Component Overview Saga Expansion Player Cards
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cinema Exclusive on Set Page 2 Caption
Page 1 Cinema Exclusive on set Page 2 Caption: In July 2013, as Martin Freeman and Peter Jackson looked on, Sir Ian McKellen shot his last scene as Gandalf Title: The Hobbit: The Battle of the Five Armies On December 10th the last journey to Middle-earth opens in theaters. Cinema was on set and saw devastated cities and elves smeared with blood Page 3 Cover Story “After these battles, a little drama is quite enticing” – Peter Jackson Caption: Although Bard the Bowman is only vaguely described in the book, the character plays a central role in “The Battle of the Five Armies.” Page 4 Caption: “The Tinkerbell of Middle-earth: “She is sweet, but you shouldn’t get into it with her,” Evangeline Lilly warns about her character, the Ninja-elf Tauriel By Philipp Schulze Thick snowflakes fall quietly on the crumbled city walls of Dale. Richly decorated wells and gates, now overgrown with grass and weeds, testify to the former riches of the kingdom in the north of Middle-earth. And houses, slippery paths, and a row of rotten trees give an impression of the catastrophe that must have happened here. 171 years ago, Smaug the dragon breathed fire on Dale and laid waste to the city. Now the metropolis at the foot of Erebor is once again the scene of death and destruction. Frightening Orcs have begun to hunt the men who have fled to the ruins of Dale from Esgaroth. With swords and axes drawn, they fight their way, screaming loudly, through the narrow allies of the ruined city. -
Dagor Buzzollach: J. R. R. Tolkien Questions for the 2020 Internet Charity Tournament by Stephen Eltinge
Dagor Buzzollach: J. R. R. Tolkien questions for the 2020 Internet Charity Tournament By Stephen Eltinge Note to moderators: I tried to provide pronunciation guides for difficult non-English words, which you should use if you feel comfortable with them. If not, a phonetic English pronunciation will get the idea across. In non-English words, you should trill the letter ‘r’ if you can. Moderators, please read the following notes to your players: Notes to players: 1. Throughout this packet, the word “person” could indicate any type of humanoid character, including but not limited to humans, Elves, Dwarves, Hobbits, Ainur, and Orcs. The words “man” and “woman” are used specifically for humans. 2. For the sake of consistency, this packet uses the past tense wherever possible, at odds with standard practice for describing fictional plots. The use of the past tense does not imply a particular time relation to either The Lord of the Rings or any other source. 1. Ithildin was used to mark the star of the House of Fëanor [FEH-ah-nor] on one of these features, which bore an inscription crediting it to Narvi. That example of these features was unaffected by the phrase “Annon edhellen, edro hi ammen.” According to a passage in moon-letters, one of these features was revealed by the setting sun on the last light of Durin’s Day; that one was described as “five feet high and three may walk abreast.” Gandalf was exasperated by one of these features outside Moria until he realized that its password was Mellon, the Sindarin word for “friend.” For 10 points, Bag End’s example of what type of house feature is green and perfectly round, with a brass knob in the center? ANSWER: doors [accept the Doors of Durin or West-door of Moria or Elven Door or Back Door; prompt on gates; prompt on entrances] 2. -
The Geology of Middle-Earth
Volume 21 Number 2 Article 50 Winter 10-15-1996 The Geology of Middle-earth William Antony Swithin Sarjeant Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Sarjeant, William Antony Swithin (1996) "The Geology of Middle-earth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 50. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/50 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A preliminary reconstruction of the geology of Middle-earth is attempted, utilizing data presented in text, maps and illustrations by its arch-explorer J.R.R. Tolkien. The tectonic reconstruction is developed from earlier findings yb R.C. Reynolds (1974). Six plates are now recognized, whose motions and collisions have created the mountains of Middle-earth and the rift structure down which the River Anduin flows. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
How to Get Mithril Shield in Lego Lord of the Rings?
