Titles DVOŘÁK'S CHAMBER AND PIANO MUSIC in preparation in high-standard reprints
Serenade in D minor Op. 44 Our publishing house's lasting care for quality sheet Piano four hands BA 9565 From the Bohemian Forest Op. 68 for wind instruments, violoncello and double bass music of this most-performed classic Czech composer is Edited by Robin Tait BA 9547, BA 9548 Slavonic Dances Op. 46 and Op. 72 BA 10424 score also re ected in a new series of reprints of mostly chamber BA 10424-22 parts in slipcover and piano music from the Antonín Dvořák Complete Violin and Piano To appear in September 2016 BA 9576 Romantic Pieces Op. 75 DVOŘÁK Edition (ADCE), prepared by the best Czech editors The new Urtext edition of this masterpiece of its genre and Dvořák specialists of the day (Jarmil Burghauser, B Ä R E N R E I T E R U R T E X T is based jointly on the autograph and the ¦ rst Simrock Piano Trio / Quartet / Quintet BA 9578 Piano Trio in B- at major Op. 21 edition (1879). The editor revised the editorial decisions Antonín Čubr, Antonín Pokorný, Karel Šolc, František To appear in May 2016 made in the 1879 print, restoring some of Dvořák's Bartoš, etc.). With their combination of modern printing BA 9564 Piano Trio in F minor Op. 65 original ideas and clarifying certain inconsistencies BA 9538 Piano Trio in G minor Op. 26 in articulation. The current edition contains a critical and Bärenreiter-brand quality, the ADCE reprints re ect BA 9537 Piano Quartet in E- at major Op. 87 commentary (Eng) by the editor and a new preface present-day performance practice and come equipped BA 9573 Piano Quintet in A major Op. 81 (Eng/Cz/Ger) by eminent Dvořák scholar David with new detailed prefaces by musicologists of the new R. Beveridge. generation – David R. Beveridge, Hans-Joachim Hinrichsen, String Trio / Quartet / Quintet / Sextet A NEW GENERATION OF EDITIONS Concerto in A minor for Violin Ivana Rentsch, Eva Velická, Hartmut Schick. BA 9543 Terzetto in C major Op. 74 BA 9539, TP 539 String Quartet No. 1 in A major Op. 2 and Orchestra Op. 53 BA 9540, TP 540 String Quartet No. 2 in B- at major B 17 Edited by Iacopo Cividini BA 9545, TP 535 String Quartet No. 5 in F minor Op. 9 BA 10422 score BA 9542, TP 532 String Quintet in E- at major Op. 97 BA 10422-90 piano reduction BA 9577, TP 577 String Quintet in G major Op. 77 performance material available on sale (with double bass) To appear in March 2017 BA 9566 String Sextet in A major Op. 48 Piano Quartet in D major Op. 23 Edited by Robin Tait BA 9574 score with parts Practical vocal scores of Dvořák's Arrangements of Dvořák's To appear in June 2017 master choral and operatic works core masterpieces
Stabat Mater Op. 58 Requiem Op. 89 H 7920 vocal score by the composer for solo voices, choir and chamber orchestra Autograph of the Serenade in D minor ▪ © National Museum – Czech Museum of Music Performance material available on hire Arranged by Joachim Linckelmann Based on the full score from the Complete Edition The Spectre's Bride Op. 69 of the Works of Antonín Dvořák Songs II Songs I BA 9544-90 vocal score by Karel Šolc BA 9582 score Edited by Veronika Vejvodová Edited by Veronika Vejvodová New preface by Daniela Philippi In keeping with the vocal score H 2924-90 To appear in winter 2016/2017 To appear in 2018/2019 Performance material available on hire Performance material available on sale BA 11517 Songs II for high voice and piano BA 11515 Songs I for high voice and piano BA 11518 Songs II for low voice and piano BA 11516 Songs I for low voice and piano Rusalka Op. 114 Slavonic Dances Op. 46 BA 9510-90 vocal score by Karel Šolc for violoncello and piano Contents: Three Modern Greek Poems, Songs to Words by Contents: Songs to Words by Eliška Krásnohorská, The Orphan, New preface by Jarmila Gabrielová Arranged by Jiří Gemrot Gustav P eger-Moravský, Two Songs on Folk Poems, Rosemary, Four Songs to the words of Serbian folk poems, Songs BA 9568 score with part In Folk Tone, Four Songs, Love Songs, Lullaby, Song from from The Dvůr Králové Manuscript, Evening Songs, Two Songs Two dances in Dvořák's original arrangement, The Smith of Lešetín for baritone six dances in a new arrangement in Dvořák's style To appear in 2017 Gypsy Songs Op. 55 Biblical Songs Op. 99 BA 10431 for high voice BA 10425 for high voice BA 10432 for low voice BA 10426 for low voice Edited by Veronika Vejvodová Edited by Eva Velická To appear in 2017 To appear in 2018 Your Music Dealer
