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Unit 2 Setting
History of Television Broadcasting Unit 2 Unit-2: HISTORY OF TELEVISION BROAD- CASTING UNIT STRUCTURE 2.1 Learning Objectives 2.2 Introduction 2.3 Origin and Development of Television 2.4 Transmission of Television System 2.5 Broadcasting 2.6 Colour Television 2.7 Cable Television 2.8 Television News 2.9 Digital Television 2.10 High Definition Television 2.11 Let Us Sum Up 2.12 Further Reading 2.13 Answers to Check Your Progress 2.14 Model Questions 2.1 LEARNING OBJECTIVES After going through this unit, you will be able to - describe the evolution of television discuss the discoveries made by the pioneer of television inventors analyse the television technology development list the recent trend of Digital Television 2.2 INTRODUCTION In the previous unit we were introduced to the television medium, its features and its impact and reach. The unit also provides the distinctions between television and the audio medium. In this unit we shall discuss Electronic Media-Television 23 Unit 2 History of Television Broadcasting about the overview ofthe history of television, inventions, early technological development and the new trends in the television industry around the globe. 2.3 ORIGIN AND DEVELOPMENT OF TELEVISION Television has become one of the important parts of our everyday life. It is a general known fact that television is not only providing the news and information but it is also entertaining us with its variety of programme series and shows. A majority of home-makers cannot think about spending theirafternoon leisure time withoutthe dose of daily soap opera; a concerned citizen cannot think of skipping the prime time in news channel or a sports lover in India cannot miss a live cricket match. -
Television Shows
Libraries TELEVISION SHOWS The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1950s TV's Greatest Shows DVD-6687 Age and Attitudes VHS-4872 24 Season 1 (Discs 1-3) DVD-2780 Discs Age of AIDS DVD-1721 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs Age of Kings, Volume 1 (Discs 1-3) DVD-6678 Discs 24 Season 1 (Discs 4-6) DVD-2780 Discs Age of Kings, Volume 2 (Discs 4-5) DVD-6679 Discs 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs Alfred Hitchcock Presents Season 1 DVD-7782 24 Season 2 (Discs 1-4) DVD-2282 Discs Alias Season 1 (Discs 1-3) DVD-6165 Discs 24 Season 2 (Discs 5-7) DVD-2282 Discs Alias Season 1 (Discs 4-6) DVD-6165 Discs 30 Days Season 1 DVD-4981 Alias Season 2 (Discs 1-3) DVD-6171 Discs 30 Days Season 2 DVD-4982 Alias Season 2 (Discs 4-6) DVD-6171 Discs 30 Days Season 3 DVD-3708 Alias Season 3 (Discs 1-4) DVD-7355 Discs 30 Rock Season 1 DVD-7976 Alias Season 3 (Discs 5-6) DVD-7355 Discs 90210 Season 1 (Discs 1-3) c.1 DVD-5583 Discs Alias Season 4 (Discs 1-3) DVD-6177 Discs 90210 Season 1 (Discs 1-3) c.2 DVD-5583 Discs Alias Season 4 (Discs 4-6) DVD-6177 Discs 90210 Season 1 (Discs 4-5) c.1 DVD-5583 Discs Alias Season 5 DVD-6183 90210 Season 1 (Discs 4-6) c.2 DVD-5583 Discs All American Girl DVD-3363 Abnormal and Clinical Psychology VHS-3068 All in the Family Season One DVD-2382 Abolitionists DVD-7362 Alternative Fix DVD-0793 Abraham and Mary Lincoln: A House -
Affluent Americans and the New Golden Age of Tv
IPSOS AFFLUENT INTELLIGENCE: AFFLUENT AMERICANS AND THE NEW GOLDEN AGE OF TV © 2019 Ipsos. All rights reserved. Contains Ipsos' Confidential and Proprietary information and may not be disclosed or reproduced without the prior written consent of Ipsos. STREAMING NOW – THE GOLDEN AGE OF AFFLUENT TV It’s no secret that the world of TV content and viewing has been undergoing considerable and on-going change for some time, causing a wholesale redefinition of how audiences experience watching it – not to mention the impact these new ways of watching has had on people’s lifestyles. This revolution can be attributed to What is an many factors – from the massive proliferation in content and channels, to the growth and availability of bandwidth capacity and Affluencer? speed, to the rapid rise of mobile devices which changed what “watching” meant, to the launch of streaming services which Affluent influencers— removed the wires and cables. Add to that the coming-of-age of Affluencers— drive most the digitally native Millennials and you have a world of TV that categories. Affluencers are looks nothing like it did five years ago, let alone 25. enthusiastic consumers of category-related information and have disproportionately high In this paper we’ll look at the various behaviors, preferences and purchase intent. They’re heavy attitudes driving the “new TV” category - and most importantly spenders who are the first to try for media and category service providers, we’ll look at the new offerings. And their affluent demographics and category segments posing the networks depend on them for greatest revenue opportunities. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
Cpage Paper 5 Marae Sept 30