[ How to get mithril shield in lego lord of the rings ] User rating: Mithril Bricks 1. Jump down to the right from the main ramp into Helm's Deep and destroy the Morgul object to grab a Mithril brick. 2. Dec 16, · Grow the large yellow flower with Sam, then jump over to the western tower. Climb along the handgrips until you reach the top where you must light a fire to get the Mithril brick. Hi all, After a long 3 hour session I finally found the mithril blacksmith blueprint that you need to break mithril blocks also known as shiny blocks in game. After completing story, look at your. Found during "Path of the Dead" level, very high up on a left ledge near exit gate. Use Legolas, to climb a "hidden" path in front of it, then jump up to the ledge. The-Apostle 7 years ago #3 I. May 14, · Get the Blacksmith Design inside the center of the house. Bring it to the shelf located in the upper left corner of the house. Press Circle on the shelf and select the Mithril Trowel. Ride the bellows and jump up and down over it. Press Circle to bring up the menu and select the Treasure Trove. Equip the Mithril Trowel and go outside. Nov 27, · Once you've destroyed the ring and finished the story, you can snag this recipe very easily with an elf (Legolas works great). To create explosions, you'll n. For LEGO The Lord of the Rings on the Xbox , a GameFAQs message board topic titled "Anybody know where the Mithril Rope is located?". -
White Mithril Rules Have Been Extensively Revised Based on Last Year’S Tournament Experiences
White Mithril: To the Uttermost Foundations Note: White Mithril rules have been extensively revised based on last year’s tournament experiences. Victory conditions now include a broad range of challenges, which will lead your courageous companies to the darkest places of the Under-deeps. The introduction of special Under-deeps marshalling points replaces the strict focus on the three former primary quests, though they remain part of this scenario game. Please read the new rules carefully, especially if you were used to the old rules, in order to make necessary adjustments to your current deck. Introduction: Ancient halls, tunnels and caverns plunged in eternal darkness… forgotten realms, artifacts and riches buried beneath the dust of ages… nameless creatures lurking at places without a name… welcome to the Under-deeps! White Mithril: To the Uttermost Foundations is a Hero-only scenario game with focus on the deep places of Middle-earth. Following the leadership of your mighty wizard, your fearless characters dare to enter this dark world through the east gate of Moria. Surprised by your powerful approach, the orcs withdraw in confusion and you succeed to set up a refuge within one of the countless chambers of this former dwarven-hold. Unknown challenges await your company on their way: It is up to you, restore the glory of Khazad-dum, find forgotten items of great power, defeat the ancient evil of Durin’s Bane, or master one of the many quests to achieve both, power and glory. ‘… even as mithril was the foundation of their wealth, so also it was their destruction: they delved too greedily and too deep, and disturbed that from which they fled, Durin’s Bane.’ - LotRII ‘In that despair, my enemy was my only hope, and I pursued him, clutching at his heel. -
“Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of the Lord of the Rings
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2008 Recreating Beowulf’s “Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of The Lord of the Rings Scott Davis Howard The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Howard, Scott Davis, "Recreating Beowulf’s “Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of The Lord of the Rings" (2008). Graduate Student Theses, Dissertations, & Professional Papers. 805. https://scholarworks.umt.edu/etd/805 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. i RECREATING BEOWULF’S “PREGNANT MOMENT OF POISE”: PAGAN DOOM AND CHRISTIAN EUCATASTROPHE MADE INCARNATE IN THE DARK AGE SETTING OF THE LORD OF THE RINGS By Scott Davis Howard B.S., Norwich University, Northfield, Vermont, 2000 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature The University of Montana Missoula, MT Spring 2008 Approved by: Dr. David A. Strobel, Dean Graduate School Dr. John Hunt, Chair English Dr. Ashby M. Kinch English Dr. Eric Reimer English Dr. Paul Dietrich Liberal Studies ii Howard, Scott, M.A., May 2008 English Recreating Beowulf’s “Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of The Lord of the Rings Chairperson: John Hunt In The Lord of the Rings , Tolkien recreates the “pregnant moment of poise” that inspired him in his study of Beowulf . -
