War of the Ring FAQ Maintained by Kristofer Bengtsson Updated July 21St 2010

Total Page:16

File Type:pdf, Size:1020Kb

War of the Ring FAQ Maintained by Kristofer Bengtsson Updated July 21St 2010 Card Errata War of the Ring FAQ Maintained by Kristofer Bengtsson Updated July 21st 2010 Card Errata Shelob's Lair, The Ring is Mine!, On, on They Dread and Despair, They are Terrible, Cruel as Went, Give It to Uss!, Elven Cloaks, Elven Death and Foul Stench. Rope, Phial of Galadriel, and Sméagol Helps Nice Master These Shadow Combat Effects are all dependant on Nazgûl Leadership and should The Special Hunt Tiles Cards should all read: be read as follows: Put the Special Hunt Tile into play. They are Terrible: Play if there is a Nazgûl in Once the Fellowship enters the Mordor Track the battle. Subtract 1 from your total Nazgûl any Special Tiles in play are put into the Hunt Leadership to add +1 to your Leader Reroll Pool. Any Special Hunt Tiles entering play Dread and Despair: Play if there is a Nazgûl in when the Fellowship is on the Mordor Track the battle. The Free Peoples Player rolls one are immideately placed into the Hunt Pool. Combat die less (to a minimum of 1) for every point of Nazgûl Leadership you choose to forfeit. Cruel as Death: Play if the total Nazgûl Leadership is 2 or more. Subtract 2 from your Mithril Coat and Sting, Wizard's Staff, Axe total Nazgûl Leadership to add +1 to your and Bow, and Horn of Gondor Combat roll. Foul Stench: Play if a Nazgûl is in the battle. If These Free Peoples Character Event Cards can the Nazgûl Leadership equals or exceeds the only be used during a successful Hunt or total Free Peoples Leadership, the Free Peoples when an Event card tells you to handle Leader Reroll is canceled. Corruption as if after a successful Hunt. No Quarter I Will Go Alone This Free Peoples Combat Effect should read: If you score at least one hit during the current This Free Peoples Character Event Card should Combat round, score one additional hit.. read: Separate one Companion or a group of Companions, as if its level was +1, to heal This means that both hits scored on the one Corruption point. Combat roll and the Leader Reroll will count. We Prove the Swifter This Free Peoples Character Event Card should Game Errata read: Separate or move one Companion or group of Companions as if their level was +2. Q If all Army units in a siege (both defenders The movement can end in a Stronghold and attackers) are eliminated the rules seem to under siege. suggest that control of the Stronghold region is Please visit www.warofthering.eu for news and updates Shelob's Card Errata War of the Ring FAQ Maintained by Kristofer Bengtsson Updated July 21st 2010 to be given to the attacker, is that correct? Fellowship figure (as described above), except that this movement can never end in a A No. The second sentence of the “Capturing a Region containing a Free Peoples Settlement” paragraph (page 15) should read Settlement." to: as follows (correction in bold): "When the Fellowship is Revealed, turn the When an enemy Army enters a Region Fellowship Progress Counter to its containing a City or Town, or when units “Revealed” side, after which the Free Peoples defending a Stronghold are eliminated and the player must move the Fellowship figure (as attacker still has at least one Army unit in the described above), except that this movement Region, that Region is considered captured. can never end in a Region containing a Free Peoples CITY or STRONGHOLD controlled by the Free Peoples." Q Under Military Victory Conditions, it specifically mentions that the FP player must control "Shadow STRONGHOLD Settlements Q Is it possible to use an Army die to move an worth 4 or more Victory Points". Does this army into a Region containing a friendly army, mean that Shadow Cities provide no VP's to then disband the excess units, and after that the FP player? We assumed yes. However, we choose not to merge the armies together, but were then confused as to why the Shadow instead move out of the territory with the army Cities have VP symbols on them on the map. that initially was there (and which hasn't moved yet at all)? A It is an error. You need 4 VP's, no matter their origin. Captured Stronghold provides 2 A No. The checking of stacking limits does not VPs while captured Cities provide 1 VP. occur until the end of the action, so any disbandment would not occur until after both Armies have moved. Q The rules state that the Fellowship's movement can never end in a Region containing a Free Peoples Settlement if Revealed by a Hunt tile. Game Play 1- Can you Reveal the Fellowship in a Free Peoples Settlement controlled by the Shadow? Q I presume 'play on the