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Reflec. Conne c. Expec. Eastman Weekend 2006 JANUARY 2007 A MAGAZINE FOR ALUMNI AND FRIENDS OF THE EASTMAN SCHOOL OF MUSIC FROM THE DEAN “Exemplary excellence” Dear Friends, Throughout the fall semester, the faculty and staff embarked on the process of analyzing Eastman’s present position as one of the premier music institutions in the world, and determining the potential long-term future of the School. This was a challenging, uplifting, and somewhat cathartic endeavor. In a report titled ‘The Future of the Eastman School of Music,” which was submitted to President Seligman in November as part of the University’s strategic planning initiative, we wrote: “Our goal for the future is more ambitious than simply maintaining a place in the ranks of the world’s great music schools. To strive for anything short of ex- emplary excellence in artistry, scholarship, leadership, and community engage- NOTES ment would be to abdicate our responsibility as a music Volume 25, Number 1 school whose tradition of leadership and innovation in January 2007 each of these areas has been so significant for music in higher education and the music profession.” Editor In my convocation address to the students and faculty David Raymond at the beginning of the semester, I stated that there is Assistant editor simply no substitute for excellence. New ideas, excit- Juliet Grabowski ing initiatives, and cutting-edge curricula are all vitally Contributing writers important in a school of music, but they cannot take the Ruth Cahn Juliet Grabowski place of exceptional accomplishment as musicians. As Susan Hawkshaw we move forward, it is important to know that the com- Bobbi Lonobile mitment of our faculty is first and foremost to exemplary Jamal J. Rossi excellence in artistry, scholarship, leadership, and com- Jamal J. Rossi Contributing photographers munity engagement -- the hallmarks of an Eastman edu- Kurt Brownell cation. The uncompromised quality of what we do must always be at the heart Walter Colley Gelfand-Piper Photography of an exceptional education. Nathan Martel It has been my honor and great privilege to serve Eastman as the interim dean Photography coordinator during this time of transition between permanent leaders. It was a joy to wel- Karen Ver Steeg come back to campus many alumni during Eastman Weekend 2006, and I have Design enjoyed meeting many other alumni and friends of Eastman during my travels Steve Boerner Typography & Design over the past eight months. Eastman Weekend was a powerful reminder that the Eastman community comprises not just current faculty, students, and staff, but Published twice a year by the Office of all of those who have come before us, and all who care deeply about the future of Communications, Eastman School of Music, 26 Gibbs Street, Rochester, NY, our School. To the many alumni and friends who have contributed to our prog- 14604, (585) 274-1050. ress this past year as noted in the enclosed Report on Giving, I offer our sincere [email protected] thanks and appreciation. On behalf of the Eastman community, I extend to each of you our best wishes for a happy and prosperous new year. BKSFOLKJBKQ>I?BKBCFQPPQ>QBJBKQ &BTUNBO4DIPPMPG.VTJDTBWFEUIFGPMMPXJOHSFTPVSDFTCZVTJOH /FX-FBG3FJODBSOBUJPO NBEFXJUISFDZDMFEGJCFS Jamal J. Rossi QPTUDPOTVNFSXBTUF BOEFMFNFOUBMDIMPSJOFGSFF Interim Dean HSFFOIPVTF USFFT XBUFS FOFSHZ TPMJEXBTUF HBTFT GVMMZHSPXO HBMMPOT NJMMJPO#56T QPVOET QPVOET photographS by GELFAND-PIPER PHOTOGRAPHY (yearbooks) AND NATHAN MARTEL (JAMAL ROSSI) $BMDVMBUJPOTCBTFEPOSFTFBSDICZ&OWJSPONFOUBM%FGFOTFBOEPUIFSNFNCFSTPGUIF1BQFS5BTL'PSDF /FX-FBG1BQFSXXXOFXMFBGQBQFSDPN INSIDE FEATURES 4 Eastman Weekend 2006 Eastman Weekend brought the different 50TH ANNIVERSARY CLASSMATES WORE THEIR MEDALS areas of the School together for a busy WITH PRIDE AT EASTMAN WEEKEND 2006 weekend of connecting, reflecting—and fun 4 FOR THE 9 There is no substitute for excellence ROSSIS, FATHER 9 Times change, but the values at the heart AND SON, ONLY of an Eastman education endure THE BEST WILL DO 12 Alfred Mann remembered An Eastman musicologist fondly recalls a distinguished colleague 14 Old-fashioned virtues Composer Jack Beeson (BM ’42, MM ’43) takes pride in a richly creative life and from LIZZIE a classic American opera BORDEN to 1 4 CAPTAIN JINKS: master of 2 COMING EVENTS opera jack beeson 3 LETTERS 19 SCHOOL NEWS A PRETEND 26 ALUMNI NOTES GARDEN GIRL, 1 9 AND A GENUINE MOZART 27 IN MEMORIAM DISCOVERY 29 EASTMAN ALUMNI ON CD 32 SHOWING OFF 34 FACULTY NOTES 35 EASTMAN FACULTY ON CD 36 STUDENT NOTES ON THE COVER: The three words in the motto for the School’s first all-Eastman weekend say it all. See page ON THE INTERNET: More news about the Eastman School of Music, 4 for more news and photos. including the full text of Notes and expanded alumni information, can be found online at www.esm.rochester.edu. photographs by GELFAND-PIPER PHOTOGRAPHY (EASTMAN WEEKEND, MOZART OPERA) AND COURTESY JACK BEESON AND JAMAL ROSSI Steve Reich Coming Events March 25–April 21 • Inaugural Howard Hanson Visiting Professor Residency, with composer-in-residence Mario Davidovsky March 26–30 • Third annual Women in Music Festival, with composer-in- residence Tania León March 31, 2007 • Eastman Musica Nova: 70th Birthday Concert of music by Steve Reich , with the composer attending April 12–15, 2007 • Eastman Opera Theatre Bellini, I Capuleti e I Montecchi May 25 • ViM Saxophone Quartet performs in the Kennedy Center’s Conservatory Project June 25–August 3 Summer at Eastman 2007 • Alumni discount! • New offerings include Viola and Trumpet Institutes, African Drumming, Rock Music in