The Programme New Publications Sheet Music 1/2013

8h[dh[_j[h J^[
Cki_Y_WdiÊ
9^e_Y[

9:GC:J: QUEMPAS 69K:CIH" JC9 L:>=C68=IHA>:9:G New Issue Title

1 New Publications 1/2013 · The Programme

:Wi
Fhe]hWcc LehiY^Wk
Wk\
Z_[
D[k[hiY^[_dkd][d (%(&'(

Vorschau 2/2012: Das Programm 1 Contents Piano

Piano Vocal Music Beethoven: Concerto No. 1 in C major for Pianoforte Brahms: Sacred Choral Music a cappella. BA 7575...... 24 New findings and Orchestra op. 15. BA 9021...... 3 Monteverdi: Vespro della Beata Vergine. BA 8794...... 25 Mozart: Works for Piano Duet Mozart: Missa brevis in D major K. 194 in Beethoven’s BA 9179...... 4 BA 5690-90...... 26 Schubert: Works for Piano Duet III Mozart: Missa in C major “Coronation Mass” K. 317 BA 9645...... 5 BA 5691-90, BA 5691, BA 5691-65...... 26 first piano concerto Fauré: Barcarolles. BA 10842...... 6 Pergolesi: Stabat mater. BA 5692, BA 5692-90...... 27 Fauré: Valses-Caprices. BA 10843...... 7 Bach: Jauchzet Gott in allen Landen, BWV 51 À Son Altesse Madame la Princesse Odescalchi née Comtesse Keglevics er Debussy: Préludes, 1 livre. BA 10818...... 8 BA 10051-51...... 28 Konzert Nr. 1 für Klavier und Orchester Schütz: Geistliche Chor-Music. The six and seven-part Opus 15 Satie: Gnossiennes. BA 10807...... 9 Allegro con brio Ludwig van Beethoven  Dvořák: Slavonic Dances for Piano Duet...... motets (nos. 13-29, SWV 381-397). BA 5902...... 29 Flauto  c ∑ ∑ ∑ ∑ ∑ ∑ ∑ 1st Series op. 46: BA 9547 / 2nd Series op. 72: BA 9548 ...10 Handel: Acis and Galatea HWV 49b Oboe I, II  c ∑ ∑ ∑ ∑ ∑ ∑ ∑ Mussorgsky: Pictures at an Exhibition BA 10700-90...... 32 Clarinetto I, II BA 9621...... 11 Mozart: Das Alexander-Fest K. 591 in Do/C  c ∑ ∑ ∑ ∑ ∑ ∑ ∑

Vierne: Complete Piano Works II BA 4527-90...... 33 Fagotto I, II  c ∑ ∑ ∑ ∑ ∑ ∑ ∑  BA 9612...... 12 Handel: Alexander‘s Feast HWV 75 Corno I, II  BA 4001-92...... 33 in Do/C  c ∑ ∑ ∑ ∑ ∑ ∑ ∑

Clarino I, II Dvořák: The Spectre‘s Bride op. 69 in Do/C c ∑ ∑ ∑ ∑ ∑ ∑ ∑  The Bärenreiter Film...... 13 BA 9544-90...... 34 Timpani in Do-Sol/C-G  c ∑ ∑ ∑ ∑ ∑ ∑ ∑ Gluck: Alceste. Paris Version 1776  Ludwig van Beethoven: BA 2291-90...... 35  c ∑ ∑ ∑ ∑ ∑ ∑ ∑ 6 Pianoforte *) 6 4 6 7 unis. Facsimiles / Music Books                   c      Ó Ó  Ó Concerto No. 1 in C major p     Mozart: Eine kleine Nachtmusik K. 525 Study Scores Allegro con brio { [ ]                Violini I  c          Ó        for Pianoforte and ISBN 978-3-7618-2282-1...... 14–15       Cavalli: La Calisto. TP 891...... 36 p     [ ] Schubert: Schubert Thematic Catalogue Violini II  c     Ó      Ó     Ó      Orchestra, op. 15 Janáček: Glagolitic Mass. TP 862...... 37 p           ISBN 978-3-7618-1258-7...... 23           Viole              {  c  Ó Ó   Ó     Bach: St. Matthew Passion BWV 244 p          BÄRENREITER URTEXT Violoncelli         e Bassi c      Ó Ó  Ó Contemporary Music...... 38 p  ISBN 978-3-7618-2294-4...... 30–31     from: BA 9021 Edited by Jonathan Del Mar *) Bar 7: unis., i.e. tasto solo throughout; see Preface / Orchestra BA 9021 © 2013 by Bärenreiter-Verlag, Kassel Score* *New Issue Title Strings / Chamber Music The Bärenreiter editor and Beethoven expert Jonathan Del Mar who BA 9021 · approx. € 39.95 Dvořák: Symphony no. 7 in D minor, Opus 70 Dvořák: String Quintet in E-flat major op. 97 BA 10417...... 39 has received international acclaim for his highly successful editions Piano reduction* BA 9542, TP 532...... 16 Haydn: Symphony No. 49 in F minor “La passione” of Beethoven’s works now turns his focus on the piano concertos. BA 9021-90 · approx. € 22.95 Dvořák: Terzetto in C major op. 74 for two Violins Hob. I: 49. BA 10973...... 40 ISMN 979-0-006-54298-7 and Viola. BA 9543...... 16 Critical Commentary Brahms: Trio for Pianoforte, Violin and In the Piano Concerto No. 1 in C major op. 15, Del Mar has found no BA 9021-40 · approx. € 49.95 Violoncello op. 101. BA 9437...... 17 Organ less than 17 corrections in Beethoven’s autograph which were made 9 790006 542987 Speckert: Tango Classics for Violin and Piano Violin I Organ Plus One. Low Instruments I after the work was published. These have been brought to light in this Score, BA 9021 BA 10614...... 18 BA 9021-74 · approx. € 4.50 BA 11214...... 41 new Bärenreiter edition. A detailed critical commentary documents Bodunov: Beautiful Adagios. 9 Pieces for two Violins ISMN 979-0-006-54306-9 Praise and Thanks for Organ II Violin II BA 10615...... 19 all the sources and findings made by the editor. BA 8497...... 42 Seitz: Student Concerto in G minor op. 12 BA 9021-75 · approx. € 4.50 An Easy Bach Organ Album 9 790006 543069 for Violin and Piano. BA 8985...... 20 BA 11212...... 43 This new critical edition sets the highest scholarly standards without Viola Piano reduction, Seitz: Student Concerto in D major op. 22 BA 9021-90 Organ Plus Brass, Volume III losing sight of the needs of modern performers. BA 9021-79 · approx. € 4.50 Arranged for Viola. BA 8986...... 21 Arranged for Cello. BA 8987...... 21 BA 11203...... 44 Violoncello Dubois: Complete Organ Works V • Urtext edition reflecting the latest musicological research BA 9021-82 · approx. € 4.50 BA 9208...... 45 Solo Voices Frescobaldi: Organ and Keyboard Works III • Includes Beethoven’s cadenzas Double Bass BA 8414 ...... 46 • Piano reduction with a separate solo piano part BA 9021-85 · approx. € 4.50 Handel: Chamber Duets for Soprano and Alto Mussorgsky: Night on Bald Mountain BA 10257...... 22 BA 11211...... 47 Wind set BA 9021-65 · approx. € 59.00 Complete EditionsNew...... Issue Title 23 Your Contacts...... 48 ToNew appear Issue in Title March 2013

New Publications 1/2013 · The Programme 2 Cover design · The Bärenreiter Film at www.baerenreiter.com 3 New Publications 1/2013 · The Programme Piano Piano

Piano duets by Mozart ...... and Schubert

106 Rondo in A op. post. 107 - D 951 Juni 1828 Allegretto quasi Andantino

Primo

legato

Secondo

5

Wolfgang Amadeus Franz Schubert:

Mozart: 9 Works for Piano Duet III Works for Piano Duet (Four Hands - One Piano)

(Four Hands - One Piano) BÄRENREITER URTEXT Edited by Walburga Litschauer and BÄRENREITER URTEXT Werner Aderhold Edited by Wolfgang Rehm BA 9645 © 2013 by Bärenreiter-Verlag, Kassel BA 9645 · approx. € 29.95 Appendix edited by Michael Töpel To appear in April 2013 BA 9179 · approx. € 27.95 Mozart’s works for piano duet are amongst the most important This edition marks the beginning of Bärenreiter’s publication of (replaces BA 4786) contributions to this repertoire. This scholarly-critical edition based Schubert’s complete works for piano duet in scholarly-critical Urtext on the New Mozart Edition makes these works available in a revised editions. It includes Schubert’s late works, composed between 1826 To appear in May 2013 form and includes a new foreword. The publication also contains an and 1828 which are amongst the most important works in the piano appendix with the fragments K. 497a (Fr 1787i) and K. 500a (Fr 1791a) duet repertoire. Suggestions on performance practice by Mario Aschauer and a selection of passages on practical performing aspects which are completed by Michael Töpel, as well as individual pieces for from the critical commentary of the New Schubert Edition complete organ, mechanical organ and musical clock in historic transcriptions the edition, which presents the compositions in a clear score format. for piano duet. Informative forewords to the main part and the appendix together with Contents explanatory notes on the evaluation of the sources complete this volume, Variations on a Theme from the opera “Marie” by L. J. Ferdinand which will be indispensable for both teachers and performers. Hérold op. 82,1 ( D 908) / Fantasy in F minor op. 103 (D 940) / Allegro in A minor op. post. 144 (D 947) / Rondo in A major op. post. 107 (D 951) / Fugue in E minor op. post. 152 (D 952) • Newly engraved revised Urtext edition based on the New Mozart

Edition, taking the latest findings into account • Based on the Urtext of the New Schubert Edition ISMN 979-0-006-52942-1 • First arrangement for piano duet of Mozart’s Andante in F for musical • Scholarly-critical edition reflecting the latest state of research ISMN 979-0-006-53987-1 clock K. 616 • Suggestions on performance practice by Mario Aschauer • Lead-ins and fermata ornamentations by Michael Töpel • Detailed foreword (Ger/Eng) and critical commentary (Eng) 9 790006 529421 9 790006 539871 • Includes detailed forewords (Ger/Eng) and information on the • With optimum page-turns New Issue Title evaluation of sources (Ger/Eng) New Issue Title

New Publications 1/2013 · The Programme 4 5 New Publications 1/2013 · The Programme Piano Piano

Fauré: Barcarolles and ...... Valses-Caprices with new findings

À Mademoiselle Alex. Milochevitch À Madame Montigny-Rémaury 1re Barcarolle 1re Valse-Caprice Op. 26 Op. 30

= 46 Allegretto moderato q. Allegro moderato   pp      1  1  1        6 1          3         8           4      e cantabile   pp  m.d. m.g. p dolce tenuto ed espressivo   1 2 1      1     1    3             4          6 1 2 3           8 3 2 1        3 2 1       pp        pp 7                               pp 4   pp    1                                         p     poco cresc. B   1                 1 2 3        13 pp                                                        m.d. m.g. f  cresc. ed accelerando molto     cantando     7                                       pp              Gabriel Fauré:  p Gabriel Fauré:  19 mf                                                    Barcarolles         dim. e rall. Valses-Caprices           

BÄRENREITER URTEXT 10 *) BÄRENREITER URTEXT     25 Tempo I           pp                      Edited by               Edited by  cresc.              pp    m.d. m.g.  Christophe Grabowski    pp  Christophe Grabowski                                   BA 10842 · approx. € 20.50        BA 10843 · approx. € 18.50 pp 

*) Voir les Notes critiques. / See the Critical notes. BA 10842 © 2013 by Bärenreiter-Verlag, Kassel BA 10843 © 2013 by Bärenreiter-Verlag, Kassel To appear in March 2013 To appear in March 2013

Fauré’s 13 Barcarolles, composed over a period of almost four decades Fauré’s four Valses-Caprices (1882/83–1894) demonstrate various (1882–1921) are highly representative of his output for piano and are forms of his treatment of the waltz in combination with the free regarded as his most characteristic works. They reflect his breaking form of the caprice. The composer drew his inspiration for his Valses- free from the Romantic idiom, particularly that of Chopin and Caprices in the first place from works such as Liszt’s Valse-Impromptu Mendelssohn, developing an independent musical language in which and his Valse à capriccio and the famous Valse-Caprice by Anton he combined tradition and the emerging modernism. Rubinstein.

