DOCSLIB.ORG

Pre Application

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ADDRESS: St Thomas House and Dunhill Fitness Centre, Lambeth Palace Road, SE1 Pre-application Development Presentation Case Officer: Jeffrey Holt Ward: Bishop’s Date Received: September 2020 Proposal: Demolition of existing buildings and erection of building approximately 31,000 sqm in area and 55m AOD in height to provide an expansion to the existing Evelina London children’s hospital (Use Class C2) along with associated access and public realm. Applicant: Guy’s and St Thomas’ Trust Agent: Montague Evans RECOMMENDATION 1. That, having heard a Pre-application Development Presentation on behalf of the applicant and individual Members of the Committee having had the opportunity to ask questions and to highlight to the applicant issues that may require further consideration, the contents of this report, the Presentation and any discussion of the item in the meeting be duly noted by the Committee. SITE DESIGNATIONS Relevant site designations: Central Activities Zone Conservation Area - CA57 : Albert Embankment Conservation Area North Lambeth Archaeological Priority Area Listed Building - Multiple Southbank And Waterloo (SOWN) Neighbourhood Area and Forum London Plan Waterloo Opportunity Area Transport for London Road Network Thames Policy Area LVMF Protected Vistas - Primrose Hill Summit To The Palace Of Westminster - 4A.2 LVMF River Prospect: Westminster Bridge 18A Environment Agency Flood Zone 3 Adjacent to: Archbishop’s Park Site of Local Nature Conservation Importance (SINC) Archbishop’s Park Local Space of Heritage Value Archbishop’s Park Historic Park or Garden Lambeth Palace Gardens Site of Borough Nature Conservation Importance Lambeth Palace Conservation Area LAND USE DETAILS Site area (ha): 0.2ha NON-RESIDENTIAL DETAILS Use Class Use Description Floorspace (m2) (Gross Internal Area) Existing D1 Medical training facility 924m2 D1 Gym 2,793 m2 Proposed C2 Hospital 28,000 – 30,000 m2 NON-CONVENTIONAL RESIDENTIAL & VISITOR ACCOMMODATION Bedrooms/Units Floorspace (m2) Existing Hotel Bedrooms Serviced Apartments/Apart-hotel units Proposed Hotel Bedrooms Serviced Apartments/Apart-hotel units Bedrooms Floorspace (m2) Existing Student Accommodation Proposed Student Accommodation Bedrooms Floorspace (m2) Existing C2 212 (in existing Evelina) Proposed C2 Additional 100+ 28,000-30,000 Bedrooms Floorspace (m2) Existing SG Hostel Proposed SG Hostel PARKING DETAILS Car Parking Spaces Car Parking Spaces % of Bike Motor- (General) (Disabled) EVCP Spaces cycle Spaces Drop off Staff Drop off Staff Existing 3 0 0 8 TBC TBC - Proposed 5 0 0 2 TBC TBC - LEGAL SERVICES CLEARANCE AUDIT TRAIL Consultation Name/Position Lambeth Date Sent Date Report Comments in department Received Cleared para: Susan Boucher, Legal Services 04.01.2020 05.01.2020 05.01.2020 Throughout Lawyer OFFICER REPORT Reason for referral to PAC: This item is a Pre-application Development Presentation in accordance with the Planning Applications Committee’s terms of reference. NOTE: A Pre-application Development Presentation is a presentation to the Committee by an applicant about a development proposal that has not yet been submitted for planning approval. The Committee’s terms of reference provide for the Committee to hear such presentations about strategic development schemes and for individual Members of the Committee to ask questions and highlight issues that may require further consideration by the applicant. Any pre-application proposal that is presented to the Committee will still require a planning application to be submitted and determined in due course. The Committee will not be making any determination of the planning merits of any matters that are presented to it in this Pre-application Development Presentation and accompanying officer report. Observations of the Committee in response to this item may be minuted but will not be binding on the eventual decision-maker. The purpose of this officer report is to provide a brief overview of the site and its planning history, the current development proposal, the pre-application process to date and relevant planning policies. 1 THE APPLICATION SITE 1.1 The site is on the west side of Lambeth Palace Road and is within the St Thomas’ Hospital campus. The triangular site currently contains St Thomas’ House, which is a six-storey 1920s building, and the Dunhill Fitness centre, which is a two-storey post-war building. St Thomas’ House is used for clinical skills training and the Dunhill Fitness centre is a gym for staff and students at the hospital and university. 1.2 The site is immediately adjacent to the Evelina London Children’s Hospital which is withing a purpose- built seven to eight storey building with a large curved glass roof. The building was completed in 2005 and the Evelina moved there from their original site at Guy’s Hospital in Southwark. Access to the Evelina is via a short access street known as Hospital Street, which is off Lambeth Palace Road. 1.3 The site is in the Albert Embankment conservation area. Neither St Thomas House or the Dunhill Fitness centre are statutorily or locally listed. The applicant has applied to Historic England for a Certificate of Immunity from Listing for St Thomas House and the decision is pending. 