In the next three years Bärenreiter Praha will publish Urtext editions of Dvořák's complete vocal works for solo voice and piano. Apart from the cycles of Cypresses (already published), Gypsy Songs, and Biblical Songs, which will appear separately, all of Dvořák's other compositions for solo voice and piano will be issued in chronological order in two volumes as Songs I and Songs II. Some of the songs have as yet existed only in autograph form or in historical editions. Both volumes will have two versions – for high and low voice. Bärenreiter Besides an extensive preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor, all our urtext song publications cater to concert performance demand by providing lyrics in three languages (Cz/Ger/Eng) with each vocal part. www.baerenreiter.cz • www.baerenreiter.com 314_2 SPA Songs II The current editions of Dvořák's works in the Bärenreiter Urtext series are full of new musical Symphony No. 7 in D minor information that has never been published before. The experienced editors of our Urtext Op. 79 ANTONÍN DVOŘÁK Edited by Jonathan Del Mar publications apprise musicians of their numerous ndings, o ering welcome and authentic BA 10417 score BA 10417-40 critical commentary (Eng) BÄRENREITER URTEXT EDITIONS alternatives to the usual, well-known versions. TP 617 study score NEW ¡¢£¤ performance material available on sale
First scholarly-critical edition with the original London version of the second movement in the appendix in the ¡¢£¤ ¡¢£¤ ¡¢£¨ score, the performing material, and Serenade in E major Op. 22 NEW Dumky Op. 90 NEW 33 Allegro quasi doppio movimento Romance in F minor Op. 11 NEW rit. in a newly published study score 2 Insightful preface (Eng/Cz/Ger) and for string orchestra Trio for piano, violin and violoncello O 4R Arrangement for violin and piano by the composer critical commentary (Eng) by the Edited by Robin Tait Edited by Christoph Flamm p fp Edited by Jonáš Hájek editor rit. BA 10423 score BA 9567 score with parts *) BA 9571 score with part Study score with a new preface by Dvořák scholar Jan Smaczny performance material available on sale 2 O 4R (Cz/Eng/Ger) Dvořák's magnum opus in the piano trio genre One of Dvořák's most delightful single-movement One of the mainstays of orchestra repertoire worldwide pp fz Concerto in B minor for Allegro quasi doppio mo instrumental compositions, originally written with New edition draws on the original Simrock print while orchestra accompaniment Violoncello and Orchestra Dvořák's original concept presented for the rst time Instructive preface (Cz/Eng/Ger) by Kateřina Nová, Head carefully confronting the various reissues with the rit. Op. 104 of the Dvořák Museum in Prague, o ering profound autograph and taking note of Dvořák's sketches as Edited by Jonathan Del Mar 34 and 79 unknown bars in the 3rd and 5th movements 2 First-ever publication of a piano version based on the insight into the work, its manuscript history, and the O 4R BA 9045 score respectively included as Vi-de passages (in both the score well as his later four-hand piano arrangement composer's autograph piano arrangement mystery of Dvořák's revision of the work BA 9045-40 critical commentary (Eng) and parts) omitted by the composer in the autograph Comprehensive preface (Ger/Cz/Eng) by the editor p p leggiero Dvořák's own piano part di ers from his orchestral one BA 9045-90 piano reduction by the score (see below) Based on the composer's autograph as the main source, composer re ecting both its artistic merits and the signi cance **) in several signi cant ways, it is also one bar shorter TP 620 study score supported in matters of detail by Dvořák's own attributed to this piano trio by the composer himself 2 Numerous corrections in articulation and dynamic (see below) To appear in