Christophe Grabowski who is a French pianist and doctor of These important groups of works are now made available in scholarly- musicology studied in Warsaw and Paris. He has edited a volume of critical Urtext editions based on the Œuvres complètes de Gabriel the Œuvres complètes de Gabriel Fauré, is Series Editor of the Complete Fauré and reflect the latest state of research. Detailed forewords Chopin. A New Critical Edition as well as two volumes of the Édition offer information on the genesis and significance of the compositions Complète des Œuvres de Claude Debussy. Together with John Rink he as well as valuable suggestions on historical interpretation. published the Annotated Catalogue of Chopin’s First Editions in 2010. All the available manuscript and printed sources as well as piano rolls containing recordings by the composer have been taken into consideration, leading to new discoveries particularly regarding the ISMN 979-0-006-54249-9 Valses-Caprices. ISMN 979-0-006-54250-5

• Based on the Œuvres complètes de Gabriel Fauré 9 790006 542499 9 790006 542505 • Based on the latest research findings and extensive source studies New Issue Title • Informative forewords with advice on performance practice (Fr/Eng/Ger) New Issue Title

New Publications 1/2013 · The Programme 6 7 New Publications 1/2013 · The Programme Piano Piano

New Urtext edition Satie’s Gnossiennes of Debussy’s Préludes in an Urtext edition

I. Gnossienne Lent et grave q = 44 doux et soutenu   Nº 1 5 4 5 4 2 3 à Roland Manuel  2  2       3                 4                 Lent            p p p p                                           3        p  4                                                     4    3 4  4 "4   "4      1      2 4                                                            pp             p                                       f                                    4 4 2  4                    3 3 3 1                4                    7     2   "4    2  4                                                                                            mf           Claude Debussy:          Erik Satie:       p                                             2  2               Préludes          Gnossiennes          er doux mais en dehors  4 1 livre 5 5 2 3 5 3  1 4 10  "   4 1 BÄRENREITER URTEXT     4 4  4 4                                                                                       Edited by Jens Rosteck                           BÄRENREITER URTEXT pp  f  BA 10807 · approx. € 7.95                                          Edited by Thomas Kabisch                         1 1 1       2 2      4 4 With fingering by Martin Widmaier     5 5 BA 10818 © 2013 by Bärenreiter-Verlag, Kassel BA 10807 © 2013 by Bärenreiter-Verlag, Kassel To appear in April 2013 BA 10818 · approx. € 17.95

No distribution rights for To appear in June 2013 Debussy links the 12 Préludes in his first book not by a tonal scheme, Between 1889 and 1897 Satie composed a series of piano pieces. He the USA and France. but by means of a chain of associative mottos or titles which appear gave these the eccentric title Gnossiennes and provided consciously at the end of each piece and which may give a hint of the overall ironic performance instructions in which he satirized the excessive poetic content. gestures of Romantic piano playing. The musicologist Thomas Kabisch who specialises in Debussy’s piano This Bärenreiter Urtext edition offers new variant readings and music has edited this Urtext edition based on the latest research presents Gnossienne No. 7 in its authentic form for the first time. Like findings, resulting in an authoritative publication. The edition has a the Gymnopédies (BA 10804), the Gnossiennes are particularly suitable clear layout, practical page-turns and fingering by the experienced for piano teaching because of their easy to medium difficulty level. teacher Martin Widmaier, professor of piano at the Robert Schumann Suggestions for performance are given by the Satie specialist Steffen University, Düsseldorf. This fingering traces musical lines and Schleiermacher. In addition a detailed foreword by the distinguished supports sensitive sound production. There are also special fingering musicologist Jens Rosteck provides valuable information on the background to the composition, its significance and interpretation. exercises to assist in the learning of the chordal structures. Thus, the edition provides the necessary prerequisites for studying these works. • Urtext edition with new variant readings • For the first time Gnossienne No. 7 presented in its authentic form • Urtext edition based on the latest state of research ISMN 979-0-006-52919-3 • Easy to moderate difficulty ISMN 979-0-006-52933-9 • Includes fingering as well as additional specific fingering exercises • Translations of all Satie’s performance instructions (Ger/Eng) • Detailed foreword (Ger/Eng) and critical commentary (Eng) • With practical suggestions for performance (Ger/Eng) 9 790006 529193 9 790006 529339 by Steffen Schleiermacher New Issue Title • With a detailed foreword (Ger/Eng) and critical commentary (Eng) New Issue Title

New Publications 1/2013 · The Programme 8 9 New Publications 1/2013 · The Programme Piano Piano

Major works by Dvořák in Modest Mussorgsky’s newly engraved editions famous piano cycle

1 Посвящается Владиміру Васильевичу Стасову Antonín Dvořák, op. 46 (1841–1904) Картинки съ выставки  Presto Посвящается Владиміру Васильевичу Стасову     Воспоминаніе о Викторѣ Гартманѣ         Картинки съ выставки           3                      4                    Воспоминаніе о Викторѣ Гартманѣ ff   Wladimir Wassiljewitsch Stassow gewidmet Primo    Bilder einer Ausstellung              *)                   Wladimir Wassiljewitsch Stassow gewidmet 3                     Erinnerung an Viktor Hartmann  4            Bilder einer Ausstellung Presto   Erinnerung an Viktor Hartmann* )                            3                    4                  Promenade Secondo ff Promenade    3    Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto**) 4                                              5Allegro giusto, nel modo russico; se6nza allegrezza, ma poco sostenuto**) 5   6                 4    4     4     4               f              10  5    6     5    6            4   4   4    4                                                       5 f 6 5     6    4  4  4   4 fz  p              5 6 5     6                         4 4 4  4                                                 4                                             6   5 6   5  4 4      4   4     4 p               [ f z ]          6     5 6     5     4      4     4       4                         Antonín Dvořák:                 6     5  6      5 Modest Mussorgsky:                  4    4 4   4                         6     5 6    5  4   4  4    4 19 1. 2.        Картинки съ выставки Slovanské tance                                            7 [ ] pp [ p ]       7  5 6         Воспоминаніе о Slavonic Dances   4      4                                                      5 6           4      4           1. 2.                            5 6    Викторѣ Гартманѣ for Piano Duet                           4 4              pp p   5 6          4 4         (Four Hands - One Piano)     *) Dedicated to Vladimir Vasilyevich Stasov. Pictures at an Exhibition. A Remembrance of Viktor Hartmann.                     **) Vgl. / See Critical Commentary. *) Dedicated to Vladimir Vasilyevich Stasov. Pictures at an Exhibition. A Remembrance of Viktor Hartmann. BA 9547 © 2013 by Bärenreiter Praha B**A) V 9g6l2. 1/ See Critical Commentary. © 2013 by Bärenreiter-Verlag, Kassel Pictures at an Exhibition st 1 Series op. 46 BA 9621 © 2013 by Bärenreiter-Verlag, Kassel A Remembrance of Edited by Jarmil Burghauser It was the Slavonic Dances for Piano Duet op. 46 which brought The catalyst for the piano cycle Pictures at an Exhibition, composed BA 9547 · € 13.95 Antonín Dvořák unexpected international fame. An unerring business in 1874, was a memorial exhibition held that year for the artist and Viktor Hartmann (replaces H 592) instinct led Fritz Simrock, at the beginning of 1878, to ask the Czech architect Viktor Hartmann. He was a friend of Mussorgsky who had BÄRENREITER URTEXT composer for some works for piano duet into which Dvořák died in 1873. It is not only Mussorgsky’s most important contribution To appear in March 2013 Edited by Christoph Flamm incorporated musical themes from where he grew up. Following in to the piano repertoire, but through its relationship to Hartmann’s BA 9621 · approx. € 14.50 the footsteps of Brahms’s Hungarian Dances, Dvořák refrained from pictures and the translation of this idea into a composition, the cycle 2nd Series op. 72 a literal portrayal of individual kinds of dance. As a result, he created holds a unique place in 19th century piano repertoire. To appear in June 2013 unique masterpieces of European music for domestic use and concert Edited by Jarmil Burghauser performance. Christoph Flamm, an internationally renowned specialist of Russian BA 9548 · € 13.95 music of the 19th and early 20th centuries, has edited this Urtext (replaces H 1234) This edition of both series of the Slavonic Dances is based on the edition for Bärenreiter. He has re-evaluated the sources and in the To appear in March 2013 Complete Edition of the Works of Antonín Dvořák. The main sources process has discovered surprising variant readings of the well-known are the first editions published by Simrock. musical text. The edition will meet the demands of advanced piano students, teachers and pianists. ISMN 979-0-2601-0576-8 ISMN 979-0-2601-0577-5 • Separate editions of these works based on the Complete Edition of ISMN 979-0-006-54190-4 Antonín Dvořák̕s Works, vol. V/5 • Scholarly-critical Urtext edition based on all the sources

9 790260 105768 9 790260 105775 • New forewords (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and • Detailed foreword (Ger/Eng) and suggestions on performance practice BA 9547 BA 9548 Ivana Rentsch • Clear musical layout 9 790006 541904

New Issue Title New Issue Title • Newly engraved in score format New Issue Title

New Publications 1/2013 · The Programme 10 11 New Publications 1/2013 · The Programme Piano The Bärenreiter film ... Renowned conductor and musicologist Christopher Hogwood takes you on a Masterpieces of French journey through Bärenreiter. Come piano literature with us behind the scenes.

