DOCSLIB.ORG

The Classical Symphony: First Movements

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Classical Symphony: First Movements \.". ~.a-'¥ The Classical Symphony: First Movements Wolfgang Amadeus Mozart (1756-91) "Eine Kleine Nachtmusik(Serenade in C)": Movement#1 Extremely straightforwarddemonstration of the sonata-allegroform. For stringsonly. This is a serenaderather than a true symphony. "Symphony#40 in G minor": Movement#4 Although a final movement,this is also in sonata-allegroform. Scoredfor stings,clarinets, French horns, bassoons, flutes, etc. Regularform; much of the movementis basedon transformationsof parts of the main theme;a little bit of counterpoint. Simple and dramatic. Franz Josef Haydn (1732-1809),"Symphony #104 in D ('London')," Movement#1 .. Sonata-allegroform: slow introduction; form is lessregular and mainstreamthan \i Mozart's; short intensedevelopment; several sections based on 'hammer , blows' taken from secondpart of main theme. Haydn more 'inventive',perhaps less emotional, sensitive. Scoredfor strings,oboes, bassoons, flutes, Frenchhorns, trumpets, timpani, etc. Mood as sunny,relaxed, fun-filled; with a few momentsof intensity. Ludwig van Beethoven(1770-1827), "Symphony #5 in C minor," Movement #1 Sonata-allegrofrom; no introduction; almostentirely monothematic(one theme dominatesthroughout) except for short secondsubject soon drowned out; has extendeddramatic coda. High drama:life's challenges!"Fate knocking at the door!" How structuralrigor becomesRomantic! I ~ i -""'~, -o'r~~c ", ~"'~... ~ " -r-k d tl .>S ;Ltll (9'l ~ /i?.-D.~Q I .- -.. ~~ ClassicalMlLS1C 237 I PtRST VIOLLNS f I i D 5 TRINGS D BRASS PERCUSS/a!,\[ WOODWINDS D I ,A!!alvzethe evolution of classical svmphonic m~ Form: What is the organizationalstructure of the movement,based on thematic material,key relationships,etc. Is the piece in song form, sonata-allegro form, rondo form, ritomello form, etc.? Texture: What doesthe music soundlike? How big is the orchestra(small in early Classicalperiod or big in Romanticperiod)? What instrunlentsis the . piece scoredfor -- standardclassical symphony or new colorful instrumentsbrought in in the Romanticperiod? What is the c%r of the music? Meaning: To what extentdoes the piece attemptto be dramatic,to be human,tell a story? 1) Is the music abstract(tells no story and its emotive contentis hard to pin down)? 2) Doesit have an identifiable emotionalcontent -- heroic, depressive,celebratory, etc.? 3) Does it actually tell a story?(The last stageaffects only the Romanticperiod.) , c ~: -':,.. ~"'~ ~~ ' ~ , '~.i~, . v '- ~ fit - ~O pcI"\AAA.. (pIi.M.¥4L """""'WJ\Mt'" f s '; '7"'1-~, 1../IJ tL Ui1L.(J-1.ft; oS - t.t 4.Uti J Jf..lA~.it~ U~~~~::f:~~~:;) - A.Lf's /k,.c..tI-(;r:L : 11\~4~ ttu.J..tM..c..e.. A e~,=~:1:~~;t~~~ (l...lf)t..-e/.-'\, r 0 -=- "--"l..(~~ ti:a.- tI'tA./Y f4M+) ~+ I - u~~ (s) - ~~-t+ K - l,4.~N..,f..J-,. (.s) - Clb~(~a '\.~~~,~~:e~~::f. B. ..~.f&~~:i;s:~&~i = fLL- ~1e"'J~-,; I;.~~,i. {;f"'\f'\ ~.,.-o-~~~ ~ fe~ ~ ~~-,Q.t~ L:f M,fw~+~ + - . I ,MI;.b"i.u~~1\c..- ~~lf\oL' o' f d - /~~.J I A. -f2g~~~!t~l.4~ -::::: - )t~.t"« + 1 ~-~~~ ; ..LL~ ,..!J-6l\.t.- ~+ u: JJJ.A:rtM(JJIf~ + ~,U qll/lt~ ' :-~~: . _.~ ~f§i~~~ c - ~~~CL~Ii .1 - .,LCd I' , 'l - ~}J...JtlA,.. ~ ~L.,..;, ~AM..tUl t .) , (~~ rI' J.../I. tt..~~ IllU~.d..-' ; ~~.e.u.U. i. ij..,... ;\oi'~Wt.: C) ..