table' eg 'Threats and 2- What happens if the Fellowship is Revealed Promises' means use an appropriate action die at step 1 on the Fellowship Track when the last and then play the card on the table where it known position is Edoras? does not count towards your hand - is this correct? A Change the sentence on page 18 of the rule book from: "When the Fellowship is A Yes, you presume correctly. Revealed, turn the Fellowship Progress Counter to its “Revealed” side, after which the Free Peoples player must move the Please visit www.warofthering.eu for news and updates Shelob's Card Errata War of the Ring FAQ Maintained by Kristofer Bengtsson Updated July 21st 2010 Q What is a "Free Region"? may only be used to redeem replacement counters, and not for any other purpose. A A "Free Region" is a Region free of enemy armies and/or enemy controlled Settlements. A Region containing an enemy Stronghold is also considered Free if you are besieging the Q At the end of the game, if I have captured a Stronghold. Stronghold and later retreated inside it, do I still own that Region for purposes of Victory Points? In other words, if an Army is besieging me in a Stronghold, which I previously Q When do you check for overstacking in a captured, do I still get the victory points for Region? that Stronghold as long as I hold out? A At the end of the action. A Yes. Q Some Events (e.g. 'The Nazgûl Strike' and Q What happens if at the end of a turn the 'Worn With Sorrow and Toil') allow the Shadow has accumulated 10 Victory points Shadow to discard FP Character Cards, what and the Free Peoples have accumulated 4 are those? Victory Points, both sides having achieved their Military Victory Conditions? A An FP Character Card is an FP Character Event Card, such as 'Axe and Bow' or A The rules clearly states (under Winning the 'Wizard's Staff', the cards bearing the Sword Game on page 21) that the lower-numbered symbol. Victory Conditions take precedence over higher-numbered Victory Conditions so in this specific case the Shadow would have emerged victorious from the War of the Ring. Q Could you explain to me how the replacement counters work? A Remove the unit miniatures from the board Q The rules state that: and put them in a replacements pile, replacing them with the counters. If a counter is taken as "if the Fellowship is in Mordor and does not a casualty, simply remove the counter and attempt to Hide or Move during a turn, a transfer the represented unit from the Corruption Point is added "at the end of the replacement pile to either the reinforcements turn"." pile (Shadow units) or the casualties pile (Free Peoples). To replace a replacement counter on At exactly what point does this occur? Is it the board simply remove it and return the before or after the Victory Check? appropriate unit from the replacements pile. A It occurs before the Victory Check. If the IMPORTANT: Units in the replacements pile Free Poeples should reach 4 Victory Points at the end of the same turn as the Corruption Please visit www.warofthering.eu for news and updates Shelob's Card Errata War of the Ring FAQ Maintained by Kristofer Bengtsson Updated July 21st 2010 would reach 12 due to not moving/hiding the Q I think my Action dice are wrong, there is no Fellowship the Shadow would win. Army icon on the Free Peoples dice. A Your dice are probably fine; the only Army icon (Flag symbol) there is on the FP die is Q According to the rules, an army not yet "at together with a Muster icon (Helmet symbol). War" may retreat into another friendly Nation. To be sure here is how the dice are supposed If an army does so, what are the restrictions of to look: its movement afterwards? For example, a FP Dwarf army, not yet "at War", retreats after Shadow die: one round of combat to Dale. Now that they • Eye symbol (Eye of Sauron die) are within the borders of “the North” how is • Sword (Character die) the Dwarf army’s movement restricted? • Helmet (Muster die) • Flag (Army die) A The Dwarves cannot continue moving • Palantir (Event die) around in the "prohibited Region". Either they • Flag/Helmet (Army & Muster die) stay where they are until they are "at War" (you are never forced to move them again), or Free Peoples die: if they move, they must move into "allowed" • Elven Rune (Will of the West die) territory, so out of the foreign Nation. • Sword (Character die) • Sword (Character die) • Helmet (Muster die) • Palantir (Event die) • Flag/Helmet (Army & Muster die) The Map Q Do the Mountains of Mirkwood have any game effect? Q When is the extra Action die (provided by upgrading Gandalf and Aragorn or by A No.
Recommended publications
  • The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J.
