CD 6.13 Environmental Statement Volume
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South Bank Conservation Area Statement 2007 Conservation Area
South BankSouth Bank Conservation Area Statement 2007 Conservation Area Conservation Area Statement September 2007 South Bank Conservation Area Statement 2007 Conservation Area Context Map This map shows the South Bank Conservation Area (CA 38) in its wider context which includes the following neighbouring conservation areas: - CA 09 Walcot Conservation Area (part only) CA 10 Lambeth Palace Conservation Area CA 21 Roupell Street Conservation Area CA 34 Waterloo Conservation Area CA 40 Lower Marsh Conservation Area CA 50 Lambeth Walk & China Walk Conservation Area CA 51 Mitre Road & Ufford Street Conservation Area 2 South Bank Conservation Area Statement 2007 Conservation Area Boundary Map The maps in this document are based upon Ordnance Survey material with permission of Ordnance Survey on behalf of the Controller of Her Majesty’s Stationery Office. © Crown Copyright. Unauthorised preproduction infringes Crown Copyright and may lead to prose- cution or civic proceedings. LB Lambeth 100019338 2007. 3 South Bank Conservation Area Statement 2007 CONTENTS PAGE INTRODUCTION 5 1. PLANNING FRAMEWORK 6 2. CONSERVATION AREA APPRAISAL 7 2.1 Purpose and structure of a Conservation Area Appraisal 7 2.2 Historic Development 7 2.3 City Context & Strategic Views 11 2.4 Archaeology 11 2.5 Spatial Form 11 2.6 Streetscape 14 2.7 Permeability 16 2.8 Public Realm 17 2.9 Access 17 2.10 Street Furniture 18 2.11 Public Art 19 2.12 Activity and Uses 19 2.13 Spaces 20 2.14 Built form 21 2.15 Listed Buildings 22 2.16 Locally Listed Buildings 23 2.17 Buildings making a Positive Contribution 23 2.18 Buildings Making a Neutral Contribution 26 2.19 Buildings Making a Negative Contribution 26 2.20 Spaces Making a Positive Contribution 27 2.21 Spaces Making a Neutral Contribution 28 2.22 Spaces Making A Negative Contribution 29 2.23 Important Local Trees 29 2.24 Important Local Views 29 2.25 Signs & Advertisements 30 2.26 Setting of the Conservation Area 31 2.27 Appraisal Conclusion 31 4 South Bank Conservation Area Statement 2007 PAGE 3. -
Vauxhall Bridge
ADDRESS: Application 1: Vauxhall Bridge Case Officer: Rozina Vrlic Application Number:18/01995/EIAFUL Vauxhall Bridge (Application 1) - Master Copy Lambeth Bridge (Application 2) 18/01993/EIAFUL Westminster Bridge (Application 3) 18/01991/EIAFUL Golden Jubilee Bridge (Application 4) 18/01990/EIAFUL Waterloo Bridge (Application 5) 18/01988/EIAFUL Ward: Oval (Vauxhall Bridge) Date Received: 08/05/2018 Proposal: The architectural illumination, as part of the Illuminated River proposal, of Vauxhall Bridge including the installation of fixtures, fittings and ancillary equipment and associated works. The application is an Environmental Impact Assessment (EIA) development and is accompanied by an Environmental Statement (ES). Drawing numbers: Vauxhall Bridge (18/01995/EIAFUL) 1028_04_VA SK0457; 1028_04_VA SK0458; 1028_04_VA SK0459; 1028_04_VA P016; 1028_04_VA P1001; 1028_04_VA P2001; 1028_04_VA P2002; 1028_04_VA P2003; 1028_04_VA P2008; 1028_04_VA P2009; 1028_04_VA X0101 rev A; 1028_04_VA 0102; X0161 rev A Documents: Vauxhall Bridge (18/01995/EIAFUL) Planning Statement – Vauxhall Bridge, dated May 2018; Project Overview Design Statement, ref: 1028doc114, dated May 2018; 04_Vauxhall Bridge Design Statement, ref: 1028doc114, dated May 2018; Statement of Community Engagement, dated May 2018. Environmental Statement – Volume 1: Non-Technical Summary, dated May 2018; Environmental Statement – Volume 2: Main Text, dated May 2018; Environmental Statement – Volume 3: Heritage, Townscape and Visual Impact Assessment, dated May 2018, prepared by Montagu -
Westminster Lions Cycle Ride
