LAST of the MOHICANS Based on the Novel by James Fenimore
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RESTORATION RESTORATION 660 Mason Ridge Center Dr
REGRETS, REALITY, REGRETS, REALITY, RESTORATION RESTORATION Regrets: whose life is not plagued by at least a few of these nagging leftovers from the past? The things we regret doing—or not doing, as the case may be—can wear us down, reshaping our lives and our sense of self, in the process. Left unattended, regrets erode our self-esteem, our willingness to press on, even our ability to think clearly. Everything becomes shrouded by the guilt, the pain we’ve caused, the sense that lives have been ruined, or at least dreadfully altered, by our foolish mistakes. 660 Mason Ridge Center Dr. What’s happened in our lives, however, does not have to dictate the present—or the future. We can move beyond the crippling anguish and pain our decisions St. Louis, Missouri 63141-8557 may have caused. Still, restoration—true restoration— is not purely a matter of willpower and positive think- ing. It’s turning to the One who has taken all our griefs, 1-800-876-9880 • www.lhm.org sorrows, anxieties, blunders, and misdeeds to the cross and where, once and for all time, He won for us an ultimate victory, through His death and resurrection. In Jesus there is a way out of your past. There is no 6BE159 sin beyond pardon. Even as Peter was devastated by his callousness toward the Savior’s predicament and arrest, he was restored—by the grace of God—to a REGRETS, REALITY, life that has made a difference in the lives of untold millions through the centuries. 6BE159 660 Mason Ridge Center Dr. -
Cutting Patterns in DW Griffith's Biographs
Cutting patterns in D.W. Griffith’s Biographs: An experimental statistical study Mike Baxter, 16 Lady Bay Road, West Bridgford, Nottingham, NG2 5BJ, U.K. (e-mail: [email protected]) 1 Introduction A number of recent studies have examined statistical methods for investigating cutting patterns within films, for the purposes of comparing patterns across films and/or for summarising ‘average’ patterns in a body of films. The present paper investigates how different ideas that have been proposed might be combined to identify subsets of similarly constructed films (i.e. exhibiting comparable cutting structures) within a larger body. The ideas explored are illustrated using a sample of 62 D.W Griffith Biograph one-reelers from the years 1909–1913. Yuri Tsivian has suggested that ‘all films are different as far as their SL struc- tures; yet some are less different than others’. Barry Salt, with specific reference to the question of whether or not Griffith’s Biographs ‘have the same large scale variations in their shot lengths along the length of the film’ says the ‘answer to this is quite clearly, no’. This judgment is based on smooths of the data using seventh degree trendlines and the observation that these ‘are nearly all quite different one from another, and too varied to allow any grouping that could be matched against, say, genre’1. While the basis for Salt’s view is clear Tsivian’s apparently oppos- ing position that some films are ‘less different than others’ seems to me to be a reasonably incontestable sentiment. It depends on how much you are prepared to simplify structure by smoothing in order to effect comparisons. -
The Last of the Mohicans James Fenimore Cooper
THE LAST OF COMPLETE CLASSICS THE MOHICANS UNABRIDGED JAMES FENIMORE COOPER Read by William Hope This famous novel deals with the early frontier period of American history and is set in 1757 during the Seven Years War between the French and the British. Intrepid frontiersman and scout Natty ‘Hawkeye’ Bumppo has lived among Indians for most of his life, respecting their customs and acquiring the skills of an experienced woodsman. His closest companion Chingachgook, the Mohican chief, and his son Uncas are the last surviving members of the Mohican tribe. When the evil Magua threatens the life of an innocent English woman, Hawkeye and the Mohicans find themselves at the centre of a battle for honour and vengeance. Canadian by birth, William Hope grew up in Montreal before training at RADA as an actor. Despite prolific and diverse work in the UK as an ‘English’ stage actor, William is mostly known as an international ‘American’ screen actor seen in over 150 films and TV shows. As an ex-member of the BBC Radio Drama Company he has performed in hundreds of plays Total running time: 16:51:29 and readings for radio. He has recorded over 200 audiobooks and regularly View our full range of titles at n-ab.com appears in voiceovers, cartoons and video games. In film, he is best known as Lieutenant Gorman in James Cameron’s iconic Aliens, a role that has led to his voice being sampled and imitated in diverse media. 1 The Last of the Mohicans 10:00 26 Chapter 13 15:04 2 Chapter 1 12:41 27 For many minutes Duncan succeeded in keeping… 13:22 3 According -
