A Physics of Middle-Earth
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Doctor Strange Comics As Post-Fantasy
Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts. -
Rheology Bulletin
The News and Information Publication of The Society of Rheology Volume 88 Number 1, January 2019 Rheology Bulletin Inside: • Houston Report • Technical Program for Raleigh • Book Review: Microfluidics (authors Furst and Squires) • In Memoriam: Hanswalter Giesekus • Rheology in South Africa Executive Committee Table of Contents (Jan 2018-Dec 2019) President th Norman J. Wagner SOR 90 : Houston 2018 4 Gallery of Rheology 2018 Houston 6 Vice President Michael D. Graham Letter from SOR President 11 Review: Microrheology, by Furst & Squires 12 Secretary Review by Aditya S. Khair Albert Co Hanswalter Giesekus (1922 – 2017) 14 Treasurer Christopher C. White Rheology Around the World: South Africa 16 Technical Program for Raleigh 17 Editor Sibani Lisa Biswal and Steve Hudson Ralph H. Colby News/Business 19 Past-President News, Voluntteers Gareth H. McKinley needed, Awards, Ex- Com minutes, Busi- Members-at-Large ness Meeting minutes, Michel Cloitre Treasurer's report Eric M. Furst Events Calendar 32 Amy Shen SOR K-12 Outreach in Houston; see p. 4. On the Cover: The Eye of Sauron by Alan R. Jacob, Lilian C. Hsiao and Michael Dickey of North Carolina State University, U.S.A. was the first-place choice for the Gallery of Rheology in Houston. Gallium is a liquid metal that forms an elastic native oxide skin. The oxide skin surrounding the liquid metal manifests creases on the air- liquid metal interface. A high energy concentric backscattering detector (CBS) is used to obtain an electron micros- copy image which captures an enhanced contrast image of the wrinkles present on the interface. The crinkles resemble fiery flames when false color is applied. -
The Geology of Middle-Earth
Volume 21 Number 2 Article 50 Winter 10-15-1996 The Geology of Middle-earth William Antony Swithin Sarjeant Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Sarjeant, William Antony Swithin (1996) "The Geology of Middle-earth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 50. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/50 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A preliminary reconstruction of the geology of Middle-earth is attempted, utilizing data presented in text, maps and illustrations by its arch-explorer J.R.R. Tolkien. The tectonic reconstruction is developed from earlier findings yb R.C. Reynolds (1974). Six plates are now recognized, whose motions and collisions have created the mountains of Middle-earth and the rift structure down which the River Anduin flows. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
2019 Game Catalog
2019 Game Catalog 972-641-9919 www.onesourceamusements.com Golden Tee is the latest version of the legendary pay-to-play video golf Height: 85.75" game. Avid video golfers around the world compete against the course, with Width: 25.5" friends or head-to-head in a wide variety of skill contest formats. Play for Depth: 53.25" fun, play for glory or play for big cash prizes! Weight: 220 lbs. Smart Industries’ extremely popular basketball game is back with an updated Height: 97" look! Score enough points on the first round and you get the chance to play Width: 38" up to 2 more rounds with the moving hoop. You can link up to 16 games Depth: 100" together for head-to-head competition. Weight: 452 lbs. This is the standard bearer for all Foosball Tables. Nearly every competition Height: 36" is played on a Tornado because nothing else comes anywhere close. Width: 30" Depth: 56" Weight: 355 lbs. Blue Streak by Dynamo combines eye catching graphics and proven Height: 32" technology that is perfect for anyone in the market for an air hockey table. Width: 46" Depth: 86" Weight: 340 lbs. Big Buck HD WILD transports you to the prehistoric land of the Irish Elk and Height: 50" the monstrous zombie takeover of Pappy’s Land, all in one update. Width: 53.5" Depth: 30" Weight: 300 lbs. Valleys flagship Panther ZDX electronic table adds better than ever Height: 31" programmable features to the attractive looks of the Panther. The Width: 53" upgraded battery, charger and bill acceptor bring longer life, faster charges Depth: 93" and improved reliability. -
How to Get Mithril Shield in Lego Lord of the Rings?
