Lorraine O'grady Art Resume
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Awai, Nicole CV (Opens New Window)
https://www.lesleyheller.com/artists/nicole-awai EDUCATION Master of Fine Arts, Multi-media Art, University of South Florida, Tampa, FL (1996) Bachelor of Arts, University of South Florida, Tampa, FL (1991) ACADEMIC APPOINTMENTS & RELATED EXPERIENCE 08/15- Assistant Professor, Painting & Drawing, University of Texas at Austin, Department of Art & Art History, Austin, TX 12/14 Visiting Artist/ Critic, Tyler School of Art, Temple University 9/09-5/15 Critic, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 1/14-5/14 Visiting Assistant Professor, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 9/12-12/12 Visiting Assistant Professor, Cooper Union, School of Art, NY 11/12 Visiting Artist/ Critic, University of Kentucky, College of Fine Arts 04/12 Visiting Artist/ Critic, Parsons, The New School, Art and Design History and Theory, Fine Arts (MFA) 1/11-5/11 Visiting Assistant Professor, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 6/10 Artist/ Instructor, Norfolk Residency Program, Yale School of Art 8/18/08-5/15/09 Visiting Assistant Professor, University of Illinois at Chicago, School of Art and Art History, College of Architecture, Design and the Arts, Chicago, IL 1/08-5/08 Critic, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 9/07 Visiting Artist/ Artist Talk, Parsons, The New School, Art and Design, Fine Art 1/07- 5/08 Visiting Assistant Professor, Pratt Institute, School of Art and Design, Brooklyn, NY 1/07-5/08 Adjunct Instructor, Stern College for Women, NY 8/05-5/15 Adjunct Assistant Professor, York College CUNY, Department of Performing and Fine Arts, Jamaica, Queens, NY 2/02-8/05 Artist/Educator, Whitney Museum of American Art, New York, NY Created and implemented art education programs for students (grades 3-12) based on exhibitions at the museum. -
Soho Arts Network Soho Arts Network Map of Nonprofit Art Spaces
SoHo Arts Network 1 apexart 291 Church St. 11 International Center 250 Bowery 212 . 431 . 5270 of Photography Museum 212 . 857 . 0000 Tue – Sat: 11am – 6pm Tues – Sun: 10am – 6pm apexart.org *Thu open until 9pm $14, $12 for seniors, 2 Artists Space 55 Walker St. $10 for students, free for members Books & Talks 212 . 226 . 3970 and children under 14 Wed – Sun: 12 – 6pm icp.org artistsspace.org 12 Judd Foundation 101 Spring St. 3 Center for Architecture, 536 LaGuardia Pl. 212 . 219 . 2747 AIA New York Chapter 212 . 683 . 0023 Visits by appointment Mon – Fri: 9am – 8pm, Tue, Thu, and Fri: 1pm, 3pm, and 5pm Sat: 11am – 5pm Sat: 11am, 1pm, 2pm, and 4pm centerforarchitecture.org $24, $11.50 for students and seniors, free for high school students 4 CIMA – Center for Italian 421 Broome St., 4th fl. juddfoundation.org Modern Art 646 . 370 . 3596 Fri – Sat 13 Leslie-Lohman Museum 26 Wooster St. Tours: 11am and 2pm, of Gay and Lesbian Art 212 . 431 . 2609 Open hours: 1 – 6pm Wed – Sun: 12 – 6pm $10, free for members and students *Thu open until 8pm *Advance registration recommended $9 suggested donation italianmodernart.org leslielohman.org 5 Dia: The Broken 393 West Broadway 14 Museum of Chinese 215 Centre St. Kilometer 212 . 925 . 9397 in America 212 . 619 . 4785 Wed – Sun: 12 – 6pm (closed 3 – 3:30pm) Tue – Sun: 11am – 6pm diaart.org *Thu open until 9pm $10, $7 for seniors and students, free 6 Dia: The New York 141 Wooster St. for members and cool culture families SoHo Arts Network Earth Room 646 . -
Your Concise New York Art Guide for Spring 2018
Your Concise New York Art Guide for Spring 2018 February 28, 2018 Events Your list of 45 must-see, fun, insightful, and very New York art events this season. Leonard Fink, “Self-Portrait on Pier 46 (“This is Serious Too”)” (1979), silver gelatin print, 8 x 10 in (collection and © of the LGBT Community Center National History Archive) We’re back with our yearly spring guide of must-see, fun, insightful, and very New York art events. From museum shows to air fairs to film festivals, you’ll have plenty to keep you busy with this season. Please note that some of the exhibitions listed here opened in January and February, but lucky for us they continue through the