WESTMINSTER Lions CYCLe ride I N W E S T MCYC I N S T E R A seven mile ride, best done on a END Sunday morning as much of the ride is on major streets, observing a few L of Westminster’s lions. More can be ING found in START ‘London Pride, the 10,000 Lions of London’ by Valerie Colin-Russ. A Lion-head mooring rings aLong the Victoria embankment. Designed by the sculptor Gilbert Bayes, the lions are considered to mark the point of a dangerously high tide, ‘When the lions drink, London will sink’. B south bank Lion At the south end of Westminster Bridge, visible from the Victoria Embankment, this 1837 Lion by W.F. Woodington originally stood atop the Red Lion Brewery on the South Bank site. When the brewery was demolished for the 1951 Festival of Britain, the lion was moved to Station Approach Waterloo - British Rail had a Lion logo at this time. In 1966 the lion was moved to its present location, the red paint having been Mooring rings removed to reveal the statue is made from Coade Stone, a tough, artificial stone that several lions on this trip are made from. Mrs Coade’s factory was also on the South Bank. C roof of oLd home office buiLding, Whitehall (just by the Cenotaph) Queen Victoria sits atop the building with a lion to one side and a unicorn to the other D red Lion pub While this building is Victorian there has been a tavern on this site since 1434, though it has not always been the Red Lion. -
Shrine of Remembrance St Kilda Road, Melbourne Conservation
Shrine of Remembrance St Kilda Road, Melbourne Conservation Management Plan Shrine of Remembrance St Kilda Road, Melbourne Conservation Management Plan Prepared for the Shrine of Remembrance Trustees October 2010 TABLE OF CONTENTS 1.0 INTRODUCTION 1 1.1 Background and brief 1 1.2 Site Location and Description 1 1.2.1 Location 1 1.2.2 Description 1 1.3 Heritage Controls and Listings 1 1.3.1 Victorian Heritage Act 1995 1 1.3.2 Planning and Environment Act 1987 2 1.3.3 Environment Protection and Biodiversity Conservation Act 1999 (Cwlth) 3 1.3.4 Non-Statutory Listings 4 1.4 Methodology and Terminology 4 1.5 Archaeology 4 2.0 HISTORY 9 2.1 Planning for Victoria’s War Memorial: Choice of a Site 9 2.2 The War Memorial Design Competition 11 2.3 The Architects 11 2.4 The Winning Design 12 2.5 Fundraising 16 2.6 Construction of the Shrine 1928-34 17 2.7 Initial Landscaping Works 1928-1934 20 2.8 World War II Memorial Competition 26 2.9 Landscaping Developments 1951-2000 27 2.9.1 Hard Landscaping Features 27 2.9.2 Plantings 30 2.10 Building Alterations and Maintenance Works 1934-2000 31 2.10.1 Alterations 31 2.10.2 Maintenance Works 32 2.11 Developments Since 2001 33 2.11.1 Building Works 33 2.11.2 Landscaping Developments 34 2.12 A Commemorative Place 34 3.0 PHYSICAL ANAYLSIS 37 3.1 Introduction 37 3.2 Documentation 37 3.3 The Site 37 3.4 Individual Buildings and Elements 40 3.4.1 The Shrine (1929-34) 40 I 3.4.2 Visitor Centre (2003) 57 3.4.3 WWII Forecourt (1951-54) 60 3.4.4 Cenotaph (1955) 61 3.4.5 Eternal Flame (1954) 62 3.4.6 Flagpoles (1954) -
Katharine Esdaile Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8x63sn4 No online items Katharine Esdaile Papers: Finding Aid Finding aid prepared by John Houlton, Marilyn Olsen, Catherine Wehrey, and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © November 2016 The Huntington Library. All rights reserved. Katharine Esdaile Papers: Finding mssEsdaile 1 Aid Overview of the Collection Title: Katharine Esdaile Papers Dates (inclusive): 1845-1961 Bulk dates: 1900-1950 Collection Number: mssEsdaile Collector: Esdaile, Katharine Ada, 1881-1950 Extent: 101 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950). Much of the collection relates to her research of British monumental sculpture. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
Of the CAMDEN HISTORY SOCIETY
