How to Survive Christmas: New Album Reviews
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Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
Daf Leaether Strip Project Pitchfork
edition October - December 2015 free of charge, not for sale 19 quarterly published music magazine DAF LEAETHER STRIP PROJECT PITCHFORK BETTINA KÖSTER + POSIMONOVA DECODED FEEDBACK + KINEX KINEX THE ARCH + NO MORE + ONMENS - 1 - WOOL-E TOP 10 WOOL-E TAPES Wool-E Tapes is a spin-off of Wool-E Best Selling Releases Shop to release everything its owner (July/Aug/Sept 2015) likes, on tape INTERNATIONAL CASSETTE 1. SHE PAST AWAY STORE DAY (October 17th) Narin Yalnizlik (LP/CD) For the 3d instalment of International Cassette Store Day we will be 2. PURE GROUND releasing 4 tapes (see below). Sound Standard Of Living (LP/CD) & Vision and Charnier will promote 3. VOLKOVA their tape by means of a short gig Sangre (CD) in the shop. Check the website or 4. QUAL facebook for the exact timing. Sable (LP/CD) Upcoming: 5. DADA POGROM WET020 Unidentified Man - Dissociative Identity C50 Kolophonium (CD) WET021 Klankdal - Nachtkarkassen C85 6. VARIOUS WET022 Sound & Vision – Golden Years C26 Another Cold World (LP/CD) WET023 BARST (released on 1st 7. KVB November) Mirror Being (LP/CD) WET024 Charnier C25 8. MONNIK / ONRUST Still hot: Split Tape (MC) WET016 - MAYZ – The Void C67 WET017 - Howling Larsons - Midnight 9. L’AVENIR Folk C49 Etoiles (LP) WET018 - Kinex Kinex - Polytheistic 10. BLEIB MODERN Christmas C31 All Is Fair In Love And War(LP/CD) http://wool-e-tapes.bandcamp.com The Wool-E Shop - Emiel Lossystraat 17 - 9040 Ghent - Belgium VAT BE 0642.425.654 - [email protected] - 32(0)476.81.87.64 www.peek-a-boo-magazine.be - 2 - contents 04 CD reviews -
Detroit: Techno City 27 July – 25 September 2016 ICA Fox Reading Room Preview 26 July
ICA Press release: 26 May 2016 Detroit: Techno City 27 July – 25 September 2016 ICA Fox Reading Room Preview 26 July Techno! The New Dance Sound of Detroit (1988). Courtesy Neil Rushton and 10 Records LTD The next ICA Fox Reading Room exhibition will present a studied look at the evolution and subsequent dispersion of ‘Detroit Techno music’. This term, coined in the late 1980s, reflects the musical and social influences that informed early experiments merging sounds of synth-pop and disco with funk to create this distinct music genre. For the first time in the UK, a dedicated exhibition will chart a timeline of ‘Detroit Techno music’ from its 1970s origins, continuing through to the early 1990s. The genre’s origins begin in the disco parties of Ken Collier with influence from local radio stations and DJs, such as Electrifying Mojo and The Wizard (aka Jeff Mills). The ICA’s exhibition explores how a generation was inspired to create a new kind of electronic music that was evidenced in the formative UK compilation: Techno! The New Dance Sound of Detroit. Using inexpensive analogue technology, such as the Roland TR 808 and 909, DJs and producers including Juan Atkins, Blake Baxter, Eddie Fowlkes, Derrick May, and Kevin Saunderson, formed this seminal music genre. Although the music failed to gain mainstream audiences in the U.S, it became a phenomenon in Europe. This success established Detroit Techno, as a new strand of music which absorbed exterior European tastes and influences. This introduced a second wave of DJs and producers to the sound including Carl Craig, Richie Hawtin and Kenny Larkin. -
De Dj Als Superster Universiteit Universiteit Van Utrecht Auteur J.H