spring. January The Beautiful Brain: The Drawings of Santiago Ramon y Cajal and Baya: Woman of Algiers When: January 9–March 31 Where: Grey Art Gallery (100 Washington Square East, Greenwich Village, Manhattan) The Grey Art Gallery is putting on two fascinating and very distinct exhibitions this season. One displays neuroscientist Santiago Ramon y Cajal’s drawings of the brain, which are not only beautiful but remarkably clear and accurate. Eighty of his drawings, which date to the late 19th and early 20th centuries, will be shown alongside contemporary visualizations of the brain. The gallery’s second exhibition is devoted to Baya Mahieddine (known as Baya), an Algerian artist who has yet to gain international recognition. Her vibrant, patterned gouaches Baya, “Femme et enfant en bleu (Woman and child in blue)” (1947) and ceramics drew the attention gouache on board, 22 3/4 x 17 7/8 in (Collection Isabelle Maeght, Paris © of André Breton, Henri Matisse, Photo Galerie Maeght, Paris) and Pablo Picasso. -
Soho Arts Network
Downtown Culture Walk is a self-guided walking tour SoHo Arts Network SoHo Arts Network presented by the SoHo Arts Network (SAN), highlighting 1 the nonprofit art spaces in the SoHo and downtown Downtown Culture Walk neighborhoods. SAN celebrates the rich history of our nyartmaps.com unique creative community and collectively shares our Saturday, April 27, 2019 distinct cultural contributions with neighborhood residents 12 – 6pm and visitors. On April 27, members of SAN will open their doors for Downtown Culture Walk, inviting participants 3 2 to discover the nonprofit art spaces in the neighborhood. Walkthroughs, talks, open hours, and other programming 4 will be offered that day for free or reduced admission. Map courtesy of NY Art Maps, NY of Map courtesy 5 6 1. Swiss Institute 11. Dia: The Broken 38 St. Marks Pl. Kilometer 7 8 393 West Broadway 9 2. The Sylvia Wald DOWNTOWN & Po Kim Art Gallery 12. Storefront for Art 417 Lafayette St., 4th floor and Architecture 97 Kenmare St. CU LT UR E 3. Grey Art Gallery New York University 13. The Drawing Center 100 Washington Sq. East 35 Wooster St. 10 WA LK 4. 80 Washington 14. CIMA - Center for 11 Square East Italian Modern Art 12 New York University 421 Broome St., 4th floor 5. AIA New York | Center 15. Leslie-Lohman Museum for Architecture of Gay and Lesbian Art 536 LaGuardia Pl. 26 Wooster St. 14 13 6. The Renee & Chaim 16. Museum of Chinese Gross Foundation in America 526 LaGuardia Pl. 215 Centre St. 17 15 7. Dia: The New York 17. -
T H E N E I G H B O R H O O D : V a R I C K S T R E E T S O H O / H U D S O N
150 FOOD USES NOW ACCEPTED! VARICK STREET SOHO/HUDSON SQ Powerful presence at the gateway THE NEIGHBORHOOD: to Hudson Square and Soho. This dramatic ground floor industrial space • Transportation: The entrance to the C/E subway line is on is being repositioned and will feature the same block which has 3.4 million riders annually 60’ of new, customizable frontage on • Offices: Hudson Sq is home to over 53,000 office workers Varick Street. who populate the 2.4 million SF of office space • Residents: Over 10,000 current residents with another Ground Level.......................2,750 SF 3,500 units planned to be built over the next 9 years Frontage......................................60’ following the re-zoning of Hudson Square Ceiling Height..............................14’ • Hudson Square BID: Spring Street west of 6th Avenue will Term................................Negotiable receive $27 million to revitalize the streetscape and Possession.........................Immediate solidify this corridor as the central shopping destination of Asking Rent...................Please Inquire Hudson Square Avenue Of The Americas *Additional 5,350 SF possible *All logical divisions considered 50’ Spring Street Vandam Street Vandam 60’ Varick Street NEIGHBORING RETAILERS INCLUDE: • Trader Joe’s (soon) • The Dominick Hotel • Starbucks • City Winery • La Colombe • Aveda • Cafe Altro Paradiso • Ducati • Essen • TD Bank PLEASE CONTACT: Christopher Owles 212.604.9002 l [email protected] Randy Kornblatt 646.673.8772 l [email protected] WEST 4TH STREET WEST 4TH -
Why Is Everyone Always Stealing Black Music?