No 147 of the CAMDEN HISTORY SOCIETY Jan 1995 Memoirs of a Coroner Advance Notice Thurs 19 Jan, 7.30pm Please put these dates in your diary: St Pancras Church House, Lancing Street, NWl Thurs 16 March: From Primrose Hill to Euston Road- talks by the researchers of our new publication on this One of the lesser-known buildings of St Pancras is the area of Camden. Coroner's Court tucked away behind St Pancras Gar- Sat 25 March: Walk around St Giles-in-the-Fields con- dens, near Old St Pancras Church and it is here that ducted by Ruth Hayes Douglas Chambers has acted as coroner for a number Thurs 6 April: David Sullivan on The Westminster of years. The coroner is one of the oldest offices in Corridor English law and yet his functions are not fully under- Fri 12 May: Anniversary Dinner stood by the general public, nor are the powers of an Thurs 18 May: Dorian Gerhold on Road Transport inquest. Mr Chambers will be our speaker in January before the Railways to tell us something about his job and to recall some of Thurs 15 Jun: Annual Meeting at Holy Trinity Church, the more interesting cases overwhichhe has presided. Finchley Road Thurs 20 Jul: Christina Gee on John Keats Sat 5 Aug: Outing to Stowe Pre-fire Churches in the City Thurs 21 Sept: Richard Tames on the history of Soho of London Thurs 19 Oct: Helen Lawrence recital of Camden asso- ciated music Thurs 16 Feb, 7.30pm Thurs 16 Nov: Dr Colin Cunningham on Alfred Burgh House, New End Square, NW3 Waterhouse Thurs 7 Dec: John Allen on Erno Goldfinger and Wil- The Great Fire of London in 1666 destroyed much of low Road medieval London. -
Illinois Military Museums & Veterans Memorials
ILLINOIS enjoyillinois.com i It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far nobly advanced. Abraham Lincoln Illinois State Veterans Memorials are located in Oak Ridge Cemetery in Springfield. The Middle East Conflicts Wall Memorial is situated along the Illinois River in Marseilles. Images (clockwise from top left): World War II Illinois Veterans Memorial, Illinois Vietnam Veterans Memorial (Vietnam Veterans Annual Vigil), World War I Illinois Veterans Memorial, Lincoln Tomb State Historic Site (Illinois Department of Natural Resources), Illinois Korean War Memorial, Middle East Conflicts Wall Memorial, Lincoln Tomb State Historic Site (Illinois Office of Tourism), Illinois Purple Heart Memorial Every effort was made to ensure the accuracy of information in this guide. Please call ahead to verify or visit enjoyillinois.com for the most up-to-date information. This project was partially funded by a grant from the Illinois Department of Commerce and Economic Opportunity/Office of Tourism. 12/2019 10,000 What’s Inside 2 Honoring Veterans Annual events for veterans and for celebrating veterans Honor Flight Network 3 Connecting veterans with their memorials 4 Historic Forts Experience history up close at recreated forts and historic sites 6 Remembering the Fallen National and state cemeteries provide solemn places for reflection is proud to be home to more than 725,000 8 Veterans Memorials veterans and three active military bases. Cities and towns across the state honor Illinois We are forever indebted to Illinois’ service members and their veterans through memorials, monuments, and equipment displays families for their courage and sacrifice. -
Listedbuilding 3
PART 1 LAMBETH BRIDGE ROAD Lambeth Bridge and attached parapets. Light standards, associated walls to approaches and obelisks LBSUID LOCAL AUTH’TY REF. SERIAL NUMBER OF LIST ENTRY 496913 GROUP VALUE GRADE DATE DESIGNATED NOTES b 26 November 2008 PART 2 DESCRIPTION Bridge, 1929-32, by Sir George Humphreys with Sir Reginald Blomfield and George Topham Forrest as consulting architects. DESCRIPTION: Lambeth Bridge is a five-span steel arch structure carried on granite-faced reinforced concrete piers and abutments. With a total Length of 236.Sm, the steel superstructure is made up of a 50.3m centre span, two intermediate ones