Quantifying the Evolution of Success with Network and Data Science Tools
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Diploma Thesis
UNIVERSITY OF THESSALY SCHOOL OF ENGINEERING DEPARTMENT OF ELECTRICAL AND COMPUTER ENGINEERING Software Product Management: From inception to delivery with innovation frameworks Diploma Thesis Panagiotis Nikitakis Supervisor: Aspasia Daskalopoulou Volos 2020 UNIVERSITY OF THESSALY SCHOOL OF ENGINEERING DEPARTMENT OF ELECTRICAL AND COMPUTER ENGINEERING Software Product Management: From inception to delivery with innovation frameworks Diploma Thesis Panagiotis Nikitakis Supervisor: Aspasia Daskalopoulou Volos 2020 iii ΠΑΝΕΠΙΣΤΗΜΙΟ ΘΕΣΣΑΛΙΑΣ ΠΟΛΥΤΕΧΝΙΚΗ ΣΧΟΛΗ ΤΜΗΜΑ ΗΛΕΚΤΡΟΛΟΓΩΝ ΜΗΧΑΝΙΚΩΝ ΚΑΙ ΜΗΧΑΝΙΚΩΝ ΥΠΟΛΟΓΙΣΤΩΝ Διαχείριση προϊόντων λογισμικού: Από την ιδέα εώς την παράδοση σε πλαίσια καινοτομίας Διπλωματική Εργασία Παναγιώτης Νικητάκης Επιβλέπουσα: Ασπασία Δασκαλοπούλου Βόλος 2020 v Approved by the Examination Committee: Supervisor Aspasia Daskalopoulou Assistant Professor, Department of Electrical and Computer En- gineering, University of Thessaly Member Dimitrios Katsaros Associate Professor, Department of Electrical and Computer En- gineering, University of Thessaly Member Michael Vassilakopoulos Associate Professor, Department of Electrical and Computer En- gineering, University of Thessaly Date of approval: 13-10-2020 vii DISCLAIMER ON ACADEMIC ETHICS AND INTELLECTUAL PROPERTY RIGHTS «Being fully aware of the implications of copyright laws, I expressly state that this diploma thesis, as well as the electronic files and source codes developed or modified in the course of this thesis, are solely the product of my personal work and do not infringe any rights of intellectual property, personality and personal data of third parties, do not contain work / contributions of third parties for which the permission of the authors / beneficiaries is re- quired and are not a product of partial or complete plagiarism, while the sources used are limited to the bibliographic references only and meet the rules of scientific citing. -
Stip Superstip Alarmschijf RE = Re-Entry Volg De Top 40 Ook
WEEK 15 DECEMBER50 2018 54E JAARGANG Uitzendtijd Top 40 Radio 538 Vrijdag: 14.00-18.00 Ivo van Breukelen Deze Vorige Titel Aantal Deze Vorige Titel Aantal week week Artiest weken week week Artiest weken 1 1 DUURT TE LANG 21 25 BABY davina michelle cornelis music 9 clean bandit feat. marina and the diamonds & luis... warner 3 2 2 SWEET BUT PSYCHO 22 19 HAPPY NOW ava max warner music 6 kygo feat. sandro cavazza sony music 6 3 4 THANK U, NEXT 23 16 HUTS ariana grande universal music 5 the blockparty & esko ft. mouad locos & joeyak ... cloud 9 4 4 3 PROMISES 24 32 REWRITE THE STARS calvin harris & sam smith sony music 16 james arthur warner music 2 5 5 LET YOU LOVE ME 25 26 WHERE HAVE YOU GONE (ANYWHERE) rita ora warner music 11 lucas & steve spinnin’ records 3 6 6 HAPPIER 26 30 ALS HET AVOND IS marshmello & bastille universal music 15 suzan & freek sony music 2 7 8 IJSKOUD 27 29 YOUNGBLOOD nielson sony music 10 5sos universal music 26 8 7 NATURAL 28 24 BREATHIN imagine dragons universal music 18 ariana grande universal music 9 9 11 DARKSIDE 29 23 ZACHTJES ZINGEN alan walker feat. tomine harket & au/ra sony music 18 bløf sony music 4 10 -- NOTHING BREAKS LIKE A HEART 30 37 POLAROID mark ronson feat: miley cyrus sony music 1 jonas blue & liam payne & lennon stella universal music 2 11 9 SHOTGUN 31 22 TAKI TAKI george ezra sony music 21 dj snake & selena gomez & ozuna & cardi b universal 10 12 10 SAY MY NAME 32 28 INTO THE FUTURE david guetta & bebe rexha & j balvin warner music 4 chef’special universal music 4 13 20 HIGH HOPES 33 -- LOUBOUTIN panic! at the disco warner music 3 frenna feat. -
The Kid3 Handbook
