Properties of Wool and Cotton Fabrics Dyed with Eucalyptus, Tannin and Flavonoids

Total Page:16

File Type:pdf, Size:1020Kb

Properties of Wool and Cotton Fabrics Dyed with Eucalyptus, Tannin and Flavonoids Rattanaphol Mongkholrattanasit, Jiří Kryštůfek, Properties of Wool and Cotton Fabrics Dyed Jakub Wiener, Jarmila Studničková with Eucalyptus, Tannin and Flavonoids Technical University of Liberec, Abstract Faculty of Textile Engineering, Fabrics made from wool and cotton were dyed with eucalyptus leaf extract, rutin, querecetin Department of Textile Chemistry, and tannin dyes by the pad-dry technique. In this experiment, ferrous sulfate was used as a Studentská 2, 461 17, Liberec 1, Czech Republic mordant. The dyeing properties were evaluated by measuring K/S values and CIELAB. The dif- E-mail: [email protected] ferent fastness properties were also evaluated. The effect of dyes at different concentration levels with respect to their colour strength was also studied. Key words: natural dyes, eucalyptus leaves, quercetin, rutin, tannin, flavonoid, pad-dry dyeing. Flavonoids (polyphenolic pigments) are n Experimental widely present in plants. Rutin (3,3’,4’,5,7 -pentahydroxyflavone-3-rhamnogluco- Materials and chemicals side) and quercetin (3,3’,4’,5,7- pentahy- The eucalyptus leaves (Eucalyptus ca- droxyl- flavone) are phenolic compounds maldulensis) used in this study were derived from hydroxyl substitutions on collected in Thailand. Quercetin dehy- a flavone chromophore. Flavone-based drate, 98% purity (C15H10O7.2H2O, n Introduction compounds are known to form stable MW = 338.80), rutin hydrate, 95% pu- Eucalyptus is a member of the evergreen complexes with metal cations (Fe, Cu, Al rity (C27H30O16.xH2O, MW = 610.52), hardwood genus, endemic to Australasia. and Cr) [7]. and tannin Ph. Eur. 5 (C76H52O46, There are approximately nine hundred MW = 1701.20) were purchased from species and sub-species. Eucalyptus has Sigma, Fluka and Lachner, respectively. Silk dyed with an aqueous extract of also been successfully ground in many Commercially produced wool fabric eucalyptus leaves possessing a mordant parts of the world, including southern Eu- (298 g/m2 twill weave) was washed with compound displays a yellowish-brown , rope, Asia and the west coast of the Unit- a nonionic surfactant at 45 °C for 30 min- colour. An exception is that when the ed States [1]. Eucalyptus leaves contain utes. Then it was thoroughly rinsed and up to 11% of the major component - tan- fabric is dyed with a ferrous mordant, air dried at room temperature. The plain nin (gallic acid [3,4,5-trihydroxybenzoic the fabric shade becomes dark brownish- weave cotton fabric used was a mill- acid], with ellagic acid [2,3,7,8-tetrahy- grey. In such cases, the colour fastness to scoured and bleached cotton fabric of droxy (1) benzopyrano (5,4,3-cde) (1) washing, water and perspiration is at a 135 g/m2. The mordant used was ferrous good to very good level, whereas the col- benzopyran-5,10-dione]) and flavonoids (II) sulfate heptahydrate (FeSO4.7H2O). (quercetin and rutin) as the minor com- our fastness to light and rubbing exhibits The anion wetting agent - Altaran S8 ponents [2, 3]. The structures of selected fair to good levels [8 - 10]. (Sodium alkylsulfate) and soaping agent important colouring components of euca- - Syntapon ABA were supplied by Chem- lyptus leaves are given in Figure 1. Flavonoids and tannins are two of the otex Děčin, Czech Republic. most interesting natural phenolic com- Vegetable tannin extracts contain a va- pounds. Our interest lies in the colour Instrumentation riety of amorphous materials including that these compounds impart when added The mordanting and dyeing were carried polyphenolic tannins of large relative