles, by subtype ................................................................ 57 Table 2.8: La Blanca T10 tab styles, by subtype .............................................................. 58 Table 2.9: Coincidence of anthropomorphic traits for tab torsos ..................................... 62 Table 3.1: La Blanca tab figurine fragments, by Operation .............................................75 Table 3.2: La Blanca T1 tab figurines, by Operation .......................................................77 vii List of Figures Chapter 1 Figure 1.1: Map of important Preclassic sites mentioned in text ................................... 130 Figure 1.2: Middle Preclassic tab figurine from La Blanca ...........................................131 Figure 1.3: Map of La Blanca, Guatemala ..................................................................... 132 Figure 1.4: La Blanca Mound 1 before its demolition ...................................................133 Figure 1.5: La Blanca Monument 3 ...............................................................................133 Figure 1.6: Type 9 or “Hidden head” figurines .............................................................. 134 Figure 1.7: Ceramic chronology for Preclassic Mesoamerica .......................................135 Figure 1.8: Ceramic chronology at La Blanca ...............................................................136 Figure 1.9: Conventionally-stylized figurine heads at La Blanca .................................. 137 Figure 1.10 Conventionally-stylized figurine heads at La Blanca ................................. 138 Figure 1.11 Zoomorphic figurines from La Blanca ........................................................139 Chapter 2 Figure 2.1: Type T1 tab figurine from La Blanca ..........................................................140 Figure 2.2: Type T1 tab figurine from La Blanca ..........................................................140 Figure 2.3: Type T1 tab figurine from La Blanca ..........................................................141 Figure 2.4: Type T1 tab figurine from La Blanca ..........................................................141 Figure 2.5: Type T1 tab figurine from La Blanca ..........................................................142 Figure 2.6: Type T1 tab figurine from La Blanca ..........................................................142 viii Figure 2.7: Type T1 tab figurine from La Blanca ..........................................................143 Figure 2.8: Type T1 tab figurine from La Blanca ..........................................................143 Figure 2.9: Type T1 tab figurine from La Blanca, side view .........................................144 Figure 2.10: Type T1 tab figurine from La Blanca, rear view .......................................144 Figure 2.11: Type T2 tab figurine from La Blanca ........................................................145 Figure 2.12: Type T2 tab figurine from La Blanca, side view. ......................................145 Figure 2.13: Type T2 tab figurine from La Blanca ........................................................146 Figure 2.14: Type T2 tab figurine from La Blanca. .......................................................146 Figure 2.15: Type T2 tab figurine from La Blanca ........................................................147 Figure 2.16: Type T2 tab figurine from La Blanca ........................................................147 Figure 2.17: Type T2 tab figurine from La Blanca ........................................................148 Figure 2.18: Type T2 tab figurine from La Blanca ........................................................148 Figure 2.19: Type T2 tab figurine from La Blanca ........................................................149 Figure 2.20: Type T2 tab figurine from La Blanca ........................................................150 Figure 2.21: Type T2 tab figurine from La Blanca, side view .......................................150 Figure 2.22: Type T3 tab figurine from La Blanca ........................................................151 Figure 2.23: Type T3 tab figurine from La Blanca ........................................................151 Figure 2.24: Type T4 tab figurine from La Blanca ........................................................152 Figure 2.25: Type T5 tab figurine from La Blanca ........................................................153 Figure 2.26: Type T5 tab figurine from La Blanca ........................................................153 Figure 2.27: Type T5 tab figurine from La Blanca ........................................................154 ix Figure 2.28: Type T5 tab figurine from La Blanca ........................................................154 Figure 2.29: Type T6 tab figurine from La Blanca ........................................................155 Figure 2.30: Type T6 tab figurine from La Blanca ........................................................155 Figure 2.31: Type T6 tab figurine from La Blanca ........................................................156 Figure 2.32: Type T6 tab figurine from La Blanca ........................................................156