Written By: the Dwarrow Scholar
Written by: The Dwarrow Scholar - www.dwarrowscholar.com Sources: J.R.R Tolkien, Turbine and ICE MERP – all rights to their proper owners Title: Annals of the Dwarves (PV1/E26) – Art work by Linda Nordberg Written by: The Dwarrow Scholar - www.dwarrowscholar.com Sources: J.R.R Tolkien, Turbine and ICE MERP – all rights to their proper owners Title: Annals of the Dwarves (PV1/E26) – Art work by Linda Nordberg Acknowledgements: A great many works have been used for the composition of this fan-fiction based on the works of J.R.R Tolkien. It is formed as a selection and interpretation of the professor's writings on the dwarves and other dwarvish stories that have either used or have been inspired by Tolkien’s works. All rights to their proper owners. The Annals of the Dwarves tells the history of the Dwarves of Middle-Earth from a dwarven perspective, as interpreted by myself, The Dwarrow Scholar. This project has been a work of many years in which many helped by giving advice, support and encouragement. I would like to thank the following for their contributions. • to Linda Nordberg for her amazing and wonderful art work • to Barry and Karen for their friendship, corrections, suggestions and support. • to my Patrons for their belief in me and their support • to my wife for her encouragement, help, patience and good advice throughout the project. • to my friend, the late Kristof Maes, for inspiring me • to Duinn, Maldurin, Sigurmar, Hanfur and Nibun for their stories, suggestions, ideas, advice and corrections. Written by: The Dwarrow Scholar - www.dwarrowscholar.com Sources: J.R.R Tolkien, Turbine and ICE MERP – all rights to their proper owners Title: Annals of the Dwarves (PV1/E26) – Art work by Linda Nordberg Notes on Dwarvish and ownership of material: This document contains names and place names in Dwarvish (either Khuzdul or Neo-Khuzdul). -
“Above All Shadows Rides the Sun”: Resurrection and Redemption in J.R.R Tolkien's the Lord of the Rings and C.S. Lewis's
“ABOVE ALL SHADOWS RIDES THE SUN”: RESURRECTION AND REDEMPTION IN J.R.R TOLKIEN’S THE LORD OF THE RINGS AND C.S. LEWIS’S THE CHRONICLES OF NARNIA by Jaye Dozier, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of the Arts with a Major in Literature May 2016 Committee Members: Robert Tally, Chair Steven Beebe Nancy Grayson COPYRIGHT by Jaye Dozier 2016 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Jaye Dozier, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. ACKNOWLEDGEMENTS I dedicate this to my family, friends, and all who have supported this endeavor and believed in the importance of fantasy as a revelation of deeper truths. To my committee members, Dr. Grayson and Dr. Beebe, who have stretched my mind and passion for literary studies from the Inklings to the Romantics, and to my chair Dr. Tally, who allowed a scatterbrained graduate student to explore the intersecting realms of fantasy and spirituality with enthusiasm and guidance. I am honored and blessed to know you all. The peculiar quality of the ”joy” in successful Fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. -
The Shire Done Wright an Honors Thesis
The Shire Done Wright An Honors Thesis (HONR 499) by Alyssa Babb Thesis Advisor Robert Benson Ball State University Muncie, Indiana February 2018 Expected Date of Graduation May 2018 ABSTRACT This project explores a design scenario in which Frank Lloyd Wright was born a hobbit. Where his architectural career took off during the reconstructing of the Shire , a post war rebuild ing explored at the end of J.R.R. Tolkien 's The Return of the King. The hobbit culture and history as described in Tolkien 's novels, as well as particular descriptions of place, inform the designs created in this project. Wright's constructed works, drawings, and models all inform this project as well , explored through second hand description, detailed image study, and personal experiential observation. This project encompasses the design of three sites and the architectural structures thereon , presented through design models, and detail drawings. These sites are : New Row (A.K.A. Bagshot Row) , The Green Dragon , and The Mathom House. .5 pCo! j U ndeY'9rc, d lhec; L.D d..LJ't... '/ ACKN9WLtDGr:Mr:NTS , ...! .._!