2 THE SURROUNDING AREA 2.1 St Thomas Hospital first opened in 1871 and has expanded organically over time resulting in a large complex of buildings of varying ages and styles. The original five storey 19th century hospital building occupies the south-west corner of the campus. The northern half is occupied by large post-war modernist blocks between six and 12 storeys high and in the south-east corner are the most recent additions including the seven storey Evelina Children’s Hospital building completed in 2004. The main vehicle access to the hospital, including A&E ambulance access, is off Lambeth Palace Road. 2.2 The surrounding area is mixed in use and urban form, as is characteristic of central London. To the north is the main block of the former County Hall. Country Hall is a Grade II* Listed complex of six to seven storey buildings that was once home to the London Country Council. It is now used for leisure, hotel, residential and commercial uses. The rear blocks are Locally Listed and are in residential and commercial use. 2.3 To the north-east are contemporary buildings up to 18 storeys high in hotel, student accommodation and office use. Further north-east is Waterloo train and Underground station. To the east are smaller post-war housing blocks and some low rise commercial and community buildings. To the south-east is Archbishop’s Park and the private gardens of Lambeth Palace. Archbishop’s Park is a local space of heritage value and Lambeth Palace Garden is a Registered Historic Garden (Grade II). The new eight storey Lambeth Palace Library is nearing completion. 2.4 To the south beyond the gardens is the Grade I listed Lambeth Palace. It consists of a group of ecclesiastical, ceremonial, defensive and residential buildings of varying periods dating back as early as 1435. To the west is the River Thames and on the opposite bank is the Grade I Listed Palace of Westminster and Westminster World Heritage Site. 2.5 St Thomas Hospital is within the Albert Embankment Conservation Area and the Southbank Conservation Area is to the north. The hospital campus has a number of listed buildings and structures: Statue of Robert Clayton at the northern entrance to the ward block of North Wing (Grade I) Bronze Statue of Edward V at the northern entrance to the ward block of the North Wing (Grade II*) Stone Statue of Edward VI at the northern entrance to the ward block of the North Wing (Grade II*) ‘Revolving Torsion’ fountain (Grade II*) 15 public benches on the embankment footpath between Lambeth Bridge and Westminster Bridge (Grade II) River Wall with 36 lamp standards between Lambeth Bridge and Westminster Bridge (Grade II) Albert Embankment Wall along boundary of St Thomas’ Hospital (Grade II) 2.6 The site is also in the Central Activities Zone, Flood Risk Zone 3, Thames Policy Area, the Waterloo Opportunity Area and the South Bank and Waterloo Neighbourhood Area. 2.7 The site benefits from a public accessibility level of 6b, which is ‘excellent’, due to the proximity of Waterloo train and Underground station, Lambeth North Underground Station to the east and Westminster Underground to the west across Westminster Bridge. There are also numerous bus services nearby. Westminster Bridge Road and Lambeth Palace Road are both part of the TfL Strategic Road Network. 3 SITE PHOTOGRAPHS Figure 1 - Aerial photograph of site (outlined in blue) Figure 2 - Photograph showing entrance to Hospital Street, St Thomas House and Evelina London (behind) Figure 3 - Dunhill Fitness Centre (foreground), St Thomas House (background) and Evelina London (right) 4 PROPOSAL 4.1 Summary of the Proposal 4.2 The proposal is for the demolition of St Thomas’ House and the Dunhill Fitness Centre and the construction of a new building to provide additional capacity for Evelina London. The building would reach a height of around 59m AOD and provide approximately 31,000 sqm of space. This would accommodate over 100 inpatient beds, 20 critical care beds and 14 operating theatres as well as space for outpatients, research, staff, families and support functions. 4.3 The existing Evelina building would remain and be connected to the new building. The training facilities within St Thomas’ house will be moved into new facilities that are currently under construction elsewhere on the hospital campus. The fitness centre would not be replaced as it is underutilised and considered to be surplus to requirements. 4.4 The applicant will provide a detailed presentation of the proposal. 5 Planning Performance Agreement 5.1 Guy’s and St Thomas’ Trust has entered into a Planning Performance Agreement with the Council. The PPA secures an enhanced pre-application process with a greater level of engagement.
Recommended publications
  • South Bank Conservation Area Statement 2007 Conservation Area