Recommended publications
  • Cambridge University Press 978-1-108-47899-1 — Human Figuration and Fragmentation in Preclassic Mesoamerica Julia Guernsey Index More Information
    Cambridge University Press 978-1-108-47899-1 — Human Figuration and Fragmentation in Preclassic Mesoamerica Julia Guernsey Index More Information Index Note: Page entries in italics refer to illustrations. absence, representational, 48, 66, 148–149 bench figures, 153, 154, 155, 157, 163 Monument 2, 42–43 Achaemenid palace reliefs, 158 Benjamin, Walter, 85 Monument 16, 34 adornment, personal, 49, 54, 60, 79–80, Berdan, Frances, 100 Monument 17, 33,34 127–128 Bilbao. See Cotzumalguapa Monument 21, 33, 33 Afanador-Pujol, Angélica, 62 Blackman Eddy, Belize, 56, 82 Water Dancing Group (Monuments 11, 8, Aguateca, 83 Blomster, Jeffrey, 45, 48, 52–53, 60, 65, 14, 15, 6, and 7), 32, 32,42 Ajú Álvarez, Gloria, 121 95–96, 101, 121–122 Chalchuapa, 102 Aldana, Gerardo, 130 Boggs, Stanley, 39 figurines at, 82, 121 Altar de Sacrificios, 119 Borgia Codex, 129 sculpture at, 146 Alvaro Obregón sculpture, 23–24 Borhegyi, Stephan de, 152 Monument 12, 38,39 ancestors and lineage formation, 52, 72, 137, Borić,Dušan, 77 Chapman, John, 96, 104 149–150 Bourdieu, Pierre, 16, 62, 123 Cheetham, David, 49–50, 56, 59 Angulo, Jorge, 32, 34, 43 Bove, Frederick, 119 Chesson, Meredith, 45 animal spirit companion. See human–animal Braakhuis, H. E. M., 88, 92, 128 Chiapa de Corzo, 54, 130 relationship Bradley, Richard, 129 figurines at, 57–58, 93 animals, representation of breath and vocalization Chichén Itzá, 103 birds, 30, 51, 74, 76,77 in iconography of animals, 72–74 Chilam Balam book of Maní, 89 coatimundi, 148, 152 mouths as site of, 19, 40, 62–63, 70–72, Chilam Balam of Chumayel, 88 dogs, 30, 76,77 73–74 China, 132, 134 felines, 76, 80, 81 Brittain, Marcus, 104, 106 Chinchilla, Oswaldo, 103, 110 on pedestal sculpture, 150–152, 154, 156 Bronson, Bennet, 134 Chocolá, Monument 1, 89, 91 on pottery, 77–79 Broom, Donald, 165 Christenson, Allen, 91, 100, 108, 129 serpents, 30 Brown, M.
    [Show full text]
  • Descargar Este Artículo En Formato
    Urban, Patricia, Edward Schortman y Marne Ausec 2000 ¿Poder sin límites?: Los acontecimientos políticos durante el Preclásico Medio en el valle de Naco, Honduras. En XIII Simposio de Investigaciones Arqueológicas en Guatemala, 1999 (editado por J.P. Laporte, H. Escobedo, B. Arroyo y A.C. de Suasnávar), pp.901-920. Museo Nacional de Arqueología y Etnología, Guatemala (versión digital). 67 ¿PODER SIN LÍMITES?: LOS ACONTECIMIENTOS POLÍTICOS DURANTE EL PRECLÁSICO MEDIO EN EL VALLE DE NACO, HONDURAS Patricia Urban Edward Schortman Marne Ausec Este ensayo investiga la naturaleza de la complejidad socio-política en el Preclásico Medio (1100-400 AC) en el valle de Naco, al noroeste de Honduras. "Complejidad" es un concepto que consiste de variables cuyas expresiones universales están relacionadas diferencialmente en circunstancias históricas específicas (Feinman y Neitzel 1984; McGuire 1983; de Montmollin 1989; Nelson 1995; Roscoe 1993). Aquí se examinan tres de estas variables según su importancia general para modelar la complejidad y nuestra habilidad de dirigir ciertos aspectos de las variables con la información que tenemos de Naco. La centralización política se refiere hasta qué punto el poder, o la capacidad para ordenar las acciones de otros se concentra en las manos de una sola facción (Balandier 1970; Roscoe 1993:113- 114; Webster 1990). Esta variable se mide por la presencia, dimensión y número de estructuras monumentales (plataformas que tienen por lo menos 1.50 m de altura) fechadas al Preclásico Medio, que se encuentran en los sitios de Naco. El recurso de este criterio se basa en la suposición que el poder mueve a los trabajadores para levantar las estructuras asociadas con los gobernantes aspirantes y los estados que ellos anhelan gobernar.
