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1 Denise Carvalho, Ph.D. (646) 541 Denise Carvalho, Ph.D. (646) 541-8503 Email: [email protected] http://www.denisecarvalho.com Education Ph.D. University of California, Davis, in Cultural Studies - 2005 Dissertation: Articulations and Interventionist Art: Negotiating the Production of Knowledge in Brazilian Culture Areas of Specialization: Latin American & Caribbean Art and Culture, Western and Non- Western Contemporary Art; Art Theory, New Genres (multimedia art), Interdisciplinary Art, Critical Theory, Cultural Studies, and Feminist Theory M.A. University of California, Davis – Art History - 2003 Thesis: Hélio Oiticica’s Parangolés: Performing Urban Marginality in Brazilian Art Areas of Specializations: Modern and Contemporary Art (European, North American, Latin American, non-Western, Global). Areas of specialization: Latin American Modern and Contemporary Art, Contemporary Art (American, European, and non-Western). M.A. U.C. Davis, Cultural Studies - 2002 M.A. Hunter College CUNY – Cultural Anthropology - 1998 Thesis: Artist-Driven Gentrification in Williamsburg B.F.A. School of Visual Art - 1996 Major: Fine Arts (painting). Teaching Experience Ohio State University, Department of Art History, Mellon Postdoctoral Fellow Graduate Seminar: 21st-Century Brazilian Art and Film Spring 2014 School of Visual Arts, Adjunct Professor of Art History Art of the Pre-Modernist World (Honors Class) Fall 2012 New Jersey City University, Adjunct Professor of Art History Art & Politics, Art 205 Fall 2012 Contemporary Art, Art 106 Fall 2012 Institute for Doctoral Studies in the Visual Art, Assistant Professor in Theory and Art Seminar 901.3-Directed Reading I- From Plato to Kristeva Fall 2011 Director of Independent Studies Program, IDSVA Directed 1 Independent Studies and 2 dissertations Fall 2011 Director of Independent Studies Program, IDSVA Directing 8 Ph.D. students and one dissertation- doctoral 2008-2010 Chair Independent Studies Program, IDSVA 2009-2010 Assistant Professor of Art and Cultural Studies at IDSVA – Doctoral 2008-2010 Seminar III, Course # 703, The Subject and Object of Art Ph.D. Spring 2010 Independent Studies Director (8 doctoral students) Spring 2010 Independent Studies Director (6 independent studies) Fall 2009 Seminar title: Art & Theory Revisited Ph.D. level Fall 2009 1 Seminar title: Seminar I, Part 2: Kant, Hegel, Marx & Freud, Ph.D. Sum 2009 Seminar title: Seminar in Theory and Criticism Fall 2008 Independent Studies Director (six independent studies), Ph.D. I.S. Fall 2008 Seminar title: Seminar on Ludwig Wittgenstein, Ph.D. seminar Summer 2008 Independent Studies Director (four independent studies) Spring 2008 Adjunct Professor, Art History, William Patterson State University 2008-2009 Class title: Approaches to Modern Art (ARTH 104-03), undergrad Spring 2009 Class title: Approaches to Modern Art (ARTH 104-60), undergrad Spr 2009 Class title- Approaches to Modern Art (ARTH 104-04), undergrad Fall 2008 Adjunct Professor of Art History, New Jersey City University 2009-2011 Class title: History of Philosophy, Art 202, undergraduate Fall 2011 Class title: History of Spatial Illusion, graduate Fall 2010 Class title: Contemporary Art 106, undergraduate Fall 2010 Class title: Contemporary Art 30, undergraduate Spring 2010 Class title: Contemporary Art 29, undergraduate Spring 2009 Class title: Contemporary Art 28, undergraduate Spring 2009 Class title: Development of Spatial Illusion (Graduate Seminar) Spring 2008 Associate Adjunct Professor, Art History, CSI, CUNY Spring 08-Fall09 Department of Performing and Creative Arts Class title: Art History Survey, Prehistory to Cont, undergraduate, 2 sessions Associate Professor in Art Theory, Pratt Institute, Depart of Art Fall 2007 Class title: Theories of the Avant Garde, graduate Adjunct Professor in Art History at Humboldt State University 2006-2007 Department of Art, Associate Professor, one-year appointment Class title: Survey in Art History, Modern and Contemporary Art: lower division Class title: Public Art since the 1960s: upper division Class title: Women Artists of the 20th and 21st Centuries: upper division Class title: Body and Performance Art: upper division Class title: Contemporary Art Theory: upper division Class title: Latin American Art, Modern and Contemporary: lower division Class title: Seminar on the work of Cuban artist Ana Mendieta: seniors only Adjunct Professor at San Francisco State University 2005-2006 Department of Women Studies Class title: Women, Politics, and Citizenship: with 110 students Class title: Women, Gender, and Communities: with 35 students Adjunct Professor, Women Studies, San Francisco State University 2003-2005 Class title: Women, Politics, and Citizenship: with 110 students and 1 T.A. Class title: Women as Creative Agents: with 48 