September 2016 arrangement for piano four hands O 4R markings that the composer himself noted into his own Detailed critical commentary (Eng) by the editor noting performance material available on sale New edition serves as a piano reduction of the orchestral Bote & Bock (1879, rst edition) copy of the work Modern layout and large-format orchestral parts ° * BVK 1849 facsimile of the autograph all di erences between the autograph and Simrock version with a more authentic approach than other, (25.5 x 32.5 cm) ° score and autograph piano reduction Detailed critical commentary (Eng) by the editor edition; also includes a table with the compositional common piano reductions development of both tempo markings and the formal Dvořák's nal and de nitive version division of movements *) A: **) A: Detailed preface by Dvořák expert David R. Beveridge of the solo cello part (Eng/Cz/Ger) and critical commentary (Eng) by the editor Hundreds of corrections in both the Supplemented by the initial version of dumka No. 3 solo cello part and the orchestral – a one-hundred-bar fragment published for the rst parts Example from the 3rd movement time in both score and parts With hitherto unknown details regarding the collaboration between Dvořák and Wihan O ers Feuermann's and Casals' 23 $ /0 alternatives to a passage in the rst Vi ‒ movement 153 Study score with a new preface by Dvořák scholar Jan Smaczny Viol I (Cz/Eng/Ger) molto espressivo z p f dim. p Cypresses B 11 for tenor and piano Song cycle to words by Gustav Viol II P eger-Moravský (Cz) molto espressivo p fz dim. p Edited by Andreas Frese BA 9569 //0 $" % $ $ Urtext edition of the complete cycle Va of 18 love songs based on the rst- ever scholarly-critical analysis Simrock's edition p [ mf ] dim. p Editing example: of the sources F-sharp or F-double sharp? With translation of the lyrics (Eng/Ger) in bar 34 of the cello part of In-depth preface by eminent Dvořák dumka No. 1 scholar David R. Beveridge (Eng/Cz/ Ger) and critical commentary (Eng) p mf dim. p Vc After assessing all the sources by the editor and circumstances, the editor decided to adopt the solution in Humoresque in G- at major Simrock's edition while taking Op. 101 No. 7 p mf p into account both Dvořák's autograph and the print of the for piano /012324 52( &' //062 !"#$72!2 ! 8 Edited by Petra Kvasničková and composer's later four-hand &29 : 232: 2'4 Markéta Štědronská Cb piano arrangement of the BA 9503 p fz p work. The return to the tie and thus f is one of the Detailed preface (Cz/Eng/Ger) audible changes that the and critical commentary (Cz/Eng) Dvořák's autograph – © National Museum – Czech Museum of Music by editors new edition brings compared Supplemented by facsimile pages to the customary version. The current editions of Dvořák's works in the Bärenreiter Urtext series are full of new musical Symphony No. 7 in D minor information that has never been published before. The experienced editors of our Urtext Op. 79 ANTONÍN DVOŘÁK Edited by Jonathan Del Mar publications apprise musicians of their numerous ndings, o ering welcome and authentic BA 10417 score BA 10417-40 critical commentary (Eng) BÄRENREITER URTEXT EDITIONS alternatives to the usual, well-known versions. TP 617 study score NEW ¡¢£¤ performance material available on sale
First scholarly-critical edition with the original London version of the second movement in the appendix in the ¡¢£¤ ¡¢£¤ ¡¢£¨ score, the performing material, and Serenade in E major Op. 22 NEW Dumky Op. 90 NEW 33 Allegro quasi doppio movimento Romance in F minor Op. 11 NEW rit. in a newly published study score 2 Insightful preface (Eng/Cz/Ger) and for string orchestra Trio for piano, violin and violoncello O 4R Arrangement for violin and piano by the composer critical commentary (Eng) by the Edited by Robin Tait Edited by Christoph Flamm p fp Edited by Jonáš Hájek editor rit. BA 10423 score BA 9567 score with parts *) BA 9571 score with part Study score with a new preface by Dvořák scholar Jan Smaczny performance material available on sale 2 O 4R (Cz/Eng/Ger) Dvořák's magnum opus in the piano trio genre One of Dvořák's most