    South Bank Conservation Area Statement 2007 Conservation Area

    South BankSouth Bank Conservation Area Statement 2007 Conservation Area Conservation Area Statement September 2007 South Bank Conservation Area Statement 2007 Conservation Area Context Map This map shows the South Bank Conservation Area (CA 38) in its wider context which includes the following neighbouring conservation areas: - CA 09 Walcot Conservation Area (part only) CA 10 Lambeth Palace Conservation Area CA 21 Roupell Street Conservation Area CA 34 Waterloo Conservation Area CA 40 Lower Marsh Conservation Area CA 50 Lambeth Walk & China Walk Conservation Area CA 51 Mitre Road & Ufford Street Conservation Area 2 South Bank Conservation Area Statement 2007 Conservation Area Boundary Map The maps in this document are based upon Ordnance Survey material with permission of Ordnance Survey on behalf of the Controller of Her Majesty’s Stationery Office. © Crown Copyright. Unauthorised preproduction infringes Crown Copyright and may lead to prose- cution or civic proceedings. LB Lambeth 100019338 2007. 3 South Bank Conservation Area Statement 2007 CONTENTS PAGE INTRODUCTION 5 1. PLANNING FRAMEWORK 6 2. CONSERVATION AREA APPRAISAL 7 2.1 Purpose and structure of a Conservation Area Appraisal 7 2.2 Historic Development 7 2.3 City Context & Strategic Views 11 2.4 Archaeology 11 2.5 Spatial Form 11 2.6 Streetscape 14 2.7 Permeability 16 2.8 Public Realm 17 2.9 Access 17 2.10 Street Furniture 18 2.11 Public Art 19 2.12 Activity and Uses 19 2.13 Spaces 20 2.14 Built form 21 2.15 Listed Buildings 22 2.16 Locally Listed Buildings 23 2.17 Buildings making a Positive Contribution 23 2.18 Buildings Making a Neutral Contribution 26 2.19 Buildings Making a Negative Contribution 26 2.20 Spaces Making a Positive Contribution 27 2.21 Spaces Making a Neutral Contribution 28 2.22 Spaces Making A Negative Contribution 29 2.23 Important Local Trees 29 2.24 Important Local Views 29 2.25 Signs & Advertisements 30 2.26 Setting of the Conservation Area 31 2.27 Appraisal Conclusion 31 4 South Bank Conservation Area Statement 2007 PAGE 3.
  • Katharine Esdaile Papers: Finding Aid