    [Show full text]
  • Middle-Earth: the Wizards Characters(Hero) Resources(Hero
    Middle-earth: The Wizards Card-list (484 cards) Sold in starters and boosters (no cards from other sets needed to play). A booster (15 cards, 36 boosters per display) holds 1 rare, 3 uncommons, and 11 commons. A starter holds a fixed set (at random), 3 rares, 9 uncommons, and 40 commons. R: rare; U: uncommon; CA1: once on general common sheet; CA2: twice on general common sheet; CB1: once on booster-only common sheet; CB2: twice on booster-only common sheet; F#: in # different fixed sets (out of 5). Look at the Fixed pack specs to see what cards are in in which fixed set. Characters (hero) Thorin II R Gwaihir R Risky Blow CA Thranduil F1 Halfling Stealth CB2 Roäc the Raven R Adrazar F1 Vôteli CB Halfling Strength CB2 Sacrifice of Form R Alatar F2 Vygavril R Hauberk of Bright Mail CA Sapling of the White Tree U Anborn U Wacho U Healing Herbs CA2 Scroll of Isildur U Annalena F2 Hiding R Secret Entrance R Aragorn II F1 Resources (hero) Hillmen U Secret Passage CA Arinmîr U A Chance Meeting CB Hobbits R Shadowfax R Arwen R A Friend or Three CB2 Horn of Anor CB Shield of Iron-bound Ash CA2 Balin U Align Palantir U Horses CA Skinbark R Bard Bowman F2 Anduin River CB2 Iron Hill Dwarves F1 Southrons R Barliman Butterbur U Anduril R Kindling of the Spirit CA Star-glass U Beorn F1 Army of the Dead R Knights of Dol Amroth U Stars U Beregond F1 Ash Mountains CB Lapse of Will U Stealth CA Beretar U Athelas U Leaflock U Sting U Bergil U Beautiful Gold Ring CA2 Lesser Ring U Stone of Erech R Bifur CB Beornings F1 Lordly Presence CB2 Sun U Bilbo R Bill
    [Show full text]
  • Tolkien's Women: the Medieval Modern in the Lord of the Rings
    Tolkien’s Women: The Medieval Modern in The Lord of the Rings Jon Michael Darga Tolkien’s Women: The Medieval Modern in The Lord of the Rings by Jon Michael Darga A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2014 © 2014 Jon Michael Darga For my cohort, for the support and for the laughter Acknowledgements My thanks go, first and foremost, to my advisor Andrea Zemgulys. She took a risk agreeing to work with a student she had never met on a book she had no academic experience in, and in doing so she gave me the opportunity of my undergraduate career. Andrea knew exactly when to provide her input and when it was best to prod and encourage me and then step out of the way; yet she was always there if I needed her, and every book that she recommended opened up a significant new argument that changed my thesis for the better. The independence and guidance she gave me has resulted in a project I am so, so proud of, and so grateful to her for. I feel so lucky to have had an advisor who could make me laugh while telling me how badly my thesis needed work, who didn’t judge me when I came to her sleep-deprived or couldn’t express myself, and who shared my passion through her willingness to join and guide me on this ride. Her constant encouragement kept me going. I also owe a distinct debt of gratitude to Gillian White, who led my cohort during the fall semester.
    [Show full text]
  • Norse Monstrosities in the Monstrous World of J.R.R. Tolkien
    Norse Monstrosities in the Monstrous World of J.R.R. Tolkien Robin Veenman BA Thesis Tilburg University 18/06/2019 Supervisor: David Janssens Second reader: Sander Bax Abstract The work of J.R.R. Tolkien appears to resemble various aspects from Norse mythology and the Norse sagas. While many have researched these resemblances, few have done so specifically on the dark side of Tolkien’s work. Since Tolkien himself was fascinated with the dark side of literature and was of the opinion that monsters served an essential role within a story, I argue that both the monsters and Tolkien’s attraction to Norse mythology and sagas are essential phenomena within his work. Table of Contents Abstract Acknowledgements 3 Introduction 4 Chapter one: Tolkien’s Fascination with Norse mythology 7 1.1 Introduction 7 1.2 Humphrey Carpenter: Tolkien’s Biographer 8 1.3 Concrete Examples From Jakobsson and Shippey 9 1.4 St. Clair: an Overview 10 1.5 Kuseela’s Theory on Gandalf 11 1.6 Chapter Overview 12 Chapter two: The monsters Compared: Midgard vs Middle-earth 14 2.1 Introduction 14 2.2 Dragons 15 2.3 Dwarves 19 2.4 Orcs 23 2.5 Wargs 28 2.6 Wights 30 2.7 Trolls 34 2.8 Chapter Conclusion 38 Chapter three: The Meaning of Monsters 41 3.1 Introduction 41 3.2 The Dark Side of Literature 42 3.3 A Horrifically Human Fascination 43 3.4 Demonstrare: the Applicability of Monsters 49 3.5 Chapter Conclusion 53 Chapter four: The 20th Century and the Northern Warrior-Ethos in Middle-earth 55 4.1 Introduction 55 4.2 An Author of His Century 57 4.3 Norse Warrior-Ethos 60 4.4 Chapter Conclusion 63 Discussion 65 Conclusion 68 Bibliography 71 2 Acknowledgements First and foremost I have to thank the person who is evidently at the start of most thesis acknowledgements -for I could not have done this without him-: my supervisor.