Load more

Recommended publications
  • Arkansas Symphony Rockefeller and Quapaw String Quartets Present "The Art of the String Quartet" at Clinton Presidential Center
    PRESS RELEASE: FOR IMMEDIATE RELEASE Press Contact: Brandon Dorris Office: (501)666-1761, ext. 118 Mobile: (501)650-2260 Fax: (501)666-3193 Email: [email protected] Arkansas Symphony Rockefeller and Quapaw String Quartets Present "The Art of the String Quartet" at Clinton Presidential Center Little Rock, ARK, Feb. 7, 2019 - The Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, presents the fourth concert of the 2018-2019 River Rhapsodies Chamber Music season with The Art of the String Quartet, Tuesday, Feb. 26th at 7:00 p.m. at the Clinton Presidential Center. ASO's resident string quartets, Rockefeller String Quartet and Quapaw String Quartet, will perform Janáček's "Kreutzer Sonata," Mozart's String Quartet No. 12, along with Puccini and Verdi's string quartets. Arkansas Symphony Orchestra's Quapaw String Quartet was founded in 1980 as the ASO resident string quartet. Responding to what was clearly a statewide need, the ASO and Winthrop Rockefeller Foundation began a partnership in 2000 to form the Rockefeller String Quartet. The quartets have developed a reputation for providing quality school programming, as well as performing statewide as a chamber ensemble and with the Arkansas Symphony. The quartets’ primary responsibilities include string education and outreach throughout the state reaching more than 26,000 Arkansas school children each year. River Rhapsodies Chamber Music Concerts are held in the intimate setting of the Clinton Presidential Center's Great Hall. A cash bar is open before the concert and at intermission, and patrons are invited to carry drinks into the concert. The Media Sponsor for the River Rhapsodies Chamber Music Series is UA Little Rock Public Radio.
    [Show full text]
  • Concerts in the Park Concerts in the Park String Quartet String Quartet
    HARTMAN FOUNDATION HARTMAN FOUNDATION CONCERTS IN THE PARK CONCERTS IN THE PARK STRING QUARTET STRING QUARTET Sunday, July 18, 2021, 7:30 p.m. Sunday, July 18, 2021, 7:30 p.m. H-E-B Terrace at the Long Center for the Performing Arts H-E-B Terrace at the Long Center for the Performing Arts Karen Stiles, violin Karen Stiles, violin Richard Kilmer, violin Richard Kilmer, violin Blake Turner, viola Blake Turner, viola Muriel Sanders, cello Muriel Sanders, cello PROGRAM PROGRAM FRANZ JOSEPH HAYDN String Quartet No. 5 in D Major, Op. 64, The Lark FRANZ JOSEPH HAYDN String Quartet No. 5 in D Major, Op. 64, The Lark I. Allegro moderato I. Allegro moderato II. Adagio cantabile II. Adagio cantabile III. Menuetto (Allegretto) III. Menuetto (Allegretto) IV. Finale (Vivace) IV. Finale (Vivace) LUDWIG VAN BEETHOVEN Allegro ma non tanto from String Quartet No. 4 LUDWIG VAN BEETHOVEN Allegro ma non tanto from String Quartet No. 4 in C Minor, Op. 18 in C Minor, Op. 18 FRANZ JOSEPH HAYDN Presto (Scherzando) from String Quartet No. 4 FRANZ JOSEPH HAYDN Presto (Scherzando) from String Quartet No. 4 in D Major, Op. 20 in D Major, Op. 20 VARIOUS A selection of pop music VARIOUS A selection of pop music Visit austinsymphony.org/events for upcoming events. Visit austinsymphony.org/events for upcoming events. ———————————————— ———————————————— The Austin Symphony Orchestra wishes to thank The Hartman Family Foundation The Austin Symphony Orchestra wishes to thank The Hartman Family Foundation for making the Concerts in the Park possible. for making the Concerts in the Park possible.