    Katharine Esdaile Papers: Finding Aid

    http://oac.cdlib.org/findaid/ark:/13030/c8x63sn4 No online items Katharine Esdaile Papers: Finding Aid Finding aid prepared by John Houlton, Marilyn Olsen, Catherine Wehrey, and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © November 2016 The Huntington Library. All rights reserved. Katharine Esdaile Papers: Finding mssEsdaile 1 Aid Overview of the Collection Title: Katharine Esdaile Papers Dates (inclusive): 1845-1961 Bulk dates: 1900-1950 Collection Number: mssEsdaile Collector: Esdaile, Katharine Ada, 1881-1950 Extent: 101 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950). Much of the collection relates to her research of British monumental sculpture. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher.
  • Illinois Military Museums & Veterans Memorials

    Illinois Military Museums & Veterans Memorials

    ILLINOIS enjoyillinois.com i It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far nobly advanced. Abraham Lincoln Illinois State Veterans Memorials are located in Oak Ridge Cemetery in Springfield. The Middle East Conflicts Wall Memorial is situated along the Illinois River in Marseilles. Images (clockwise from top left): World War II Illinois Veterans Memorial, Illinois Vietnam Veterans Memorial (Vietnam Veterans Annual Vigil), World War I Illinois Veterans Memorial, Lincoln Tomb State Historic Site (Illinois Department of Natural Resources), Illinois Korean War Memorial, Middle East Conflicts Wall Memorial, Lincoln Tomb State Historic Site (Illinois Office of Tourism), Illinois Purple Heart Memorial Every effort was made to ensure the accuracy of information in this guide. Please call ahead to verify or visit enjoyillinois.com for the most up-to-date information. This project was partially funded by a grant from the Illinois Department of Commerce and Economic Opportunity/Office of Tourism. 12/2019 10,000 What’s Inside 2 Honoring Veterans Annual events for veterans and for celebrating veterans Honor Flight Network 3 Connecting veterans with their memorials 4 Historic Forts Experience history up close at recreated forts and historic sites 6 Remembering the Fallen National and state cemeteries provide solemn places for reflection is proud to be home to more than 725,000 8 Veterans Memorials veterans and three active military bases. Cities and towns across the state honor Illinois We are forever indebted to Illinois’ service members and their veterans through memorials, monuments, and equipment displays families for their courage and sacrifice.
  • Listedbuilding 3

    Listedbuilding 3

    PART 1 LAMBETH BRIDGE ROAD Lambeth Bridge and attached parapets. Light standards, associated walls to approaches and obelisks LBSUID LOCAL AUTH’TY REF. SERIAL NUMBER OF LIST ENTRY 496913 GROUP VALUE GRADE DATE DESIGNATED NOTES b 26 November 2008 PART 2 DESCRIPTION Bridge, 1929-32, by Sir George Humphreys with Sir Reginald Blomfield and George Topham Forrest as consulting architects. DESCRIPTION: Lambeth Bridge is a five-span steel arch structure carried on granite-faced reinforced concrete piers and abutments. With a total Length of 236.Sm, the steel superstructure is made up of a 50.3m centre span, two intermediate ones of 45.4m, and two shore spans each 38.lm Long. The shallow steel arches, each consisting of nine, ribs, support a reinforced concrete roadway between the balustrades, divided into a carriageway flanked by two footways. Steel caissons were used in the construction of the concrete piers which, Like the abutments, are cased in polished Cornish granite. The coats of arms of London County Council are sculpted on the piers, below which two granite arms curve down to the top of the cutwaters. The cast-iron balustrade and Lamp stands augmented by steel Latticework pylons were designed to honour the bridge’s inauguration by King George V. Double Lamps carried on granite uprights adorn eath of the piers, and single Lights on black Lattice supports stand at inter-vals along the balustrades. On the approach to the bridge, the lamp standards are blue and supported by a LCC crest. In recognition of its proximity to the Palace of Westminster, Lambeth Bridge is painted predominately red, a reference to the.
  • Albert Embankment Draft CA Statement