Titel doctoraalscriptie De dj als superster Universiteit Universiteit van Utrecht Auteur J.H. Meeuwissen Studierichting Taal en Cultuurstudies Adres Waalstraat 93hs Specialisatie Kunstbeleid en Management Woonplaats Amsterdam Eerste lezer drs. Ingmar Leijen Telefoon 06-51819744 Tweede lezer dr. Kees Vuyk Studentnummer 0067016 Datum mei 2007 - de dj als superster - 2 Samenvatting In De dj als superster wordt een vergelijking getrokken tussen de superster uit de popmuziek en de dj uit de dancewereld. De thesis legt overeenkomsten en verschillen in marketingtechnieken tussen de popmuziekwereld en de dancemuziekwereld bloot. De opkomst en creatie van de superster in de jaren tachtig worden bestudeerd, alsmede de geschiedenis van dancemuziek en marketingtechnieken in de dancescene. Hierdoor komen ook enkele fundamentele verschillen tussen deze twee muziekwerelden aan het licht. De dj is aan het einde van de 20 e eeuw het middelpunt geworden van de dancescene. Het uitgebreide takenpakket van een dj vertoont overeenkomsten met het takenpakket van een superster in de popmuziek. Ook op het gebied van de marketing zijn er diverse overeenkomsten gevonden in dit onderzoek. Hier zijn echter ook belangrijke verschillen aan het licht gekomen. Uit de interviews met specialisten uit de dancewereld blijkt dat de marketingmethodes die zij gebruiken, voor een groot deel overeenkomen met de benodigdheden die gevonden werden voor het bereiken van de supersterstatus in de popmuziek in de jaren tachtig. Vier van die zeven benodigdheden, te weten het verzorgen van optredens, wereldwijde distributie, cross-overs en weinig aanbod op het gebied van optredens, worden volledig identiek ook toegepast in de marketing van dj’s. Slechts met één punt, het bezitten van sex appeal, wordt op dit moment niets gedaan door de specialisten uit de dance-industrie. -
Richie Hawtin Has Always Been at the Leading Edge of Innovation in All Aspects of Electronic Music. Now More Than Ever, He's S
RICHIE HAWTIN WordsRichie Richie Hawtin and Thomas H Green Photos www.alexanderkoch.com 0123456789 Hawtin 0123456789 new horizons Richie Hawtin has always been at the leading edge of innovation in all aspects R e of electronic music. Now more than ever, he’s searching for fresh horizons and new MM joe pli worlds to conquer. Who better to launch the first ever Mixmag Live? [[1L]] MARCH 2012 RICHIE HAWTIN Plastikman @ Brixton Academy, London from his lively blue eyes. He’s in dance music’s warlock, derive from his family’s move on November premier league these days, an immediately 14 1979 from the Northamptonshire village of recognisable name atop bills at clubs, raves and Middleton Cheney to LaSalle, Ontario, Canada, festivals and someone who is these days recognised when he was nine years old. even in the least likely of places. “My main memory of Middleton Cheney is a R te “I took a vacation on the coast of Morocco with strong sense of extended family, cousins, aunts, S ee my girlfriend,” he says in his relaxed Canadian uncles, a very close-knit family, everyone getting M accent, “walking though streets without pavements, together regularly,” he says. “That’s why the Canadian eule so far away from our world – and someone was like, move was such a big change: becoming isolated, M ‘Are you Richie Hawtin? Can I get your autograph?’.” introverted. The ‘DJ Richie Hawtin’ aspect of me Ann De : He laughs – “But it’s alright, people who come up are reflects what I remember of myself before I went S long term fans, not ‘I know that guy’s face from a to Canada: having all these people around, being boot D 0123456789 n 0123456789 A magazine.’ It’s a nicer sort of fame.” in elementary school, the cool kid in class who CH As Richie Hawtin he is the DJ who brings techno everyone talked to. -
320+ Halloween Songs and Albums