Disclaimer: This is a machine generated PDF of selected content from our databases. This functionality is provided solely for your convenience and is in no way intended to replace original scanned PDF. Neither Cengage Learning nor its licensors make any representations or warranties with respect to the machine generated PDF. The PDF is automatically generated "AS IS" and "AS AVAILABLE" and are not retained in our systems. CENGAGE LEARNING AND ITS LICENSORS SPECIFICALLY DISCLAIM ANY AND ALL EXPRESS OR IMPLIED WARRANTIES, INCLUDING WITHOUT LIMITATION, ANY WARRANTIES FOR AVAILABILITY, ACCURACY, TIMELINESS, COMPLETENESS, NON-INFRINGEMENT, MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. Your use of the machine generated PDF is subject to all use restrictions contained in The Cengage Learning Subscription and License Agreement and/or the Gale Academic OneFile Select Terms and Conditions and by using the machine generated PDF functionality you agree to forgo any and all claims against Cengage Learning or its licensors for your use of the machine generated PDF functionality and any output derived therefrom. Why Is Everyone Always Stealing Black Music? Author: Wesley Morris Date: Aug. 18, 2019 From: The New York Times Magazine Publisher: The New York Times Company Document Type: Article Length: 4,665 words Lexile Measure: 1190L Full Text: I've got a friend who's an incurable Pandora guy, and one Saturday while we were making dinner, he found a station called Yacht Rock. ''A tongue-in-cheek name for the breezy sounds of late '70s/early '80s soft rock'' is Pandora's definition, accompanied by an exhortation to ''put on your Dockers, pull up a deck chair and relax.'' With a single exception, the passengers aboard the yacht were all dudes. -
Brooklyn, New York, and Queens Public Library Systems' Culture
Brooklyn, New York, and Queens Public Library Systems’ Culture Pass Resumes Free, In-Person Passes Passes to select cultural institutions throughout the five boroughs available now to library cardholders October 27, 2020 – Brooklyn Public Library (BPL), the New York Public Library (NYPL, serving Manhattan, the Bronx, and Staten Island), and Queens Public Library (QPL) today announced that their joint initiative Culture Pass – a citywide library program providing free access to library cardholders to cultural institutions across the five boroughs – has resumed service at select participating institutions, with limited capacity. Created in 2018, Culture Pass has provided nearly 110,000 free passes to museums, gardens, historical societies, performance venues, and other cultural institutions. As institutions across New York City reopen to the public, the City’s tri-library system is providing library patrons select opportunities to visit New York City’s unparalleled arts and culture organizations which have reopened with updated safety protocols in place, free of charge. Through Culture Pass, participating cultural institutions provide day-passes for library cardholders to reserve online and then present the printed or digital pass to gain free admission to a specified organization. As of November 1, 25 participating organizations including the Alice Austen House Museum, Brooklyn Museum, Kingland Homestead, Metropolitan Museum of Art, and New York Botanical Garden are offering in-person passes. Additional museums will offer passes on a rolling basis, as they re-open and are able to begin taking passes again. The list of Culture Pass institutional partners currently offering passes follow below. For more details on Culture Pass and reservations, visit culturepass.nyc. -
View Exhibition Brochure