    [Show full text]
  • Robert M. Rosenswig
    FAMSI © 2004: Robert M. Rosenswig El Proyecto Formativo Soconusco Traducido del Inglés por Alex Lomónaco Año de Investigación: 2002 Cultura: Olmeca Cronología: Pre-Clásico Ubicación: Soconusco, Chiapas, México Sitio: Cuauhtémoc Tabla de Contenidos Introducción El Proyecto Formativo Soconusco 2002 Análisis en curso Conclusion Lista de Figuras Referencias Citadas Entregado el 6 de septiembre del 2002 por: Robert M. Rosenswig Department of Anthropology Yale University [email protected] Introducción El sitio de Cuauhtémoc está ubicado dentro de una zona del Soconusco que no ha sido documentada con anterioridad y que se encuentra entre las organizaciones estatales del Formativo Temprano de Mazatlán (Clark y Blake 1994), el centro del Formativo Medio de La Blanca (Love 1993) y el centro del Formativo Tardío de Izapa (Lowe et al. 1982) (Figura 1). Aprovechando la refinada cronología del Soconusco (Cuadro 1), el trabajo de campo que se describe a continuación aporta datos que permiten rastrear el desarrollo de Cuauhtémoc durante los primeros 900 años de vida de asentamiento en Mesoamérica. Este período de tiempo está dividido en siete fases cerámicas, y de esta forma, permite que se rastreen, prácticamente siglo por siglo, los cambios ocurridos en todas las clases de cultura material. Estos datos están siendo utilizados para documentar el surgimiento y el desarrollo de las complejidades sociopolíticas en el área. Además de los procesos locales, el objetivo de esta investigación es determinar la naturaleza de las relaciones cambiantes entre las élites de la Costa del Golfo de México y el Soconusco. El trabajo también apunta a ser significativo en lo que respecta a cruzamientos culturales, dado que Mesoamérica es sólo una entre un puñado de áreas del mundo donde la complejidad sociopolítica surgió independientemente, y el Soconusco contiene algunas de las sociedades más tempranas en las que esto ocurrió (Clark y Blake 1994; Rosenswig 2000).
    [Show full text]
  • Central America
    Zone 1: Central America Martin Künne Ethnologisches Museum Berlin The paper consists of two different sections. The first part has a descriptive character and gives a general impression of Central American rock art. The second part collects all detailed information in tables and registers. I. The first section is organized as follows: 1. Profile of the Zone: environments, culture areas and chronologies 2. Known Sites: modes of iconographic representation and geographic context 3. Chronological sequences and stylistic analyses 4. Documentation and Known Sites: national inventories, systematic documentation and most prominent rock art sites 5. Legislation and institutional frameworks 6. Rock art and indigenous groups 7. Active site management 8. Conclusion II. The second section includes: table 1 Archaeological chronologies table 2 Periods, wares, horizons and traditions table 3 Legislation and National Archaeological Commissions table 4 Rock art sites, National Parks and National Monuments table 5 World Heritage Sites table 6 World Heritage Tentative List (2005) table 7 Indigenous territories including rock art sites appendix: Archaeological regions and rock art Recommended literature References Illustrations 1 Profile of the Zone: environments, culture areas and chronologies: Central America, as treated in this report, runs from Guatemala and Belize in the north-west to Panama in the south-east (the northern Bridge of Tehuantepec and the Yucatan peninsula are described by Mr William Breen Murray in Zone 1: Mexico (including Baja California)). The whole region is characterized by common geomorphologic features, constituting three different natural environments. In the Atlantic east predominates extensive lowlands cut by a multitude of branched rivers. They cover a karstic underground formed by unfolded limestone.