delightful single-movement One of the mainstays of orchestra repertoire worldwide pp fz Concerto in B minor for Allegro quasi doppio mo instrumental compositions, originally written with New edition draws on the original Simrock print while orchestra accompaniment Violoncello and Orchestra Dvořák's original concept presented for the rst time Instructive preface (Cz/Eng/Ger) by Kateřina Nová, Head carefully confronting the various reissues with the rit. Op. 104 of the Dvořák Museum in Prague, o ering profound autograph and taking note of Dvořák's sketches as Edited by Jonathan Del Mar 34 and 79 unknown bars in the 3rd and 5th movements 2 First-ever publication of a piano version based on the insight into the work, its manuscript history, and the O 4R BA 9045 score respectively included as Vi-de passages (in both the score well as his later four-hand piano arrangement composer's autograph piano arrangement mystery of Dvořák's revision of the work BA 9045-40 critical commentary (Eng) and parts) omitted by the composer in the autograph Comprehensive preface (Ger/Cz/Eng) by the editor p p leggiero Dvořák's own piano part di ers from his orchestral one BA 9045-90 piano reduction by the score (see below) Based on the composer's autograph as the main source, composer re ecting both its artistic merits and the signi cance **) in several signi cant ways, it is also one bar shorter TP 620 study score supported in matters of detail by Dvořák's own attributed to this piano trio by the composer himself 2 Numerous corrections in articulation and dynamic (see below) To appear in September 2016 arrangement for piano four hands O 4R markings that the composer himself noted into his own Detailed critical commentary (Eng) by the editor noting performance material available on sale New edition serves as a piano reduction of the orchestral Bote & Bock (1879, rst edition) copy of the work Modern layout and large-format orchestral parts ° * BVK 1849 facsimile of the autograph all di erences between the autograph and Simrock version with a more authentic approach than other, (25.5 x 32.5 cm) ° score and autograph piano reduction Detailed critical commentary (Eng) by the editor edition; also includes a table with the compositional common piano reductions development of both tempo markings and the formal Dvořák's nal and de nitive version division of movements *) A: **) A: Detailed preface by Dvořák expert David R. Beveridge of the solo cello part (Eng/Cz/Ger) and critical commentary (Eng) by the editor Hundreds of corrections in both the Supplemented by the initial version of dumka No. 3 solo cello part and the orchestral – a one-hundred-bar fragment published for the rst parts Example from the 3rd movement time in both score and parts With hitherto unknown details regarding the collaboration between Dvořák and Wihan O ers Feuermann's and Casals' 23 $ /0 alternatives to a passage in the rst Vi ‒ movement 153 Study score with a new preface by Dvořák scholar Jan Smaczny Viol I (Cz/Eng/Ger) molto espressivo z p f dim. p Cypresses B 11 for tenor and piano Song cycle to words by Gustav Viol II P eger-Moravský (Cz) molto espressivo p fz dim. p Edited by Andreas Frese BA 9569 //0 $" % $ $ Urtext edition of the complete cycle Va of 18 love songs based on the rst- ever scholarly-critical analysis Simrock's edition p [ mf ] dim. p Editing example: of the sources F-sharp or F-double sharp? With translation of the lyrics (Eng/Ger) in bar 34 of the cello part of In-depth preface by eminent Dvořák dumka No. 1 scholar David R. Beveridge (Eng/Cz/ Ger) and critical commentary (Eng) p mf dim. p Vc After assessing all the sources by the editor and circumstances, the editor decided to adopt the solution in Humoresque in G- at major Simrock's edition while taking Op. 101 No. 7 p mf p into account both Dvořák's autograph and the print of the for piano /012324 52( &' //062 !"#$72!2 ! 