    [Show full text]
  • The Geology of Middle-Earth
    Volume 21 Number 2 Article 50 Winter 10-15-1996 The Geology of Middle-earth William Antony Swithin Sarjeant Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Sarjeant, William Antony Swithin (1996) "The Geology of Middle-earth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 50. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/50 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A preliminary reconstruction of the geology of Middle-earth is attempted, utilizing data presented in text, maps and illustrations by its arch-explorer J.R.R. Tolkien. The tectonic reconstruction is developed from earlier findings yb R.C. Reynolds (1974). Six plates are now recognized, whose motions and collisions have created the mountains of Middle-earth and the rift structure down which the River Anduin flows.
    [Show full text]
  • Treasures of Middle Earth
    T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25
    [Show full text]
  • How to Get Mithril Shield in Lego Lord of the Rings?
    [ How to get mithril shield in lego lord of the rings ] User rating: Mithril Bricks 1. Jump down to the right from the main ramp into Helm's Deep and destroy the Morgul object to grab a Mithril brick. 2. Dec 16, · Grow the large yellow flower with Sam, then jump over to the western tower. Climb along the handgrips until you reach the top where you must light a fire to get the Mithril brick. Hi all, After a long 3 hour session I finally found the mithril blacksmith blueprint that you need to break mithril blocks also known as shiny blocks in game. After completing story, look at your. Found during "Path of the Dead" level, very high up on a left ledge near exit gate. Use Legolas, to climb a "hidden" path in front of it, then jump up to the ledge. The-Apostle 7 years ago #3 I. May 14, · Get the Blacksmith Design inside the center of the house. Bring it to the shelf located in the upper left corner of the house. Press Circle on the shelf and select the Mithril Trowel. Ride the bellows and jump up and down over it. Press Circle to bring up the menu and select the Treasure Trove. Equip the Mithril Trowel and go outside. Nov 27, · Once you've destroyed the ring and finished the story, you can snag this recipe very easily with an elf (Legolas works great). To create explosions, you'll n. For LEGO The Lord of the Rings on the Xbox , a GameFAQs message board topic titled "Anybody know where the Mithril Rope is located?".
    [Show full text]
  • Tolkien's Elvish Craft
    Volume 21 Number 2 Article 47 Winter 10-15-1996 Tolkien's Elvish Craft Dwayne Thorpe Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Thorpe, Dwayne (1996) "Tolkien's Elvish Craft," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 47. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/47 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract This paper examines “fusion”, the basis of artistry, in the works of J.R.R. Tolkien. Fusion takes place in descriptive passages, in the characters’ perception and in the language Tolkien uses. Fusion works toward the purpose of Tolkien’s fiction, which is ot be found in the Christian views of earth and escapism, especially as expressed by sea-longing.
    [Show full text]
  • Music in Tolkien's Works and Beyond (2019), Edited by Julian Eilmann and Friedhelm Schneidewind
    Journal of Tolkien Research Volume 8 Issue 1 Article 8 2019 Music in Tolkien's Works and Beyond (2019), edited by Julian Eilmann and Friedhelm Schneidewind William Sherwood [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Literature in English, British Isles Commons Recommended Citation Sherwood, William (2019) "Music in Tolkien's Works and Beyond (2019), edited by Julian Eilmann and Friedhelm Schneidewind," Journal of Tolkien Research: Vol. 8 : Iss. 1 , Article 8. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol8/iss1/8 This Book Review is brought to you for free and open access by the Christopher Center Library at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Sherwood: Music in Tolkien's Works and Beyond (2019) Music in Tolkien's Work and Beyond, edited by Julian Eilmann and Friedhelm Schneidewind. Zurich and Jena: Walking Tree Publishers, 2019. [12], viii, 474 pp. $32.00 (trade paperback) ISBN 9783905703399. Music in Tolkien’s Work and Beyond presents itself as a “follow-up volume” to the illuminating Music in Middle-earth (2010) (ii). Both volumes share an editor (Friedhelm Schneidewind) and this new sequel “follows the path” that was laid out by its predecessor while “considering the broader context” of how music fits into Tolkien’s life and works such as “adaptions and other authors and composers” and how exactly Tolkien applied the word to melody, song and language (ii).