[ How to get mithril shield in lego lord of the rings ] User rating: Mithril Bricks 1. Jump down to the right from the main ramp into Helm's Deep and destroy the Morgul object to grab a Mithril brick. 2. Dec 16, · Grow the large yellow flower with Sam, then jump over to the western tower. Climb along the handgrips until you reach the top where you must light a fire to get the Mithril brick. Hi all, After a long 3 hour session I finally found the mithril blacksmith blueprint that you need to break mithril blocks also known as shiny blocks in game. After completing story, look at your. Found during "Path of the Dead" level, very high up on a left ledge near exit gate. Use Legolas, to climb a "hidden" path in front of it, then jump up to the ledge. The-Apostle 7 years ago #3 I. May 14, · Get the Blacksmith Design inside the center of the house. Bring it to the shelf located in the upper left corner of the house. Press Circle on the shelf and select the Mithril Trowel. Ride the bellows and jump up and down over it. Press Circle to bring up the menu and select the Treasure Trove. Equip the Mithril Trowel and go outside. Nov 27, · Once you've destroyed the ring and finished the story, you can snag this recipe very easily with an elf (Legolas works great). To create explosions, you'll n. For LEGO The Lord of the Rings on the Xbox , a GameFAQs message board topic titled "Anybody know where the Mithril Rope is located?". -
White Mithril Rules Have Been Extensively Revised Based on Last Year’S Tournament Experiences
White Mithril: To the Uttermost Foundations Note: White Mithril rules have been extensively revised based on last year’s tournament experiences. Victory conditions now include a broad range of challenges, which will lead your courageous companies to the darkest places of the Under-deeps. The introduction of special Under-deeps marshalling points replaces the strict focus on the three former primary quests, though they remain part of this scenario game. Please read the new rules carefully, especially if you were used to the old rules, in order to make necessary adjustments to your current deck. Introduction: Ancient halls, tunnels and caverns plunged in eternal darkness… forgotten realms, artifacts and riches buried beneath the dust of ages… nameless creatures lurking at places without a name… welcome to the Under-deeps! White Mithril: To the Uttermost Foundations is a Hero-only scenario game with focus on the deep places of Middle-earth. Following the leadership of your mighty wizard, your fearless characters dare to enter this dark world through the east gate of Moria. Surprised by your powerful approach, the orcs withdraw in confusion and you succeed to set up a refuge within one of the countless chambers of this former dwarven-hold. Unknown challenges await your company on their way: It is up to you, restore the glory of Khazad-dum, find forgotten items of great power, defeat the ancient evil of Durin’s Bane, or master one of the many quests to achieve both, power and glory. ‘… even as mithril was the foundation of their wealth, so also it was their destruction: they delved too greedily and too deep, and disturbed that from which they fled, Durin’s Bane.’ - LotRII ‘In that despair, my enemy was my only hope, and I pursued him, clutching at his heel. -
Middle-Earth's War on Terror: a Post-9/11 Reception Study on the Works of J.R.R
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2014 Middle-earth's War on Terror: a Post-9/11 Reception Study on the Works of J.R.R. Tolkien James William Peebles University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the American Studies Commons, Cognition and Perception Commons, and the Literature in English, British Isles Commons Recommended Citation Peebles, James William, "Middle-earth's War on Terror: a Post-9/11 Reception Study on the Works of J.R.R. Tolkien" (2014). Theses and Dissertations. 2353. http://scholarworks.uark.edu/etd/2353 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Middle-earth’s War on Terror: A Post-911 Reception Study on the Works of J.R.R. Tolkien Middle-earth’s War on Terror: A Post-911 Reception Study on the Works of J.R.R. Tolkien A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English by James William Peebles Jr. Ouachita Baptist University Bachelor of Arts in English, 2009 May 2014 University of Arkansas This thesis is approved for recommendation to the Graduate Council. Dr. Joshua Byron Smith Thesis Director Dr. Emily Bernhard Jackson Dr. M. Keith Booker Committee Member Committee Member ABSTRACT The goal of this thesis is to investigate the works of J.R.R. -
“Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of the Lord of the Rings
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2008 Recreating Beowulf’s “Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of The Lord of the Rings Scott Davis Howard The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Howard, Scott Davis, "Recreating Beowulf’s “Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of The Lord of the Rings" (2008). Graduate Student Theses, Dissertations, & Professional Papers. 805. https://scholarworks.umt.edu/etd/805 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. i RECREATING BEOWULF’S “PREGNANT MOMENT OF POISE”: PAGAN DOOM AND CHRISTIAN EUCATASTROPHE MADE INCARNATE IN THE DARK AGE SETTING OF THE LORD OF THE RINGS By Scott Davis Howard B.S., Norwich University, Northfield, Vermont, 2000 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature The University of Montana Missoula, MT Spring 2008 Approved by: Dr. David A. Strobel, Dean Graduate School Dr. John Hunt, Chair English Dr. Ashby M. Kinch English Dr. Eric Reimer English Dr. Paul Dietrich Liberal Studies ii Howard, Scott, M.A., May 2008 English Recreating Beowulf’s “Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of The Lord of the Rings Chairperson: John Hunt In The Lord of the Rings , Tolkien recreates the “pregnant moment of poise” that inspired him in his study of Beowulf . -