A Retrospective on Archaeology at Fort William Henry, 1952-1993: Retelling the Tale of the Last of the Mohicans David R
Northeast Historical Archaeology Volume 20 Article 2 1991 A Retrospective on Archaeology at Fort William Henry, 1952-1993: Retelling the Tale of The Last of the Mohicans David R. Starbuck Follow this and additional works at: http://orb.binghamton.edu/neha Part of the Archaeological Anthropology Commons Recommended Citation Starbuck, David R. (1991) "A Retrospective on Archaeology at Fort William Henry, 1952-1993: Retelling the Tale of The Last of the Mohicans," Northeast Historical Archaeology: Vol. 20 20, Article 2. https://doi.org/10.22191/neha/vol20/iss1/2 Available at: http://orb.binghamton.edu/neha/vol20/iss1/2 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Northeast Historical Archaeology by an authorized editor of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. A Retrospective on Archaeology at Fort William Henry, 1952-1993: Retelling the Tale of The Last of the Mohicans Cover Page Footnote I want to thank Paul Huey for impressing upon me the importance of studying older, unpublished, artifact collections. While it may appear more exciting to tackle "new" sites, we have a strong ethical obligation to make sure that older excavations are published, even when the original research was directed by others. I also wish to thank Mike Palumbo, Curator at Fort William Henry, for many stimulating conversations and for giving me access to photographs and artifacts from the 1950s excavation; and thanks go to the Fort William Henry Corporation for allowing me to reproduce archival photographs. -
James Fenimore Cooper's Frontier: the Pioneers As History Thomas Berson
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 James Fenimore Cooper's Frontier: The Pioneers as History Thomas Berson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES JAMES FENIMORE COOPER’S FRONTIER: THE PIONEERS AS HISTORY By THOMAS BERSON A Thesis Submitted to the Progra In A erican and Florida Studies in partial fulfill ent of the require ents for the degree of Master of Arts Degree Awarded: Sum er Se ester, 2004 The members of the Committee approve the thesis of Thomas Berson defended on July 1, 2004. --------------------------- Frederick Davis Professor Directing Thesis ---------------------------- John Fenstermaker Committee Member ---------------------------- Ned Stuckey-French Committee Member Approved: ------------------------------ John Fenstermaker, Chair, Program in American and Florida Studies ------------------------------ Donald Foss, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For My Parents iii ACKNOWLEDGEMENTS Special thanks to John Fenstermaker, who gave me the opportunity to come back to school and to teach and to Fritz Davis, who helped me find direction in my studies. Additional thanks to the aforementioned and also to Ned Stuckey-French for taking the time out of their summers to sit on the committee for this paper. iv TABLE OF CONTENTS Abstract................................................................................................................ -
The Last of the Mohicans by James Fenimoore Cooper
The Last of the Mohicans By James Fenimoore Cooper Chapter 12 “Clo.—I am gone, sire, And anon, sire, I’ll be with you again.” —Twelfth Night The Hurons stood aghast at this sudden visitation of death on one of their band. But as they regarded the fatal accuracy of an aim which had dared to immolate an enemy at so much hazard to a friend, the name of “La Longue Carabine” burst simultaneously from every lip, and was succeeded by a wild and a sort of plaintive howl. The cry was answered by a loud shout from a little thicket, where the incautious party had piled their arms; and at the next moment, Hawkeye, too eager to load the rifle he had regained, was seen advancing upon them, brandishing the clubbed weapon, and cutting the air with wide and powerful sweeps. Bold and rapid as was the progress of the scout, it was exceeded by that of a light and vigorous form which, bounding past him, leaped, with incredible activity and daring, into the very center of the Hurons, where it stood, whirling a tomahawk, and flourishing a glittering knife, with fearful menaces, in front of Cora. Quicker than the thoughts could follow those unexpected and audacious movements, an image, armed in the emblematic panoply of death, glided before their eyes, and assumed a threatening attitude at the other’s side. The savage tormentors recoiled before these warlike intruders, and uttered, as they appeared in such quick succession, the often repeated and peculiar exclamations of surprise, followed by the well–known and dreaded appellations of: The Last of the Mohicans: Chapter 12 by James Fenimoore Cooper “Le Cerf Agile! Le Gros Serpent!” But the wary and vigilant leader of the Hurons was not so easily disconcerted. -