    [Show full text]
  • INAUGURAL GALA and CONCERT Honorary Chairs: Joan and Irwin Jacobs Co-Chairs: Una Davis and Jack Mcgrory, Karen and Kit Sickels, Kathy Taylor and Terry Atkinson
    LETIT’S THETIME MUSIC TO CELEBRATE BEGIN PLEASE JOIN US ON FRIDAY, AUGUST 6TH AT 5PM THE RADY SHELL AT JACOBS PARK™ INAUGURAL GALA AND CONCERT Honorary Chairs: Joan and Irwin Jacobs Co-Chairs: Una Davis and Jack McGrory, Karen and Kit Sickels, Kathy Taylor and Terry Atkinson PURCHASE TICKETS THE EVENING Please join us at the San Diego Symphony Inaugural Gala and Concert, a once-in-a-lifetime celebration, at The Rady Shell at Jacobs Park™. Be among the very first guests to come together at this iconic new bayside performance venue and San Diego landmark. Be front and center as Rafael Payare and the musicians of the San Diego Symphony, as well as special world-renowned guest artists, all take the stage for a breathtaking concert experience. Support the Symphony's artistic, learning and community engagement programs by attending this spectacular evening, which kicks off an electrifying new era for the San Diego Symphony – and all of us. SCHEDULE COCKTAIL RECEPTION 5:00 pm – 6:00 pm Guests begin the evening at a beautiful cocktail reception bayside. DINNER 6:00 pm – 7:30 pm Celebrity Chef Richard Blais will curate a delectable dinner exclusively crafted for Gala attendees. CONCERT 7:30 pm – 10:00 pm The evening will culminate with a breathtaking concert, followed by a spectacular display of light and sound. TICKET LEVELS & BENEFITS DIAMOND LEVEL PLATINUM LEVEL GOLD LEVEL SILVER LEVEL TABLE OF 4 | $40,000 TABLE OF 4 | $25,000 TABLE OF 4 | $20,000 TABLE OF 4 | $10,000 INDIVIDUAL TICKETS | INDIVIDUAL TICKETS | INDIVIDUAL TICKETS | INDIVIDUAL
    [Show full text]
  • Ludwig Van Beethoven a Brilliant Pianist, but When Born: December 16, 1770 He Was Around 30 Years Old Died: March 26, 1827 Beethoven Began Going Deaf
    SymphonySecond No. Movement 8 in F Major Ludwig van Beethoven a brilliant pianist, but when Born: December 16, 1770 he was around 30 years old Died: March 26, 1827 Beethoven began going deaf. Even though he could no Ludwig van Beethoven was longer hear well enough to born in Bonn, Germany. His play the piano, Beethoven father, who was a singer, composed some of his best was his first teacher. After a music after he lost his while, even though he was hearing! still only a boy, Ludwig became a traveling Beethoven is considered performer, and soon he was one of the greatest musical supporting his family. geniuses who ever lived. He may be most famous for his In his early twenties nine symphonies, but he also Beethoven moved to Vienna, wrote many other kinds of where he spent the rest of music: chamber and choral his life. Beethoven was one pieces, piano works, string of the first composers to quartets, and an opera. make a living without being employed by the church or a member of the nobility. At first, he was known as Beethoven’s Music Listen to the second movement of Beethoven’s 8th Symphony, then answer the questions below. 1. How many “ticks” do you hear before the melody begins? a. 2 b. 5 c. 7 d. 8 2. What instrument plays the melody first? a. violin b. viola c. cello d. bass 3. Does the orchestra get loud suddenly? a. yes b. no 4. Does the music sound like it’s jumping around the orchestra? a.