    [Show full text]
  • Martin Künne Y Matthias Strecker INTRODUCCION De Todas Las Manifestaciones Culturales Que Han Dejado Los Indígenas De México
    Martin Künne y Matthias Strecker INTRODUCCION De todas las manifestaciones culturales que han dejado los indígenas de México y de América Central, los grabados y pinturas rupestres han recibido la menor atención. Aunque las representaciones rupestres pertenecen a los monumentos arqueológicos más visibles, solo raras veces se las incluyó en investigaciones sistemáticas. Desde los primeros informes y noticias de la mitad del siglo XIX se dejó su documentación a menudo a aficionados e investigadores autodidactas. De la misma manera se nota que tampoco la literatura especializada actual toma en cuenta las representaciones rupestres de la región. A pesar de que el recién editado "Handbook of Rock Art Research" (Whitley 2001) comprende cuatro regiones americanas, faltan completamente Mesoamérica y América Central. Por otro lado podemos constatar que muchas documentaciones e informes sobre el arte rupestre centroamericano han sido parciales y hacen difícil una visión del conjunto. Sus enfoques se limitan normalmente a perspectivas descriptivas. Solamente algunas tienen también carácter analítico (A. Stone 1995). Entre los pocos compendios que mencionan representaciones rupestres de México y de América Central están las publicaciones "Rock Art Studies: News of the World I" (Bahn y Fossati 1996) y "Arte Prehistórico de América" (Schobinger 1997). Nuestro libro tiene carácter bibliográfico. Su propósito es ser una guía para la búsqueda de fuentes de información y ofrecer una introducción al estudio sistemático del arte rupestre en el oriente de México y en Centroamérica; ampliando y actualizando la publicación anterior "Rock Art of East Mexico and Central America" (Strecker 1979). Se dirige tanto a especialistas, estudiantes y aficionados como a propietarios o indígenas quienes asuman el rol de "custodios naturales" de sitios con representaciones rupestres.
    [Show full text]
  • Smithsonian Miscellaneous Collections
    SMITHSONIAN MISCELLANEOUS COLLECTIONS VOLUME 97. NUMBER 1 PRELIMINARY REPORT ON THE SMITHSONIAN INSTITUTION-HARVARD UNIVERSITY ARCHEOLOGICAL EXPEDITION TO NORTHWESTERN HONDURAS, 1936 (With 16 Plates) BY WILLIAM DUNCAN STRONG Anthropologist, Bureau of American Ethnology ALFRED KIDDER II Peabody Museum, Harvard University AND A. J. DREXEL PAUL, JR. Peabody Museum, Harvard University (Publication 344S) CITY OF WASHINGTON PUBLISHED BY THE SMITHSONIAN INSTITUTION JANUARY 17, 1938 ^'ytk w •, bo a. -x: tn>: .S U I- rt y ll < t^ z in tn LJ u IT Q. SMITHSONIAN MISCELLANEOUS COLLECTIONS VOLUME 97, NUMBER 1 PRELIMINARY REPORT ON THE SMITHSONIAN INSTITUTION-HARVARD UNIVERSITY ARCHEOLOGICAL EXPEDITION TO NORTHWESTERN HONDURAS, 1936 (With 16 Plates) BY WILLIAM DUNCAN STRONG Anthropologist, Bureau of American Ethnology