320+ Halloween Songs and Albums Over 320 Songs for Halloween Theme Rides in Your Indoor Cycling Classes Compiled by Jennifer Sage, updated October 2014 Halloween presents a unique opportunity for some really fun musically themed classes—the variety is only limited by your imagination. Songs can include spooky, dark, or classic-but-cheesy Halloween tunes (such as Monster Mash). Or you can imagine the wide variety of costumes and use those themes. I’ve included a few common themes such as Sci-Fi and Spy Thriller in my list. Over the years I’ve gotten many of these song suggestions from various online forums, other instructors, and by simply searching online music sources for “Halloween”, “James Bond”, “Witch”, “Ghost” and other key words. This is my most comprehensive list to date. If you have more song ideas, please email them to me so I can continually update this list for future versions. [email protected]. This year’s playlist contains 50 new specific song suggestions and numerous new album suggestions. I’ve included a lot more from the “darkwave” and “gothic” genres. I’ve added “Sugar/Candy” as its own theme. Sources: It’s impossible to list multiple sources for every song but to speed the process up for you, we list at least one source so you don’t spend hours searching for these songs. As with music itself, you have your own preference for downloading sources, so you may want to check there first. Also, some countries may not have the same music available due to music rights. -
December 1946) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1946 Volume 64, Number 12 (December 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 12 (December 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/65 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. /frtvw in thy dark- sheets shm-ethTtis O lit-tle town of B«tti-U-hem! H hopes and fears of all the /ears bove thy deep and dream-less alvepTh arc met in thee to -ni PHILLIPS BROOKS Jlvihor* . merly of the New Friends of Music; Louis DR. SERGE KOUSSEVITZKY’S programs Fourestier, of the Paris Opera; and An- for the current season of the Boston tonio Votto, formerly assistant to Tos- Symphony Orchestra include five new canini at La Scala in Milan. which were com- symphonies, three of COMPANY, missioned by the Koussevitzky Music THE AMERICAN OPERA operatic venture, Foundation. One of these is by Oliver Philadelphia’s newest October 24 Messiaen, contemporary French com- had an auspicious opening on RUCTION Mozart’s comic opera, poser; another is Walter Piston’s Third when it presented the Harem,” under PIANO Symphony; the third is Aaron Copland’s “The Abduction from MODERN direction of Vernon Hammond, mu- NOTE Third Symphony. -
Allegories of Afrofuturism in Jeff Mills and Janelle Monaé
Vessels of Transfer: Allegories of Afrofuturism in Jeff Mills and Janelle Monáe Feature Article tobias c. van Veen McGill University Abstract The performances, music, and subjectivities of Detroit techno producer Jeff Mills—radio turntablist The Wizard, space-and-time traveller The Messenger, founding member of Detroit techno outfit Underground Resistance and head of Axis Records—and Janelle Monáe—android #57821, Cindi Mayweather, denizen and “cyber slavegirl” of Metropolis—are infused with the black Atlantic imaginary of Afrofuturism. We might understand Mills and Monáe as disseminating, in the words of Paul Gilroy, an Afrofuturist “cultural broadcast” that feeds “a new metaphysics of blackness” enacted “within the underground, alternative, public spaces constituted around an expressive culture . dominated by music” (Gilroy 1993: 83). Yet what precisely is meant by “blackness”—the black Atlantic of Gilroy’s Afrodiasporic cultural network—in a context that is Afrofuturist? At stake is the role of allegory and its infrastructure: does Afrofuturism, and its incarnates, “represent” blackness? Or does it tend toward an unhinging of allegory, in which the coordinates of blackness, but also those of linear temporality and terrestial subjectivity, are transformed through becoming? Keywords: Afrofuturism, Afrodiaspora, becoming, identity, representation, race, android, alien, Detroit techno, Janelle Monáe tobias c. van Veen is a writer, sound-artist, technology arts curator and turntablist. Since 1993 he has organised interventions, publications, gatherings, exhibitions and broadcasts around technoculture, working with MUTEK, STEIM, Eyebeam, the New Forms Festival, CiTR, Kunstradio and as Concept Engineer and founder of the UpgradeMTL at the Society for Arts and Technology (SAT). His writing has appeared in many publications. -