    [Show full text]
  • Mississippi Symphony Orchestra (MSO) President
    POSITION DESCRIPTION June 2021 Mississippi Symphony Orchestra (MSO) President MSO seeks a business professional who will partner with veteran Music Director & Conductor Crafton Beck, to deliver exceptional orchestral music experiences and education programs that engage and include Mississippi communities throughout the state. Founded in 1944, the Mississippi Symphony Orchestra is the cornerstone of Mississippi performing arts and has a long history of innovation, creativity, and excellence. Led by Music Director Crafton Beck and based in the City of Jackson, MSO is an innovative regional orchestra that presents orchestral music performances, programs and education of the highest quality to residents and visitors of Mississippi. Known as the “Birthplace of America’s Music,” Mississippi has shaped the course of modern music with its contributions to blues, jazz, rock, country and gospel. BACKGROUND MSO has acted as a cultural trailblazer since its founding. As the largest professional performing arts organization in the state, the financially stable MSO performs approximately 20 concerts and approximately 100 full orchestra and small ensemble educational performances statewide for more than 30,000 Mississippians each year. The Selby and Richard McRae Foundation Bravo Series is MSO’s banner classical series of 5 concerts which are annually performed along with the 2 concert Pops Series at the 2,040 seat Thalia Mara Hall in downtown Jackson, while an equally successful Chamber Orchestra Series of four concerts is performed in intimate venues throughout Jackson and the region and the popular Pepsi Pops concert is performed at a local outdoor venue. MSO tours statewide as a full orchestra, chamber orchestra in three resident ensembles - Woodwind Quintet, Brass Quintet and String Quartet with annual and bi-annual visits to Vicksburg, Pascagoula, McComb, Brookhaven, Poplarville, and other cities.
    [Show full text]
  • The St. Louis Symphony Orchestra and Music Director Stéphane Denève Announce Fall Programming for the 2021/2022 Season
    FOR IMMEDIATE RELEASE [June , ] Contacts: St. Louis Symphony Orchestra: Eric Dundon [email protected], C'D-*FG-D'CD National/International: NiKKi Scandalios [email protected], L(D-CD(-D(MD THE ST. LOUIS SYMPHONY ORCHESTRA AND MUSIC DIRECTOR STÉPHANE DENÈVE ANNOUNCE FALL PROGRAMMING FOR THE 2021/2022 SEASON Highlights of offerings from September 17-December 5, 2021, include: • The return of full orchestral performances led by Music Director Stéphane Denève at Powell Hall featuring repertoire spanning genre and time that celebrates the resilience of the human spirit. • Denève opens the classical season with two programs at Powell Hall. The season opener includes the first SLSO performances of Jessie Montgomery’s Banner and Anna Clyne’s Dance alongside Pyotr Ilyich Tchaikovsky’s Symphony No. 4. In his second weeK, Denève leads the SLSO in the string orchestra version of Caroline Shaw’s Entr’acte, Charles Ives’ The Unanswered Question, Christopher Rouse’s Rapture, and Sergei Rachmaninoff’s Piano Concerto No. 3 with pianist Yefim Bronfman. • The SLSO and Denève continue their deep commitment to music and composers of today, performing works by Thomas Adès, Karim Al-Zand, William Bolcom, Jake Heggie, James Lee III, Jessie Montgomery, Caroline Shaw, Carlos Simon, Outi Tarkiainen, Joan Tower, and the U.S. premiere of Anna Clyne’s PIVOT. • Other highlights of Denève’s fall programs include performances of Ludwig van Beethoven’s Symphony No. 5, Dmitri ShostaKovich’s Symphony No. 5, and collaborations with pianist VíKingur Ólafsson in his first SLSO appearance and violinist Nikolaj Szeps-Znaider. • The highly anticipated return of the free Forest Park concert, which welcomes thousands of St.