A mon élève Marthe Bracquemond DOUZE PRÉLUDES op. 36 Louis Vierne 1. Prologue (1870–1937)

Maestoso ( q = 96)                f m.d. cresc. m.g.                             2               (                                    ff    ff                                                                                5                                      (                   (    sempre ff    (                                  (                     (                                  Louis Vierne:   8      (                               (        L’Œuvre de Piano II                     (                    (                       Complete Piano Works II     11                  BÄRENREITER URTEXT        mf ff   Edited by Olivier Gardon                                 BA 9612 · approx. € 28.95   BA 9612  © 2013 by Bärenreiter-Verlag, Kassel

To appear in May 2013 With his Douze Préludes op. 36 and Trois Nocturnes op. 35 composed No distribution rights for between 1914 and 1916, Vierne followed in the Romantic piano France, Italy and Spain. tradition, whilst lending the historic models that special sound between elegance and expressivity, as is characteristic for French music of the period. The editor of the volume is the distinguished pianist Olivier Gardon. As a performer and scholar, he has researched Louis Vierne’s piano music for over twenty years of which he has an unparalleled knowledge. This can be convincingly heard on Olivier Gardon’s complete CD recording of 1995. You will be given an insight into the editorial and production process • First critical Urtext edition based on all available autograph of an Urtext edition. The history of this manuscripts and printed sources • With a detailed foreword and critical commentary (both Fr/Eng/Ger), family-owned company is also revealed. complemented by numerous facsimiles ISMN 979-0-006-53583-5 • Well-presented layout ... at www.baerenreiter.com 9 790006 535835

New Issue Title New Issue Title

New Publications 1/2013 · The Programme 12 13 New Publications 1/2013 · The Programme Eine kleine Nachtmusik “... written with ease, but skillfully refined” “The fact that it’s all over town does not alter anything in the quality of this occasional piece written with ease but skillfully refined.” Wolfgang Hildesheimer

“Eine kleine NachtMusick” is how The work is one of the The manuscript was inaccessible each trimmed individually – are Mozart entered the Serenade jewels of Mozart’s output, to the public for almost half a presented in a handsome box. in G major in his personal combining bright radiance century, but now Bärenreiter This is accompanied by a booklet catalogue of works on 10 August and a natural simplicity with has received exclusive with an introductory text by The seal is used exclusively for 1787. It was written without any brilliant refinement. Similarly, permission to produce a new Wolfgang Rehm including facsimile editions published known incentive or commission the autograph manuscript facsimile of Mozart’s original. information on the genesis of by Bärenreiter which meet the during the time that Mozart of this perfect masterpiece The edition reproduces the the composition and the various highest demands in both was composing Don Giovanni, a is captivating because of its facsimile pages as individual aspects of the autograph scholarly and technical terms. time when he was celebrating balanced clarity and beautiful sheets and leaves, reflecting manuscript. The distinguishing features his greatest success as an opera handwriting. the way the original copy has include: composer. survived. These pages – in ● a facsimile in high-quality high-quality colour printing, colour printing Wolfgang Amadeus Mozart ● scholarly commentary Eine kleine Nachtmusik K. 525 Facsimile of the autograph With a commentary by Wolfgang Rehm Documenta musicologica II,46 14 pages of facsimile (individually trimmed) and an approx. 24 page-accompanying booklet (Eng/Ger); presented in a handsome box ISBN 978-3-7618-2282-1

approx. € 179.00 ISBN 978-3-7618-2282-1

To appear in June 2013

9783761822821

New Issue Title New Issue Title

New Publications 1/2013 · The Programme 14 15 New Publications 1/2013 · The Programme

Vorschau Doppel_Mozart_engl.indd 2 11.02.13 13:21 Strings Chamber Music with Piano

Antonín Dvořák: Brahms’ famous Reprints of selected works piano trio

from the Complete Edition Trio für Pianoforte, Violine und Violoncello Opus 101 Allegro energico Johannes Brahms 3   3 3 The String Quintet in E-flat major op. 97 (with two violas) is the third Violino  3       4           sf           f        sf sf 3 work Dvořák composed during his stay in America. “This quintet may  Violoncello   3                4        sf sf f 3  f 3        3 be said in three of its movements to show the influence of American sf Allegro energico 3     3               life and American music upon the composer” wrote the American music   4                     3     3  Pianoforte f ben marc. 3 poco f 3 3 3 3 critic Henry Krehbiel on 7 January 1894. The use of particular melodic  3     4                                 and rhythmic elements in his American compositions, as typically         7  {      found in Afro-American gospels, strengthened the gathering                                mf cresc.        conception considering Dvořák to be the founder of an American                               mf cresc.   national style of music. The String Quintet in E-flat major was                          3                          premiered on 12 January 1894 at the Carnegie Hall and was published cresc.                3                       Johannes Brahms: Antonín Dvořák: shortly afterwards in score and parts by Simrock. This first edition is                 the main source for this publication. 11       {                     Trio for Pianoforte, Smyčcový kvintet Es dur                       f                                             String Quintet         Violin and Violoncello • Reprint from the Complete Edition of the Works of Antonín Dvořák,  f                                         in E-flat major op. 97 Vol. IV/8                    op. 101 6              f                 • New foreword (Cz/Eng/Ger) by David Beveridge with an evaluation of                                        BÄRENREITER URTEXT Edited by František Bartoš 6           the origin of the composition       {BA 9437 © 2013 by Bärenreiter-Verlag, Kassel Edited by Christopher Hogwood Parts in a slipcover BA 9542 · € 19.95 Score with parts (replaces H 1738) Christopher Hogwood’s scholarly-critical edition of Brahms’ final and BA 9437 · approx. € 19.95 perhaps greatest trio op. 101 is based on two main sources, the first In 1887 Antonín Dvořák composed two terzettos for two violins and Study score edition and the autograph. To appear in March 2013 viola in quick succession as occasional compositions for amateurs. TP 532 · € 13.95 The foreword of this edition presents information on contemporary A little later, Dvořák arranged the second terzetto as four pieces for performance practice; Hogwood has drawn on the comments of violin and piano with the title Romantic Pieces op. 75. Both works, Already published Fanny Davis, a Brahms student, to shed light on this. She describes that is the first Terzetto in C major and the Romantic Pieces, were how Brahms played the trio with Joseph Joachim and Robert published in May 1887 by Simrock in Berlin. Hausmann at an informal reading (with Clara Schumann turning pages) in Baden-Baden in approx. 1895. Davis’ descriptions have much Antonín Dvořák: • Based on the Complete Edition of the Works of Antonín Dvořák, to do with articulation, dynamics and tempo fluctuations; in short Terzetto in C major op. 74 Vol. IV/4 exactly those aspects of performance practice where we lack real • Repertoire of medium difficulty direction. for two Violins and Viola • Includes important information on performance practice of the day Edited by Jarmil Burghauser ISMN 979-0-2601-0568-3 ISMN 979-0-2601-0567-6 ISMN 979-0-2601-0571-3 (Ger/Eng) ISMN 979-0-006-54111-9 Set of Parts • With a detailed critical commentary (Eng) BA 9543 · approx. € 11.95 9 790260 105683 9 790260 105676 9 790260 105713 (replaces H 1556) BA 9542 TP 532 BA 9543 9 790006 541119

To appearNew in Issue May Title 2013 New Issue Title New Issue Title New Issue Title New Issue Title

New Publications 1/2013 · The Programme 16 17 New Publications 1/2013 · The Programme The Bärenreiter series ... pieces for the most with appealing ... popular instruments

2 El Choclo Adagio Angel Villoldo h = 53 Tomaso Albinioni arr. Vladimir Bodunov Violin  Violin 1  f   f Violin 2  Piano 

 6

5

p

3

12 p 3 3 3

3 3 3

10

18 3 3 George Speckert: Vladimir Bodunov:

3

Tango Classics 24 Beautiful Adagios

for Violin and Piano 14 cresc. 9 Pieces for two Violins 3 3 mf pp cresc. Score and part 30 Score and part 3 BA 10614 · approx. € 12.95 mf pp BA 10615 · approx. € 12.95

3 To appear in April 2013 3 To appear in April 2013 BA 10614 © 2013 by Bärenreiter-Verlag, Kassel BA 10615 © 2013 by Bärenreiter-Verlag, Kassel

ISMN 979-0-006-54307-6 George Speckert has arranged wonderful tangos from Argentina Well-known slow movements, melodies and arias have been arranged ISMN 979-0-006-54308-3 for violin and piano accompaniment. Classics such as El Choclo, for two violins – with a passion for detail, but above all with jewels by Eduardo Arolas and Rosendo Mendizabal, as well as less convincing musical results. The arrangements stand out for their high 9 790006 543076 9 790006 543083 well-known pieces such as El día que me quieras by Carlos Gardel are fidelity to the original works. Both players are of equal importance New Issue Title included. The pieces are simple but a joy to play for the violinist, and the melody with its expressive themes, moves frequently from New Issue Title succinct and authentic in style for the pianist. one player to the other. Perfect for weddings, auditions or busking.

The arranger George Speckert is also renowned for his easy yet The arranger Vladimir Bodunov is a versatile musician from Belarus. He performs throughout Europe as a soloist, in orchestras and Arrangements by Speckert sonorous arrangements for mixed string groups. He is a composer, Arrangements by Bodunov already published: author and lecturer in multimedia production and E-learning. particularly in duo with his wife Marta Danilkovich. already published:

From the contents Violin Classics The Roots of Jazz • A selection of tangos for violin and piano for Violin and Violoncello Mozart, Adagio (Clarinet Concerto) / Vivaldi, Largo (The Four Seasons – for two Violins • Easy yet effective performance pieces BA 10606 · € 12.95 Winter) / Albinoni, Adagio in G minor / Marcello, Adagio in D minor / BA 10607 · € 12.95 Puccini, Nessun Dorma from Turandot Popular Movie Hits for Violin and Piano • Popular adagios from the classical repertoire BA 10605 · € 13.95 • Easy pieces which sound impressive • Both parts of equal importance New Issue Title New Issue Title

New Publications 1/2013 · The Programme 18 19 New Publications 1/2013 · The Programme Strings Strings

- for Violin and Piano - for Viola or Cello

The series Bärenreiter’s Concert Pieces has now been expanded to Schülerkonzert in g-Moll Student Concerto in G minor include the three-movement Student Concerto op. 22 by Friedrich Seitz in arrangements for viola and cello, previously published for Friedrich Seitz, Op. 12 Allegro risoluto = 108  Violin  violin (BA 8979). The concertos have been transposed, making them         Allegro risoluto = 108 Notenbeispiel bei Frau> Grebe. . ideal for beginners and young pupils. Concise forewords by the  -  . > - .   .                           . . .         Piano angefordert,> . . 9.10. / Kr renowned string pedagogues Christoph and Kurt Sassmannshaus f - f . . . .  . > . . . .       .                                        introduce the work and point out the relevant playing techniques Friedrich Seitz: >  ......  5 required.  Student Concerto         > >                             .        f ...... in G minor op. 12 > > f f                 .  .  f . .  .   11 Works by Oskar Rieding already published:   Violin part and enclosed    .                     f piano accompaniment F          Concerto in B minor op. 35 BA 8985 · approx. € 11.95                             Friedrich Seitz: . . . . . . . . . . . . . . . . . . . . . . . . . . . F p   Violin part and enclosed piano accompaniment       Student Concerto To appear in April 2013   BA 8971 · € 8.00 15 3 3                                 f in D major op. 22                    Concertino in Hungarian Style op. 21                        . . . - . . . . - . . ...... - f Arranged for viola,   - . . Violin part and enclosed piano accompaniment        -   .  ISMN 979-0-006-54346-5       . BA 8973 · € 8.00 transposed to G major BA8985 © 2013 by Bärenreiter-Verlag, Kassel Viola part and enclosed Marcia op. 44, Rondo op. 22/3 piano accompaniment 9 790006 543465 BA 8986 · approx. € 9.95 Friedrich Seitz (1848–1918) was one of the best-known and most Violin part and enclosed piano accompaniment New Issue Title sought-after violinists of his day. This concerto starts with a resolute BA 8982 · € 7.95 Arranged for cello, allegro in G minor, followed by a gentle adagio in E-flat major and transposed to G major flows into a cheerful dance-like final movement in G major. In order Concerto op. 35 in B minor Works by Friedrich Seitz st rd Cello part and enclosed to play this, violinists must be able to master 1 to 3 positions. Arranged for viola, already published: piano accompaniment A concise foreword by the renowned string pedagogue Kurt transposed to E minor BA 8987 · approx. € 9.95 Student Concerto in G major op. 13 Sassmannshaus introduces the work and points out the relevant Viola part and enclosed piano accompaniment Violin part and enclosed playing techniques required. BA 8983 · € 9.95 To appear in April 2013 piano accompaniment ISMN 979-0-006-54347-2 ISMN 979-0-006-54348-9 BA 8972 · € 8.50 The series Bärenreiter’s Concert Pieces forms an ideal continuation Concerto op. 35 in B minor Student Concerto in D major op. 22 of the Sassmannshaus string methods but can also be used to Arranged for cello, Violin part and enclosed supplement any other string tutor. transposed to D minor 9 790006 543472 9 790006 543489 piano accompaniment Cello part and enclosed piano accompaniment BA 8986 BA 8987 BANew 8979 Issue · € 10.00Title BA 8984 · € 9.95 New Issue Title New Issue Title