An American Accented Cinema
AN AMERICAN ACCENTED CINEMA INDIGENOUS-CENTERED ROAD MOVIES An Honors Thesis by Elizabeth Falkenberg An American Accented Cinema: Indigenous-Centered Road Movies By Elizabeth Falkenberg Brown University MCM Track I Honors Thesis Spring 2019 Primary Advisor: Joan Copjec Second Reader: Levi Thompson ABSTRACT Motivated by a desire to assess both the positive and negative cultural legacies of classical Hollywood cinema, this thesis focuses on a genre descendant of the classic western: the road movie. More specifically, inspired and contextualized by Hamid Naficy’s theory of ‘accented cinema,’ it will explore a subgenre of the road movie that features indigenous characters and narratives. Three indigenous-centered road movies – Powwow Highway, Smoke Signals, and Barking Water – help me define a specific type of accented cinema which has emerged in United States. Positioned as cultural and social texts, these films can be considered “accented” by the ways in which they employ accepted modes of production and address the themes of nostalgia, border consciousness, and journeys. i TABLE OF CONTENTS Abstract ............................................................................................................................... i Introduction: A New Accented Cinema ..............................................................................1 1. A Hollywood History of Mythmaking ..................................................................................... 10 Assessing the Popularity of Classical American Cinema The Westward Dream -
Resources Pertaining to First Nations, Inuit, and Metis. Fifth Edition. INSTITUTION Manitoba Dept
DOCUMENT RESUME ED 400 143 RC 020 735 AUTHOR Bagworth, Ruth, Comp. TITLE Native Peoples: Resources Pertaining to First Nations, Inuit, and Metis. Fifth Edition. INSTITUTION Manitoba Dept. of Education and Training, Winnipeg. REPORT NO ISBN-0-7711-1305-6 PUB DATE 95 NOTE 261p.; Supersedes fourth edition, ED 350 116. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MFO1 /PC11 Plus Postage. DESCRIPTORS American Indian Culture; American Indian Education; American Indian History; American Indian Languages; American Indian Literature; American Indian Studies; Annotated Bibliographies; Audiovisual Aids; *Canada Natives; Elementary Secondary Education; *Eskimos; Foreign Countries; Instructional Material Evaluation; *Instructional Materials; *Library Collections; *Metis (People); *Resource Materials; Tribes IDENTIFIERS *Canada; Native Americans ABSTRACT This bibliography lists materials on Native peoples available through the library at the Manitoba Department of Education and Training (Canada). All materials are loanable except the periodicals collection, which is available for in-house use only. Materials are categorized under the headings of First Nations, Inuit, and Metis and include both print and audiovisual resources. Print materials include books, research studies, essays, theses, bibliographies, and journals; audiovisual materials include kits, pictures, jackdaws, phonodiscs, phonotapes, compact discs, videorecordings, and films. The approximately 2,000 listings include author, title, publisher, a brief description, library -
Notions of American Identity in James Fenimore Cooper's the Last of the Mohicans and Catharine Maria Sedgwck's Hope Leslie Or, Early Times in the Massachusetts
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2010 Visions of the Future; Notions of American Identity in James Fenimore Cooper's The last of the Mohicans and Catharine Maria Sedgwck's Hope Leslie or, Early Times in the Massachusetts Cheryl M. Gioioso CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/12 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] VISIONS OF THE FUTURE: NOTIONS OF AMERICAN IDENTITY IN JAMES FENIMORE COOPER'S THE LAST OF THE MOHICANS AND CATHARINE MARIA SEDGIWCK'S HOPE LESLIE OR, EARLY TIMES IN THE MASSACHUSETTS By Cheryl M. Gioioso May 10, 2010 Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York Contents Acknowledgments......................................................................... i I: Introduction .............................................................................. 1 II: Biographical Information .................................................. 8 III: The Wilderness & Nature ................................................ 26 IV: European Heritage ............................................................ 47 V: Native American Heritage .............................................. 59 VI: Women & Power ............................................................... -