to wool and cotton fabrics by the pad- out in a two-bowl padding mangle ma- molecular mass (M ), such as hydrolys- dry dyeing technique, whereby a cloth is r chine (Mathis, type number HVF.69805). able gallotannin, and tannic acid, as well “padded” mechanically, applied by rapid A drying machine (Mathis Labdryer, type as a less-complex of non-tannins, such as passage through a small padding trough, number LTE-2992) was used for drying flavones and gums [4]. Because tannins followed by intensive squeezing between the dyed fabrics. A spectrophotometer have a large M and are water-soluble r expression rollers and then dye fixation (Datacolor 3890) was used to measure phenolic compounds, they undergo typi- by hot air while drying. After the dye fix- the colour strength. The colour strength, cal phenolic reactions, notably the che- ation, the samples are thoroughly rinsed lation of metal ions. Tannins have been in terms of K/S values, was calculated and air-dried. The process of padding is used in textiles for several hundreds of using the Kubelka-Munk equation, continuous and very rapid. 2 years, as exemplified by the dyeing of K/S = (1-R) /2R, where R is the reflect- cotton and silk with dyewoods, in which ance. the tannin is ‘fixed’ by a metal salt (e.g., Pure quercetin, rutin, and tannin were used in this study because they are 2.3 Dye extraction from eucalyptus CuSO4) employed as a mordant for the dye [5]. Perkin [6] used tannins as mor- the most common and effective. They leaves dants to increase the uptake of cationic are abundant in eucalyptus leaves. Fresh eucalyptus leaves (Eucalyptus ca- dyes (e.g., Mauvein) onto cotton by first- FeSO4.7H2O mordant was also used in maldulensis) were dried in sunlight for ly applying tannin to the cotton, followed this work. This study also investigated one month and crumbled using a blender, by the ‘fixing’ of tannin by the applica- the CIELAB and K/S values of the dye- after which they were used as raw ma- tion of metal (Fe, Al, Cu, Pb, or Sn) salt. ing, as well as the fastness properties. terial for dye extraction, achieved by the 90 Mongkholrattanasit R., Kryštůfek J., Wiener J.,Studničková J.; Properties of Wool and Cotton Fabrics Dyed with Eucalyptus, Tannin and Flavonoids. FIBRES & TEXTILES in Eastern Europe 2011, Vol. 19, No. 2 (85) pp. 90-95. Quercetin (C.I. 75670) Rutin (C.I. 75730) Ellagic acid (C.I. 75270) Figure 1. Colour composition of eucalyptus leaf extract dye. Figure 2. UV-VIS spectra of 50 mg/l crude eucalyptus leaf extract Figure 3. UV-VIS spectra of 5 mg/l quercetin and 20 mg/l rutin in dye and 20 mg/l tannin in distilled water. methanol. reflux technique. 70 grams of the crum- cetin (5 mg/l) and rutin (20 mg/l) were of 400 nm. The colour fastness to wash- bled eucalyptus leaves was mixed with prepared by dissolution in methanol. The ing, light and rubbing of the dyed sam- 1 litre of distilled water and refluxed for spectrophotometer scanned from 190 nm ples was determined according to ISO 1 hour. The sample was then filtered and to 820 nm to obtain the UV-visible spectra. 105-C06 A1S: 1994, ISO 105-B02: 1994, the dye solution separated into two por- and ISO 105-X12: 2001, respectively. tions, one for evaporating under reduced Mordanting and pad-dyeing pressure (rotary evaporator), and the oth- A simultaneous padding process was n er for dyeing. A crude dye extract of eu- used. To study the effect of dye con- Results and discussion calyptus leaves obtained from the rotary centration, 2 and 5 g/l concentrations of UV-visible spectra evaporator was crumbled with a blender dyes (eucalyptus leaf extract, quercetin, The UV spectra of the crude eucalyptus and used for obtaining a standard cali- rutin, and tannin) were chosen. Ferrous leaf