New Publications 1/2013 · The Programme 20 21 New Publications 1/2013 · The Programme Solo Voices Complete Editions / Music Book

Handel’s Chamber Duets – New publications The indispensable a highlight of this genre up to December 2012 reference work

156 No, di voi non vuò fidarmi HWV 190 1. Johann Sebastian Bach Soprano New Bach Edition – Revised (NBArev) Contralto No, di voi non vuò fi dar mi, cie co a mor , cru del bel Vol. 2: Weimar Cantatas Bassi Edited by Andreas Glöckner

8 BA 5936

No, di voi non vuò fi dar mi, cie co a mor Franz Berwald tà, cie co a mor, cie co a mor Complete Works, Vol. 25 6 Supplement 15 Edited by Michael Kube, Ola Erikson, , cru del bel tà, cie co a mor , cru del bel tà! Bonnie and Erling Lomnäs George Frideric Handel: , cru del bel tà, cie co a mor , cru del bel tà! No, di voi BA 4925 Chamber Duets 22 Leoš Janáček

for Soprano and Alto No, di voi non vuò fi dar mi, no, di Complete Critical Edition of the Works of Leoš Janáček, Series B, Vol. 5-II non vuò fi dar mi, no, di voi BÄRENREITER URTEXT Mša glagolskaja / Glagolitic Mass (Verze záři 1927) / (September 1927 version) Franz Schubert Edited by Konstanze Musketa 29 Realization of the basso continuo Score from the Halle Handel Edition, vol. V/7 (BA 10703) Edited by Jiří Zahrádka voi non vuò fi dar mi, cie co a mor , cru del bel Deutsch-Verzeichnis / by Christoph Harer BA 6863 non vuò, fi dar mi, cie co a mor, cie co a mor , cru del bel BA 10257 · approx. € 21.95 Schubert Thematic Catalogue Johann Pachelbel By means of their high degree of consistency© 2011 by Bärenreiter-Verlag, and Kasselmaturity, Handel’s To appear in May 2013 Complete Vocal Works 712 pages; paperback chamber duets constitute a highlight of this genre. The six chamber Vol. 8: Concerti II Format 17 x 24 cm duets for soprano and alto selected for this volume were written in Edited by Thomas Röder German text 1710–12 in Hanover (HWV 178, 185, 197) and 1740–45 in London BA 10558 ISBN 978-3-7618-1258-7 · € 49.95 (HWV 181, 190, 186). They are musically demanding and structured contrapuntally: the earlier works are stricter, more scholarly and more Franz Schubert Already published New Schubert Edition elaborate in terms of counterpoint but masterly in their craftsmanship. Series V, Vol. 6 The later ones are composed somewhat freer, but more compact. The Schubert Thematic Catalogue by Otto Erich Symphonic Sketches and Fragments Deutsch presenting Schubert’s works in chronological Edited by Michael Kube Contents order includes music incipits and all important BA 5559 A mirarvi io son intento (HWV 178) / Conservate, raddoppiate (HWV 185) facts on the history of the works, source material, Tanti strali al sen mi scocchi (HWV 197) / Beato in ver chi può (HWV 181) Georg Philipp Telemann instrumentation, first performance, editions and No, di voi non vuò fidarmi (HWV 190) / Fronda leggiera e mobile (HWV 186) Musical Works, Vol. 44 texts, as well as literature on individual works. This Chamber cantatas is an indispensable reference work – now available • Urtext edition based on the Halle Handel Edition Edited by Steven Zohn again at a reduced price. BA 5870 ISMN 979-0-006-53590-3 • Clear, idiomatic realization of the continuo part

• Includes a separate continuo part without realization Musical Works, Vol. 57 ISBN 978-3-7618-1258-7 Sacred Arias (year of publication 1727) 9 790006 535903 Edited by Wolfgang Hirschmann with Jana Kühnrich New Issue Title BA 7801 9783761812587 New Issue Title

New Publications 1/2013 · The Programme 22 23 New Publications 1/2013 · The Programme Vocal Music Vocal Music

Sacred a cappella music Monteverdi: New musical by Johannes Brahms and performing insights

Johannes Brahms: Claudio Monteverdi: Sacred Choral Music Vespro della Beata a cappella Vergine

BÄRENREITER URTEXT BÄRENREITER URTEXT Edited by Peter Schmitz Edited by Hendrik Schulze et al. BA 7575 · approx. € 22.95 Piano reduction by Andreas Köhs Excerpt from: BA 7575 Full score To appear in June 2013 BA 8794 · approx. € 59.00 The sacred a cappella choral works by Johannes Brahms are amongst Claudio Monteverdi’s Vespro della Beata Vergine is without doubt one Vocal score (Lat) th the most important Romantic works in the genre. This new edition of the most popular sacred works of the 17 century. Apart from the BA 8794-90 · approx. € 19.95 is based on reliable sources which include autograph manuscripts, many available recordings, it is frequently performed in its entirety Wind set: BA 8794-65 · approx. € 29.95 or in parts. The Urtext edition of this well-known work has unusual engraver’s copies and first editions. The collection contains the Violin I: BA 8794-74 · approx. € 3.95 origins. It originated from a graduate seminar at the University of 7 Marienlieder op. 22, Two Motets op. 29, Three Sacred Choruses for Violin II: BA 8794-75 · approx. € 3.95 North Texas, under the direction of the Monteverdi specialist Hendrik female voices op. 37, Two Motets op. 74, Fest- und Gedenksprüche Violin III: BA 8794-76 · approx. € 3.95 Schulze. op. 109 and the Three Motets op. 110. Viola I: BA 8794-79 · approx. € 3.95 The result is an edition which combines the latest in musicological Viola II: BA 8794-80 · approx. € 3.95 research specifically with the needs of the performer in mind. This Viola III: BA 8794-81 · approx. € 3.95 • All sacred a cappella choral works in one volume has lead, for instance, to a divergent evaluation of the Lauda Jerusalem Violoncello/Double Bass: oriented towards performance practice, with numerous additional • Authoritative scholarly-critical edition BA 8794-82 · approx. € 3.95 accidentals and a new interpretation of the melodic variants from the • Informative foreword (Ger/Eng) Basso continuo: BA 8794-86 · approx. € 39.95 different part books. These new musical and performance practice • Detailed critical commentary (Eng) To appear in April 2013 insights make a modern interpretation of this 400-year-old work possible.

• Scholarly-critical Urtext edition orientated towards performance practice ISMN 979-0-006-53779-2 ISMN 979-0-006-53780-8 ISMN 979-0-006-52955-1 • Detailed critical commentary (Eng) in the full score • Movements 10, 13 and 14 are included in their original high clef in the appendix of the full score. 9 790006 537792 9 790006 537808 9 790006 529551 • These movements are also available with piano reduction as BA 8794 BA 8794-90 New Issue Title print-on-demand. New Issue Title New Issue Title

New Publications 1/2013 · The Programme 24 25 New Publications 1/2013 · The Programme Vocal Music Vocal Music

Arrangements for Arrangement for three-part female choir three-part female choir

Wolfgang Amadeus Mozart: Giovanni Battista Missa brevis in D major K. 194 Pergolesi: Arranged for female choir (SMA) Stabat mater Piano reduction by Heribert Breuer Vocal score (Lat): BA 5690-90 · approx. € 8.75 Arranged for female choir (SMA) To appear in March 2013 by Malcolm Bruno The vocal score is compatible Piano reduction by Malcolm Bruno BA 5691 BA 5692 with the performance material of the original work BA 5342. Full score The choral scene is in a state of change! On the one hand, more and Pergolesi’s famous Stabat mater, a work for two soloists, strings and BA 5692 · approx. € 24.95 more choirs are lacking in male voices, yet at the same time, more and continuo quickly became a success throughout Europe. However there Missa in C Vocal score (Lat) more female choirs are looking for high-quality literature beyond are numerous indications that it was also performed by choirs from BA 5692-90 · approx. € 9.95 “Coronation Mass” K. 317 folksong arrangements. Bärenreiter is responding to these general very early on. Particular movements were very probably sung by a trends with the publication of arrangements for three-part female Arranged for female choir (SMA) two-part choir, whilst the arias were kept for the soloists. choir (SMA) of well-known, frequently-performed works. To appear in March 2013 Piano reduction by Heribert Breuer In this edition, the outer movements and no. 8 are now scored for The first editions to be published are Wolfgang Amadeus Mozart’s Vocal score (Lat): BA 5691-90 · approx. € 8.95 Coronation Mass K. 317, a much-performed work within the standard three-part choir (SMA) in contrast to the solo aria movements. The vocal score is compatible with the Full score: BA 5691 · approx. € 30.95 repertoire and the Missa brevis in D major K. 194, a charming alternative Three further movements are set as trios for three solo voices. performance material of the original Wind set: BA 5691-65 · approx. € 22.95 for use in church services. With great skill and sensitivity to the music, The added parts are derived from the existing musical material. work BA 7679. To appear in March 2013 Heribert Breuer has carefully retained the substance of the original These lend this well-known work a completely new charm and The vocal score is compatible works, at the same time giving them a completely new sound quality. provide a welcome addition to the repertoire for choral concerts. with the performance material of the original work BA 4880 The arranger The arranger (arranged without trombones). Heribert Breuer was professor of choral conducting and music theory at Malcolm Bruno is the editor of the Urtext edition of the Stabat mater the Berlin University of the Arts until 2010. He is founder and director ISMN 979-0-006-53544-6 ISMN 979-0-006-53545-3 th ISMN 979-0-006-54281-9 ISMN 979-0-006-53542-2 of the Berlin Bach Akademie, and has made a name for himself with (BA 7679) and a renowned expert in 18 century Italian music. his numerous arrangements of works from Bach to Schubert.