ALFRED KIDDER II Peabody Museum, Harvard University AND A. J. DREXEL PAUL, JR. Peabody Museum, Harvard University (PUBLICATIOK 3445) CITY OF WASHINGTON PUBLISHED BY THE SMITHSONIAN INSTITUTION JANUARY 17, 1938 BALTIMORE, UD., U. B, A. CONTENTS PAGE Introduction i Brief geographic setting 2 Ethnic and linguistic background 8 Early historic contacts in northwestern Honduras 19 Archeological explorations 27 Chamelecon River 27 Naco 27 Las Vegas 34 Tres Piedras 35 Other sites 2>7 Ulua and Comayagua Rivers 39 Las Flores Bolsa 39 Santa Rita (farm 17 ) 45 Playa de los Muertos (farm 11) 62 Other sites 76 North end of Lake Yojoa 76 Aguacate and Aguatal 80 La Ceiba 90 Site I 91 Site 2 94 Site 3 99 Causeway and " canal " near Jaral 100 Pyramids and stone statues near Los Naranjos 102 Excavations on the northern border of Los Naranjos 105 The older horizon at Los Naranjos iii Other sites 115 Summary and tentative conclusions 118 Literature cited 125 Explanation of plates 127 ILLUSTRATIONS PLATES PAGE 1.
    [Show full text]
  • Género Y Arqueología En Mesoamérica Homenaje A
    1 2 Género y Arqueología en Mesoamérica Homenaje a Rosemary A. Joyce María J. Rodríguez-Shadow Susan Kellogg Editoras Colección Estudios de Género Serie Antropología de las Mujeres CENTRO DE ESTUDIOS DE ANTROPOLOGÍA DE LA MUJER 3 CENTRO DE ESTUDIOS DE ANTROPOLOGÍA DE LA MUJER www.ceam.mx Consejo Editorial Ana Esther Koldorf, Universidad Nacional de Rosario, Argentina Arabel Fernández López, Museo Cao, Perú Beatriz Barba, DEAS-INAH, México Conchita Añorve-Tschirgi, American University in Cairo, Egipto Fred Hicks, University of Louisville, Estados Unidos Geoffrey McCafferty, University of Calgary, Canada Lilia Campos Rodríguez, Benemérita Universidad Autónoma de Puebla, México Lourdes Prados, Universidad Autónoma de Madrid, España Nicolas Balutet, Universidad Jean Moulin, Francia Nilda Stecanela, Universidad de Caixas do Sul, Brasil Los artículos que conforman este libro fueron sometidos a un proceso de dictamen bajo la modalidad de doble ciego realizado por pares expertos en la materia Primera edición, 2013 © D. R. María Rodríguez-Shadow y Susan Kellogg (Eds.) © CENTRO DE ESTUDIOS DE ANTROPOLOGÍA DE LA MUJER Av. Centenario 283, Edificio H22, Entrada 3, Departamento 1 Lomas de Plateros, C. P. 01480 Delegación Álvaro Obregón México D. F. Email: [email protected] www.ceam.mx ISBN 978-607-00-8272-6 Impreso y hecho en México Diseño e ilustración de portada: Mtro. Aarón Luna Revisión de formato electrónico: Dr. Iñigo Aguilar Medina Asistencia y apoyo administrativo: Lic. Julio César Suárez Asesoría en computación: A. A. Alma Carmona 4 INDICE Lista de participantes 7 Prólogo Ernesto González Licón 11 Primera Parte: El Género en Mesoamérica Antigua 17 Los aportes de Rosemary Joyce a la Arqueología de Género en Mesoamérica María Rodríguez-Shadow y Susan Kellogg 19 Sexo, género y edad en la obra de Rosemary A.