Authenticity, Politics and Post-Punk in Thatcherite Britain
‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1. -
Lanthorn, Vol. 12, No. 14, November 15, 1979 Grand Valley State University
Grand Valley State University ScholarWorks@GVSU Volume 12 Lanthorn, 1968-2001 11-15-1979 Lanthorn, vol. 12, no. 14, November 15, 1979 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol12 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 12, no. 14, November 15, 1979" (1979). Volume 12. 14. http://scholarworks.gvsu.edu/lanthorn_vol12/14 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 12 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Grand Valley's Student Run Weekly he Lanthorn Number 12 Volume 12 ALLENDALE, THURSDAY, NOVEMBER 15, 1979 Student Senate Refuses Request; WIB Has No Funds for Staff Warming up for the Zumberge Fol- lies? Nope, just rushing to clati. In The Student Senate Friday re dent Senate gave then $2,500. what the phone number is, and cidentally, the thought our photog fused a request from the Women’s Hubbard said the exception to the things like that." rapher was "crazy" for taking her Information Bureau (WIB) for an ex wage rule was denied because “by No decision was made pending in picture (photo by John Haafkel. ception to the rule which forbids use the time we got the (Student Senate) vestigation of the availability of of student activities fees for student constitution changed, it would be grant money. wages. winter term.” The senate also discussed the The senate also discussed hiring a Hubbard said that the Senate radio task force which is studying public relations officer for itself, and would try to support WIB in other WSRX and the possibility of getting heard a report on the radio task ways by searching for funds outside a national public radio on campus. -
NEW RELEASE GUIDE March 19 March 26 ORDERS DUE FEBRUARY 12 ORDERS DUE FEBRUARY 19
ada–music.com @ada_music NEW RELEASE GUIDE March 19 March 26 ORDERS DUE FEBRUARY 12 ORDERS DUE FEBRUARY 19 2021 ISSUE 7 March 19 ORDERS DUE FEBRUARY 12 NEW EP ELASTICITY FROM SERJ TANKIAN TRACKLISTING 1. ELASTICITY 2. YOUR MOM 3. HOW MANY TIMES? 4. RUMI 5.ELECTRIC YEREVAN • New EP “ELASTICITY” from Serj Tankian (System Of A Down) out on 3/19/21. UPC: 4050538653694 Returnable: Yes CAT: 538653692 Explicit: Yes • First Instant Grat track “ELASTICITY” out Box Lot: 30 CD File Under: Rock SRP: $9.98 on 2/5/21 together with a video and EP Packaging: Digipack Release Date: 3/19/21 4 050538 653694 pre-order. • “ELECTRIC YEREVAN” will be the focus track and comes out alongside the EP on 3/19/21. It’s will also be featured in a trailer and end credits for the upcoming Serj Tankian directed documentary TRUTH IS POWER out on 4/27/21. Artist: Saxon Release date: 19th March 2021 Title: Inspirations Territory: World Ex. Japan Genre: Metal FORMAT 1: CD Album (Digipack) Cat no: SLM106P01 / UPC: 190296800504 SPR: $13.99 - 3% Discount applicable till Street Date FORMAT 2: Vinyl Album Cat no: SLM106P42 / UPC: 190296800481 SPR: $34.98 SAXON PROUDLY DISPLAY THEIR “INSPIRATIONS” WITH NEW CLASSIC COVERS RELEASE British Heavy Metal legends Saxon will deliver a full-roar-fun-down set of covers on March 19th 2021 (Silver Lining Music), with their latest album Inspirations, which drops a brand new 11 track release featuring some of the superb classic rock songs that influenced Biff Byford & the band. From the crunching take on The Rolling Stones’ ‘Paint It Black’ and the super-charged melodic romp of The Beatles’ ‘Paperback Writer’ to their freeway mad take on Jimi Hendrix’s ‘Stone Free’, Saxon show their love and appreciation with a series of faithful, raw and ready tributes.