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Chumbawamba, 12

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Chumbawamba, 12 a 1. When An Old Man Dies 0:54 2. Add Me 3:27 3. Words Can Save Us 1:52 4. Hull Or Hell 3:31 Chumbawamb 5. El Fusilado 2:32 6. Unpindownable 1:22 lyrics 7. I Wish That They’d Sack Me 4:10 8. Word Bomber 2:13 9. All Fur Coat & No Knickers 2:12 10. Fine Line 0:39 11.Lord Bateman’s Motorbike 3:34 Chumbawamba, 12. A Fine Career 0:47 arr. a CHUMBAWAMBA 13. To A Little Radio 1:08 Trad., 14. (Words Flew) Right Around The World 2:15 - “The Boy Bands Have Won” 15. Sing About Love 1:39 (Westpark Music 87154) 16. Bury Me Deep 1:37 Neil Ferguson vocals, guitars “Charlie” Chumbawamb 17. You Watched Me Dance 0:58 & Lou Watts vocals, percussion by 18. Compliments Of Your Waitress 2:43 Boff Whalley vocals, ukulele Me” 19. Rip RP 1:26 Jude Abbott vocals, brass (Brecht/Eisler/Bentley 20. Charlie 2:12 Sack Phil ‘Ron’ Moody vocals, accordion produced 21. The Ogre 0:53 Radio“ and 22. Refugee 2:42 They’d Chumbawamba sind zurück! 23. Same Old Same Old 0:59 Little That A 24. Waitung For The Bus 2:44 Jeder kennt sie – spätestens seit ihrem Top-Hit „Tubthumping“ arranged „To Wish aus dem Jahre 1997. Musikalisch nicht unbedingt typisch für das, 25. What We Want 0:47 „I was die Band davor und danach gemacht hat. - Chumbawamba sind zurück, ausgestattet mit akustischen Gitarren, Akkordeon, written, except and Trompete, fünfstimmigem Satzgesang, jeder Menge Haltung und Westpark Music einem neuen Album mit 25 Tracks und dem längsten Plattentitel Postfach 260227, 50515 Köln der Musikgeschichte! Er setzt sich aus 156 Wörtern zusammen Tel.: 0221 24 76 44 www.chumba.com [email protected] und beginnt mit „The Boy Bands Have Won …“ – betrachten wir www.WestparkMusic.de das einfach einmal als sein Pseudonym. Chumbawamba sind anders. Das war schon vor 20 Jahren so, als sie ihr wir in unseren Breitengraden über diese gewaltige Geschichte, über die- erstes Album herausbrachten: Pictures of Starving Children Sell Records, se immense Ansammlung an „Material“, in musikalischer Hinsicht wie in eine Reaktion auf Live Aid. Und Chumbawambas Mission damals wie heute historischer, in der Kunst, im Sport, in der Politik und in Millionen anderer besteht darin, interessant und fesselnd zu sein, intellektuell und verständ- Bereiche. Wir müssen nur zugreifen! So hat die Band neue Melodien kom- nisvoll. poniert, Texte geschrieben und alles vermengt mit eben diesen Vorstel- lungen, die wir von unserer Kultur haben, vermengt mit Reproduktionen So ist auch das neue Album ein Konglomerat ähnlicher Vorstellungen – ihrer selbst aus der Vergangenheit, vermengt in einer Vielzahl musikali- einige nur flüchtige Gedanken, andere ausgewachsene Kompositionen. scher Stile und hat damit herumgespielt, mit dem, woraus sich Es ist von sanftem, warmem Grundton, aber voll hintergründigem Sarkas- Chumbawamba bisher zusammensetzte. Denn genau das ist es, was zu mus, denn es gibt nichts Schlimmeres, als wischiwaschi zu sein, nichts viele andere Künstler tun: nur auf das bewährte Rezept vertrauen. Wird Schlimmeres, als einfach nur nett zu klingen und bloß Kulisse zu sein für langweilig mit der Zeit … Hier sind also wieder, Chumbawamba, nur wie- eine milde, angenehme Schönwetter-Wellness-Szenerie. der anders. Und anders. Und anders. Mit The Boy Bands Have Won erleben wir Chumbawamba als eine Band Auf dem Album vertreten auch viele Gäste wie die Oysterband, Roy Bailey, mit Stil und mit der Idee, unsere eigene Kultur zu recyceln. Da verfügen Robb Johnson, Barry Coope oder Jim Boyes. Und manche der 25 Songs behandeln all die wichtigen Dinge wie Lyrik, Krieg, Tod, Unterhosen und Lord Batemans Motorradunfall. Zu hören gibt es außerdem ein wenig Schwergewichtsringen mit W. H. Auden, Bertolt Brecht und Lord Bono oder ein Lied über El Fusilado, den Mann, der eine standrechtliche Erschießung überlebte. Ein Lied über Gary Tyler, der 30 Jahre unschul- dig in einer amerikanischen Todeszelle saß. Ein Lied über Maggie Thatcher. Die Lieder sind himmelhochjauchzend, zu Tode be- trübt, leise, laut, langsam, schnell – das alles in einem großen bunten Mix. The Boy Bands Have Won … ist ein wahres zeitgenössisches Konzeptalbum. * Hier der Original-Albumtitel: The boy bands have won, and all the copyists and the tribute bands and the Und jede Menge davon auf die Ohren geben wird es bei der bevorste- TV talent show producers have won, if we allow our culture to be shaped by henden Tour, die die Band auch wieder zu zehn Terminen nach Deutsch- mimicry, whether from lack of ideas or from exaggerated respect. You should land führt. Spitzen wir also selbige … – die Ohren versteht sich. never try to freeze culture. What you can do is recycle that culture. Take your older brother’s hand-me-down jacket and re-style it, re-fashion it to the point where it becomes your own. But don’t just regurgitate creative history, or hold Konzerttermine: 23.04.08 Bremen, Schlachthof art and music and literature as fixed, untouchable and kept under glass. The 17.04.08 Hamburg, LOLA 24.04.08 Melle, Alte Stadthalle people who try to ‘guard’ any particular form of music are, like the copyists 18.04.08 Berlin, Kesselhaus 25.04.08 Geislingen, Rätsche im and manufactured bands, doing it the worst disservice, because the only 19.04.08 Hoyerswerda, Kulturfabrik thing that you can do to music that will damage it is not change it, not make Schlachthof 20.04.08 Halle, Objekt 5 it your own. Because then it dies, then it’s over, then it’s done, and the boy 26.04.08 Düsseldorf, Savoy bands have won. 22.04.08 Chemnitz, Talschock 27.04.08 Straubing, Cairo.
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