• Arrangement for female choir (SMA) based on the Bärenreiter Urtext 9 790006 535446 9 790006 535453 9 790006 542819 9 790006 535422 • Arrangements for female choir (SMA) based on the Urtext of the edition of the original work BA 5692 BA 5692-90 BA 5690-90 BA 5691 New Mozart Edition • Clear, straightforward piano reduction New Issue Title New Issue Title • Idiomatic piano reductions New Issue Title New Issue Title

New Publications 1/2013 · The Programme 26 27 New Publications 1/2013 · The Programme Vocal Music Vocal Music

Cantata BWV 51 as Schütz’s “Geistliche arranged by W. F. Bach Chor-Music” revised

1. Es wird das Zepter von Juda nicht entwendet werden SWV 369

Heinrich SchüQ Prima pars Continuo‑AusseQung / Continuo Realization: Antje Wissemann  Cantus              Es wird das Zep ‑ ter von Ju ‑ da nicht

Altus                Es wird das Zep ‑ ter von Ju ‑ ‑ da

Tenor         8 Es

Quintus        8

Bassus        

           Bassus continuus

                 6 5  6 2

Johann Sebastian Bach: 5 Heinrich Schütz:                 Jauchzet Gott in allen ent ‑ wen ‑ det wer ‑ ‑ ‑ den, Geistliche Chor-Music                 Landen, BWV 51 nicht ent ‑ wen ‑ det wer ‑ den, nicht ent ‑ wen ‑det wer ‑ The six and seven-part                     8 wird das Zep ‑ ter von Ju ‑ da nicht ent ‑ wen ‑ det wer ‑ Instrumental additions by motets (nos. 13-29,              Wilhelm Friedemann Bach 8 Es wird das Zep ‑ ter von Ju ‑ da, es SWV 381-397)            Excerpt from: Schütz, Geistliche Chor-Music, The five-part motets · BA 5901 Es wird das Zep ‑ ter von Ju ‑ BÄRENREITER URTEXT   BÄRENREITER URTEXT                           Edited by Matthias Wendt         Based on Werner Breig’s edition       Brass score          published in the New Schütz Edition, Bach’s famous cantata for solo soprano, trumpet, strings and basso With the publication of the6 six and seven-part motets, a revised BA 10051-51 · € 6.95  4 # 6 7 6 continuo BWV 51, Jauchzet Gott in allen Landen, was probably versionBA 5901 of the Geistliche Chor-Music© 2012 by Bärenreiter‑Verlag, Kassel is now complete. As Schütz wrote vol. 5/2 (BA 5960) composed in 1730 in Leipzig. The soprano and trumpet parts are in his foreword to the collection, all parts to the motets can be Already published BA 5902 · approx. € 23.95 particularly captivating due to their virtuosity. For a performance in performed vocally and/or instrumentally. These motets offer smaller Parts available as Print on Demand To be used to supplement the Halle Bach’s oldest son Wilhelm Friedemann expanded the original choirs and ensembles new possibilities to perform these works, based previously published vocal score and scoring for numbers 1 and 4 by the addition of a second trumpet and on historically-informed performance practice. The basso continuo To appear in June 2013 performance material BA 10051 timpani, increasing the brilliance of the work even more. realization follows the composer’s intention of using the score merely as a basis for performance, but with its relatively simple realization, W. F. Bach’s arrangement has now been published for the first time as it also allows performers to create their own version. supplementary performance material. This version can be combined with the existing string parts. • Reflecting the latest research based on the New Schütz Edition • Instrumental parts (strings, winds) available as PoD • BWV 51 with expanded instrumentation by W. F. Bach • Geistliche Chor-Music now available complete in two volumes • Published for the first time

Already published: ISMN 979-0-006-53546-0 ISMN 979-0-006-54311-3 Heinrich Schütz: Geistliche Chor-Music The five-part motets (nos. 1-12, SWV 369-380) BA 5901 · € 12.95 9 790006 535460 9 790006 543113 New BAIssue 10051-51 Title New Issue Title

New Publications 1/2013 · The Programme 28 29 New Publications 1/2013 · The Programme St Matthew Passion “I have never experienced such silence or seen an audience moved in this way.” Felix Mendelssohn Bartholdy

Up to the present day there And so, this monumental and The autograph manuscript This facsimile edition reproduces Barbara Schneider-Kempf has scarcely been a work in complex composition has come is regarded as one of Bach’s the autograph score of the and Martina Rebmann the history of music which to rank amongst the high points most beautiful – the fair copy St Matthew Passion for the (Staatsbibliothek zu Berlin) has fascinated listeners and of Western culture. demonstrates the importance first time in high-quality provide further details regarding The seal is used exclusively for performers more than Bach’s For good reason the “rediscovery” he attached to the careful colour printing. the history of the autograph facsimile editions published St Matthew Passion. of Johann Sebastian Bach’s preservation of the work for The Bach specialist Christoph manuscript. by Bärenreiter which meet the Originally composed for Vespers music began in 1829 with the posterity. A further special Wolff introduces the background highest demands in both on Good Friday, and even longer performance of this work by feature is the coloured ink with to the work’s composition and scholarly and technical terms. in duration than the St John Felix Mendelssohn Bartholdy which he wrote the biblical text the characteristics of the The distinguishing features Passion, it reconstructs the and the Berlin Singakademie. and the music of the chorale manuscript. include: story of Christ’s Passion with “O Lamm Gottes, unschuldig”. ● a facsimile in high-quality immense musical, emotional colour printing and spiritual intensity. ● scholarly commentary Johann Sebastian Bach ● attractive cover design Matthäus-Passion / St Matthew Passion BWV 244 Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz With a commentary by Christoph Wolff, Martina Rebmann and Barbara Schneider-Kempf Documenta musicologica II,47 166 pages of facsimile and approx. 30 pages of commentary (Eng/Ger); half-leather binding, hardback ISBN 978-3-7618-2294-4 approx. € 348.00

To appear in June 2013

ISBN 978-3-7618-2294-4 New Issue Title New Issue Title

9783761822944 New Publications 1/2013 · The Programme 30 31 New Publications 1/2013 · The Programme

Vorschau Doppel_Bach_engl.indd 2 11.02.13 13:24 Vocal Music Vocal Music

Handel’s Serenata Alexander’s Feast: “Acis and Galatea” Mozart and Handel

9 75                      nur un-ser Held ver - dient die Braut.                                                 f                   Coro 79 Canto                  Se - lig, se - lig, se - lig Paar, Alto               Tenore Se - lig, se - lig, se - lig Paar,                Se lig, se lig, se lig Paar,  Basso - - -              Se - lig, se - lig, se - lig Paar,                                                      f pp George Frideric Handel:               84 Soprano-Solo f           Acis and Galatea            Se ------lig, Tenore-Solo f        HWV 49b               Se ------lig, Soprano               nd Alto Serenata in tre parti (2 version) se -lig, se - lig, Tenore    Libretto after John Gay, John Hughes,            Wolfgang Amadeus Mozart: Alexander Pope and Nicola Giuvo Basso                Excerpt from: BA 4527-90                           Das Alexander-Fest / f f pp f    BÄRENREITER URTEXT          Alexander’s Feast K. 591 Edited by Artie Heinrich Handel set the myth about the love of the shepherd Acis for the sea In 1736 Handel composedBA 4Alexander’s527-90 Feast or The Power of Musick, Cantata in two parts by George Frideric Piano reduction by Andreas Köhs a two-part cantata based on John Dryden’s poem of the same name. nymph Galatea from Ovid’s Metamorphoses a total of three times: in Handel in the arrangement by German translation by Peter Brenner In 1790, at the suggestion of Baron Gottfried van Swieten, Mozart the cantata Aci, Galatea e Polifemo HWV 72 (1708), the masque Acis Wolfgang Amadeus Mozart arranged this work using a German translation of the poem made by and Galatea HWV 49a (1718) and finally the pasticcio-like serenata BÄRENREITER URTEXT Vocal score (Eng-Ital/Ger) Karl Wilhelm Ramler in 1770. As in other arrangements of Handelian Edited by Andreas Holschneider BA 10700-90 · approx. € 44.95 Acis and Galatea HWV 49b (1732) of which the original version is now works, Mozart’s re-instrumentation leads to a change in the sound Piano reduction by Konrad Ameln and Performance material available on hire made available in its complete form for the first time. character of the work, placing the composition in the tradition of the Antje Wissemann. A particular charm is provided by the use of two languages in the Viennese Classic. Vocal score (Ger): BA 4527-90 approx. € 17.95 To appear in March 2013 serenata. The work was originally conceived in English, as was • Vocal score available on sale for the first time Performance material available on hire required for the first performance. However, Handel’s Italian singers To appear in May 2013 Now in a revised edition were criticised for their poor command of English, – so in the end, For the new edition of Handel’s Alexander’s Feast, the dynamic many numbers were sung in Italian. markings have been thoroughly revised. The three movements which George Frideric Handel: The extensive appendix to the vocal score includes the additional Handel had added are published for the first time in the vocal score. arias and newly composed movements for the versions used in the The readability of the edition has been much improved and the Alexander’s Feast or The 1734 and 1736 performances. writing of the piano part has become more idiomatic. Power of Musick HWV 75 • With idiomatic piano part ISMN 979-0-006-54216-1 BÄRENREITER URTEXT • Urtext edition based on the Halle Handel Edition Revised edition of the vocal score • English and Italian original text with singable German translation ISMN 979-0-006-54294-9 ISMN 979-0-006-54337-3 Vocal score (Eng) BA 4001-92 · € 17.95 9 790006 542161 • Extensive foreword in two languages (Ger/Eng) BA 4527-90 BA 4001-92 Performance material available on hire • Clear, straightforward piano reduction New Issue Title 9 790006 542949 New Issue Title 9 790006 543373 New Issue Title AlreadyNew Issue published Title

New Publications 1/2013 · The Programme 32 33 New Publications 1/2013 · The Programme Vocal Music Vocal Music

Large-scale vocal work Boundless conjugal love: by Antonín Dvořák Gluck’s “Alceste”

9

PrŽlude de Trompette 6 " & ( & & & & & ! "
& & ' & & & & & & & & ' ( & & & #""
$ $ $

9 "" ( !! ' & & & & & & & & & & & ) * & & & & & & & & & & & & ) #"" $ $ $ $

! LE HƒRAULT (sur le balcon / auf dem Balkon) 13 + & & & + & & & )" & Le HŽr. #
, , "+ Peu - ples, Ž - cou - tez ! Et re - dou - blez vos pleurs. Hšr mich, trau - ernd Volk! Ver - stŠrk dein Kla - ge - lied

+ + + + + !
"+ + + + + + p #
+ + -+ + + + + + -+ + + +

!19 -& & & -) ")" & & -) -& Le HŽr. # & & " & & . ) & -& & & , ...... * , , . . Vous al - lez Ž-prou - ver le plus grand des mal-heurs. Ad-mè - te touche ˆ son Antonín Dvořák: und ver-nimm,wel-ches Un - heil noch heu - te ge - schieht. Ad- me - tos naht sich dem Christoph Willibald Gluck: + -+ ) * , "& & -+ + ! -+ + ) & & -&& + + + ") f% % % p+ + Svatební košile &% Alceste # "+ + ) * , & /& "+ + ) & -+ + The Spectre’s Bride &% /&% -+ + (Paris Version 1776) !25 -& -) & -& -& -& & & & /) & & & &" ) & Le HŽr. # ) & ' . " . " . " " . . , op. 69 heu - re der - niè - re ; lÕim - pi - toy - a - ble mort est prê - te ˆ le sai - sir, et Ziel sei-nes Le - bens; der mit - leid - lo - se Tod den €rm-sten sich er - kor, und Tragédie-opéra en trois actes -+ -+ + + ! + - + ++ -/++ ++ -+ Libretto by Marie François Louis Ballad after the poem by + f p # -+ -+ + + + -+ Gand-Leblanc Bailli du Roullet after Karel Jaromír Erben -+ + + + -+ -+ Ranieri de’ Calzabigi Edited by František Bartoš ! BA 2291-90 and Antonín Čubr BÄRENREITER URTEXT Piano reduction by Karel Šolc The preference of English audiences for large-scale vocal works led to In 1774 Gluck undertook to deliver six stage works for the Académie Edited by Rudolf Gerber German translation by Pavel Eisner Dvořák being commissioned in November 1883 to write a cantata for Royale de Musique in Paris. He fulfilled this commission partly with Piano reduction by Hans Vogt English translation by John Clapham solo voices, chorus and orchestra for the 1885 Birmingham Musical reworkings of works premiered earlier in Vienna, such as Orfeo ed German translation by Rudolf Gerber Festival. Euridice. Vocal score (Cz/Eng/Ger) As the basis for his composition, Dvořák chose the ballad text In the case of Alceste which was premiered in 1776 and was the Vocal score (Fr/Ger) BA 9544-90 · € 34.95 Svatební košile (literally “The Bridal Gowns”) from the collection prototype of the “reform opera”, he wrote a completely new version: BA 2291-90 · approx. € 44.95 (replaces H 2206) Kytice z pověstí národních (“A Garland of Folk Tales”) by the Czech the libretto was translated from Italian into French and changed at Revised and corrected edition Performance material available on hire poet Karel Jaromír Erben (1811–1870). Dvořák stipulated that the the same time. The music was also fundamentally reworked; Performance material available on hire