students and 1 T.A. Adjunct Professor of Art History, Columbia College, CA (summer) Summer 2002 Course focused on Modern and Contemporary Western Art. Selected Curatorial Projects “Mediations” Polish Biennial 2012, September and October 2012. Curator of the Americas Exhibition of the Biennial. Artists included: Fernando Prats, Teresa Margolles, Alex Villar, Regina Silveira, Paulo Bruscky, Oscar Muñoz, Julia Oldham, Lenora Malen, Nick Cave, Parke Harrison, Andrea Galvani, Sang Nam Lee, Nick Hornby, Simon Lee 2 and Algis Kizys, Gabriela Golder, Adriana Varella & Heather Dewey-Hagborg, Ali Hossaini, Alice Miceli, Adel Abdessemed, Alejandro Vidal, Kristin Lucas, and Adam Kalinowski. “Lumen” at Staten Island harbor, a public project with Adriana Varella, Alex Villar, Tattfoo Tan, Grady Gerbracht, and John Loggia, June 25, 2011. “Minimal Differences,” exhibition and panel discussion co-curated with Monika Szewczyk September 15 to October 23, 2010 at White Box, Ltd., NYC. Multimedia Eastern European contemporary art focusing on post-communist themes and concepts. Artists: Zbigniew Libera, Ana Molska, Marek Wasilewski, Pawel Althamer, Katarzyna Kozyra, Julita Wojcik, Martin Zet, Jiri Cernicky, Azorro, R.E.P., Slaven Tolj, Joanna Malinowska and Christian Tomaszewski, Vesna Bukovec, and Oskar Dawicki. Panelists included: Michal Kolecek, Izabela Kopania, Jerzy Onuch, Jaroslaw Suchan, and Marek Bartelik. Moderated by Denise Carvalho. “Intangible Interferences” multimedia exhibition and panel discussion at Momenta Art, September 17 to November 1, 2010. This show examines the temporal/spatial dynamics of resistance and depolarization in the relationship between politics, economics, and language. Artists explore the subtle forces of interference in situations of translation, geopolitics, religion, and ecology. The artists for this show are: resingXruiz, Xurban Collective, Julieta Aranda, Christopher K. Ho, Sunsa Jahoda, Harout Simonian, and Jesal Kapadia. “Bodies of Dispersion: Mechanisms of Distention,” multimedia exhibition and panel discussion, May 21 to June 20, 2010 at Arsenal Gallery, Bialystok, Poland. This show focused on collective tendencies in contemporary art, and included a conference on the same theme. Artists: Alex Villar, Oyvind Renberg and Miho Shimizu, Spurse, Hakan Topal, eteam, Artur Zmijevski, and Elin Wikstrom. Panelists: Jarowlaw Lubiak, Ginger Shulick, Marek Wasilewski. And Denise Carvalho. “A Part of No-Part,” a multimedia exhibition and panel discussion co-curated with Michal Kolecek at the Chelsea Art Museum, NYC. Artists: Hubert Czerepok, Kuba Bakowski, Norman Leto, Josef Robakowski, Milena Dopitova, Jacek Malinowski, Slaven Tojl, Jiri Kovanda. Zdena Koleckova, Jiri Cernicki, Lukasz Gronowski, Piotr Żyliński, Pavel Mrkus, and Dario Solman. “Preemptive Resistances: Reversed Strategies” exhibition and panel discussion at the Westport Arts Center, Connecticut, NY, January 23 to March 22, 2009; a multimedia exhibition of Latin American emerging artists, with Alessandro Balteo Yazbeck, Andrea Juan, César Cornejo, Vidal Centeno, Alex Villar, Maritza Molina, Carlos Motta, Francisca Benitez, Jose Ruiz, and Augusto Zanela. “Holy Holes, Absolute Stalls,” June 14th to August 2nd, 2008, Dumbo Arts Cetner; a multimedia show with Jenny Marketou, Hadassa Goldvicht, Brent Wahl, Adriana Varella, Neil Beloufa, Kwabena Slaughter, Grady Gerbracht, Angela Freiberger, Joseph Bennett, Gearóid Dolan, Meirav Leshem, Tobaron Waxman, Dylan Mortiner, Kimberly Simpson, Karin Giusti, and Marcia X. 3 “Infinitu et Contini,” Nov. 17 to Dec. 30, 2007, Smack Mellon, NY; a multiplex video exhibition with Janet Biggs, Barbara Pollack, Jim Finn, Matthew Suib, Carlos Motta, Rona Yefman, Shalom Gorewitz, Kenn Bass, Marian Ghani, Liz Magic Laser, Karina Aguilera Skvirsky, Maritza Molina, Eteam, Michael Paul Britto, and Jamil Yamani. Reviewed by Afterimage, Art Papers, Time Out, and The New Yorker. “Raw, ”Smack Mellon (New York), March and April 2003; multimedia exhibition with Birgit Ramsauer, neurotransmitter, Pia Lindman, Charlie Citron, Alex Villar, Jenny Perlin, Sally Gutierrez, Grady Gerbracht, and others. Sponsor: The Andy Warhol Foundation. Reviewed by Brooklyn Rail and Time Out. “Hybrid Dwellings,” at Arsenal Gallery, Bialystok (Poland), April and May 2001; multimedia exhibition with Jenny Marketou, Izabella Gustowska, Andrej Bakowski, Z. Warpechowski, and others. Sponsors: Ministry of Poland and the New York Foundation for the Arts. Received media coverage from local television, radio, and newspapers. Reviewed by Springerin and Flash Art, “Fairy-Tale” (symposium and exhibition) at the Center for Metamedia, Plasy (Czech Republic), September 1999; a multimedia exhibition with Erwin Redl, Alex Villar, Alison Cornyn, Mark Shepard, Yuri Laderman, Monika
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