    [Show full text]
  • Bärenreiter Organ Music
    >|NAJNAEPAN KNC=JIQOE? .,-.+.,-/ 1 CONTENTS Organ Music Solo Voice and Organ ...............30 Index by Collections and Series ...........4–13 Books............................................... 31 Edition Numbers ....................... 34 Composers ....................................14 Contemporary Music Index by Jazz .............................................. 29 A Selection ..............................32 Composers / Collections .........35 Transcriptions for Organ .........29 Photo: Edition Paavo Blåfi eld ABBREVIATIONS AND KEY TO FIGURES Ed. Editor Contents Ger German text Review Eng English text Content valid as of May 2012. Bärenreiter-Verlag Fr French text Errors excepted and delivery terms Karl Vötterle GmbH & Co. KG Lat Latin text subject to change without notice. International Department BA Bärenreiter Edition P.O. Box 10 03 29 H Bärenreiter Praha Cover design with a photograph D-34003 Kassel · Germany SM Süddeutscher Musikverlag by Edition Paavo Blåfi eld. Series E-Mail: paavo@blofi eld.de www.baerenreiter.com a.o. and others www.blofi eld.de E-Mail: [email protected] Printed in Germany 3/1206/10 · SPA 238 2 Discover Bärenreiter … www.baerenreiter.com Improved Functionality Simple navigation enables quick orientation Clear presentation Improved Search Facility Comprehensive product information User-friendly searches by means of keywords Product recommendations Focus A new area where current themes are presented in detail … the new website3 ORGAN Collections and Series Enjoy the Organ Ave Maria, gratia plena Ave-Maria settings The new series of easily playable pieces for solo voice and organ (Lat) BA 8250 page 30 Enjoy the Organ I contains a collection of stylistically varied Bärenreiter Organ Albums pieces for amateur organists Collections of organ pieces which are equally suitable for page 6-7 use in church services and in concerts.
    [Show full text]
  • DVOŘÁK's CHAMBER and PIANO MUSIC in Preparation in High-Standard Reprints
    Titles DVOŘÁK'S CHAMBER AND PIANO MUSIC in preparation in high-standard reprints Serenade in D minor Op. 44 Our publishing house's lasting care for quality sheet Piano four hands BA 9565 From the Bohemian Forest Op. 68 for wind instruments, violoncello and double bass music of this most-performed classic Czech composer is Edited by Robin Tait BA 9547, BA 9548 Slavonic Dances Op. 46 and Op. 72 BA 10424 score also re ected in a new series of reprints of mostly chamber BA 10424-22 parts in slipcover and piano music from the Antonín Dvořák Complete Violin and Piano To appear in September 2016 BA 9576 Romantic Pieces Op. 75 DVOŘÁK Edition (ADCE), prepared by the best Czech editors The new Urtext edition of this masterpiece of its genre and Dvořák specialists of the day (Jarmil Burghauser, B Ä R E N R E I T E R U R T E X T is based jointly on the autograph and the ¦ rst Simrock Piano Trio / Quartet / Quintet BA 9578 Piano Trio in B- at major Op. 21 edition (1879). The editor revised the editorial decisions Antonín Čubr, Antonín Pokorný, Karel Šolc, František To appear in May 2016 made in the 1879 print, restoring some of Dvořák's Bartoš, etc.). With their combination of modern printing BA 9564 Piano Trio in F minor Op. 65 original ideas and clarifying certain inconsistencies BA 9538 Piano Trio in G minor Op. 26 in articulation. The current edition contains a critical and Bärenreiter-brand quality, the ADCE reprints re ect BA 9537 Piano Quartet in E- at major Op.
