Cosmopolitan REFEREED PAPER Civil Societies: An Monstrous Transformations: Cosmopolitanism Interdisciplinary Journal and Nationalism in Post- Apartheid Portrayals Vol. 12, Nos. 2–3 of Afrikaners Dec 2020 Nicholas J. Hauman Benedictine College, Atchison, Kansas Corresponding author: Nicholas J. Hauman, Benedictine College, 1020 North 2nd Street, Atchison, KS 66002, United States of America.
[email protected] DOI: https://doi.org/10.5130/ccs.v12.i2-3.7174 © 2020 by the author(s). This is an Open Access article Article History: Received 01/5/2020; Revised 27/08/2020; Accepted 01/10/2020; distributed under the terms Published 12/02/2021 of the Creative Commons Attribution 4.0 International (CC BY 4.0) License (https:// creativecommons.org/ licenses/by/4.0/), allowing Abstract third parties to copy and redistribute the material in According to Ulrich Beck, the breakdown of nation- state power and the migration of any medium or format and to people, culture and ideas through neoliberalism provides us with a unique historical remix, transform, and build moment that simultaneously holds the potential for unparalleled cosmopolitanism upon the material for any and rising xenophobia. This essay further explores and problematizes this distinction purpose, even commercially, through an analysis of the video art and music of the rap- rave group Die Antwoord and provided the original work is the photographer Roger Ballen, both of which provide images of Afrikaner Identity with properly cited and states its license. differing ramifications for the formation of cosmopolitan identities. In both, figures become living collages, their anatomy mixes with animals and inanimate objects, Citation: Hauman, N. J.