extract dye and tannin (in an aque- bration curve. The dilution of the euca- sulfate was varied at 2, 5 and 10 g/l for ous solution) are presented in Figure 2. lyptus leaf extract gave a relatively clear each concentration of the dye, and an The characteristic spectra show ab- solution with a linear dependance on the anion wetting agent, Altaran S8 (1 g/l), sorptions in the 200 nm to 220 nm and concentration absorbance relation at an was added to the solution. The fabric 250 nm to 285 nm regions. Absorption absorption peak (λmax) of 262 nm [11]. was then immersed in the dye solution at in the 200 nm to 220 nm region is attrib- A concentration of 20 g/l was calculated room temperature and padded on a two- uted to various chromophores including from a standard curve of concentrations bowl padding mangle at 80% pick up. the C=C bond of various compounds, of the eucalyptus leaf extract dye solu- After padding for 2 seconds, the samples the C=O bond of carbonyl compounds, tions versus the absorbance at the wave- were dried at 90 ºC for 5 minutes. The and the benzene ring [12]. Absorption length mentioned. samples were then washed in a 1 g/l solu- in the 250 nm to 285 nm region is at- tion of a soaping agent, Syntapon ABA, tributed to the electronic transition of Identification of eucalyptus leaf at 80 °C for 5 minutes and then air-dried benzene [12]. extract dye, quercetin, rutin, at room temperature. and tannin The UV spectral characteristics of The crude eucalyptus leaf extract dye, Evaluation of colour strength quercetin and rutin show three absorp- quercetin, rutin, and tannin were charac- and fastness properties tion maxima in the ranges of 200 nm to terised by UV-visible spectroscopy. The The colour strength (K/S) and CIELAB of 230 nm, 240 nm to 280 nm and 300 nm to crude extraction solution (50 mg/l) and the dyed samples were evaluated using a 400 nm. The absorption range of 240 nm tannin (20 mg/l) were prepared by dis- spectrophotometer (Datacolor 3890). All to 280 nm is referred to as band II and solution in distilled water, and the Quer- samples measured showed a λmax value the range of 300 nm to 400 nm as band FIBRES & TEXTILES in Eastern Europe 2011, Vol.
Recommended publications
  • Tutorial: How to Dye Black with Natural
    http://www.aurorasilk.com/ Tutorial: How To Dye Black with Natural Dyes by Cheryl Kolander. Excerpted from TrueFibers. Aurora Silk sells a full selection of natural dyes and mordants. For ideas on which dyes and which mordants to use, view our Natural Dye colour Chart. For more detailed dyeing recipes, read Brilliant Colours! by Cheryl Kolander. After recording the dry weight of your fiber, wet the fiber out in warm or hot water. STEP I: TANNIN 2 oz. tannic acid per pound of fiber (dry weight) OR: 4 oz. tara sawdust per pound of fiber, extracted twice OR: 3 oz Catechu (Cutch) extract per pound of fiber with optional 1/2 oz copper mordant 1. Dissolve tannic acid or catechu extract in hot water. 2. Heat the solution to approximately 200 F. 3. Remove from heat. 4. Enter the silk (or other fiber) that has been thoroughly wet out in warm to hot water. 5. Set to soak for at least 24 hrs, stirring occasionally. STEP II: IRON 1/2 to 1 oz Ferrous Sulphate per pound of fiber Use the lesser amount for fine silk yarn and soft wools. Use the greater amount for wild silk and other fibers. 1. Dissolve the iron in warm water. 2. Soak fiber in a mild soap solution about 15 minutes to neutralize the acid in the tannin (which couters the effect of the iron). This step is not necessary if you used Catechu for STEP I. 3. Add fiber to warm iron solution and soak for about 20 minutes. 4. Remove fiber from iron solution, wring excess solution from fiber, and hang to air 20 minutes to 1 hour.