    [Show full text]
  • A PRELIMINARY LEXICON of ULÚA MEDALLION MOTIFS a Thesis
    A PRELIMINARY LEXICON OF ULÚA MEDALLION MOTIFS A Thesis Presented to the Faculty of the Graduate School Of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Kathryn Marie Hudson January 2012 © 2012 Kathryn Marie Hudson ABSTRACT The research presented here combines archaeological and linguistic inquiry to develop a preliminary lexical analysis of the subset of iconography that occurs as part of medallion motifs. These elements were part of the iconographic system that was developed and implemented in the Ulúa Valley of Honduras during the Classic Period (c. 300-900 AD). Medallions are an Ulúa iconographic construction in which a central element or set of elements is demarcated by framing features that separate the internal components from other iconographic elements and mark them as a cohesive textual unit. This analysis approaches medallions as a distinct iconographic form and treats the motifs that constitute them as an iconographic subset whose use was governed by rules of textuality. It creates a preliminary lexicon of these motifs and divides them into lexemes that are headed by lemmas so that future studies can more easily attempt to ascertain the rules that governed their structure and their positioning in broader iconographic compositions. The ceramics that constitute the corpus used for this analysis are housed in the Peabody Museum of Archaeology and Ethnology at Harvard University. Three hundred and seven pieces were incorporated into the sample set, and each of these has at least one medallion as part of its iconography. A variety of non-medallion motifs are also attested within the iconography of the sample corpus, though these elements are not relevant to the present analysis.
    [Show full text]
  • La Blanca Is a Preclassic Archaeological Site Located on The
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE DIFFERENTIAL ACCESS TO RESOURCES AND THE EMERGING ELITE: OBSIDIAN AT LA BLANCA A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Anthropology, Public Archaeology By Laura E. Hoffman December 2012 Signature Page The thesis of Laura E. Hoffman is approved: ________________________________ ____________ Cathy L. Costin, Ph.D. Date ________________________________ ____________ Matthew Des Lauriers, Ph.D. Date ________________________________ ____________ Michael W. Love, Ph.D., Chair Date California State University, Northridge ii Acknowledgements This thesis would never have been completed were it not for many, many people who have helped me along the way. I extend my sincere gratitude to everyone who has inspired, encouraged, assisted, and at times cajoled me along this journey: Michael W. Love, Cathy Costin, Matt DesLauriers, The California State University, Northridge Anthropology Department, Hector Neff, The Institute for Integrated Research in Materials, Environments, and Society, Terry Joslin, Kelli Brasket, John Dietler, Benny Vargas, Cara Corsetti, Cheryle Hunt, Clarus Backes, Mom, Dad, Andrea, Norville, and Brad Harris. Without your continued encouragement and understanding I would not have been able to complete this thesis. iii Table of Contents Signature Page .................................................................................................................... ii Acknowledgements ...........................................................................................................
    [Show full text]
  • California State University, Northridge Figurines
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE FIGURINES, HOUSEHOLDS, AND SOCIAL IDENTITIES AT LA BLANCA DURING THE MIDDLE PRECLASSIC PERIOD (900-600 B.C.E.) A thesis submitted in partial fulfillments of the requirements for the degree of Master of Arts in Anthropology By Karleen Claire Ronsairo May 2016 Copyright by Karleen Claire Ronsairo 2016 ii This thesis of Karleen Claire Ronsairo is approved: _____________________________________________ ____________ Dr. Cathy Costin Date _____________________________________________ ____________ Dr. Julia Guernsey Date _____________________________________________ ____________ Dr. Michael W. Love, Chair Date California State University, Northridge iii ACKNOWLEDGEMENTS I would to thank my thesis committee for their unwavering support throughout my time at CSUN. I would like to thank Dr. Guernsey in Austin, Texas for providing me with great feedback as I was writing my thesis while doing fieldwork in Mexico. I am also grateful to have an encouraging mentor like Dr. Costin, who always offers advice with great enthusiasm and positivity. I especially would like to thank Dr. Love for assisting me in my thesis research in Guatemala City and for introducing me to other Mesoamerican archaeologists. Dr. Love’s support and guidance undoubtedly contributed to my success in this program and beyond. I am grateful for my parents, Ron and Carla, who encourage me to pursue my dreams no matter what it takes. They have always taught me hard work pays off. Thank you to my three older sisters, Kristeen, Katherine, and Joy, for their love and support and for staying connected even when we are in different parts of the world. Finally, I would like to thank my friends and colleagues who have inspired me in life and in my career goals.