The Kid3 Handbook Software development: Urs Fleisch The Kid3 Handbook 2 Contents 1 Introduction 11 2 Using Kid3 12 2.1 Kid3 features . 12 2.2 Example Usage . 12 3 Command Reference 14 3.1 The GUI Elements . 14 3.1.1 File List . 14 3.1.2 Edit Playlist . 15 3.1.3 Folder List . 15 3.1.4 File . 16 3.1.5 Tag 1 . 17 3.1.6 Tag 2 . 18 3.1.7 Tag 3 . 18 3.1.8 Frame List . 18 3.1.9 Synchronized Lyrics and Event Timing Codes . 21 3.2 The File Menu . 22 3.3 The Edit Menu . 28 3.4 The Tools Menu . 29 3.5 The Settings Menu . 32 3.6 The Help Menu . 37 4 kid3-cli 38 4.1 Commands . 38 4.1.1 Help . 38 4.1.2 Timeout . 38 4.1.3 Quit application . 38 4.1.4 Change folder . 38 4.1.5 Print the filename of the current folder . 39 4.1.6 Folder list . 39 4.1.7 Save the changed files . 39 4.1.8 Select file . 39 4.1.9 Select tag . 40 The Kid3 Handbook 4.1.10 Get tag frame . 40 4.1.11 Set tag frame . 40 4.1.12 Revert . 41 4.1.13 Import from file . 41 4.1.14 Automatic import . 41 4.1.15 Download album cover artwork . 42 4.1.16 Export to file . 42 4.1.17 Create playlist . 42 4.1.18 Apply filename format . 42 4.1.19 Apply tag format . -
Songkong for Melco
Digital Music Metadata SongKong Music Tagger Automatically managing your music metadata Digitized Music Library - Problems • Different mechanisms used to rip or download music • Music stored in different audio formats • Music collections much larger than before • Quality of original metadata varies considerably • No comprehensive metadata standard • Manually adding metadata very time consuming • Impossible to keep metadata consistent as add to collection SongKong - Concept • Should be possible to automatch and add metadata for majority of music collection easily • Need to apply consistency over collection, and keep consistent • Fix metadata within files so customer not tied to a particular music player (iTunes/Roon, Naim Wav Metadata) • Need rich comprehensive metadata, simple album/artist/title not enough • But need to give customer enough control because there is no such thing as a single one-fit metadata solution • Music collections are valuable and personal so we need • An audit of what has changed • Ability to undo changes if we don’t like them SongKong Music Tagger Installation • Available for: • Windows • MacOS • Linux • Synology Disk Station • Qnap Nas • Melco N1 Audio Server • Desktop and Remote interface for Windows/MacOS, Linux Desktop • Remote Web Interface for others so can be controlled from web browser even on iPad or phone Three steps to Improved Metadata 1. Select your Music folder and Run Fix Songs task. 2. Review the Options, then press Start 3. Wait for completion, detailed report shows exactly what has changed 1. Select your Music folder and Run Fix Songs task 2. Review any Options, e.g Basic Options Format Options (Desktop view) Classical Options (Web Browser View) . -
Download/Sentibank.Html
Artificial Intelligence Review (2021) 54:4873–4965 https://doi.org/10.1007/s10462-021-10030-2(0123456789().,-volV)(0123456789().,-volV) Over a decade of social opinion mining: a systematic review Keith Cortis1 • Brian Davis1 Published online: 25 June 2021 Ó The Author(s) 2021 Abstract Social media popularity and importance is on the increase due to people using it for various types of social interaction across multiple channels. This systematic review focuses on the evolving research area of Social Opinion Mining, tasked with the identification of multiple opinion dimensions, such as subjectivity, sentiment polarity, emotion, affect, sarcasm and irony, from user-generated content represented across multiple social media platforms and in various media formats, like text, image, video and audio. Through Social Opinion Mining, natural language can be understood in terms of the different opinion dimensions, as expressed by humans. This contributes towards the evolution of Artificial Intelligence which in turn helps the advancement of several real-world use cases, such as customer service and decision making. A thorough systematic review was carried out on Social Opinion Mining research which totals 485 published studies and spans a period of twelve years between 2007 and 2018. The in-depth analysis focuses on the social media platforms, techniques, social datasets, language, modality, tools and technologies, and other aspects derived. Social Opinion Mining can be utilised in many application areas, ranging from marketing, advertising and sales for product/service management, and in multiple domains and industries, such as politics, technology, finance, healthcare, sports and government. The latest developments in Social Opinion Mining beyond 2018 are also presented together with future research directions, with the aim of leaving a wider academic and societal impact in several real-world applications. -