    [Show full text]
  • Our Foreign Trade in Chemicals
    840 THE JOURNAL OF INDUSTRIAL AND ENGINEERING CHEMISTRY Vol. 12, NO. 9 The deposits of salt in the United States are unimportant. If the Geological Survey and the Agricultural De- The country possesses no really considerable salt industry partment will make the search they will earn the ever- but is supplied so far as interior consumption is concerned to lasting gratitude of the farmer, and release the strangle- a small extent by brine springs. hold which European potash has on this country. The principal supplies, however, are derived from England, Pending that time, the only hope for normally priced and the shores of Spain and Portugal. The same remark potash is for the final successful development of the applies to Canada. processes for recovering potash from greensand or This statement was probably made about 1860 to feldspar, one very large plant for which is nearing com- 1870 and was doubtless true then, but in 1887 the pletion ih New Jersey, which will produce potash United States produced over I,IOO,OOO tons; in 1900, of the highest grades of all salts required. By the z,8oo,ooo; and in 1,913,4,800,000 tons. Likewise the sale of its valuable by-product at ordinary prices its price of common salt in 1866 was about $13.00per ton, potash cost will be less than nothing. and in 1887, $3.50 per ton at the mines, while in 1913 The Government’s potash search reminds me of the it got as low as $2.00 per ton. golfer who, after losing the hole, looking for his ball When the potash deposits which are surely there are in the heavy “rough” where his unscrupulous opponent developed, $5 or $IO per ton for 80 per cent “thought it went,” finds it too late nicely placed in the muriate of potash will be a high price, and no greater fair green where “there was no use looking as it benefit can accrue to the farmer than this.
    [Show full text]
  • Plant Dye Identification in Japanese Woodblock Prints
    Plant Dye Identification in Japanese Woodblock Prints Michele Derrick, Joan Wright, Richard Newman oodblock prints were first pro- duced in Japan during the sixth Wto eighth century but it was not until the Edo period (1603–1868) that the full potential of woodblock printing as a means to create popular imagery for mass consumption developed. Known broadly as ukiyo-e, meaning “pictures of the float- ing world,” these prints depicted Kabuki actors, beautiful women, scenes from his- tory or legend, views of Edo, landscapes, and erotica. Prints and printed books, with or without illustrations, became an inte- gral part of daily life during this time of peace and stability. Prints produced from about the 1650s through the 1740s were printed in black line, sometimes with hand-applied color (see figure 1). These col- ors were predominantly mineral (inorganic) pigments supplemented by plant-based (organic) colorants. Since adding colors to a print by hand was costly and slowed pro- duction, the block carvers eventually hit upon a means to create a multicolor print using blocks that contained an “L” shaped groove carved into the corner and a straight groove carved further up its side in order to align the paper to be printed (see figure 2). These guides, called kento, are located Figure 1. Actors Sanjō Kantarō II and Ichimura Takenojō IV, (MFA 11.13273), about 1719 (Kyōho 4), designed by Torii Kiyotada I, and published by in the same location on each block. They Komatsuya (31.1 x 15.3 cm). Example of a beni-e Japanese woodblock ensure consistent alignment as each color print with hand-applied color commonly made from the 1650s to 1740s.