of 45.4m, and two shore spans each 38.lm Long. The shallow steel arches, each consisting of nine, ribs, support a reinforced concrete roadway between the balustrades, divided into a carriageway flanked by two footways. Steel caissons were used in the construction of the concrete piers which, Like the abutments, are cased in polished Cornish granite. The coats of arms of London County Council are sculpted on the piers, below which two granite arms curve down to the top of the cutwaters. The cast-iron balustrade and Lamp stands augmented by steel Latticework pylons were designed to honour the bridge’s inauguration by King George V. Double Lamps carried on granite uprights adorn eath of the piers, and single Lights on black Lattice supports stand at inter-vals along the balustrades. On the approach to the bridge, the lamp standards are blue and supported by a LCC crest. In recognition of its proximity to the Palace of Westminster, Lambeth Bridge is painted predominately red, a reference to the. -
Albert Embankment Draft CA Statement
ALBERT EMBANKMENT CONSERVATION AREA DRAFT CONSERVATION AREA STATEMENT London Borough of Lambeth January 2015 CONTENTS Page CONTEXT CONSERVATION AREA MAP 4 EXISTING CONSERVATION AREA MAP 5 INTRODUCTION 6 Consultation 7 1 PLANNING FRAMEWORK 8 2 CONSERVATION AREA APPRAISAL 10 Introduction 10 Geology and Landscape 10 Archaeology 10 Historic Development 10 City Context 13 Spatial Analysis 14 Open Spaces 19 Trees 22 Character Areas 22 Buildings Character and Materials 28 Boundary Treatments 29 Public Realm 29 Street Furniture 30 Public Art / Memorials 31 Signs and Advertisements 32 Activity and Uses 32 Listed Buildings 32 Buildings and structures that make a Positive 34 Contribution Buildings that make a Neutral Contribution 34 Buildings that make a Negative Contribution 35 Views 35 Capacity for Change 38 Appraisal Recommendations 38 Conservation Area Boundary 38 3. GUIDANCE 40 Alterations to Existing Properties 40 New Buildings 42 Pubfronts 43 Railway Arches 43 Signs and Advertisements 43 New Uses 45 Refuse Storage 45 Plant and Equipment 45 2 Boundary Treatments 45 Trees 45 Sustainability 46 Further Information 46 4. MANAGEMENT PROPOSALS 47 Planning Controls 47 Monitoring and Enforcement 47 Signs and Advertisements 47 Highways / Street works 47 Trees 48 Enhancement Opportunities 48 Management Conclusion 49 5. CONTACTS 50 6. SOURCES 52 APPENDIX 1 – STATUTORY LISTED BUILDINGS 54 APPENDIX 2 – PROPOSED CA BOUNDARY MAP 55 3 CONSERVATION AREA CONTEXT MAP 4 EXISTING CONSERVATION AREA BOUNDARY 5 INTRODUCTION This draft Conservation Area Statement is prepared by the Council to assist with the management and enhancement of the Albert Embankment Conservation Area. It is hoped that it will be useful for residents, property managers and developers alike in understanding the objectives of the conservation area designation. -
February 2021 50P
Old Heath Parish and Community Magazine February 2021 50p THE IRIS A FLOWER OF JOY AND HOPE FOR FEBRUARY My dear Friends, We continue to soldier on and make the best of things in these difficult times. I will not dwell on the current situation because we all know all there is to know and we are all living in genuine hope of a light at the end of the tunnel. Some of you are now getting the ‘jab’ thank God and hopefully all of us over 70s will have it soon. Last month I said I couldn’t let you know how Christmas went because we hadn’t got there but I can now say that we had a joyful Christmas Day mass at full capacity (with restrictions) so Christmas was celebrated. Baby Jesus arrived later than usual because I cancelled the midnight mass because of lack of numbers. First time I have missed Midnight Mass for about 50+ years. I now know how awful the TV is on Christmas eve ha ha. I wasn’t able to see my Sister and Brother in law because they live in London so I cooked my own dinner and snoozed for the rest of the day. I hope that most of you were lucky enough to have some company. Happy New Year to you all. February is usually a quiet month with only Candlemass, Shrove Tuesday and Ash Wednesday to look forward to, I live in hope that we Page | 2 will be able to celebrate those events but time will tell. -