    [Show full text]
  • Double Bass Excerpts
    Orchestral Excerpt List Double Bass This booklet contains excerpts of varying standards. Please pick the excerpt(s) you are most comfortable with and prepare to the best of your ability. If you are preparing for entry into Junior Orchestra then please play ONE excerpt. If you are preparing for entry into Senior or Symphony Orchestra then please play TWO excerpts. We would encourage you to play these excerpts to your tutor prior to your audition. Reproduced for NYOS Audition Purposes Only Orchestral Excerpts – Double Bass For NYOS Audition Purposes Only Dvorak: Symphony No. 8 - 4th movement, Figure B Brahms: Symphony No. 2 - 4th movement, Bar 1-22 Beethoven: Symphony No. 5 - 3rd movement, Bars 140-160 Orchestral Excerpts – Double Bass For NYOS Audition Purposes Only Mozart: Magic Flute Overture - Bars 32-53 Mahler - Symphony No. 1 - 3rd Mvt., Figure 1-3 Prokofiev: Romeo & Juliet Suite No. 2 - 4 after Figure 49 Please prepare either line Orchestral Excerpts – Double Bass For NYOS Audition Purposes Only Dvorak: Symphony No. 9 - 2nd Mvt., 9 after Figure 2-3 and 5 after Figure 4-5 Please prepare both excerpts Orchestral Excerpts – Double Bass For NYOS Audition Purposes Only Shostakovich: Symphony No. 5 - 2nd Mvt., excerpts Berlioz: Symphonie Fantastique - 2nd Mvt., opening Orchestral Excerpts – Double Bass For NYOS Audition Purposes Only Dvorak: Symphony No. 9 - 4th Mvt., Figure 8-14 after 9, and 8 before Figure 10-10 Please prepare both excerpts Orchestral Excerpts – Double Bass For NYOS Audition Purposes Only Dvorak: Carnival Overture - Figure O-6 before R Orchestral Excerpts – Double Bass For NYOS Audition Purposes Only Berlioz: Symphonie Fantastique - 4th Mvt., Figure 57-2 after 58 Mahler - Symphony No.
    [Show full text]
  • Classical Music Consumer Segmentation Study How Americans Relate to Classical Music and Their Local Orchestras Commissioned by 15 American Orchestras and the John S
    Classical Music Consumer Segmentation Study How Americans Relate to Classical Music and Their Local Orchestras Commissioned by 15 American Orchestras and the John S. and James L. Knight Foundation INSIDE THE CULTURAL Consumer’s Mind Classical Music Consumer Segmentation Study Final Report FINAL REPORT Classical Music Consumer Segmentation Study How Americans Relate to Classical Music and Their Local Orchestras October 2002 Commissioned by the John S. and James L. Knight Foundation and 15 American Orchestras: Brooklyn Philharmonic Orchestra Charlotte Symphony Orchestra Colorado Symphony Association Detroit Symphony Orchestra Hall Fort Wayne Philharmonic Orchestra Kansas City Symphony Long Beach Symphony Association Louisiana Philharmonic Orchestra New World Symphony Oregon Symphony Association The Philadelphia Orchestra Association Saint Louis Symphony Orchestra Saint Paul Chamber Orchestra Symphony Society of San Antonio Wichita Symphony Society © 2002 Audience Insight LLC Page 1 Classical Music Consumer Segmentation Study Final Report ABOUT The Study Abstract Orchestras are adrift in a sea of classical music consumers who rarely, if ever, attend live orchestra concerts. With more than 25,000 interviews with potential classical consumers and orchestra ticket buyers in 15 cities, the Classical Music Consumer Segmentation Study offers a sweeping view of an art form in transition and an orchestra field increasingly detached from its potential customers. The study paints a detailed picture of how consumers fit classical music into their lives — listening to classical radio and recordings in their automobiles and homes, and attending live concerts in churches, schools and traditional concert venues. Roughly 10 percent to 15 percent of Americans have what might be termed a close or moderately close relationship with classical music, and again as many have weaker ties.