    [Show full text]
  • Historical Transformations in the Chemical Industry
    Historical Transformations in the Chemical Industry Ernst Homburg, Maastricht University VoltaChem Annual Event, Amsterdam, 11 December 2019 Four major transitions: 50 to 100 years each Raw materials/ Chemical feedstocks Energy sources Plants/ animals > Minerals (inorganic Wood substances) Peat 1780-1870 Horse dung; Sun Plants/ animals > Coal (organic Coal (1800-today) substances) 1760-1910 Coal > Oil/ natural gas Oil/ natural gas (1910-today) 1910-1980 Petroleum etc. > Biobased, CO2, etc. Electricity, renewables 2010-ff 2010-ff Outline • (1) Transition theory Cases • (2) From plants/ animals to minerals • (3) From plants/ animals to coal • (4) From coal to oil & gas • (5) Lessons from the past and recommendations (1) Multi Level Perspective (MLP): Arie Rip, Frank Geels, Johan Schot Different societal functions Generic Materials Energy functions supply supply (’upstream’) Intermediary Business Transport functions services Communication Personal Housing Feeding, End use Recreation/ care (washing, Health (shelter, drinking, functions entertainment clothing, care heating) cooking (’downstream’) cleaning) Transition and system innovation Regulations and policies Maintenance and distribution network (e.g. traffic rules,parking fees, emission standards, car tax) (e.g. repair shops, dealers) Industry structure (e.g. car manufacturers, suppliers) Road infr as t r uc t ur e Socio-technical system and traffic system for transportation (e.g. lights, signs) Markets and user practices (mobility patterns, driver preferences) Culture and symbolic meaning
    [Show full text]
  • Exports and Imports Of' Forest Products: 1907
    Issued August 31, 1908. U. S. DEPARTMENT OF AGRICULTURE. FOREST SERVICECircular 153. GIFFORD PINCHOT, Forester. EXPORTS AND IMPORTS OF' FOREST PRODUCTS: 1907. Compiled by A. H. PIERSON, FOREST ASSISTANT. 44781Cir. 153-08------1 WASHINGTON : GOVERNMENT PRINTING OFFICE :1903 CONTENTS. Page. Exports of forest products 3 Summary of exports of foret products, 1903-1907 3 Exports of forest products, by ports, 1907 5 Rosin 7 Spirits of turpentine 7 Sawed timber 8 Hewed timber 8 Logs and other timber 9 Boards, deals, and planks 9 Joists and scant'ling 10 Shingles 10 Box shooks 10 Other shooks 11 Staves 11 Heading 12 Other lumber 13 Redwood 13 Douglas fir 14 Yellow pine 16 Summary f exports of timber and unmanufactured wood 16 Imports of forest products 17 Tariff provisions 17 Summary of imports of forest products, 1903-1907 18 Imports of forest products, by ports, 1907 21 Mahogany 25 Other cabinet woods 25 Other wood 26 Comparison of exports and imports of timber and unmanufactured wood 26 [Cir. 153] (2) EXPORTS AND IMPORTS OF FOREST PRODUCTS. The data given in this circular, except Tables 16, 17, 18, and 19,are taken from the report of the Bureau of Statisticsof the Department of Commerce and Labor upon "The Foreign Commerce and Naviga- tion of the United States for the year ending June 30, 1907."Tables 16 and 17 are from the reports of the Lumber Record Bureau, San Francisco, and Tables 18 and 19 from the Pacific Lumber Trade Journal of January, 1908.The years given in these four tables are calendar years ending December 31, whereas those given in the other tables are fiscal years ending June 30.The classifications of the Department of Commerce and Labor have been strictly followed.
    [Show full text]
  • Sifts* Melange of Vigoureux Printing
    INDEX BY SUBJECT Thiourea Dioxide (Fo rm aminesulfiuic Acid) : A New Reducing A g e n t i o r T e x tile P r i n t i n g .................................................................... 101 risi* OR the convenience of our readers, there appears below a list F asa-io -L ig h it B asie P r in ts o n V iscose R a y o n ................................... 101 F Control oi Padding Processes by Radioactive Isotope Labelling 101 of page numbers in the respective issues for 1954. Those in T h e P r in tin g E fficien cy o i V at D y e s ...................................................... 101 the column entitled “General Pages” indicate general pages and Dye Transier on Dyeing and Printing ................................................... 102 those in the column entitled “Proceedings Pages” appeared in the Developments in the Application of Azoic Dyes in Printing. 102 «!' Spoil R e sists u n d e r A zoic D y e s .............................................................................. 102 Proceedings of the American Association of Textile Chemists and New Developments in the Application of Phllialoeyanines in .mb) . C o lo rists. Textile Printing ........................................................................................... 102 j jijOdinf - Observations on Textile Printing in the USA .................................. The presence of the letter “P” before the page number any­ 102 The Advantages and Uses of “Coloray” Spun Dyed Rayon where in this index indicates that the material appeared in Staple; The Techniques of Using “Coloray” ; and The Fastness AATCC Proceedings. P ro p e rtie s o f “C o lo ra y ” ................................................................................. 102 i* S o lu tio n -D y ed S ta p le ........................................................................................