    Albert Embankment Draft CA Statement

    ALBERT EMBANKMENT CONSERVATION AREA DRAFT CONSERVATION AREA STATEMENT London Borough of Lambeth January 2015 CONTENTS Page CONTEXT CONSERVATION AREA MAP 4 EXISTING CONSERVATION AREA MAP 5 INTRODUCTION 6 Consultation 7 1 PLANNING FRAMEWORK 8 2 CONSERVATION AREA APPRAISAL 10 Introduction 10 Geology and Landscape 10 Archaeology 10 Historic Development 10 City Context 13 Spatial Analysis 14 Open Spaces 19 Trees 22 Character Areas 22 Buildings Character and Materials 28 Boundary Treatments 29 Public Realm 29 Street Furniture 30 Public Art / Memorials 31 Signs and Advertisements 32 Activity and Uses 32 Listed Buildings 32 Buildings and structures that make a Positive 34 Contribution Buildings that make a Neutral Contribution 34 Buildings that make a Negative Contribution 35 Views 35 Capacity for Change 38 Appraisal Recommendations 38 Conservation Area Boundary 38 3. GUIDANCE 40 Alterations to Existing Properties 40 New Buildings 42 Pubfronts 43 Railway Arches 43 Signs and Advertisements 43 New Uses 45 Refuse Storage 45 Plant and Equipment 45 2 Boundary Treatments 45 Trees 45 Sustainability 46 Further Information 46 4. MANAGEMENT PROPOSALS 47 Planning Controls 47 Monitoring and Enforcement 47 Signs and Advertisements 47 Highways / Street works 47 Trees 48 Enhancement Opportunities 48 Management Conclusion 49 5. CONTACTS 50 6. SOURCES 52 APPENDIX 1 – STATUTORY LISTED BUILDINGS 54 APPENDIX 2 – PROPOSED CA BOUNDARY MAP 55 3 CONSERVATION AREA CONTEXT MAP 4 EXISTING CONSERVATION AREA BOUNDARY 5 INTRODUCTION This draft Conservation Area Statement is prepared by the Council to assist with the management and enhancement of the Albert Embankment Conservation Area. It is hoped that it will be useful for residents, property managers and developers alike in understanding the objectives of the conservation area designation.
  • MEMORIAL TEXT NARRATIVES in BRITAIN C.1890-1930

    MEMORIAL TEXT NARRATIVES in BRITAIN C.1890-1930

    MEMORIAL TEXT NARRATIVES IN BRITAIN c.1890-1930 by SONIA LETITIA BATTEN A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Medieval and Modern History School of Historical Studies The University of Birmingham March 2011 ABSTRACT This thesis seeks to explore the memorial texts that developed as a result of the First World War, composed primarily by those whose sons, husbands and fathers had died between 1914 and 1918. Visitors to the military cemeteries of the First World War are interested to read the inscriptions left by the bereaved at the foot of individual headstones, yet this aspect of post-war commemoration is still largely unexplored. This thesis seeks to explore these responses: by considering the process through which the bereaved were permitted to select inscriptions, the sources from which they derived consolation, and the narratives that they pursued throughout the post-war period to 1930. Parallel to these permanent headstone inscriptions are considered the ephemeral commemoration of the newspaper in memoriam column, a source of material that has received scant attention but which promises a rich glimpse into the conventions of early-twentieth-century mourning – conventions which are still resonant almost a century after the First World War broke out. To contextualise post- war responses, the thesis introduces commemorative practices used to remember those who died in the South African War and in the sinking of the Titanic, many of which were used again in the aftermath of 1918. ACKNOWLEDGEMENTS I would like to thank the following individuals and members of the following institutions for their help and advice.