The Effect of Djs' Social Network on Music Popularity
The Effect of DJs’ Social Network on Music Popularity Hyeongseok Wi Kyung hoon Hyun Jongpil Lee Wonjae Lee Korea Advanced Institute Korea Advanced Institute Korea Advanced Institute Korea Advanced Institute of Science and Technology of Science and Technology of Science and Technology of Science and Technology trilldogg hellohoon richter wnjlee @kaist.ac.kr @kaist.ac.kr @kaist.ac.kr @kaist.ac.kr ABSTRACT mixture of artistic and social reasons. This interesting dy- namic of EDM culture has led us to ask two specific ques- This research focuses on two distinctive determinants of tions: What reasons are most important for DJs when se- DJ popularity in Electronic Dance Music (EDM) culture. lecting songs to play at a festival? How do social relation- While one's individual artistic tastes influence the con- ships or audio features influence the popularity of songs? struction of playlists for festivals, social relationships with By answering these two questions, we can better under- other DJs also have an effect on the promotion of a DJ’s stand the mechanisms of how DJs gain popularity and how works. To test this idea, an analysis of the effect of DJs’ their artistic tastes influence the construction of playlists social networks and the audio features of popular songs for festivals. was conducted. We collected and analyzed 713 DJs’ To answer the above, we conducted the following tasks: playlist data from 2013 to 2015, consisting of audio clips 1) DJ networks based on shared songs were collected; 2) of 3172 songs. The number of cases where a DJ played Audio data of the songs played by the DJs were collected; another DJ's song was 15759. -
Armada Night Factsheet.Pdf
Armada Music is a name that equals a lot of things. The first thing that comes to mind, is dance music. This Amsterdam-based record company releases tracks within all different genre of today’s Electronic Dance Music. Though the Armada sound is a distinguished one, it doesn’t let itself be captured into one style. Diversity is the soul of music, and so the 26 imprints that are part of Armada serve anything from progressive and trance to techno and house. With artists such as Armin van Buuren, Markus Schulz, Stonebridge, M.I.K.E., Josh Gabriel and many other renowned DJ/Producers with a passion for dance music, being part of the Armada Music family with their own individual labels, Armada Music has published over 1700 releases within the past 6 years. The hard work and quality releases resulted in winning the ‘Best Global Dance Label’ title for 2009/2010, as awarded by the International Dance Music Awards. Next to that, the Armada Music YouTube channel is one of the most viewed dance music channels on the net - with more than 160 million views and over 100.000 subscribers. Armada Music always keeps an eye on the dance scene and its club movement. Besides providing the right music, Armada is also hosting its own events. And that’s exactly what this Factsheet is about: Armada Night. Over the years, the Armada Nights have managed to attract ten-thousands of dance lovers to various locations across the globe. They gained a steady fan-base, with the real Armada sound hitting a variety of Amsterdam clubs and spreading the word as far as Miami and Ibiza with special editions. -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
CONTACT INFO OPENING ACT for PAUL VAN DYK “Evolution Tour” [email protected] SOMETHING WICKED Houston, TX Houston, TX EDM Music Festival
Je Chen, better known as Kid Stylez, is a DJ / Producer from Houston, Texas. Over a span of a 20-year career, this veteran DJ has rocked sold out venues across the nation, performed on nationally syndicated radio mixshows, and NOTABLE PERFORMANCES held numerous residencies at highly regarded venues. Now making his own remixes and tracks, this DJ has recently found a whole new love for music and performing. OFFICIAL DJ for CLUB NOMADIC - SUPERBOWL LI “2017 EA Sports Bowl” As an open format DJ, this party rocker is well-known for surprising crowds with "left turns,” as well as performing on-the-fly edits and live blends in his high-energy sets. He draws on his extensive music knowledge to perform OPENING ACT for DASH BERLIN crowd-pleasing sets