    [Show full text]
  • Seattle Opera Welcomes Back Audiences with Outdoor Die Walküre Concert
    FOR IMMEDIATE RELEASE: June 16, 2021 Contact: Gabrielle Gainor (206) 295-0998, [email protected] Press images: https://seattleopera.smugmug.com/Events/WelcomeBack/ Password: “press” Seattle Opera welcomes back audiences with outdoor Die Walküre concert 7 p.m., Saturday, Aug. 28, 2021 Tickets are $40; children 6 and under are free seattleopera.org/welcomeback Tickets go on sale at 10 a.m., July 12 SEATTLE—Come delight in the return of live music at Seattle Opera’s Welcome Back Concert: Die Walküre. Before returning to McCaw Hall this fall, the company will offer an outdoor concert featuring highlights of the Ring’s most popular opera. This famous music includes Brünnhilde’s battle cry “Hojotoho!” Wotan’s poignant farewell “Leb’ wohl,” and the incomparable “Ride of the Valkyries,” used in movies such as Apocalypse Now and The Blues Brothers. Richard Wagner’s larger-than-life masterpiece is brought to life by an acclaimed group of artists, the Seattle Symphony Orchestra, and Maestro Ludovic Morlot—known for his major contributions as the symphony’s former leader. “Our Welcome Back Concert marks the big comeback of live music at Seattle Opera and at Seattle Center,” said General Director Christina Scheppelmann. “We’re so grateful for the support we received from our audiences during the pandemic and are thrilled to present Wagner’s great music for our community.” The star-studded cast includes Washington native and internationally in-demand soprano Angela Meade as Sieglinde; Meade is the previous winner of both The Metropolitan Opera’s Beverly Sills Artist Award and a Richard Tucker Award.
    [Show full text]
  • LUDWIG VAN BEETHOVEN Wolfgang Amadeus Mozart
    CONCERT #5 - Released February 17, 2021 LUDWIG VAN BEETHOVEN Sonata No. 6 for Violin and Piano in A Major, Op. 30, No. 1 Allegro Adagio molto espressivo Allegretto con variazioni Amy Schwartz Moretti violin / Orion Weiss piano WOLFgang AMADEUS MOZART Quartet for Piano and Strings in G minor, K. 478 Allegro Andante Rondo Benjamin Bowman violin /Jonathan Vinocour viola / Edward Arron cello / Jeewon Park piano LUDWIG VAN BEETHOVEN frequently alternates between excited episodes and (1770-1827) moments of quiet reflection. The main theme is built Sonata No. 6 for Violin and Piano in A Major, from a series of rising intervals. A brief coda ends it Op. 30, No. 1 (1802) peacefully. Most recent SCMS performance: Summer 2011 In triple meter the Adagio, molto espressivo opens Enjoying early fame as both pianist and composer, with a floating violin line over gently coaxing the year 1802 threatened Beethoven’s prospects for rhythmic thrusts on the piano. As if to stress the ongoing success. Attempts to secure a court position importance of the violin the piano supports the failed to materialize. Worst of all, his deepening bowed instrument’s expressive long-breathed deafness and attendant despair began to isolate him melodies with understated prodding alternating from the world around him. with simple arpeggios. It is the piano, however, that has the final, albeit softly spoken, word at the In October came his famous lament, the movement’s end. Heiligenstadt Testament, a letter he wrote but never sent to his brothers wherein he expressed In its initial form, Beethoven provided an energetic his terrible anguish and doubt, and admitted to and virtuosic finale before replacing it with an thoughts of suicide.
    [Show full text]