James Fenimore Cooper and the Idea of Environmental Conservation in the Leatherstocking Tales (1823-1841)
Ceisy Nita Wuntu — James Fenimore Cooper and the Idea of Environmental Conservation in the Leatherstocking Tales (1823-1841) JAMES FENIMORE COOPER AND THE IDEA OF ENVIRONMENTAL CONSERVATION IN THE LEATHERSTOCKING TALES (1823-1841) Ceisy Nita Wuntu IKIP Negeri Manado [email protected] Abstract The spirit to respect the rights of all living environment in literature that was found in the 1970s in William Rueckert’s works was considered as the emergence of the new criticism in literature, ecocriticism, which brought the efforts to trace the spirit in works of literature. Works arose after the 1840s written by Ralph Waldo Emerson, Henry David Thoreau, and Margareth Fuller, the American transcendentalists, are considered to be the first works presenting the respect for the living environment as claimed by Peter Barry. James Fenimore Cooper’s reputation in American literary history appeared because of his role in leading American literature into its identity. Among his works, The Leatherstocking Tales mostly attracted European readers’ attention when he successfully applied American issues. The major issue in the work is the spirit of the immigrants to dominate flora, fauna and human beings as was experienced by the indigenous people. Applying ecocriticism theory in doing the analysis, it has been found that Cooper’s works particularly his The Leatherstocking Tales (1823-1841) present Cooper’s great concern for the sustainable life. He shows that compassion, respect, wisdom, and justice are the essential aspects in preserving nature that meet the main concern of ecocriticism and hence the works that preceded the transcendentalists’ work places themselves as the embryo of ecocriticism in America. -
Images of American Indians in Fiction
Many Trails, Many Tribes: Images of American Indians in Fiction Since Christopher Columbus first set foot on American land, encountered the natives, and described them in his journal as "tall and handsome, their hair not curly, but flowing and thick, like horsehair," American Indians have captured the imagination of authors and their audiences throughout the world. Like many early explorers and colonists, Columbus brought his Old World experience and prejudices to bear on people about whom he knew nothing and with whom he could barely communicate. He assumes that their enemies are cannibals in service to the Great Khan, and that "they would readily become Christian; it appeared to me that they have no religion." He finds them surprisingly friendly and gullible: "I gave them some red bonnets and glass beads which they hung around their necks, and many other things of small value, at which they were so delighted and so eager to please us that we could not believe it." Thus begins one of the myths about American Indians; they are so naïve that one can buy their land with a string of beads; if one compensates them appropriately (as for oil discovered on Osage land), they'll squander the money on fancy cars that they’ll abandon when they run out of gas. Columbus also marvels at the virtues of the natives he encounters; in return for "things of small value," they offer gifts, seem to help Columbus in his quest for the source of their small amounts of silver and gold, and feed his men. He notes their physical beauty and the beauty of their crafts: their canoes, their homes, pottery, and masks. -
ANSWER KEY Page 113 9 A
The Last of the Mohicans 解 答 ANSWER KEY Page 113 9 a. 3 b. 1 c. 5 d. 2 e. 4 a. 1 b. 11 c. 5 d. 4 e. 8 f. 12 g. 6 h. 7 i. 9 j. 3 k. 10 l. 2 Before Reading Page 114 Page 9 Alice: a, b, d, f Cora: c, e, g 4 1. c 2. g 3. f 4. a 5. h 6. e 7. d 8. b 5 Page 115 1. canoe 2. hoofs 3. moccasins 4. tomahawk 5. knife a. Uncas b. Gamut c. Heyward d. Chingachgook 6. wigwam 7. cave 8. rifle e. Colonel Munro f. Hawkeye g. Magua h. General Webb i. Montcalm Page 10 (Possible Answers) 7 a. 3 b. 6 c. 5 d. 2 e. 1 f. 4 • a. They are friends 8 1. F 2. T 3. T • b. They are sisters • c. They are attracted to each other. Half-way through the Page 25 book Heyward asks Colonel Munro for Alice’s hand in • Alice doesn’t trust Magua because he frightened her when he marriage. ran past her horse and she doesn’t feel safe with him. • d. Magua want Cora as his wife but Cora despises him. • Hawkeye doesn’t trust Magua because he is a Huron and • e. Munro and Montcalm are enemies but they reach an Hurons are thieves. agreement for the surrender of Fort William Henry. Page 35 Page 116 • Cora sends Hawkeye and the Mohicans away because she (Possibile Answers) a and/or d a, b, d, e doesn’t want them to die.