    [Show full text]
  • White Mithril Rules Have Been Extensively Revised Based on Last Year’S Tournament Experiences
    White Mithril: To the Uttermost Foundations Note: White Mithril rules have been extensively revised based on last year’s tournament experiences. Victory conditions now include a broad range of challenges, which will lead your courageous companies to the darkest places of the Under-deeps. The introduction of special Under-deeps marshalling points replaces the strict focus on the three former primary quests, though they remain part of this scenario game. Please read the new rules carefully, especially if you were used to the old rules, in order to make necessary adjustments to your current deck. Introduction: Ancient halls, tunnels and caverns plunged in eternal darkness… forgotten realms, artifacts and riches buried beneath the dust of ages… nameless creatures lurking at places without a name… welcome to the Under-deeps! White Mithril: To the Uttermost Foundations is a Hero-only scenario game with focus on the deep places of Middle-earth. Following the leadership of your mighty wizard, your fearless characters dare to enter this dark world through the east gate of Moria. Surprised by your powerful approach, the orcs withdraw in confusion and you succeed to set up a refuge within one of the countless chambers of this former dwarven-hold. Unknown challenges await your company on their way: It is up to you, restore the glory of Khazad-dum, find forgotten items of great power, defeat the ancient evil of Durin’s Bane, or master one of the many quests to achieve both, power and glory. ‘… even as mithril was the foundation of their wealth, so also it was their destruction: they delved too greedily and too deep, and disturbed that from which they fled, Durin’s Bane.’ - LotRII ‘In that despair, my enemy was my only hope, and I pursued him, clutching at his heel.
    [Show full text]
  • The Earthly Paradise in Tolkien's the Lord of the Rings
    Marshall University Marshall Digital Scholar English Faculty Research English 1995 The aE rthly Paradise in Tolkien’s The Lord of the Rings Gwenyth Hood Marshall University, [email protected] Follow this and additional works at: http://mds.marshall.edu/english_faculty Part of the English Language and Literature Commons, and the Rhetoric and Composition Commons Recommended Citation Hood, Gwenyth. “The Earthly Paradise in Tolkien’s The Lord of the Rings.” Mythlore 80 (1995): 139-144. Print. This Article is brought to you for free and open access by the English at Marshall Digital Scholar. It has been accepted for inclusion in English Faculty Research by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. The Earthly Paradise in Tolkien's The Lord of the Rings Gwenyth Hood Abstract: Valinor, modelled on the Earthly Paradise, is described more fully in Tolkien's posthumously published works than in The Lord of the Rings. Yet the fleeting Valinorean images within the trilogy have a powerful impact, heightening and simultaneously providing consolation for the horrors of Mordor. Keywords: Ainulindale, Earthly Paradise, Elves, innocence, L6rien, The Lord of the Rings, Valinor Throughout all the grim and harrowing ordeals which becomes the known universe with all its history (Tolkien, dominate the action of The Lord of the Rings, a lovely but 1977, p. 19). Part of this is Middle-earth in the Third Age, in fleeting vision haunts the background. This is the vision of which the action of the trilogy takes place. the Earthly Paradise, which enters some of the darkest From all this, we see that Iluvatar's first theme, the primal moments of the trilogy.
    [Show full text]
  • “Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of the Lord of the Rings
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2008 Recreating Beowulf’s “Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of The Lord of the Rings Scott Davis Howard The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Howard, Scott Davis, "Recreating Beowulf’s “Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of The Lord of the Rings" (2008). Graduate Student Theses, Dissertations, & Professional Papers. 805. https://scholarworks.umt.edu/etd/805 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. i RECREATING BEOWULF’S “PREGNANT MOMENT OF POISE”: PAGAN DOOM AND CHRISTIAN EUCATASTROPHE MADE INCARNATE IN THE DARK AGE SETTING OF THE LORD OF THE RINGS By Scott Davis Howard B.S., Norwich University, Northfield, Vermont, 2000 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature The University of Montana Missoula, MT Spring 2008 Approved by: Dr. David A. Strobel, Dean Graduate School Dr. John Hunt, Chair English Dr. Ashby M. Kinch English Dr. Eric Reimer English Dr. Paul Dietrich Liberal Studies ii Howard, Scott, M.A., May 2008 English Recreating Beowulf’s “Pregnant Moment of Poise”: Pagan Doom and Christian Eucatastrophe Made Incarnate in the Dark Age Setting of The Lord of the Rings Chairperson: John Hunt In The Lord of the Rings , Tolkien recreates the “pregnant moment of poise” that inspired him in his study of Beowulf .
    [Show full text]