Written By: the Dwarrow Scholar
Written by: The Dwarrow Scholar - www.dwarrowscholar.com Sources: J.R.R Tolkien, Turbine and ICE MERP – all rights to their proper owners Title: Annals of the Dwarves (PV1/E26) – Art work by Linda Nordberg Written by: The Dwarrow Scholar - www.dwarrowscholar.com Sources: J.R.R Tolkien, Turbine and ICE MERP – all rights to their proper owners Title: Annals of the Dwarves (PV1/E26) – Art work by Linda Nordberg Acknowledgements: A great many works have been used for the composition of this fan-fiction based on the works of J.R.R Tolkien. It is formed as a selection and interpretation of the professor's writings on the dwarves and other dwarvish stories that have either used or have been inspired by Tolkien’s works. All rights to their proper owners. The Annals of the Dwarves tells the history of the Dwarves of Middle-Earth from a dwarven perspective, as interpreted by myself, The Dwarrow Scholar. This project has been a work of many years in which many helped by giving advice, support and encouragement. I would like to thank the following for their contributions. • to Linda Nordberg for her amazing and wonderful art work • to Barry and Karen for their friendship, corrections, suggestions and support. • to my Patrons for their belief in me and their support • to my wife for her encouragement, help, patience and good advice throughout the project. • to my friend, the late Kristof Maes, for inspiring me • to Duinn, Maldurin, Sigurmar, Hanfur and Nibun for their stories, suggestions, ideas, advice and corrections. Written by: The Dwarrow Scholar - www.dwarrowscholar.com Sources: J.R.R Tolkien, Turbine and ICE MERP – all rights to their proper owners Title: Annals of the Dwarves (PV1/E26) – Art work by Linda Nordberg Notes on Dwarvish and ownership of material: This document contains names and place names in Dwarvish (either Khuzdul or Neo-Khuzdul). -
String Theory and Our Relationship with Nature: the Convergence of Science, Curriculum Theory, and the Environment
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Fall 2010 String Theory and Our Relationship with Nature: The Convergence of Science, Curriculum Theory, and the Environment Virginia Therese Bennett Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Bennett, Virginia Therese, "String Theory and Our Relationship with Nature: The Convergence of Science, Curriculum Theory, and the Environment" (2010). Electronic Theses and Dissertations. 530. https://digitalcommons.georgiasouthern.edu/etd/530 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. STRING THEORY AND OUR RELATIONSHIP WITH NATURE: THE CONVERGENCE OF SCIENCE, CURRICULUM THEORY, AND THE ENVIRONMENT by VIRGINIA THERESE BENNETT (Under the Direction of John A. Weaver) ABSTRACT Curriculum Theory affords us the opportunity to examine education from a multitude of directions. This work takes advantage of that opportunity to explore the relationships between science, nature, and curriculum using string theory and our ideas about the environment as a backdrop. Both the energy and multiple possibilities created by strings and the rich history leading up to the theory help to illustrate the many opportunities we have to advance discussions in alternative ways of looking at science. By considering the multiple dimensions inherent in string theory as multiple pathways and interweaving metaphors from Deleuze and Guattari, Michel Serres, and Donna Haraway, our approach to environmental issues and environmental education allow us to include alternative ways of looking at the world. -
Achievements Booklet
ACHIEVEMENTS BOOKLET This booklet lists a series of achievements players can pursue while they play Marvel United: X-Men using different combinations of Challenges, Heroes, and Villains. Challenge yourself and try to tick as many boxes as you can! Basic Achievements - Win without any Hero being KO’d with Heroic Challenge. - Win a game in Xavier Solo Mode. - Win without the Villain ever - Win a game with an Anti-Hero as a Hero. triggering an Overflow. - Win a game using only Anti-Heroes as Heroes. - Win before the 6th Master Plan card is played. - Win a game with 2 Players. - Win without using any Special Effect cards. - Win a game with 3 Players. - Win without any Hero taking damage. - Win a game with 4 Players. - Win without using any Action tokens. - Complete all Mission cards. - Complete all Mission cards with Moderate Challenge. - Complete all Mission cards with Hard Challenge. - Complete all Mission cards with Heroic Challenge. - Win without any Hero being KO’d. - Win without any Hero being KO’d with Moderate Challenge. - Win without any Hero being KO’d with Hard Challenge. MARVEL © Super Villain Feats Team vs Team Feats - Defeat the Super Villain with 2 Heroes. - Defeat the Villain using - Defeat the Super Villain with 3 Heroes. the Accelerated Villain Challenge. - Defeat the Super Villain with 4 Heroes. - Your team wins without the other team dealing a single damage to the Villain. - Defeat the Super Villain without using any Super Hero card. - Your team wins delivering the final blow to the Villain. - Defeat the Super Villain without using any Action tokens.