1 Renée Cox (Jamaica, 1960; lives & works in New York) “Redcoat,” from Queen Nanny of the Maroons series, 2004 Color digital inket print on watercolor paper, AP 1, 76 x 44 in. (193 x 111.8 cm) Courtesy of the artist Caribbean: Crossroads of the World, organized This exhibition is organized into six themes by El Museo del Barrio in collaboration with the that consider the objects from various cultural, Queens Museum of Art and The Studio Museum in geographic, historical and visual standpoints: Harlem, explores the complexity of the Caribbean Shades of History, Land of the Outlaw, Patriot region, from the Haitian Revolution (1791–1804) to Acts, Counterpoints, Kingdoms of this World and the present. The culmination of nearly a decade Fluid Motions. of collaborative research and scholarship, this exhibition gathers objects that highlight more than At The Studio Museum in Harlem, Shades of two hundred years of history, art and visual culture History explores how artists have perceived from the Caribbean basin and its diaspora. the significance of race and its relevance to the social development, history and culture of the Caribbean: Crossroads engages the rich history of Caribbean, beginning with the pivotal Haitian the Caribbean and its transatlantic cultures. The Revolution. Land of the Outlaw features works broad range of themes examined in this multi- of art that examine dual perceptions of the venue project draws attention to diverse views Caribbean—as both a utopic place of pleasure and of the contemporary Caribbean, and sheds new a land of lawlessness—and investigate historical light on the encounters and exchanges among and contemporary interpretations of the “outlaw.” the countries and territories comprising the New World. -
175 Spring Street Soho, New York One of a Kind Signage and Retail Opportunity in Soho
175 SPRING STREET SOHO, NEW YORK ONE OF A KIND SIGNAGE AND RETAIL OPPORTUNITY IN SOHO THEN & ORIGINALLY BUILT IN 1885, 175 SPRING STREET WAS AN ELECTRICAL SUBSTATION FOR THE NOW METROPOLITAN RAILWAY’S SIXTH AVENUE ELEVATED TRAIN LINE. Its unique street presence, heavy industrial feel and exceptionally high ceilings are a direct reflection of the building’s history. TODAY, 175 SPRING STREET OPERATES AS AN 18,000 SF VERTICAL LUMBER YARD IN ONE OF THE TRENDIEST NEIGHBORHOODS IN MANHATTAN. It has been a fixture and the one constant in a neighborhood that has gone through several transformations over the past century. SOHO’S ONLY FULL-BUILDING BRAND EXPERIENCE Over 2,000 square feet of legal accessory signage enables a brand to create an unmatched presence. ARTIST’S RENDERING 20’ LEASED + 73’-6” LEASED LOT LINE LOT LEASED LINE LOT LEASEDPROPOSED LEASED + 64’-0” PENTHOUSELEASED LEASED LEASED + 60’-0” 5TH FLOOR COMMERCIAL LEASED LEASED __________________________________________________________________________________ LEASED LEASED LEASED 4TH FLOOR FLOOR AREA NOTES PROGRAM COMMENTS+ 49’-0” LEASED LEASED LEASED 5TH FLOOR:: 2,281 SF (USABLE) COMMERCIAL • Heavy Foot Traffic Soho Block LEASED LEASED LEASED LEASED LEASED 3RD FLOOR • Unprecedented+ 38’-10” Signage 4TH FLOOR: 3,748 SF (USABLE) COMMERCIAL Opportunity LEASED LEASED + 36’-0” LEASED LEASED BOUTIQUE HOTELLEASED LEASED LEASED • Iconic, One Of A Kind Building LEASED 3RD FLOOR: 3,748 SF (USABLE) COMMERCIAL • High Ceilings, Exposed Brick, Raw 60’ LEASED 2ND FLOOR: 3,493 SF (USABLE) COMMERCIAL Industrial Elements LEASED LEASED LEASED LEASED LEASED LEASED • Venting Allowed 2ND FLOOR GROUND FLOOR: 4,668 SF (USABLE) COMMERCIAL + 17’-0” LEASED • Outstanding Frontage LEASED LEASED LEASED LEASED LEASED • Curb Cut TOTAL AREA: 17,495 SF + 525 SF MECHANICAL = 18,020 SF FAR: 3.17 (EXCL. -
Powered by Julie Mehretu Lot 1
PARTICIPATING ARTISTS Manal Abu-Shaheen Andrea Galvani Yoko Ono Golnar Adili Ethan Greenbaum Kenneth Pietrobono Elia Alba Camille Henrot Claudia Peña Salinas Hope Atherton Brigitte Lacombe Leah Raintree Firelei Báez Anthony Iacono Gabriel Rico Leah Beeferman Basim Magdy Paul Mpagi Sepuya Agathe de Bailliencourt Shantell Martin Arlene Shechet Ali Banisadr Takesada Matsutani Rudy Shepherd Mona Chalabi Josephine Meckseper Hrafnhildur Arnardóttir/Shoplifter Kevin Cooley Julie Mehretu Elisabeth Smolarz William Cordova Sarah Michelson Sarah Cameron Sunde N. Dash Richard Mosse Michael Wang Sandra Erbacher Vik Muniz Meg Webster Liana Finck Rashaad Newsome Tim Wilson AUCTION COMMITTEE Waris Ahluwalia, Designer and Actor Anthony Allen, Director, Paula Cooper Gabriel Calatrava, Founder, CAL Andrea Cashman, Director, David Zwirner Brendan Fernandes, Artist Michelle Grey, Executive Creative and Brand Director, Absolut Art Prabal Gurung, Designer, Founder and Activist Peggy Leboeuf, Director, Galerie Perrotin Michael Macaulay, SVP, Sotheby's Yoko