8 Edited by Petra Kvasničková and composer's later four-hand &29 : 232: 2'4 Markéta Štědronská Cb piano arrangement of the BA 9503 p fz p work. The return to the tie and thus f is one of the Detailed preface (Cz/Eng/Ger) audible changes that the and critical commentary (Cz/Eng) Dvořák's autograph – © National Museum – Czech Museum of Music by editors new edition brings compared Supplemented by facsimile pages to the customary version. The current editions of Dvořák's works in the Bärenreiter Urtext series are full of new musical Symphony No. 7 in D minor information that has never been published before. The experienced editors of our Urtext Op. 79 ANTONÍN DVOŘÁK Edited by Jonathan Del Mar publications apprise musicians of their numerous ndings, o ering welcome and authentic BA 10417 score BA 10417-40 critical commentary (Eng) BÄRENREITER URTEXT EDITIONS alternatives to the usual, well-known versions. TP 617 study score NEW ¡¢£¤ performance material available on sale
First scholarly-critical edition with the original London version of the second movement in the appendix in the ¡¢£¤ ¡¢£¤ ¡¢£¨ score, the performing material, and Serenade in E major Op. 22 NEW Dumky Op. 90 NEW 33 Allegro quasi doppio movimento Romance in F minor Op. 11 NEW rit. in a newly published study score 2 Insightful preface (Eng/Cz/Ger) and for string orchestra Trio for piano, violin and violoncello O 4R Arrangement for violin and piano by the composer critical commentary (Eng) by the Edited by Robin Tait Edited by Christoph Flamm p fp Edited by Jonáš Hájek editor rit. BA 10423 score BA 9567 score with parts *) BA 9571 score with part Study score with a new preface by Dvořák scholar Jan Smaczny performance material available on sale 2 O 4R (Cz/Eng/Ger) Dvořák's magnum opus in the piano trio genre One of Dvořák's most delightful single-movement One of the mainstays of orchestra repertoire worldwide pp fz Concerto in B minor for Allegro quasi doppio mo instrumental compositions, originally written with New edition draws on the original Simrock print while orchestra accompaniment Violoncello and Orchestra Dvořák's original concept presented for the rst time Instructive preface (Cz/Eng/Ger) by Kateřina Nová, Head carefully confronting the various reissues with the rit. Op. 104 of the Dvořák Museum in Prague, o ering profound autograph and taking note of Dvořák's sketches as Edited by Jonathan Del Mar 34 and 79 unknown bars in the 3rd and 5th movements 2 First-ever publication of a piano version based on the insight into the work, its manuscript history, and the O 4R BA 9045 score respectively included as Vi-de passages (in both the score well as his later four-hand piano arrangement composer's autograph piano arrangement mystery of Dvořák's revision of the work BA 9045-40 critical commentary (Eng) and parts) omitted by the composer in the autograph Comprehensive preface (Ger/Cz/Eng) by the editor p p leggiero Dvořák's own piano part di ers from his orchestral one BA 9045-90 piano reduction by the score (see below) Based on the composer's autograph as the main source, composer re ecting both its artistic merits and the signi cance **) in several signi cant ways, it is also one bar shorter TP 620 study score supported in matters of detail by Dvořák's own attributed to this piano trio by the composer himself 2 Numerous corrections in articulation and dynamic (see below) To appear in September 2016 arrangement for piano four hands O 4R markings that the composer himself noted into his own Detailed critical commentary (Eng) by the editor noting performance material available on sale New edition serves as a piano reduction of the orchestral Bote & Bock (1879, rst edition) copy of the work Modern layout and large-format orchestral parts ° * BVK 1849 facsimile of the autograph all di erences between the autograph and Simrock version with a more authentic approach than other, (25.5 x 32.5 cm) ° score and autograph piano reduction Detailed critical commentary (Eng) by the editor edition; also includes a table with the compositional common piano reductions development of both tempo markings and the formal Dvořák's nal and de nitive version division of movements *) A: **) A: Detailed preface by Dvořák expert David R. Beveridge of the solo cello part (Eng/Cz/Ger) and critical commentary (Eng) by the editor Hundreds of