2002 - 5 FEDERAL COMMUNICATIONS COMMISSION Media Ownership Working Group Program Diversity and the Program Selection Process on Broadcast Network Television By Mara Einstein September 2002 Executive Summary: This paper examines the extent to which program diversity has changed over time on prime time, broadcast network television. This issue is assessed using several different measurement techniques and concludes that while program diversity on prime time broadcast network television has fluctuated over time, it is not significantly different today than it was in 1966. The paper also explores the factors used by broadcast networks in recent years in program selection. It finds that networks’ program selection incentives have changed in recent years as networks were permitted to take ownership interests in programming. 2 A HISTORICAL PERSPECTIVE ON PROGRAM DIVERSITY Mara Einstein Department of Media Studies Queens College City University of New York The views expressed in this paper are those of the author alone and do not necessarily reflect the views of the Federal Communications Commission, any Commissioners, or other staff. 3 Introduction This paper analyzes the correlation between the FCC’s imposition of financial interest and syndication rules and program diversity on prime time broadcast network television. To demonstrate this, diversity will be examined in terms of 1) content diversity (types of programming) and 2) marketplace diversity (suppliers of programming). This analysis suggests that the structural regulation represented by the FCC’s financial interest and syndication rules have not been an effective means of achieving content diversity. Study Methodology By evaluating the content of programming over the periods surrounding the introduction and elimination of the financial interest and syndication rules, we will measure the trend in program diversity during the time when the financial interest and syndication (“fin-syn”) rules were in effect. -
The Impact of Online Video Distribution on the Global Market for Digital Content
The Impact of Online Video Distribution on the Global Market for Digital Content David Blackburn, Ph.D. Jeffrey A. Eisenach, Ph.D. Bruno Soria, Ph.D. March 2019 About the Authors Dr. Blackburn is a Director in NERA’s Communications, Media, and Internet Practice as well its Intellectual Property and Antitrust Practices. Among other issues, Dr. Blackburn’s work at NERA has focused on media production and distribution, and assessing the value of IP in music, television, and film. Dr. Blackburn has taught at the undergraduate level at Harvard University and Framingham State College, and at the graduate level at the Universidad Nacional de Tucumán in Argentina. Dr. Eisenach is a Managing Director and Co-Chair of NERA’s Communications, Media, and Internet Practice. He is also an Adjunct Professor at George Mason University Law School, where he teaches Regulated Industries, and a Visiting Scholar at the American Enterprise Institute, where he focuses on policies affecting the information technology sector, innovation, and entrepreneurship. Previously, Dr. Eisenach served in senior policy positions at the U.S. Federal Trade Commission and the White House Office of Management and Budget, and on the faculties of Harvard University’s Kennedy School of Government and Virginia Polytechnic Institute and State University. Dr. Soria is an Associate Director in NERA’s Communications, Media and Internet Practice. While at NERA, he has advised governments, telecommunications operators and media companies, including on convergent competition and the pricing of content. He is also Guest Professor at the University of Barcelona where he lectures on Telecommunications Economics and Regulation. Previously, he held executive positions in Telefónica and MCI Worldcom. -
BTS Distinguished Lecturer Program Continues to Grow with New
ISSN 1067-490X IEEE Volume 21, Number 1, Spring 2013 The technologies to deliver information and entertainment to audiences worldwide, at home and on the go. Inside President’s Column. 2 From the Editor . 3 ATSC Activity Update . 5 BTS AdCom Selects Five New Members . 7 Guy Bouchard Tim Carroll Pat Waddell Channel Surfing Redux . 8 BTS Distinguished Events Calendar . 14 Lecturer Program Book Review . 15 Chapter Reports . 17 Continues to Grow RCA Radio/Television Pioneer With New Presenters Wendell Morrison Dead at 97 . 21 By Rich Chernock topic areas, with three new lecturers being added to program. They are Guy 2012 was a successful year for the Bouchard, Tim Carroll and Pat Waddell, BTS Distinguished Lecturer (DL) pro- who bring expertise in the practical gram, with eight lectures conducted over aspects of broadcast technology, audio Newsletter Deadlines a wide portion of the world. Lecture ven- processing, and audio/video encoding The BTS Newsletter welcomes contribu- ues included St. Petersburg, Russia, Princ- and transport. With these additions, tions from every member. Please forward eton, N.J.; San Diego, Calif.; Seoul Korea; the DL program offers BTS Chapters materials you would like included to the Bilbao, Spain; Beijing, China; Montevideo, high-quality lectures on a wide array of editor at [email protected]. Here are Uruguay; and Buenos Aires, Argentina. A broadcast related topics ranging from our deadlines for upcoming issues: number of lecture topics have been pre- research oriented to highly practical. Issue Due Date sented, ranging from digital radio, signal Summer April 26, 2013 embedding techniques, multiprogram vid- DL Program Overview Fall July 22, 2013 eo coding, connected television and DTV The DL program has been in place Winter October 28, 2013 technology. -
Women's Leadership in Primetime Television an Introductory Study
Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period. -
OTT Streaming Video Playbook for Advanced Marketers