Ono, Artist Bettina Prentice, Founder and Creative Director, Prentice Cultural Communications Olivier Renaud-Clément Olympia Scarry, Artist and Curator Andrea Schwan, Andrea Schwan Inc. Brent Sikkema, Founder and Owner, Sikkema Jenkins & Co Powered by Julie Mehretu Lot 1 Mind-Wind Fusion Drawings #5 2019 Ink and acrylic on paper 26 x 40 in (66 x 101.6 cm) Courtesy of the artist and Marian Goodman Gallery, New York Estimated value: $80,000 Mehretu’s work is informed by a multitude of sources including politics, literature and music. Most recently her paintings have incorporated photographic images from broadcast media which depict conflict, injustice, and social unrest. These graphic images act as intellectual and compositional points of departure; ultimately occluded on the canvas, they remain as a phantom presence in the highly abstracted gestural completed works. -
Bronx Museum Announces the Block Gallery and Inaugural Class of Resident AIM Artists
12/11/2018 Bronx Museum Announces The Block Gallery And Inaugural Class Of Resident AIM Artists West End Off-Broadway United States International Entertainment Log In Sections Shows Chat Boards Jobs Students Video Industry Bronx Museum Announces The Block Hot Stories BroadwayWorld TV Gallery And Inaugural Class Of Resident AIM Artists Jessie Mueller Will Star as Marian in Kennedy Center's by BWW News Desk Oct. 26, 2018 SHARE Tweet Share THE MUSIC MAN KISS ME, KATE's O'Hara & Chase The Bronx Museum of the Arts is pleased to announce its new exhibition and artist Holiday Gifts! workspace at 80 White Street in Lower Manhattan, which will be known as The Block Gallery. The name was chosen in honor of the late Bronx Museum Executive Director Holly Block. It will welcome the rst artist residents in January, 2019. Invite: Watch a Live Q&A With Darren Criss on The space will be home to a new expansion of AIM (Artist in the Marketplace), the Monday! museum's storied career development program for emerging artists in all ve boroughs of New York City. The space will serve as a community resource hub, featuring private workspaces, exhibition facilities, meeting rooms, and career management resources for alumni of the AIM program. The museum's AIM program will now serve 46 New York- based artists every year, with 36 rst-time emerging artist fellows at the Bronx Museum Backstage with Richard and ten AIM alumni at "The Block" in lower Manhattan. The residency will host ve Ridge: Norm Lewis Talks Keeping It Nutcraker Cool artists every six months. -
Dinner and a Revolution Art | Oct 2017 | by Jasmin Hernandez
DINNER AND A REVOLUTION ART | OCT 2017 | BY JASMIN HERNANDEZ Elia Alba's The Spiritualist (Maren Hassinger), 2013 “When we want to talk about diversity, it’s not a binary—it’s intersectional,” says New York-based artist Elia Alba. “There is diversity within diversity.” Her words arise as we discuss her upcoming exhibition “The Supper Club,” which opens late September at The 8th Floor in New York. Alba’s new show is a multi- layered project that began in 2012 when she, a black-identified Latinx artist, wanted to connect with fellow artists of color in her community and give them a voice. Five years in the making, “The Supper Club” encompasses 60 artist portraits, 25 politically focused dinners and a forthcoming book project, slated for 2018, with curator Nicole Caruth. Initially, Alba starting shooting portraits of artists that she either knew well or had long admired and followed. The portraits are rich, dazzling and almost transportive images of lauded artists, such as LaToya Ruby Frazier, Lina Puerta, Wanda Raimundi-Ortiz and Hank Willis Thomas. Taking a cue from Vanity Fair’s Hollywood issue, which mainly features white A-listers on its covers, Alba decided to use that template but flip it to honor black and brown artists. “The Hollywood issue assigns a moniker to each actor they include based on the kind of roles they play,” says Alba. “So I said, ‘O.K., let’s look at these artists. Let’s look at the people around me. What kind of work do they do? What does their work signify?’” By looking at all of the elements in their work, Alba was able to extrapolate different personas for the artists of color.