    [Show full text]
  • Where Is Lowland Maya Archaeology Headed?
    Journal of Archaeological Research, Vol. 3, No. L 1995 Where Is Lowland Maya Archaeology Headed? Joyce Marcus 1 This article isolates three important trends in Lowland Maya archaeology during the last decade: (1) increased use of the conjunctive approach, with renewed appreciation of context and provenience; (2) waning use of the label "unique" to describe the Maya; and (3) an effort to use the Lowland Maya as a case study in social evolution. KEY WORDS: Maya archaeology; conjunctive approach; direct historic approach. INTRODUCTION I have been asked to review the last decade of Lowland Maya ar- chaeology and discuss any major trends that can be discerned. The task presents numerous problems, not the least of which is the fact that one has little time to deliberate on data so newly produced. I also do not want to run the risk of extolling current research at the expense of that done by our predecessors. Finally, the volume of literature on Maya archaeology has been increasing so rapidly in recent years that one cannot hope to do more than cite a fraction of it. I have tried to compensate for this by in- cluding a 400-entry bibliography at the end of the review. At least three major trends can be seen in the last decade of Lowland Maya archaeology, and I organize my presentation around them. The first trend is a substantial increase in the integration of multiple lines of evi- dence-in effect, what Walter W. Taylor (t948) called "the conjunctive ap- proach" (Carmack and Weeks, 1981; Fash and Sharer, 1991, Marcus, 1983; Sabloff, 1990).
    [Show full text]
  • Scta-0003-Lo Res.Pdf
    GN 366 MHT £& SMITHSONIAN CONTRIBUTIONS TO ANTHROPOLOGY VOLUME 3 [Whole Volume] $ r T*. -%**•IS****--*-"&* ^•••** **g*~ a Microenvironments in the Ocos area, Guatemala, a, View of beach sand and scrub, looking north toward the village of Ocos. b, The lagoon-estuary system just north and east of Ocos. c, Stilt-rooted red mangrove forest, d, The riverine habitat, looking upstream on the Rio Naranjo toward Salinas La Blanca. e, A tidal stream running through the savannas of the Pampa La Morena. /, The Naranjo River, looking downstream from Salinas La Blanca. i Early Cultures and Human Ecology in South Coastal Guatemala *% I -r* Michael D. Coe and Kent V. Flannery SMITHSONIAN PRESS Washington 1967 A Publication of the SMITHSONIAN INSTITUTION United States National Museum LIBRARY OF CONGRESS CARD 65-62172 UNITED STATES GOVERNMENT PRINTING OFFICE, WASHINGTON, 1967 For sale by the Superintendent of Documents, U.S. Government Printing Office Washington, D.C. 20402 • Price $3.50 Preface The program "Interrelationships of New World Cultures" was initiated in 1960 by the Insti­ tute of Andean Research and continued for 3 years with the support of the National Science Foundation. The investigations described in this report were carried out as Project C of the pro­ gram's third year. We wish to gratefully acknowledge the advice and encouragement of the formulator of the program, Dr. Clifford Evans, of the Smithsonian Institution, and the support of the treasurer of the Institute of Andean Research, Dr. Gordon F. Ekholm, of the American Museum of Natural History. Our colleagues and friends in Guatemala again provided the same generous aid which they had shown to the senior author during his previous field season of 1958.
    [Show full text]