  • CD 5.1 Environmental Statement Volume

    United Kingdom Holocaust Memorial and Learning Centre Environmental Statement (Volume 3) Built Heritage, Townscape and Visual Impact Assessment December 2018 The Secretary of State for Housing Communities and Local Government All Ordnance Survey Plans are © Crown Copyright. All rights reserved. Licence Number: 100007624 © Copyright 2018. All worldwide rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form by any other means whatsoever: i.e. photocopy, electronic, mechanical recording or otherwise without the prior written permission of the copyright holder. Any enquiries should be directed to: Montagu Evans LLP 5 Bolton Street London W1J 8BA. Tel: +44 (0)20 7493 4002 CONTENTS EXECUTIVE SUMMARY 3 5.0 ASSESSMENT OF HERITAGE ASSETS’ SIGNIFICANCE 46 APPENDICIES The Proposed Development: UK Holocaust Memorial and Learning Centre 01: HERITAGE BASELINE 6.0 BASELINE: TOWNSCAPE AND VISUAL 60 Assessment Methodology 02: HAYES DAVIDSON METHODOLOGY Key Considerations 7.0 POTENTIAL IMPACTS AND MITIGATION MEASURES 70 Summary of Effects Conclusion 8.0 ASSESSMENT: HERITAGE RECEPTORS 74 Operational Phase 1.0 INTRODUCTION 8 Registered Parks and Gardens Purpose of the Report Listed Buildings Accurate Visual Representations Conservation Areas Pre-Application Consultation 9.0 ASSESSMENT: TOWNSCAPE 86 2.0 METHODOLOGY 12 Baseline Assessment of Value 10.0 ASSESSMENT: VISUAL 92 Assessment of Sensitivity and Magnitude 11.0 CUMULATIVE EFFECTS 208 Likely Significant Effects 12.0 SUMMARY AND CONCLUSIONS
  • The Spirit & Force Of

    The Spirit & Force Of

    THE SPIRIT &FORCE OF ART Drawing in Britain 1600–1750 THE SPIRIT & FORCE OF ART: DRAWING IN BRITAIN 1600–1750 3 Clifford Street, London 20 June to 6 July 2018 London London Art Week 29 June to 6 July 2018 new york TeFAF New York Fall 27 to 31 October 2018 THE SPIRIT &FORCE OF ART Drawing in Britain 1600–1750 Lowell Libson & Jonny Yarker Ltd London 2018 Contents Index of Artists 6 Foreword Lowell Libson 7 Introduction Jonny Yarker 8 3 Clifford Street · London w1S 2LF +44 (0)20 7734 8686 ‘The spirit and force of art’: [email protected] Defining Drawing in England, 1600–1750 www.libson-yarker.com Richard Stephens 11 Lowell Libson [email protected] A Lost Art? Collecting Early British Drawings Jonny Yarker & their Critical Fate [email protected] Richard Stephens and Jonny Yarker 33 Cressida St Aubyn [email protected] CATALoGUe Published by Lowell Libson & Jonny Yarker Ltd 2018 I Towards an English School 41 Text and publication © Lowell Libson & Jonny Yarker Ltd All rights reserved II Academies 69 ISBn 978 1 9999783 1 0 Designed by Dalrymple III The Rise of the Sketch 85 Set in Mário Feliciano’s Rongel type Photography by Rodney Todd-White & Son Ltd VI From Prospect to Landscape 101 Colour reproduction by Altaimage Ltd Printed in Belgium by Albe De Coker V From Ceiling to Exhibition Room: the Progress of History Painting 127 VI Face Painting 147 VII ‘A noble, delightful and useful art’: Drawings by Antiquarians, Amateurs and Artisans 169 VIII The Age of Hogarth 181 Notes and References 199 Index of Artists Foreword References are to catalogue numbers Laguerre, Louis 47 We are delighted to publish this catalogue which represents the culmination of over ten years of gathering these rare drawings which were created before the ‘Golden Age’ Amigoni, Jacopo 58 Laroon, Marcellus 73 of British watercolours and which demonstrate the formation of an identifiable ‘British’ Baron, Bernard 74 Laroon, Marcellus, the younger 84 School.
  • Abbey Road 276 Abed, Muhammad (Artist) 331 Abney Park 404 Acts Of