Already published premiere take place in Bohemia. The work was then taken up in for example, Gluck newly composed the recitatives and either To appear in May 2013 England with great enthusiasm. expanded, cut or changed some scenes around. The public’s rejection of the work caused the composer to finally • Separate edition from the New Complete Dvořák Edition, vol. II/2 rework the third act again, including the introduction of Hercules • New foreword by Daniela Philippi (Cz/Eng/Ger) as Alceste’s rescuer. Bärenreiter is now publishing the meticulously revised and corrected vocal score, newly-engraved and brought up • Underlayed singing text in three languages (Cz/Eng/Ger) to current Bärenreiter standards. ISMN 979-0-006-41969-2 • Revised Urtext edition based on the Gluck Complete Works ISMN 979-0-2601-0572-0 • French libretto with singable German translation 9 790006 419692 • Foreword (Ger/Fr/Eng) 9New790260 Issue105720 Title • Idiomatic piano reduction New Issue Title

New Publications 1/2013 · The Programme 34 35 New Publications 1/2013 · The Programme Study Scores Study Scores

La Calisto – a 20th century Major work by Janáček rediscovery in an Urtext edition

222 œ œ œ # #     flp 1 # # Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. & IV fœ œ œ IV fl 1 # ##     VĚruJu 2 & # Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. VĚR UJU fœ œ œ ob 1 # ##     œ œ œ 2 & # Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. f cl 1 b b     œ œ œ Bb 2 b b œ Œ Œ Ó. œ Œ Œ Ó. œ Œ Œ Ó. clb b b & b & b b b œ Œ œ Œ Œ œ marc.œ œ œ œ œ œ œ œ œ œ œ bœ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ     f nœ œ œ œ œ nœ clb bbbb Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. f & b Con moto ( = 100) œ œ œ q f 2/ 3/ fg 1 #     q tr q 2 ? ## # œ Œ Œ Ó. œ Œ Œ Ó. œ Œ Œ Ó. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ œ Vl B bb b b b b b . . . . .     f f ˙ ˙ ˙ ˙ ˙ ˙ cfg ? #### Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. œ œ œ œ œ œ œ œœ œ nœ œ œ nœ #œ bœ bœ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Vc ? b b nœ œ Œ œ œ Œ œ nœ Œ f b b bbb f 1     œ bœ œ œ cr 3 œ œ œ œ œ œ œœ œ nœ œ œ nœ #œ bœ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & œ Œ Œ Ó. œ Œ Œ Ó. œ Œ Œ Ó. Cb ? b b nœ œ Œ œ œ Œ œ nœ Œ œ œ œ b b bbb 1 #     f f tr 2 ## # w. w. œ . 3 & w. w. œ Œ Œ Ó f 1 #     œ œ œ 2 ? ## # Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. tn f @ @ 3 #     7 tb ? ## # œ Œ Œ Ó. œ Œ Œ Ó. œ Œ Œ Ó. 2/q œ œ œ clb b & b bbb Œ Œ     f œ œ œ œ # ^ ^ ^ f tp ? ## # œ œ œ œ œ œ œ œ œ Œ Œ Ó. œ Œ Œ Ó. œ Œ Œ Ó. S b b b  œ nœ œ. œ œ nœ ˙ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & b b b b r œ Vě - ru - ju, vě - ru - - - - - ju v je-di - no-go Bo - ga, f A b b b  œ œ œ. œ œ œ ˙ ˙ œ œ & b b b b r nœ œ œ œ œ œ # # ˙. ˙. ˙. ˙. w. w. œ & # # ˙. Ó. ˙. Ó. ˙. Ó. ˙. Ó. w. w. œ Œ Œ Ó. org f nœ nœ Francesco Cavalli: T b b b  œ œ. œ œ ˙ ˙ œ nœ nœ œ #œ nœ bœ œ Leoš Janáček: ? # # & b b b b r # # Ó. Ó. Ó. Ó. w. w. œ Œ Œ Ó. Vě - ru - ju, vě - ru - - - - - ju v je-di - no-go Bo - ga, ˙. ˙. ˙. ˙. w. w. œ unis. unis. f nœn#œ œ. œ nœ n#œ ˙ ˙ œ nœ nœ œ œ œ bœ œ B ? b b  La Calisto b b bbb r Mša glagolskaja œ œ œ / tr ~~~~~~~~~~~~~~~~~~~~~~~ 1 # #     2 q # # Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. 1 & bbbb b    Ó ‰ r ˙ Vn f Vn & b b œ œ œ œ f . tr~~~~~~~~~~~~~~~~~~~~~~~ Glagolitic Mass # 2 b r BÄRENREITER URTEXT 2 #     b b b    Ó ‰ & # # Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. & b b b œ ˙ f tr. f (tr)~~~~~~~~~~~~~ trÈ~~~~ tr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~ #     œ œ œ Vl Edited by Álvaro Torrente Vl B ## # Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. B bbbb b œ  b b ˙ nœ ˙. ˙. ˙ œ Final authorised version f S tr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ tr~~~~~~~~~~~~~~~~~~~~~~~ Vc ? # #     œ œ œ œ Study score (19 x 27 cm) # # Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. Vc ? b b Œ Œ ˙. ˙. ˙. ˙ œ œ œ b b bbb f œ œ tr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ tr~~~~~~~~~~~~~~~~~~~~~~~ #     Cb œ œ Cb ? ## # Œ Œ Ó. Œ Œ Ó. Œ Œ Ó. ? b b b Œ Œ ˙. ˙. ˙. ˙ TP 891 · € 36.95 œ œ œ b b b b BÄRENREITER URTEXT f 65 64 TP H862 793565 Edited by Leoš Faltus H 7935 H 7935 Performance material available on hire and Jiří Zahrádka ([email protected]) GLAGstred.indd 65 11/4/11 12:43:19 PM La Calisto received its first performance in Venice in 1651 but only The Glagolitic Mass, a significant sacred work in Leoš Janáček’s output Study score Already published really achieved its breakthrough in the 20th century. It is one of only appears towards the end of his life. Janáček composed this work TP 862 · approx. € 37.50 Cavalli’s most frequently-performed operas today. The reason for this for soloists, chorus and orchestra in Old Church Slavonic in the spa Performance material available on hire success may have been the late acknowledgement of its masterly resort of Luhačovice in the summer and autumn 1926. He revised it at To appear in April 2013 ISMN 979-0-006-20535-6 dramatic and musical structure. The musical text is not presented in the end of 1927 after its first performance (Brno, 5.12.1927). The score the usual small study score format, but in the vocal score format of the mass was only published after the composer’s death in 1929. (19 x 27 cm). This results in an optimal and well-presented layout of ISMN 979-0-2601-0575-1 9 790006 205356 the work. The study score is ideal for analysis as well as for The later revision, known as the “final authorised version”, is rehearsing the vocal parts. contained in this study score edition. This is the significant version which is mostly used for performances. It is richer in orchestration, 9 790260 105751 • Reduced-size full score based on the first volume of the new easier to learn and more stringent in some important passages. New Issue Title Bärenreiter series, Francesco Cavalli – Opere • Reflects the latest state of research • Study score based on the Complete Critical Edition of the Works Already published: of Leoš Janáček, vol. B/5–I • Foreword (Eng) by the editor Leoš Janáček • Detailed foreword and description of the sources by the editor Already published: • English translation of the libretto included separately (not singable) Glagolitic Mass (Cz/Eng/Ger) Francesco Cavalli – Opere • Practical for study and rehearsing the vocal parts Final authorised version La Calisto • Old Church Slavonic text in the version by Radoslav Večerka Piano reduction by Martin Zehn Full score Vocal score (Old Church Slavonic) BA 8901-01New Issue · € 230.00 Title BANew 6862-90 Issue Title · € 34.95

New Publications 1/2013 · The Programme 36 37 New Publications 1/2013 · The Programme Contemporary Music Orchestra

New publications up to November 2012 First critical edition of Dvořák’s masterpiece Works for Hire Beat Furrer Invocation for soprano and bass VII. Symfonie BA 9396 D moll Beat Furrer op. 70 I Antonín Dvořák linea dell’orizzonte for ensemble Allegro maestoso q. = 66 Flauto I, II ° 6 Giselher Klebe  8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ BA 11110-72 Oboe I, II 6 Flörsheimer Wald for medium voice and piano  8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

Clarinetto I, II  6 ∑ ∑    in Sib / B  8 ∑ ∑ ∑ ∑ ∑          BA 7787   p  Matthias Pintscher     pp

Fagotto I, II  6  8 ∑ ∑ ∑ ∑       ∑ ∑ ∑ Chute d’Étoiles. {¢     Andrea Lorenzo Scartazzini pp Corno I, II ° 6 Homage to Anselm Kiefer comissioned by Roche for LUCERNE FESTIVAL and CARNEGIE HALL, in Fa / F  8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ World premiere in Lucerne on August 25, 2012 by the Cleveland Orchestra conducted by Franz Welser-Möst as part of the LUCERNENacht. FESTIVAL in3 Summer miniatures 2012 for counter (or female voice) Corno III, IV  6  for two solo trumpets and orchestra in Re / D 8             ∑          and violoncello after texts by Arno Schmidt pp BA 11106-72 Tromba I, II 6 Chute d'Étoiles in Re / D {  8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ hommage à AnselmBA Kiefer 9366 for two solo trumpets and orchestra Trombone I Alto 6 Trombone II Tenore  ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Andrea Lorenzo Scartazzini Matthias Pintscher (2012) 8

Trombone III Basso  6 Thomas Daniel Schlee  8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Der Sandmann.4 sostenuto Opera q ca. 46 in 10 scenes5 after themes from 3 3 2 3 ¢ 4 4 8 4 8 4        String Trio Timpani  6 Antonín Dvořák: in Re-La / D-A { 8             ∑ the flutesnovel 1-3 ° with the same title by E.T.A. Hoffmann pp  & ∑ ∑ ∑ ∑ ∑ ¢ BA 11012 Allegro maestoso q. = 66 oboes 1 ° Violini I °  6 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Libretto2 & by Thomas ∑Jonigk ∑ ∑ ∑ ∑  8 Symphony No. 7 in D minor