    [Show full text]
  • Embargoes by Belligerent States
    International Law Studies—Volume 15 International Law Documents The thoughts and opinions expressed are those of the authors and not necessarily of the U.S. Government, the U.S. Department of the Navy or the Naval War College. IV. EMBARGOES BY BELLIGERENT STATES. General.—Not only have the neutral States placed restrictions upon export but the belligerent States have established embargoes upon certain goods to certain ports, or even the transit of certain goods. Such embar- goes necessarily interfere seriously with the free move- ment of commerce. The extent to which ambargoes have been applied is illustrated in the British and German regulations. In addition to the embargoes, belligerents have issued proclamations in which were made known the names of persons or firms in certain countries to which exports might be made. BRITISH EMBARGOES. [Corrected according to the latest available information.] Department of State, August 28, 1915. Whereas by section 8 of "The customs'and inland revenue act, 1879," it is enacted that the exportation of arms, ammunition, and gunpowder, military and naval stores, and any articles which we shall judge capa- ble of being converted into or made useful in increasing the quantity of military or naval stores, provisions, or any sort of victual which may be used as food for man may be prohibited by proclamation; And whereas by section 1 of ''The exportation of arms act, 1900." it is enacted that we may by proclamation prohibit the exportation of all or any of the following articles, namely, arms, ammunition,
    [Show full text]
  • The Technology of Red Lake Pigment Manufacture: Study of the Dyestuff Substrate
    National Gallery Technical Bulletin Volume 26, 2005 National Gallery Company London Distributed by Yale University Press Series editor Ashok Roy © National Gallery Company Limited 2005 All rights reserved. No part of this publication may be transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without the prior permission in writing of the publisher. First published in Great Britain in 2005 by National Gallery Company Limited St Vincent House, 30 Orange Street London wc2h 7hh www.nationalgallery.co.uk British Library Cataloguing in Publication Data A catalogue record for this journal is available from the British Library isbn 1 85709 341 0 issn 0140 7430 525046 Publisher Kate Bell Project manager Jan Green Editor Diana Davies Designer Tim Harvey Picture research Xenia Corcoran and Kim Klehmet Production Jane Hyne and Penny Le Tissier Printed in Italy by Conti Tipocolor front cover Rubens, The Judgement of Paris (NG 194), detail of plate 1, page 4. title page Joachim Beuckelaer, The Four Elements: Air (NG 6587), detail of serving girl. The Technology of Red Lake Pigment Manufacture: Study of the Dyestuff Substrate jo kirby, marika spring and catherine higgitt f recipes for the red lake pigments used in west- the aluminium compound present could not be Iern European easel painting from the twelfth determined. century or earlier until the end of the eighteenth The use of energy dispersive X-ray microanalysis century are examined, it is clear that, apart from the in the scanning electron microscope (SEM–EDX) dyestuff, by far the most common ingredient was has made the examination of lake substrates much alum, generally potash alum, potassium aluminium easier, but at the same time has shown that, while sulphate, AlK(SO4)2·12H2O.