    Abbey Road 276 Abed, Muhammad (Artist) 331 Abney Park 404 Acts Of

    563 Index Numbers in bold are major references. Numbers in italics refer to illustrations. Abbey Road 276 Ali, Monica 108 Abed, Muhammad (artist) 331 All England Lawn Tennis Club 498 Abney Park 404 All Hallows by the Tower 92 Acts of the Apostles tapestries 328, 518, 519 All Hallows-on-the-Wall 60 Adam, Holden & Pearson, architects 163 All Hallows Staining, tower of 87 Adam, James (architect, brother of Robert) 184, All Saints, Ealing 490 263, 341, 395 All Saints, Fulham 315 Adam, John (architect, brother of Robert) 184 All Saints, Isleworth 487 Adam, Robert (architect) 144, 166, 198, 231, 234, All Saints, Margaret St 343 263, 265, 309, 330, 341, 395, 415, 484, 485, 487, All Saints, Putney 496 488, 489; (works attributed to) 163 All Souls, Langham Place 261 Adam, William (architect, brother of Robert) Allan, Sir William (painter) 236 184, 341 Allen, Godfrey (architect) 27, 36, 77 Adams, John Quincy 92 Alleyn, Edward 422, 457 Addison, Joseph 320 Alma-Tadema, Sir Lawrence, tomb of 39 Adelphi 183–4 Almack’s, club 217 Admiralty Arch 153 Altab Ali Park 108 Admiralty buildings 166 Ambassadeurs, Les 225 Aitchison, George (architect) 321 Ambassadors, The 172 Aiton, Sir William (botanist and gardener) 157, Ambler, Thomas (architect) 267 310, 479 Amen Court 33 Al-Fayed, Mohamed 294 American International Church 344 Albany 209 Amphitheatre, Roman 59 Albemarle street 230 Anderson, Elizabeth Garrett 364 Albers, Josef (artist) 424 Andre, Carl (artist) 425 Albert Bridge 311 André, Dietrich Ernst (painter) 446 Albert, Prince Consort 181, 316; (Albert

  • Listedbuilding 3

    PART 1 LAMBETH BRIDGE ROAD Lambeth Bridge and attached parapets. Light standards, associated walls to approaches and obelisks LBSUID LOCAL AUTH’TY REF. SERIAL NUMBER OF LIST ENTRY 496913 GROUP VALUE GRADE DATE DESIGNATED NOTES b 26 November 2008 PART 2 DESCRIPTION Bridge, 1929-32, by Sir George Humphreys with Sir Reginald Blomfield and George Topham Forrest as consulting architects. DESCRIPTION: Lambeth Bridge is a five-span steel arch structure carried on granite-faced reinforced concrete piers and abutments. With a total Length of 236.Sm, the steel superstructure is made up of a 50.3m centre span, two intermediate ones of 45.4m, and two shore spans each 38.lm Long. The shallow steel arches, each consisting of nine, ribs, support a reinforced concrete roadway between the balustrades, divided into a carriageway flanked by two footways. Steel caissons were used in the construction of the concrete piers which, Like the abutments, are cased in polished Cornish granite. The coats of arms of London County Council are sculpted on the piers, below which two granite arms curve down to the top of the cutwaters. The cast-iron balustrade and Lamp stands augmented by steel Latticework pylons were designed to honour the bridge’s inauguration by King George V. Double Lamps carried on granite uprights adorn eath of the piers, and single Lights on black Lattice supports stand at inter-vals along the balustrades. On the approach to the bridge, the lamp standards are blue and supported by a LCC crest. In recognition of its proximity to the Palace of Westminster, Lambeth Bridge is painted predominately red, a reference to the.
  • WHOSE HERITAGE? PUBLIC SYMBOLS of the CONFEDERACY 2 Southern Poverty Law Center WHOSE HERITAGE? PUBLIC SYMBOLS of the CONFEDERACY