cor r anglais ‰ Ó Ó ∑ ∑ ∑ Violini II 6 BA 9747-72& w œ ™  8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ æ æ ¢ ffff- æ æ Charlotte Seither fpp Opus 70 à2 clarinets 1 ° r div. in Bb 2 ‰™ Ó Ó ∑ ∑ ∑ Viole  6 ∑      æ æ & {  8          æ  æ ffffw œ              cresc.  fpp     Guarda in giù for 12-part chorus pp         3 3 Miroslavbass Srnka  clarinet r Violoncelli  6                æ æ BÄRENREITER URTEXT in Bb & ‰™ Ó Ó ∑ ‰ Ó ∑  8 ∑                 æ æ ¢ œ œ BA 11027 œ œ pp fpp > bœ ˙ bœ sfffz> bœ cresc. Eighteen ffffAgentsœ ™ for™ 19 strings œ . pizz. 3 3 Edited by Jonathan Del Mar Contrabbassi  6   8                  1 ° r ¢  ? ‰™ Ó Ó ∑ ‰ Ó ∑ ppæ æ æ æ æ æ æ BA 11107-72 #œ œ™ ˙™ œ #œ œ. b>œ œ b>œ œ bassoons ffff Manfred Trojahnsfffz 3 3 BA 10417 © 2013 by Editio Bärenreiter Praha Full score* 2 r ? nœ bœ ‰™ Ó Ó ∑ œ bœ ‰ Ó ∑ > bœ Piano Quartet > bœ Manfred Trojahnffff œ™ ˙™ œ sfffz œ. BA 10417 · approx. € 89.00 3 3 3 3 , contra- BA 9332 bassoon ? r ‰™ Ó Ó ∑ œ Musique. Troisœ œ chansons˙ de Claudeœ Debussy pour œ #œ™ œ - œ œ œ œ ¢‹ œ œ ™ ™ œ œ œ- œ- œ Dvořák’s Symphony No. 7 was commissioned by the Royal Philharmonic > sfffz> ffff uniti Critical commentary soprano,1 ° douze instruments à ventr et contrebasse rK 2 & nw œ ‰™ Ó Ó œ œ ‰™™ Ó ∑ Society in August 1883 and received its premiere on 22 April 1885 in horns f -™ Manfred Trojahnfff BA 10417-40 · in preparation in F nw œ ffff- r uniti (Instrumentation:3 Manfred Trojahn) K ? 4 ? nw œ ‰ Ó Ó r ‰ Ó ∑ London conducted by the composer himself. The following June the # w #œ ™ & œ œ ™™ ¢ ffff- f -™ Ich will ein Reiterfff werden à2 BA trumpets11109-721 ° K second movement was shortened by some 40 bars and the work was Violin I: BA 10417-74 · approx. € 6.95 in C 2 & r ‰™ Ó Ó r ‰™™ Ó ∑ ¢ bw bœ bœ Four songs of Kasparbœ Hauser after texts ffff- f -™ fff uniti - Violin II: BA 10417-75 · approx. € 6.95 1 °? r bœ™ bœ published in this form in 1885 by Simrock. 2 nw œ ‰™ Ó Ó by Rilke, Klabund,ÔR Verlaine‰™™ Ó and Trakl ∑ trombones nw œ f fff ffff- Viola: BA 10417-79 · approx. € 6.95 - 3 bœ™ bœ Works? for Sale r ‰™ Ó Ó BA 8282 ÔR ‰™™ Ó ∑ ¢ #w #œ f fff Violoncello: BA 10417-82 · approx. € 6.95 ffff- 3 , The editor of this new scholarly-critical edition is Jonathan Del Mar tuba °? r ‰™ Ó Ó ∑ Double Bass: BA 10417-85 · approx. € 6.95 ¢ #œ œ œ nw œ ff- - œ œ œ œ Beat Furrerffff- Manfred Trojahn - who has gained an international reputation for his edition of Dvořák’s , 6 Wind set: BA 10417-65 · approx. € 160.00 ÚÚÚÚ,, #œ #˙ #˙ harp ? ‰ Ó ™ Ó ∑ ™ ∑ cello concerto in B minor (BA 9045), not to mention his editions of Enigma V forœ #œ chorus ™a cappella #˙˙™ String Quartet #˙˙™ { ffff> >bœ œ fff b ˙˙ fff b ˙˙ > > œ ∏∏∏∏∏∏∏∏∏∏∏ ˙™ ∏∏∏∏∏∏∏∏∏∏∏ ˙™ > >œ >˙ ™ >˙ ™ To appear in March 2013 ? BA 9378 rK works by Beethoven and Elgar. Del Mar has drawn on all the available BA 11029 #nww #˙˙™ #˙˙ #œœ™ #œœ ‰™™ Ó ∑ b nww b ˙˙™ b ˙˙ b œœ™ b œœ piano ffff> ™ ™ . sfffz> sources including letters. The original version of the second movement ? rK ‰™™ Ó ∑ ww ˙˙™ ˙˙ œœ™ œœ > ™ ™ >. appears in the appendix as well as in the performing material. ¿ “‘ solo spring ∑coil∑ (medio) 4 timpani 3 5 6 l.s. o¶ o¶ { > < ï ï> æ æ I ° œ ? rK nœ œ œ æ æ rK ììx R ‰™ Ó ‰™ bœ bœ bœ bœ ‰™™ bœ Œ œ ≈™ bœ œ ‰ ‰ bœ bœ bœ bœ bœ bœ bœ ‰™™ Ó ∑ ff bœbœ Æ > > p ff . … ¶ sffz ffff> fff bœ > nœ™ œ œ œ œ > bœ œ > : ¶ ; tamtam largo molto campane di lastra 3 Æ > > Æ > > > 6 6 6 6 6 3 K ISMN 979-0-2601-0578-2 II ‰ ‰ j Ó ? ‰ rK ‰ Ó Ó r ‰ Ó This new Bärenreiter edition sets the highest scholarly standards ìì l.s. ™ nœ œ ™™ œ œ œ œ œ œ œ œ œ œ ™™ œ œ œ œ œ œ x ¶ -œ 2# > > l.s. > < > #œ #œ f #œ #œ #œ #œ #œ #œ #œ #œ #œ ffff f #œ #œ #œ #œ #œ #œ percussion : ï ; ff ff > ffff> spring coil (largo) 3 6 6 6 6 6 campane di lastra whilst also taking the needs of modern performers into account. > l.s. III œ ? rK rK ììx R ‰™ Ó ‰™ bœ bœ bœ ‰™™ Ó Ó bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ ‰™™ Ó bœ bœ bœ bœ bœ bœ ¶ 2# œ l.s. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ : ¶ ; sffz < > ff ffff> f ffff> f tamtam largo campane di lastra 3 6 6 6 6 6 IV r ? K K ìì j? ‰™ Ó ‰™ r ‰™™ Ó Ó r ‰™™ Ó 9 790260 105782 ¢ œ ® l.s. 2# x ¶ sffz> < > nœ œ œ œ l.s. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ fœ œ œ œ œ œ œ œ œ œ œ œ • First Urtext edition of this important work : ¶ ; (scratching along the edge of the ff> > > ffff> f ffff> tamtam with a triangle beater) solo I trumpets ° BA 10417 II & ∑ ∑ ∑ ∑ ∑ in C ¢ • Contains the original London version of the second movement 4 sostenuto q ca. 46 5 3 3 2 3 4 4 8 4 8 4 • Includes a foreword (Cz/Eng/Ger) and a critical commentary (Eng) New pizz.Issue Title *NewNew Issue Issue Title Title violins I 1-14 ° »j »j »j »j & ‰ Ó Ó ‰ ‰ ‰ Ó ‰ Excerpt from:¢ bw Pintscher, Chute d’Étoilesbœ · BA 11106-72 bœ bœ bœ ffff- > >sfffz >sfffz sfffz> pizz.o » 1-6 ° j »j »j »j » & ‰ Ó™ ‰ Ó Ó ‰ ‰ ‰ Ó ‰ bœ bœ bœ bœ bœ bœ ffff- pizz. > >sfffz >sfffz sfffz>™ sfffz> violinsNew II 7-9 Publicationsj 1/2013 · The Programme»j »j »j » & ‰ Ó™ ‰ 38Ó Ó ‰ ‰ ‰ Ó ® r ‰ 39 New Publications 1/2013 · The Programme bœ bœ bœ bœ bœ ffff- pizz. > >sfffz >sfffz sfffz>™ 10-12 j »j »j »j »r & ‰ Ó™ ‰ Ó Ó ‰ ‰ ‰ Ó ≈ ‰ ¢ bœ bœ bœ bœ bœ ffff- pizz. > >sfffz >sfffz sfffz> j »j j j j violas 1-10 ° » » » B b-œ ‰ Ó™ bœ ‰ Ó Ó bœ ‰ ‰ bœ ‰ Ó bœ ‰ ¢ ffff > >sfffz >sfffz >sfffz pizz. uniti uniti div. >» div. » >» 1 °? j »j bœ j bœ 2 nœ ‰ Ó™ #nœœ ‰ Ó Ó J ‰ ‰ #nœœ ‰ Ó J ‰ nœ > sfffz >sfffz sfffz ffff pizz. div. uniti >» div. uniti >» 3 ? j »j bœ »j bœ 4 bœ ‰ Ó™ nnœœ ‰ Ó Ó J ‰ ‰ nnœœ ‰ Ó J ‰ violon- nœ > sfffz >sfffz sfffz celli ffff pizz. >» >» 5 ? j »j bœ »j bœ 6 nœ ‰ Ó™ ‰ Ó Ó J ‰ ‰ ‰ Ó J ‰ # œ #œ sfffz #œ sfffz ffff pizz. > >sfffz >» » >» 7 ? j »j bœ j bœ 8 nœ ‰ Ó™ ‰ Ó Ó J ‰ ‰ ‰ Ó J ‰ ¢ #œ nœ sfffz nœ sfffz ffff > sfffz> pizz. 1 » » 2 °? j ‰ Ó™ j ‰ Ó Ó ∑ j ‰ Ó ∑ ‹ œœ œ œ ffff- pizz. > >sfffz double 3 » » basses 4 ? j ‰ Ó™ j ‰ Ó Ó ∑ j ‰ Ó ∑ ‹ -œœ œ œ ffff pizz. > >sfffz 5 » »j 6 ? j ‰ Ó™ j ‰ Ó Ó ∑ ‰ Ó ∑ ¢‹ œ œ œ ffff- > sfffz> BA 11106 © 2012 by Bärenreiter-Verlag, Kassel Orchestra Organ

Haydn’s Organ plus “La Passione” low instrument

Joseph Haydn: organ plus one Symphony No. 49 Low Instruments I

in F minor Original Works and Arrangements “La passione” Hob. I: 49 for organ and low instruments

URTEXT Edited by Carsten Klomp Edited by C.-G. Stellan Mörner from: Haydn, Symphony No. 49 · BA 10973 BA 11214 · approx. € 24.95

Score To appear in March 2013 BA 10973 · approx. € 23.95 Haydn’s Sturm und Drang symphonies along with the London The series of organ plus one (organ plus a choice of solo instruments symphonies belong to his most popular works today. The Sturm und in the higher registers) and organ plus brass (organ plus brass ensemble) ISMN 979-0-006-50567-8 Wind set Drang symphonies contain not only masterpieces like the recently are now followed by a new two-volume series organ plus one low BA 10973-65 · approx. € 13.95 published Farewell Symphony (No. 45, BA 10971) and the Maria Theresia instrument. Symphony (No. 48, BA 10972), but also gems such as La passione (No. 49). 9 790006 505678 New Issue Title Violin I: BA 10973-74 · approx. € 5.50 As the title suggests, these volumes contain original works and Violin II: BA 10973-75 · approx. € 5.50 The publication of this symphony presents a continuation of the arrangements for organ and solo instruments of the lower registers Viola: BA 10973-79 · approx. € 5.50 collaboration between Bärenreiter and the Henle publishing company such as cello, baritone saxophone, bassoon and basset horn. The Already published: Violoncello/Bass: BA 10973-82 · approx. € 5.50 in the areas of large vocal compositions, operas and symphonic works. scores include solo parts in C, Bb, Eb and F which can be played by ORGAN PLUS ONE La passione is based on the Henle Complete Edition of the Works of any suitable instrument in the bass register. (each score with solo parts) To appear in June 2013 Joseph Haydn and is published with a full score and performing Advent / Christmas material on sale in a large format. Contents Vol. I BA 8501 · € 17.95 J. S. Bach, Trio on Nun komm, der Heiden Heiland / A. Guilmant, • Haydn’s Sturm und Drang symphonies available in Urtext editions Caprice op. 20, 3 / T. Dubois, Canon / P. Clausnitzer, Chorale setting on Passion / Easter ISMN 979-0-006-54366-3 • Score and performance material on sale available in an enlarged Jesus, meine Zuversicht / R. Jung, Chorale prelude on Erschienen ist der BA 8503 · € 17.95 herrlich Tag / S. Karg-Elert, Chorale setting on Komm Heiliger Geist, format Divine Service Herre Gott / G. Bunk, Melodie 9 790006 543663 BA 8506 · € 17.95 BA 10973 Communion New Issue Title BANew 8507 Issue · € Title 17.95