    [Show full text]
  • The Dyeing of Paper Pulp, Induced Me to Undertake the Translation of This Work Into English
    : K M&&0i %. DYEING OF 3SB PAPER PULP '\ '.•'• '-':: '• 1 -5- . , -'J* . ... gDra '« ®hp 1. H. Hill ffithrarg North Carolina &tate llmnpraitu. Special Collec TS1118 THIS BOOK MUST NOT BE TAKEN FROM THE LIBRARY BUILDING. \ THE DYEING OF PAPER PL' LI BY JULIUS ERFURT MANAGER OF A PAPER MILL TRANSLATED INTO ENGLISH AM) EDITED WITH ADDITIONS BY JULIUS HUBNER, F.C.S. LECTURER ON PAPERMAK1NG AT THE MANCHESTER MUNICIPAL TECHNICAL SCHOOL B practical Zlreatise for tbe Xllse of papevmahers, fl>aperstainers, Stuoents ano others WITH ILLUSTRATIOXS AND 137 PATTERSs ol- PAPERS DYED IN THE PULP TRANSLATED FROM THE SECOND COMPLETELY REVISED EDITION LONDON SCOTT, GREENWOOD AND CO. CpufifififJerfl of tecQnicat <TJ?orft» 19 LUDGATE HILL, B.C. 1901 [The sole right of translation into English n$ti AUTHOR'S PREFACE. The first edition, which has been out of print for many years, has undergone a complete revision in the present volume. The author has endeavoured to make its contents as concise as possible, and suitable for practical require- ments. For this reason a number of dyed patterns with the corresponding recipes have been added, as these are of greater value than written explanation. The use of the coal tar colours most extensively employed in paper-making is exhaustively dealt with. Special attention has been paid in this work to saving in cost of production, obtaining clear backwaters, and to the behaviour of the colouring matters towards the different kinds of fibres. JULIUS ERFURT, Director of the Czenstochau Paper Mill. January, 1900. Digitized by the Internet Archive in 2010 with funding from NCSU Libraries http://www.archive.org/details/dyeingofpaperpulOOerfu TRANSLATOR'S PREFACE.
    [Show full text]
  • Vocational Training in the Philippines
    R E P O R T R ESUMES ED 019 986 VT 004 876 OUTLINE OF VOCATIONAL TRAINING IN THE PHILIPPINES. AUSTRALIAN DEPT. OF LABOUR AND NAT. SERVICE, PERTH PUB DATE 66 EDRS PRICE MF -$0.25 HC -$0.60 13P. DESCRIPTORS- *VOCATIONAL EDUCATION, *TECHNICAL EDUCATION, *APPRENTICESHIPS, INDUSTRIAL TRAINING, *FOREIGN COUNTRIES, ECONOMIC DEVELOPMENT, TEACHER EDUCATION, *GENERAL EDUCATION, PHILIPPINES, THE PHILIPPINES HAVE A POPULATION OF 32 MILLION OF WHICH 60 PERCENT ARE ENGAGED IN AGRICULTURE. RECENT ECONOMIC DEVELOPMENT HAS INVOLVED INCREASING STABILITY TO PROVIDE A BASIS FOR GROWTH. THE EDUCATION SYSTEM IS BASED ON A 6 -YEAR ELEMENTARY AND A 4 -YEAR SECONDARY SCHOOL COURSE. SECONDARY EDUCATION IS PROVIDED AT EITHER A GENERAL SCHOOL OR A VOCATIONAL AND TRADE SCHOOL. THERE ARE 14 STATE ART, TRADE, AND TEACHER - TRAINING COLLEGES AND UNIVERSITIES IN ADDITION TO 25 PRIVATE UNIVERSITIES AND 434 PRIVATE COLLEGES WHICH OFFER TEACHER TRAINING, BUSINESS ADMINISTRATION, ENGINEERING, NURSING, PHARMACY, AGRICULTURE, CHEMISTRY, DENTISTRY, AND OPTOMETRY. TRADE COURSES ARE OPERATED BY THE DEPARTMENT OF EDUCATION IN CONJUNCTION WITH APPRENTICESHIP TRAINING, BUT THERE ARE ALSO NATIONAL ARTS, TRACES, FISHERY AND AGRICULTURAL SCHOOLS WHICH ENROLL STUDENTS AT THE SECONDARY AND POSTSECONDARY LEVELS. FORMAL COURSES FOR SEMISKILLED WORKERS ARE OFFERED IN NATIONAL SCHOOLS OF ARTS AND TRADES AND IN STATE COLLEGES. NO ORGANIZED TECHNICAL TEACHER TRAINING IS AVAILABLE. APPRENTICESHIP TRAINING IS A JOINT INDUSTRY- GOVERNMENT UNDERTAKING UNDER NATIONAL LAW, AND MOST CURRENT PROGRAMS ARE IN THE TEXTILE, SERVICE, MACHINE, AND PRINTING TRADES. NO TRADE IS CONSIDERED APPRENTICEAOLE IF IT REQUIRES FEWER THAN 2,000 ON- THE -JOB HOURS. IN- INDUSTRY TRAINING FOR SUPERVISORS IS THE ONLY ORGANIZED IN -PLANT TRAINING BESIDES APPRENTICE TRAINING.