corrections in both the Supplemented by the initial version of dumka No. 3 solo cello part and the orchestral – a one-hundred-bar fragment published for the rst parts Example from the 3rd movement time in both score and parts With hitherto unknown details regarding the collaboration between Dvořák and Wihan O ers Feuermann's and Casals' 23 $ /0 alternatives to a passage in the rst Vi ‒ movement 153 Study score with a new preface by Dvořák scholar Jan Smaczny Viol I (Cz/Eng/Ger) molto espressivo z p f dim. p Cypresses B 11 for tenor and piano Song cycle to words by Gustav Viol II P eger-Moravský (Cz) molto espressivo p fz dim. p Edited by Andreas Frese BA 9569 //0 $" % $ $ Urtext edition of the complete cycle Va of 18 love songs based on the rst- ever scholarly-critical analysis Simrock's edition p [ mf ] dim. p Editing example: of the sources F-sharp or F-double sharp? With translation of the lyrics (Eng/Ger) in bar 34 of the cello part of In-depth preface by eminent Dvořák dumka No. 1 scholar David R. Beveridge (Eng/Cz/ Ger) and critical commentary (Eng) p mf dim. p Vc After assessing all the sources by the editor and circumstances, the editor decided to adopt the solution in Humoresque in G- at major Simrock's edition while taking Op. 101 No. 7 p mf p into account both Dvořák's autograph and the print of the for piano /012324 52( &' //062 !"#$72!2 ! 8 Edited by Petra Kvasničková and composer's later four-hand &29 : 232: 2'4 Markéta Štědronská Cb piano arrangement of the BA 9503 p fz p work. The return to the tie and thus f is one of the Detailed preface (Cz/Eng/Ger) audible changes that the and critical commentary (Cz/Eng) Dvořák's autograph – © National Museum – Czech Museum of Music by editors new edition brings compared Supplemented by facsimile pages to the customary version. Titles DVOŘÁK'S CHAMBER AND PIANO MUSIC in preparation in high-standard reprints
Serenade in D minor Op. 44 Our publishing house's lasting care for quality sheet Piano four hands BA 9565 From the Bohemian Forest Op. 68 for wind instruments, violoncello and double bass music of this most-performed classic Czech composer is Edited by Robin Tait BA 9547, BA 9548 Slavonic Dances Op. 46 and Op. 72 BA 10424 score also re ected in a new series of reprints of mostly chamber BA 10424-22 parts in slipcover and piano music from the Antonín Dvořák Complete Violin and Piano To appear in September 2016 BA 9576 Romantic Pieces Op. 75 DVOŘÁK Edition (ADCE), prepared by the best Czech editors The new Urtext edition of this masterpiece of its genre and Dvořák specialists of the day (Jarmil Burghauser, B Ä R E N R E I T E R U R T E X T is based jointly on the autograph and the ¦ rst Simrock Piano Trio / Quartet / Quintet BA 9578 Piano Trio in B- at major Op. 21 edition (1879). The editor revised the editorial decisions Antonín Čubr, Antonín Pokorný, Karel Šolc, František To appear in May 2016 made in the 1879 print, restoring some of Dvořák's Bartoš, etc.). With their combination of modern printing BA 9564 Piano Trio in F minor Op. 65 original ideas and clarifying certain inconsistencies BA 9538 Piano Trio in G minor Op. 26 in articulation. The current edition contains a critical and Bärenreiter-brand quality, the ADCE reprints re ect BA 9537 Piano Quartet in E- at major Op. 87 commentary (Eng) by the editor and a new preface present-day performance practice and come equipped BA 9573 Piano Quintet in A major Op. 81 (Eng/Cz/Ger) by eminent Dvořák scholar David with new detailed prefaces by musicologists of the new R. Beveridge. generation – David R. Beveridge, Hans-Joachim Hinrichsen, String Trio / Quartet / Quintet / Sextet A NEW GENERATION OF EDITIONS Concerto in A minor for Violin Ivana Rentsch, Eva Velická, Hartmut Schick. BA 9543 Terzetto in C major Op. 74 BA 9539, TP 539 String Quartet No. 1 in A major Op. 2 and Orchestra Op. 53 BA 9540, TP 540 String Quartet No. 2 in B- at major B 17 Edited by Iacopo Cividini BA 9545, TP 535 String Quartet No. 5 in F minor Op. 9 BA 10422 score BA 9542, TP 532 String Quintet in E- at major Op. 97 BA 10422-90 piano reduction BA 9577, TP 577 String Quintet in G major Op. 77 performance material available on sale (with double bass) To appear in March 2017 BA 9566 String Sextet in A major Op. 48 Piano Quartet in D major Op. 23 Edited by Robin Tait BA 9574 score with parts Practical vocal scores of Dvořák's Arrangements of Dvořák's To appear in June 2017 master choral and operatic works core masterpieces