OTT Streaming Video Playbook for Advanced Marketers December 2019 Part of the Direct Brands Playbook Series sponsored by: Direct Brands Initiative Strategic Partners: This report was produced by IAB. The final report, findings, and recommendations were not influenced by strategic partners. OTT STREAMING VIDEO PLAYBOOK FOR ADVANCED MARKETERS As it turns out, the revolution will be televised over the internet. It’s called OTT streaming video and it is now a mainstream consumer medium. “Over-the-Top” (OTT) streaming video—which is video streamed to a TV that is connected to the internet—has shifted the traditional TV landscape, bringing the interactivity, data and targeting associated with digital media, to the television ecosystem. It has also opened a vast and expanding universe of choice in content and pricing models for consumers who can choose from a continually growing landscape of services, with professionally produced long-form, short-form and user-generated content. Brands are catching on fast. For the first time, the high-impact, brand storytelling power of the big screen television has been seamlessly integrated with the targeting, analytics and interactivity of digital media. Moreover, OTT streaming video presents an opportunity to speak to an audience that is increasingly difficult to reach through traditional media channels. We’re now seeing stats that show that non-pay TV households are projected to almost reach parity with pay TV households in the next five years1 and many of those non- pay TV households are streaming video. Given this shift in viewership, OTT streaming video represents a largely incremental audience and a way for brands to “reach the unreachables” and engage directly with their target consumers. -
Producing for TV and Video
Producing for TV and Video Producing for TV and Video A Real-World Approach CATHRINE KELLISON AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Acquisitions Editor: Elinor Actipis Project Manager: Dawnmarie Simpson Assistant Editor: Robin Weston Marketing Manager: Christine Degon Cover Design: Cate Barr Interior Design: Julio Esperas Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2006, Cathrine Kellison. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, e-mail: [email protected]. You may also complete your request online via the Elsevier homepage (http://elsevier.com), by selecting “Customer Support” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data Application submitted. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN 13: 978-0-240-80623-5 ISBN 10: 0-240-80623-9 For information on all Focal Press publications visit our website at www.books.elsevier.com 050607080910 10987654321 Printed in the United States of America Contents Preface ...................................................................... -
Programming for TV, Radio, and the Internet: Strategy, Development, and Evaluation
Programming for TV, Radio, and the Internet: Strategy, Development, and Evaluation Philippe Perebinossoff Brian Gross Lynne S. Gross ELSEVIER Programming for TV, Radio, and the Internet Programming for TV, Radio, and the Internet Strategy, Development, and Evaluation Philippe Perebinossoff California State University, Fullerton Brian Gross EF Education, Jakarta, Indonesia Lynne S. Gross California State University, Fullerton AMSTERDAM · BOSTON · HEIDELBERG · LONDON NEW YORK · OXFORD · PARIS · SAN DIEGO SAN FRANCISCO · SINGAPORE · SYDNEY · TOKYO Focal Press is an imprint of Elsevier Acquisition Editor: Amy Jollymore Project Manager: Bonnie Falk Editorial Assistant: Cara Anderson Marketing Manager: Christine Degon Cover Design: Dardani Gasc Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2005, Elsevier Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, e-mail: [email protected] may also complete your request on-line via the Elsevier homepage (http://elsevier.com), by selecting “Customer Support” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. -
Broadcast Tv's Present, And
SPRING 2017 INSIDE INFOCUS The New TV Company 1 As 2018 nears, two broadcast TV companies are seeking to fill a void in LOCAL: BROADCAST TV’S PRESENT, daytime TV programming by producing their own shows. What does this mean AND FUTURE, KEY FOR SUCCESS for the industry’s long-term growth? By Editor-in-Chief Adam R. Jacobson These are challenging times for the television industry. 8 Technology and Radio Say what? Most consumers may say “radio” is Based on all media reports, we are living in a golden age of television. But what they listen to while driving, or these stories focus primarily on the content one presently enjoys. Think about when waking up in the morning and where this content is being viewed, and via what source. hitting the snooze bar on a clock radio. A few minutes before reading these words, you could have been watching an epi- With technology’s march forward with sode of The Americans, the riveting 1980s-set drama featuring spies of the Soviet new devices and platforms, should Union posing as everyday Americans with families. The acclaimed FX series could radio be wary or welcoming? have been viewed on cable Channel 44. Or it could have been viewed via an app on your smartphone or tablet while cozy in bed. Furthermore, it could have been viewed on your TV, but through a Roku device that has FXNOW. The Return of TV Trades Meanwhile, there are shows including The Man in the High Castle, through 11 The great post-spectrum-auction thaw Amazon Video; Stranger Things and House of Cards, on Netflix; and The Good is upon us.