New Publications 1/2013 · The Programme 40 41 New Publications 1/2013 · The Programme Organ Organ

Organ music Easy Bach: Original works for the church year and arrangements

Praise and Thanks An Easy Bach for Organ II Organ Album

Edited by Andreas Rockstroh Original Works and Arrangements BA 8497 · approx. € 26.95 Edited by Daniel Moult To appear in April 2013 BA 11212 · approx. € 12.95

ISMN 979-0-006-52991-9 Ausschnitt aus: BA 11212 To appear in May 2013 BA 8497

New Issue Title 9 790006 529919 This series of anthologies for the church year and important church The Easy Bach Organ Album presents works by Johann Sebastian Bach ISMN 979-0-006-52818-9 occasions which is suitable particularly for non-professional church of easy to medium difficulty which can be played on smaller Already published: musicians has now been expanded by a second volume in response instruments and are therefore suitable for non-professional church 9 790006 528189 Praise and Thanks for Organ I to frequent demand. musicians and organists. The edition divides into original works and BA 8496 · € 26.95 arrangements by the editor. It contains a selection of ten chorale New Issue Title The main focus of Praise and Thanks for Organ II lies in the 19th century preludes, three preludes, various works from the Well-Tempered Christmas for Organ repertoire. At its centre are chorale settings for the Hymns of Praise Clavier, pieces for manuals from the Schemelli Gesangbuch and the Volume I: BA 8495 · € 26.95 and Praise and Thanksgiving from the German Protestant Hymnbook famous aria Jesus bleibet meine Freude from Cantata BWV 147, Volume II: BA 9258 · € 26.95 as well as the Praise and Thanks section from the German Catholic Hymnbook. Tried and tested freely-composed organ works are also arranged by Daniel Moult. Passiontide and Easter for Organ The editor included, such as Carl Piutti’s Fest-Hymnus op. 20, Christian Fink’s This anthology presents a varied overview of Bach’s sacred and BA 9210 · € 26.95 Daniel Moult studied in Oxford and Fest-Postludium op. 63 and chorale fantasias by composers including secular works and is ideal for teaching purposes providing an inspiring became a Fellow of the Royal College Organ Music for the End of Church Year Theodor Drath (Jubelfest-Präludium on Lobe den Herren, den mächtigen introduction to Baroque organ playing for beginner organists. of Organists; he then continued his BA 9266 · € 26.95 König), Heinrich von Herzogenberg (Fantasie on Nun danket alle Gott) studies in Amsterdam with Jacques and Arnold Mendelssohn (Chorale setting on O dass ich tausend • Ideal for non-professional church musicians and organists The Organ Funeral Album Zungen hätte). van Oortmerssen. From 1995 to 2002 • A collection of original works as well as arrangements of works BA 9207 · € 26.95 he was organist at Coventry by J. S. Bach Organ Music for Communion • Collection of lesser known organ works suitable for all denominations Cathedral. He teaches at the Royal BA 9265 · € 26.95 • Tried and tested free organ compositions and chorale settings from • Easy to medium level of difficulty College of Music Junior Department, th • Can be performed on smaller instruments The Organ Wedding Album the 19 century the Birmingham Conservatoire and the BANew 8200 Issue · € Title26.95 • Easy to medium level of difficulty • Suitable as teaching material RCONew St Issue Giles Title Organ School, London.

New Publications 1/2013 · The Programme 42 43 New Publications 1/2013 · The Programme Organ Organ

Works for organ For the first time and brass ensemble in an Urtext edition: Dubois’ organ works

ORGAN PLUS BRASS Théodore Dubois:

Original Works and Arrangements Complete Organ Works V for Brass Choir and Organ Dix Pièces pour Grand Orgue Edited by Carsten Klomp and Heiko Petersen Fantasietta avec Variations Volume III BÄRENREITER URTEXT Edited by Helga Schauerte-Maubouet Carsten Klomp BA 9208 · approx. € 46.50 Toccata festiva The series organ plus brass presents original works and arrangements The fifth volume of this well-established Urtext edition includes the To appear in June 2013 for brass choir and organ for organ and brass ensemble, specifically tailor-made to suit the Dix Pièces and the Fantasietta with variations on a Provençal theme, requirements of amateur ensembles. The organ part is ideal for which are published for the first time since the first printed edition. Full score with inserted wind score in C non-professional church musicians playing on small to medium-sized The Dix Pièces have a clear formal structure, and, like many other BA 11203 · approx. € 11.95 organs. works by Dubois, who was organist at the Paris church of La Madeleine, ISMN 979-0-006-52992-6 Wind score in C reflect the composer’s desire to create works which could be BA 11203-51 · approx. € 4.95 Vol. III includes a Toccata festiva, an original composition by Carsten performed equally well in church services or the concert hall. 9 790006 529926 New Issue Title Individual parts: Klomp, which can be performed throughout the church year (with As with the previously published volumes, this edition includes Trumpet 1 in Bb: BA 11203-52 · approx. € 2.25 the exception of Passiontide). The composition has a brilliant festive facsimiles, a critical commentary with a full listing of the sources Trumpet 2 in Bb: BA 11202-53 · approx. € 2.25 character and is suitable for concerts as well as processionals and as well as a detailed foreword which contains a biography of the Already published: Horn in F : BA 11203-89 · approx. € 2.25 recessionals in church services. composer and sheds light on questions relating to the instrument Volume I: Early Works and Works with Trombone 1 in C: BA 11203-58 · approx. € 2.25 and performance practice. Minimal or Optional Use of the Pedals Trombone 2 in C: BA 11203-59 · approx. € 2.25 • Repertoire for brass ensemble and organ BA 8468 · € 46.50 To appear in March 2013 • Suitable for amateur musicians • First Urtext edition of the organ works of Dubois Volume II: Organist an La Madeleine, • Transposed parts allow for flexible instrumentation ISMN 979-0-006-52971-1 • Reflects the latest musicological research Douze Pièces. BA 8469 · € 46.50 • Music for church services and concerts Volume IV: Organist an La Madeleine, • Detailed foreword, critical commentary (Ger/Eng/Fr) and Douze Pièces Nouvelles, Offertoire 9 790006 529711 facsimile pages pour la fête de l’Ascension BA 11203 New Issue Title BANew 8471 Issue · € Title46.50

New Publications 1/2013 · The Programme 44 45 New Publications 1/2013 · The Programme Organ Organ

New volume in the Virtuosic arrangement Frescobaldi Urtext edition for organ

Girolamo Frescobaldi: Modest Mussorgsky: O rgan and Keyb oard Work s III Night on Bald Mountain

Il Secondo Libro di Toccate Transcription for organ (Rom, Borboni, 1627, 21637) by Zsigmond Szathmáry BA 11211 · € 16.95 BÄRENREITER URTEXT Already published Edited by BA 11211 © 2012 by Bärenreiter-Verlag, Kassel Christopher Stembridge in collaboration with Kenneth Gilbert th BA 8414 · approx. € 39.95 With this volume, Bärenreiter is continuing the Frescobaldi Urtext Night on Bald Mountain is one of the best-known works of 19 century edition which sets new standards offering professional musicians, Russian programme music in the world. With virtuosic orchestration, To appear in April 2013 musicologists and enthusiasts alike an unrivalled musical text. the composer depicts a demonic witches’ sabbath on St John’s Night

ISMN 979-0-006-50624-8 Volume III includes Frescobaldi’s foreword on the performance of his on the Triglav mountain. keyboard music (“avvertimenti”), eleven toccatas for organ, the “madrigale passagiatio” Ancidetemi pur d’Archadelt (in addition Zsigmond Szathmáry (b. 1939), the internationally-known concert New Issue Title 9 790006 506248 Arcadelt’s madrigal of the same name in the Appendix), six canzonas, organist, has reworked the music of this symphonic poem to create strictly contrapuntal hymns and Magnificat settings primarily a new work which puts the sound possibilities of the concert organ intended for organists, five galliards and six correntes, the Aria detta fully to the test. In the process, a virtuosic work has been created, Already published: La Frescobalda and three partitas. a technical and musical challenge for organists and a guaranteed Organ and Keyboard Works I.1 Each volume contains an introduction which describes the genesis treat for audiences. “Tonally expressive dimensions coupled with Ricercari, et Canzoni franzese of the works, the situation regarding sources, performance practice unheard-of virtuosity”, rejoiced one music critic after the performance. (Rom, Zannetti, 1615, 21618) as well as the editorial technique employed. A critical commentary BA 8411 · € 48.95 rounds off each volume. • A recreation for organ of this famous work • A technical and musical challenge for organists Organ and Keyboard Works I.2 The series is planned to comprise six volumes.

Toccate e Partite d’intavolatura ISMN 979-0-006-52817-2 di cimbalo; Libro primo • Reflecting the latest musicological research (Rom, Borboni, 1615, 21616) • Detailed foreword, critical commentary, index of sources (Ger/Eng) BANew 8412 Issue · € 48.95Title 9New790006 Issue528172 Title

New Publications 1/2013 · The Programme 46 47 New Publications 1/2013 · The Programme Your Contacts

Sales and Marketing Sales and Marketing International Germany · Austria

Director of Sales and Marketing Director of Sales and Marketing Corinne Votteler Ivan Dorenburg Tel. ++49 (0) 561 3105-175 Tel. ++49 (0) 561 3105-162 [email protected] [email protected] Switzerland · France · Belgium · Gerlinde Neurath Luxembourg · Italy Tel. ++49 (0) 561 3105-188 [email protected] Dr. Christiane Loskant Tel. ++49 (0) 561 3105-112 Franziska Watzl [email protected] Tel. ++49 (0) 561 3105-170 [email protected] Scandinavia · Netherlands · Spain · Portugal · Latin America · Middle East Institutions, Libraries

Catriona Glatthaar Carolin Jetter Tel. ++49 (0) 561 3105-179 Tel. ++49 (0) 561 3105-177 [email protected] [email protected] USA · Canada · Greece Public Relations Petra Woodfull-Harris Tel. ++49 (0) 561 3105-173 Johannes Mundry [email protected] Tel. ++49 (0) 561 3105-154 Fax ++49 (0) 561 3105-310 Asia [email protected] Corinne Votteler Tel. ++49 (0) 561 3105-175 Hire Material [email protected] Bärenreiter · Alkor UK · British Commonwealth Alkor-Edition Heinrich-Schütz-Allee 35 Bärenreiter Ltd. 34131 Kassel Burnt Mill, Elizabeth Way Harlow, Essex CM20 2HX, GB Tel. ++49 (0) 561 3105-288/289 Fax ++49 (0) 561 3 77 55 Christopher J. Jackson [email protected] Patrick J. Abrams www.alkor-edition.com Tel. ++44 (0) 1279 828930 Fax ++44 (0) 1279 828931 [email protected] Central and Eastern Europe · Russia Bärenreiter Praha s. r. o. Imprint náměstí Jiřího z Poděbrad 112/19 130 00 Praha 3 Bärenreiter-Verlag Cover design: Czech Republic Karl Vötterle GmbH & Co. KG www.takeoff-ks.de, Heinrich-Schütz-Allee 35-37 christowzik + scheuch, kassel 34131 Kassel · Germany Director of Sales and Marketing www.baerenreiter.com Maxim Belčikov Errors excepted; price changes [email protected] Tel. ++420 274 001 932 and delivery terms subject to change without notice. Content Printed in Germany Fax ++420 222 220 829 valid as of February 2013. 1/1302/3,1 · SPA 040 [email protected] Issue Title

New Publications 1/2013 · The Programme 48