the Classroom, and many more. • Visit www.esm.rochester. On October 20–22, 2006 Eastman School of edu/summer abol! Music hosted an unprecedented event for everyone in our vast, interconnected community. An African zpv" The festivities included amazing performances, drumming engaging speakers, and fun activities as we course will heat up celebrated Alumni Weekend, Family Weekend, Eastman’s and the Eastman Community Music School Open Summer of 2007. House. Thank you to everyone who attended and www.esm.rochester.edu/alumni helped make this unique event a success! LETTERS “Renaissance” revised Women in Music I received my July 2006 copy of Notes and In our July 2006 issue, we printed a letter from noted with interest the story Renaissance Florence Du Poit criticizing Eastman’s Women Reborn about the Ars Antiqua group founded in Music Festival for not programming music by by Dorothy Amarandos. I am the Wallace two famous alumna, Emma Lou Diemer (MM Rust mentioned in the story. ’49, PhD ’60) and Nancy Van de Vate (x ’52). There are some factual errors that I wish The following is a reply from the director of the to correct. Here is the true story about the Women in Music Festival. tapes and their transfer to CDs: Chère Madame Du Poit, On December 15, 1959 I recorded onto Thank you for your letter to the editor tape the Ars Antiqua performance Il Solco. and for sharing your interest in, and advo- The tape lay dormant in my possession cacy of, the music of women composers. until December 18, 2002, when I trans- JULY 2006 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC Eastman’s Women in Music Festival is what ferred it to CD in my studio in Greece, New I call a “performer-based” festival; i.e. the York. Wanting to share it, I then sought and performers (faculty, students, and guest art- found Dorothy Amarandos (living in Reston, ists) choose their own repertoire for four out Virginia) and sent her a copy of the CD. She 2004, two years later (not one year as stated of five concerts presented during the week of was delighted and told me she had other tapes in Notes). the Festival. By giving performers that free- of Ars Antiqua performances, and would I Thus, it was I who digitized the Ars dom, the programs in 2005 and 2006 offered consider transferring them to CD. I said I Antiqua tapes, not Dorothy’s son. Her son an amazing variety of styles, instrumenta- would, and she sent me a trial lot of ten of may have been the one who selected the tions, and historical periods. I certainly do her tapes. tracks from my CDs to make the four-CD not want to take that feeling of ownership After digitizing them and creating CDs, set, An Ars Antiqua Renaissance. As you can away from them. However, Eastman being she decided to go ahead with digitizing her see, I did not send Dorothy 17 tapes. She had also an educational institution, it is part remaining tapes as a formal project at her ex- the tapes of all the performances except for of my duty and mission to introduce “new” pense. In all, she sent me 45 reel-to-reel four- my tape of Il Solco, and I did the digitizing of music (or what is perceived as new!) to the track tapes, and I digitized them and made all the tapes. Festival’s audiences and to the Wednesday 40 CDs from them. I started the project in Wallace Rust programs, which feature a specific composer January 2003 and finished it in November Rochester, New York or a theme (such as “Music in the Time of Susan B. Anthony” in 2006). The Festival is now preparing for its third edition, and I expect new names to be added to the roster of composers we have presented so far. There are only 300 minutes per year that the Festival can devote to music written by women, and I am aware that many wonder- ful composers will be left behind, year after year, just because of the nature of the process. But you’re in luck! For the last year or so, I have been corresponding with Nancy Van de Vate, and working at the possibility of making her the Festival’s composer-in-resi- dence in 2008.
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  • John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens

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    2011 NATIONAL ENDOWMENT FOR THE ARTS 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens Robert Ward Robert Ward NATIONAL ENDOWMENT FOR THE ARTS 2011 John Conklin’s set design sketch for San Francisco Opera’s production of The Ring Cycle. Image courtesy of John Conklin ii 2011 NEA OPERA HONORS Contents 1 Welcome from the NEA Chairman 2 Greetings from NEA Director of Music and Opera 3 Greetings from OPERA America President/CEO 4 Opera in America by Patrick J. Smith 2011 NEA OPERA HONORS RECIPIENTS 12 John Conklin Scenic and Costume Designer 16 Speight Jenkins General Director 20 Risë Stevens Mezzo-soprano 24 Robert Ward Composer PREVIOUS NEA OPERA HONORS RECIPIENTS 2010 30 Martina Arroyo Soprano 32 David DiChiera General Director 34 Philip Glass Composer 36 Eve Queler Music Director 2009 38 John Adams Composer 40 Frank Corsaro Stage Director/Librettist 42 Marilyn Horne Mezzo-soprano 44 Lotfi Mansouri General Director 46 Julius Rudel Conductor 2008 48 Carlisle Floyd Composer/Librettist 50 Richard Gaddes General Director 52 James Levine Music Director/Conductor 54 Leontyne Price Soprano 56 NEA Support of Opera 59 Acknowledgments 60 Credits 2011 NEA OPERA HONORS iii iv 2011 NEA OPERA HONORS Welcome from the NEA Chairman ot long ago, opera was considered American opera exists thanks in no to reside within an ivory tower, the small part to this year’s honorees, each of mainstay of those with European whom has made the art form accessible to N tastes and a sizable bankroll.