Stabat Mater Op. 58 Requiem Op. 89 H 7920 vocal score by the composer for solo voices, choir and chamber orchestra Autograph of the Serenade in D minor ▪ © National Museum – Czech Museum of Music Performance material available on hire Arranged by Joachim Linckelmann Based on the full score from the Complete Edition The Spectre's Bride Op. 69 of the Works of Antonín Dvořák Songs II Songs I BA 9544-90 vocal score by Karel Šolc BA 9582 score Edited by Veronika Vejvodová Edited by Veronika Vejvodová New preface by Daniela Philippi In keeping with the vocal score H 2924-90 To appear in winter 2016/2017 To appear in 2018/2019 Performance material available on hire Performance material available on sale BA 11517 Songs II for high voice and piano BA 11515 Songs I for high voice and piano BA 11518 Songs II for low voice and piano BA 11516 Songs I for low voice and piano Rusalka Op. 114 Slavonic Dances Op. 46 BA 9510-90 vocal score by Karel Šolc for violoncello and piano Contents: Three Modern Greek Poems, Songs to Words by Contents: Songs to Words by Eliška Krásnohorská, The Orphan, New preface by Jarmila Gabrielová Arranged by Jiří Gemrot Gustav P eger-Moravský, Two Songs on Folk Poems, Rosemary, Four Songs to the words of Serbian folk poems, Songs BA 9568 score with part In Folk Tone, Four Songs, Love Songs, Lullaby, Song from from The Dvůr Králové Manuscript, Evening Songs, Two Songs Two dances in Dvořák's original arrangement, The Smith of Lešetín for baritone six dances in a new arrangement in Dvořák's style To appear in 2017 Gypsy Songs Op. 55 Biblical Songs Op. 99 BA 10431 for high voice BA 10425 for high voice BA 10432 for low voice BA 10426 for low voice Edited by Veronika Vejvodová Edited by Eva Velická To appear in 2017 To appear in 2018 Your Music Dealer
In the next three years Bärenreiter Praha will publish Urtext editions of Dvořák's complete vocal works for solo voice and piano. Apart from the cycles of Cypresses (already published), Gypsy Songs, and Biblical Songs, which will appear separately, all of Dvořák's other compositions for solo voice and piano will be issued in chronological order in two volumes as Songs I and Songs II. Some of the songs have as yet existed only in autograph form or in historical editions. Both volumes will have two versions – for high and low voice. Bärenreiter Besides an extensive preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor, all our urtext song publications cater to concert performance demand by providing lyrics in three languages (Cz/Ger/Eng) with each vocal part. www.baerenreiter.cz • www.baerenreiter.com 314_2 SPA Songs II Titles DVOŘÁK'S CHAMBER AND PIANO MUSIC in preparation in high-standard reprints
Serenade in D minor Op. 44 Our publishing house's lasting care for quality sheet Piano four hands BA 9565 From the Bohemian Forest Op. 68 for wind instruments, violoncello and double bass music of this most-performed classic Czech composer is Edited by Robin Tait BA 9547, BA 9548 Slavonic Dances Op. 46 and Op. 72 BA 10424 score also re ected in a new series of reprints of mostly chamber BA 10424-22 parts in slipcover and piano music from the Antonín Dvořák Complete Violin and Piano To appear in September 2016 BA 9576 Romantic Pieces Op. 75 DVOŘÁK Edition (ADCE), prepared by the best Czech editors The new Urtext edition of this masterpiece of its genre and Dvořák specialists of the day (Jarmil Burghauser, B Ä R E N R E I T E R U R T E X T is based jointly on the autograph and the ¦ rst Simrock Piano Trio / Quartet / Quintet BA 9578 Piano Trio in B- at major Op. 21 edition (1879). The editor revised the editorial decisions Antonín Čubr, Antonín Pokorný, Karel Šolc, František To appear in May 2016 made in the 1879 print, restoring some of Dvořák's Bartoš, etc.). With