that break genre barriers. Je is a master at reading crowds, and any given night you might hear “Nightculture & Disco Donnie Presents” deep house, progressive, trap, breakbeat, electro, dubstep, hip hop, reggae, rock, or pop, all perfectly fused together. OPENING ACT for PAUL OAKENFOLD “Jagermeister Ultimate Summer of Music Tour” Je has performed alongside many of today’s most recognizable music talent, with particular emphasis on the EDM (Electronic Dance Music) scene. He has been chosen as a supporting act for multiple Armin Van Buuren tours, as OPENING ACT for FAR EAST MOVEMENT well as many other EDM artist tours. He has also performed at the nation’s premier Halloween EDM festival, “Stereo Live & Kollaboration Houston Presents” Something Wicked, for multiple years. Je was also selected from DJs across the country to play the world's largest OPENING ACT for ARMIN VAN BUUREN 24 Hour EDM mixshow, The New Year's Eve Tailgate Party. -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
The Charleston by Dawn Lille
The Charleston by Dawn Lille The 1920s in America were characterized by a During World War I, many southern African sense of abandon, pleasure, and gaiety. The Americans came north to a better life. They era’s chief literary chronicler, F. Scott Fitzgerald, brought their dance and music with them and immortalized the flapper and her dance, the frequented Harlem dance halls and nightclubs. Charleston, as quintessential symbols of the Some of the better dancers were hired for the time. The dance and the “new woman” were acts presented in such places as the Cotton Club solidly entwined for one glorious year, mid- and Small’s Paradise, which were patronized by 1926 to mid-1927. Although other dances white downtown audiences who eventually replaced it, the Charleston, an indigenous brought the dances to white ballrooms. The American jazz dance, has made frequent Savoy Ballroom opened in 1926, coinciding comebacks in one form or another ever since. with the Harlem Renaissance; it was racially Roger Pryor Dodge, an early dance critic, called integrated and had a special area reserved for it the greatest step of all and a major the best dancers. contribution to American dance. But it was Broadway that launched the The Charleston is a dance that was performed Charleston craze. The dance was introduced in by the descendants of African slaves in the 1922 in an all-black stage play called Liza, and American south. Like its sister vernacular form, was present to some degree in many of the jazz, from which it takes its rhythmic influential all-black musicals such as Shuffle propulsion, it is a blend of African and European Along. -
Martin Garcia Martin Garcia
MARTIN GARCIA (DJ Set ) Since his beginnings as a professional DJ, Martin Garcia ’s artistic evolution was mainly lead by the British dance music industry, which he slowly incorporated and adapted to the local scene. After playing in different clubs of Buenos Aires , his sessions at internationally acclaimed Clubland nights at Pacha made him acquire a weight of his own. From that moment on, he’s played many times alongside Sasha , Nick Warren , Jimmy Van M . and Danny Howells , among other artists. A smooth m ixing technique and the details of his sound selections have gained him a huge recognition from the great number of progressive house fans along Argentina and Latin America. A success he’s also achieved as a producer, either individually or together as a p owerful duo with Hernan Cattaneo , releasing on labels such as Perfecto , Shinichi and Bedrock . In 2005 Martin was the first guest DJ at London's Kiss FM and he entered number 50 at DJ Mag 's ranking. November and December saw him touring with John Digweed around South America, where he’s played many times before in Peru, Brazil, Chile, Uruguay, Paraguay and Colombia. Present each year inside the line up of the famous Creamfields Buenos Aires , he's usually a headliner in such events as Moonpark parties and 1Live! In 2006 he's already played at East Fest Punta del Este , Uruguay’s glamour summer spot, Southfest 's third edition (he played the first one too) and he also made his debut at Miami's Winter Music Conference with a memorable back to back with Hernan Cattaneo and a special set for Frisky Radio .