    [Show full text]
  • A Historical Geography of Mahogany in Honduras Craig Stephen Revels Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Timber, trade, and transformation: a historical geography of mahogany in Honduras Craig Stephen Revels Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Social and Behavioral Sciences Commons Recommended Citation Revels, Craig Stephen, "Timber, trade, and transformation: a historical geography of mahogany in Honduras" (2002). LSU Doctoral Dissertations. 1285. https://digitalcommons.lsu.edu/gradschool_dissertations/1285 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. TIMBER, TRADE, AND TRANSFORMATION: A HISTORICAL GEOGRAPHY OF MAHOGANY IN HONDURAS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Geography and Anthropology by Craig Stephen Revels B.A., University of Colorado, Boulder, 1984 M.A., Portland State University, 1998 May 2002 ©Copyright 2002 Craig Stephen Revels All rights reserved ii ACKNOWLEDGEMENTS Profound thanks are due to Dr. William V. Davidson for his enthusiasm and support for this project. Not only did he introduce me to field and archival work in Honduras, but he also unselfishly shared his passion for and deep knowledge of Honduras throughout my graduate program. With his present wife Sharon, he generously provided a refuge to complete this dissertation, and their hospitality, kindness, and friendship has been invaluable.
    [Show full text]
  • Dyes, Colors & Pigements
    Copyright © Tarek Kakhia. All rights reserved. http://tarek.kakhia.org DYES , COLORS & PIGMENTS Writing By TAREK ISMAIL KAKHIA 0 Copyright © Tarek Kakhia. All rights reserved. http://tarek.kakhia.org Natural dye Skeins of wool colored with natural plant dyes. Contents : 1 Origins 2 Processes 3 Common dyestuffs o 3.1 Reds and pinks o 3.2 Oranges o 3.3 Yellows o 3.4 Greens o 3.5 Blues o 3.6 Purples o 3.7 Browns o 3.8 Greys and blacks o 3.9 Lichen o 3.10 Fungi 4 Luxury dyestuffs o 4.1 Royal purple o 4.2 Crimson and scarlet o 4.3 The rise of formal black 5 Decline and rediscovery 6 Notes 7 References 1 Copyright © Tarek Kakhia. All rights reserved. http://tarek.kakhia.org - Introduction : Natural dyes are dyes or colorants derived from plants, invertebrates, or minerals. The majority of natural dyes are vegetable dyes from plant sources – roots, berries, bark, leaves, and wood — and other organic sources such as fungi and lichens. Archaeologists have found evidence of textile dyeing dating back to the Neolithic period. In China, dyeing with plants, barks and insects has been traced back more than 5,000 years. The essential process of dyeing changed little over time. Typically, the dye material is put in a pot of water and then the textiles to be dyed are added to the pot, which is heated and stirred until the color is transferred. Textile fiber may be dyed before spinning (dyed in the wool), but most textiles are yarn- dyed or piece-dyed after weaving.
    [Show full text]