their combination of modern printing BA 9564 Piano Trio in F minor Op. 65 original ideas and clarifying certain inconsistencies BA 9538 Piano Trio in G minor Op. 26 in articulation. The current edition contains a critical and Bärenreiter-brand quality, the ADCE reprints re ect BA 9537 Piano Quartet in E- at major Op. 87 commentary (Eng) by the editor and a new preface present-day performance practice and come equipped BA 9573 Piano Quintet in A major Op. 81 (Eng/Cz/Ger) by eminent Dvořák scholar David with new detailed prefaces by musicologists of the new R. Beveridge. generation – David R. Beveridge, Hans-Joachim Hinrichsen, String Trio / Quartet / Quintet / Sextet A NEW GENERATION OF EDITIONS Concerto in A minor for Violin Ivana Rentsch, Eva Velická, Hartmut Schick. BA 9543 Terzetto in C major Op. 74 BA 9539, TP 539 String Quartet No. 1 in A major Op. 2 and Orchestra Op. 53 BA 9540, TP 540 String Quartet No. 2 in B- at major B 17 Edited by Iacopo Cividini BA 9545, TP 535 String Quartet No. 5 in F minor Op. 9 BA 10422 score BA 9542, TP 532 String Quintet in E- at major Op. 97 BA 10422-90 piano reduction BA 9577, TP 577 String Quintet in G major Op. 77 performance material available on sale (with double bass) To appear in March 2017 BA 9566 String Sextet in A major Op. 48 Piano Quartet in D major Op. 23 Edited by Robin Tait BA 9574 score with parts Practical vocal scores of Dvořák's Arrangements of Dvořák's To appear in June 2017 master choral and operatic works core masterpieces
Stabat Mater Op. 58 Requiem Op. 89 H 7920 vocal score by the composer for solo voices, choir and chamber orchestra Autograph of the Serenade in D minor ▪ © National Museum – Czech Museum of Music Performance material available on hire Arranged by Joachim Linckelmann Based on the full score from the Complete Edition The Spectre's Bride Op. 69 of the Works of Antonín Dvořák Songs II Songs I BA 9544-90 vocal score by Karel Šolc BA 9582 score Edited by Veronika Vejvodová Edited by Veronika Vejvodová New preface by Daniela Philippi In keeping with the vocal score H 2924-90 To appear in winter 2016/2017 To appear in 2018/2019 Performance material available on hire Performance material available on sale BA 11517 Songs II for high voice and piano BA 11515 Songs I for high voice and piano BA 11518 Songs II for low voice and piano BA 11516 Songs I for low voice and piano Rusalka Op. 114 Slavonic Dances Op. 46 BA 9510-90 vocal score by Karel Šolc for violoncello and piano Contents: Three Modern Greek Poems, Songs to Words by Contents: Songs to Words by Eliška Krásnohorská, The Orphan, New preface by Jarmila Gabrielová Arranged by Jiří Gemrot Gustav P eger-Moravský, Two Songs on Folk Poems, Rosemary, Four Songs to the words of Serbian folk poems, Songs BA 9568 score with part In Folk Tone, Four Songs, Love Songs, Lullaby, Song from from The Dvůr Králové Manuscript, Evening Songs, Two Songs Two dances in Dvořák's original arrangement, The Smith of Lešetín for baritone six dances in a new arrangement in Dvořák's style To appear in 2017 Gypsy Songs Op. 55 Biblical Songs Op. 99 BA 10431 for high voice BA 10425 for high voice BA 10432 for low voice BA 10426 for low voice Edited by Veronika Vejvodová Edited by Eva Velická To appear in 2017 To appear in 2018 Your Music Dealer
In the next three years Bärenreiter Praha will publish Urtext editions of Dvořák's complete vocal works for solo voice and piano. Apart from the cycles of Cypresses (already published), Gypsy Songs, and Biblical Songs, which will appear separately, all of Dvořák's other compositions for solo voice and piano will be issued in chronological order in two volumes as Songs I and Songs II. Some of the songs have as yet existed only in autograph form or in historical editions. Both volumes will have two versions – for high and low voice. Bärenreiter Besides an extensive preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor, all our urtext song publications cater to concert performance demand by providing lyrics in three languages (Cz/Ger/Eng) with each vocal part. www.baerenreiter.cz • www.baerenreiter.com 314_2 SPA Songs II