    WHOSE HERITAGE? PUBLIC SYMBOLS of the CONFEDERACY 2 Southern Poverty Law Center WHOSE HERITAGE? PUBLIC SYMBOLS of the CONFEDERACY

    WHOSE HERITAGE? PUBLIC SYMBOLS OF THE CONFEDERACY 2 southern poverty law center WHOSE HERITAGE? PUBLIC SYMBOLS OF THE CONFEDERACY ABOUT THE SOUTHERN POVERTY LAW CENTER The Southern Poverty Law Center, based in Montgomery, Ala., is a nonprofit civil rights organization founded in 1971 and dedicated to fighting hate and bigotry, and to seeking justice for the most vulnerable members of society. For more information about THE SOUTHERN POVERTY LAW CENTER SPLCENTER.ORG “The Confederate flag is coming to mean something to everybody now. It means the southern cause. It means the heart throbs of the people of the South. It is becoming to be the symbol of the white race and the cause of the white people. The Confederate flag means segregation.” —roy v. harris, editor of augusta courier, 1951 “[I]t should have never been there. These grounds are a place that everybody should feel a part of. What I realized now more than ever is people were driving by and felt hurt and pain.” —south carolina gov. nikki haley, july 10, 2015, on the confederate battle flag on the state house grounds in columbia 4 southern poverty law center CONTENTS EXECUTIVE SUMMARY 4 FINDINGS 7 TIMELINE 12 MAP 14 METHODOLOGY 16 LIST 17 COMMUNITY GUIDE 36 ACKNOWLEDGMENTS 41 special report | whose heritage? 5 EXECUTIVE SUMMARY After being indoctrinated online into the world of white suprem- acy and inspired by a racist hate group, Dylann Roof told friends he wanted to start a “race war.” Someone had to take “drastic action” to take back America from “stupid and violent” African Americans, he wrote.
  • The Lay of the Land: English Landscape Themes in Early Modern Painting in England

    The Lay of the Land: English Landscape Themes in Early Modern Painting in England

    The Lay of the Land: English Landscape Themes in Early Modern Painting in England Barbara Lou Budnick A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Christine Goettler, Chair Estelle C. Lingo Susan P. Casteras Program Authorized to Offer Degree: Art History ©Copyright 2017 Barbara Lou Budnick University of Washington Abstract The Lay of the Land: English Landscape Themes in Early Modern Painting in England Barbara Lou Budnick Chair of Supervisory Committee: Professor Christine Goettler Art History Landscape paintings generally offer a far and wide view of external world, including all parts of the built and natural environment that pass before the eye. As a genre in England, landscape painting arose slowly in the second decade of the seventeenth century, portraying royal palaces and their prosperous environs along the Thames. This dissertation examines the development of an English landscape iconography based on property, both real and intellectual. I argue that during the seventeenth and early eighteenth centuries traditional English hierarchies of ownership were combined with new concepts of achievement to reimagine exclusive rights. To analyze visual works within an early modern context, I draw on a range of late sixteenth- to late eighteenth-century written sources, including diaries, journals, private correspondence, public rolls, personal account ledgers, periodicals, poetry, histories, travel texts, and scientific works, as well as economic, political, and aesthetic treatises. Such a broad literature of source material is interdisciplinary and situates landscape imagery in its historical period. Similarities and differences in verbal and visual representations reveal how concepts of knowledge changed throughout the period: just as contemporary manuscripts and printed texts celebrated increasing concentrations of riches and innovative technologies, landscapes depicted larger properties, advances in science, and recent sources of prosperity.