MEMORIAL TEXT NARRATIVES in BRITAIN C.1890-1930
MEMORIAL TEXT NARRATIVES IN BRITAIN c.1890-1930 by SONIA LETITIA BATTEN A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Medieval and Modern History School of Historical Studies The University of Birmingham March 2011 ABSTRACT This thesis seeks to explore the memorial texts that developed as a result of the First World War, composed primarily by those whose sons, husbands and fathers had died between 1914 and 1918. Visitors to the military cemeteries of the First World War are interested to read the inscriptions left by the bereaved at the foot of individual headstones, yet this aspect of post-war commemoration is still largely unexplored. This thesis seeks to explore these responses: by considering the process through which the bereaved were permitted to select inscriptions, the sources from which they derived consolation, and the narratives that they pursued throughout the post-war period to 1930. Parallel to these permanent headstone inscriptions are considered the ephemeral commemoration of the newspaper in memoriam column, a source of material that has received scant attention but which promises a rich glimpse into the conventions of early-twentieth-century mourning – conventions which are still resonant almost a century after the First World War broke out. To contextualise post- war responses, the thesis introduces commemorative practices used to remember those who died in the South African War and in the sinking of the Titanic, many of which were used again in the aftermath of 1918. ACKNOWLEDGEMENTS I would like to thank the following individuals and members of the following institutions for their help and advice. -
Post-War Public Art Protection, Care and Conservation
Post-War Public Art Protection, Care and Conservation In partnership with Summary Public art can be enjoyed by us all. Everyone can play a part in valuing and caring for it. This guidance is aimed at anyone who manages or has responsibility for post-war public art, including local authorities, charitable bodies, community groups, heritage professionals and custodians. Public art is defined here as fixed artworks which members of the public are able to access and enjoy, in public, semi-public or privately owned public space, whether outdoors or indoors. This document outlines good practice on the care and management of post-war public art, including regular maintenance and planned conservation work. It sets out the different ways that the best of our public art can be identified and protected and the statutory duties that relate to its ownership and care. Key principles include a clear understanding of ownership and lines of responsibility; inclusive and transparent decision making; regular condition checks to detect potential sources of harm; and engaging the public in valuing and caring for public art. This guidance document is part of Historic England’s range of practical guidance which helps people care for their historic places. It complements Historic England’s Introduction to Heritage Assets, Public Art 1945–95. This guidance note has been prepared by Geraint Franklin. First published by Historic England in September 2016. All images © Historic England unless otherwise stated. HistoricEngland.org.uk/images-books/publications/post-war-public-art-protection- care-conservation/ Front cover Detail of Magic Garden, a mixed-media mural of 1961 by the (Carr was one of the first artists to use screen printing in artist Francis Carr (1919-2013).