/ d..OJ~ . L13 :1_ I would like to thank Rob Benson for advising me over the course of this project, and for being as excited by it as I was. I would never have had the courage to tackle this project without him. I would like to thank my parents. My mother for reading us The Lord of the Rings, and correcting my father on his readings when he tried to help, her memory continues to inspire me. My father for taking me to Falling ·I Water, and encouraging me to make my college years my own. -
Tolkien's Inspirations and Influences in His Book, Intentionally It Seems
Last updated 9 March 2008 Tolkien’s inspirations and influences on his works An alphabetical entry list compiled by Ardamir of the Lord of the Rings Fanatics Forum (http://www.lotrplaza.com/forum/) While reading J.R.R. Tolkien: A Biography by Humphrey Carpenter about 2½ years ago, I noticed that he mentions many of Tolkien's inspirations and influences in his book, intentionally it seems. I took the opportunity to start listing these inspirations along with their sources, and have since then used many other sources for my list. I am listing elements in Tolkien's works in alphabetical order, along with their respective inspirations, and the sources I have used. Many of the inspirations are (very) speculative, and those I have marked with a '?', but some are obvious. The list is not meant (at least not yet) to be a detailed investigation of Tolkien's inspirations but rather to include just the relevant information and gather all the inspirations in one place for each entry. I know that it has many defects, and it is somewhat lacking in sources and references, but I am constantly improving it while adding more and more inspirations. I would greatly appreciate it if other people would take a look at it and tell me what they think about it, and also suggest additions and improvements. I am not making the list just for the benefit of myself, but for everyone. I update the list almost every day. Bolded (emphasized) parts of quotes by me. Entries that are names are in italics. Entries for text passages can be found in a separate section at the end. -
An Ecocritical Analysis of Nature Condition and Environmental Stewardship in Jrr Tolkien's the Hobbit Thesis
AN ECOCRITICAL ANALYSIS OF NATURE CONDITION AND ENVIRONMENTAL STEWARDSHIP IN J.R.R TOLKIEN’S THE HOBBIT THESIS By: AMIRIL BACHTIAR REG NUMBER: A03212032 ENGLISH DEPARTMENT FACULTY OF ARTS AND HUMANITIES STATE ISLAMIC UNIVERSITY OF SUNAN AMPEL SURABAYA 2019 ABSTRACT Bachtiar, Amiril. (2019). An Ecocritical Analysis of Nature Condition and Environmental Stewardship in the J.R.R Tolkien’s The Hobbit. Thesis. English Department, Faculty of Arts and Humanities, Sunan Ampel State Islamic University, Surabaya. Advisor: Abu Fanani, M. Pd Keywords: Ecocriticism, Stewardship, Nature Condition This study focuses on nature representation and human efforts to steward the nature natural conditions on the novel of J.R.R Tolkien’s The Hobbit. The Hobbit and their simple, pastoral life and their agricultural ways become concern of this research. Following Bilbo journey across the Eriador from the nice place such Hobbiton passing the Bree Farm then toward the Valley of Imladris or Rivendell, known as the living house. Then, the journey entered to places called wilder world including Mirkwood forest, Mount Gundabad, The Misty Mountains and the Lonely Mountain, the kingdom of the Dwarves. This thesis applies descriptive qualitative method that the steps are as follow: the first is reading the novel: then the second is collecting the important part which is related with the issues of this thesis; the third is analyzing the data based on Ecocriticism theory by Greg Garrard to examine how environmental issues are illustrated in the story and use pastoral and deep ecology as the main perspectives to examine how human relationships with nature in order to maintain ecosystem stability in the area.