A Handlist John Dee's Books in the Royal College of Physicians' Library
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Bibliographie Castellio (Auswahl).Pdf
Bibliographie zum Umfeld der protestantischen Glaubensflüchtlinge in der Schweiz, ihren Herkunftsorten und ihren Fluchtwegen, auch zu Sebastian Castellio, seinen Kollegen an der Universität Basel und anderen Dissidenten von Barbara Mahlmann-Bauer (Bern) Quellen, Neueditionen und Übersetzungen Jacobus Acontius: Tractaat de methodo (erstmals Basel 1558). Met een inleiding uitgegeven door Herman J. de Vleeschauwer. Antwerpen, Paris 1927. Diese Ausgabe enthält auch bisher ungedruckte Briefe, u.a. an und von Petrus Ramus. Jacob Acontius: Satanae Stratagematum libri octo (erstmals Basel 1565). Ad Johannem Wolphium eiusque ad Acontium Epistulae. Epistula apologetica pro Adriano de Haemstede. Epistula ad ignotum quendam de natura Christi. Hg. von Walther Koehler. München 1927. Walther Köhler und Erich Hassinger (Hg.): Acontiana. Abhandlungen und Briefe des Jacobus Acontius. Heidelberg 1932 (= Abhandlungen der Heidelberger Akademie der Wissenschaften. Philosophisch-historische Klasse 4). Theodor Beza, Brief an Bullinger, 24.1. 1564, Opera Calvini Bd. 20, c. 242. Theodor Beza, Vita Joannis Calvini (1564), französisch, als Vorwort zur postumen Ed. von Calvins Josua-Kommentar, in Opera Calvini Bd. 21, c. 21ff. Urteil über Castellio c. 24- 27. Theodor Beza: Vita Joannis Calvini, 1575, in Opera Calvini Bd. 21, 119ff. Theodor Beza: De haereticis a civili magistratu puniendis (Anti-Bellius). Sebastian Castellios Antwort auf Beza: Ad sycophantarum quorundam calumnias quibus unicum salutis nostrae fundamentum, i.e. aeternam Dei praedestinationem nituntur responsio. 1558. Johannes Brenz: Ob eyn weltliche Oberkeyt ... möge die Widertouffer zum Tod richten lassen. In: Martin u.a. (Hg.): Johannes Brenz Frühschriften, Teil II. Tübingen 1974. [Originaldruck von 1528 in UB Basel]. Jean Calvin, Jean: Brevis responsio ad diluendas nebulonis cuiusdam calumnias (1557); Ders.: Calumniae nebulonis cuiusdam (1558), beide in Opera Calvini IX, c. -
The History of Cartography, Volume 3
THE HISTORY OF CARTOGRAPHY VOLUME THREE Volume Three Editorial Advisors Denis E. Cosgrove Richard Helgerson Catherine Delano-Smith Christian Jacob Felipe Fernández-Armesto Richard L. Kagan Paula Findlen Martin Kemp Patrick Gautier Dalché Chandra Mukerji Anthony Grafton Günter Schilder Stephen Greenblatt Sarah Tyacke Glyndwr Williams The History of Cartography J. B. Harley and David Woodward, Founding Editors 1 Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean 2.1 Cartography in the Traditional Islamic and South Asian Societies 2.2 Cartography in the Traditional East and Southeast Asian Societies 2.3 Cartography in the Traditional African, American, Arctic, Australian, and Pacific Societies 3 Cartography in the European Renaissance 4 Cartography in the European Enlightenment 5 Cartography in the Nineteenth Century 6 Cartography in the Twentieth Century THE HISTORY OF CARTOGRAPHY VOLUME THREE Cartography in the European Renaissance PART 1 Edited by DAVID WOODWARD THE UNIVERSITY OF CHICAGO PRESS • CHICAGO & LONDON David Woodward was the Arthur H. Robinson Professor Emeritus of Geography at the University of Wisconsin–Madison. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2007 by the University of Chicago All rights reserved. Published 2007 Printed in the United States of America 1615141312111009080712345 Set ISBN-10: 0-226-90732-5 (cloth) ISBN-13: 978-0-226-90732-1 (cloth) Part 1 ISBN-10: 0-226-90733-3 (cloth) ISBN-13: 978-0-226-90733-8 (cloth) Part 2 ISBN-10: 0-226-90734-1 (cloth) ISBN-13: 978-0-226-90734-5 (cloth) Editorial work on The History of Cartography is supported in part by grants from the Division of Preservation and Access of the National Endowment for the Humanities and the Geography and Regional Science Program and Science and Society Program of the National Science Foundation, independent federal agencies. -
Printed Books to 1640
Printed Books to 1640 JULIAN ROBERTS BIBLIOGRAPHY IS A TECHNIQUE PROPER to li brarians. There are many outstanding exceptions to this resoundingly simple statement, but it nevertheless remains true that the librarian is the principal interpreter and beneficiary of the evidence which books, through their physical features, offer about themselves. One of the librarian's most elementary acts, that of cataloging, is bibliographical in nature, in that it records without comment or explanation, certain evidence offered by the book concerning itself, which must be suffi cient to differentiate it from other books. To take an example, if one catalogs a book called The Shield of Achilles published in 1955, such information is only sufficient to differentiate this compilation from other books by the same author, and from other books which have on their title pages, "The Shield of Achilles, Second edition, 1962" and so on. The information recorded fails to reveal that the book is not about the Trojan War or ancient armor. The trends to be considered in this article are given fundamental unity by the fact that they all arise from attempts to interpret and use knowledge derived from the differentiation of books by means of their physical characteristics. It is this differentiation which gives unity to the subject called bibliography (historical or analytical bibliography, that is, as opposed to subject "bibliography," the listing of books and articles by their subjects). The various uses made of this knowledge range in complexity from the distinguishing of books, editions, and perhaps issues, which is necessary for the compilation of union and short title catalogs, to the microscopic precision of Charlton Hinman's collation of the copies of the First Folio of Shakespeare in the Folger Library. -
Johann Georg Faust
Johann Georg Faust Dr. Johann Georg Faust (approx. 1480 – 1540) was a German alchemist who was born in the village of Knittlingen, Württemberg (it is also claimed in Roda in the province of Weimar, and also in Helmstadt near Heidelberg in 1466). He has alternatively been known by the names “Johann Sabellicus” and “Georg Faust.” In 1507, Johannes Trithemius of Sponheim wrote that Faust was a con-man and a drifter who preyed on the gullible. He said he had fled a teaching position in Kreuznach after molesting several of the boys there. He may have then gone on to the University of Heidelberg to study, obtaining a degree in divinity from Heidelberg University in 1509, and then to Poland where a friend of Martin Luther, Philip Melanchthon, says Faust studied magic at the University of Kraków. Martin Luther and Philipp Melanchthon are said to have alleged Faust’s companionship with the devil. After that, he appears at the University of Ehrfut in central Germany. It is said that when he lectured on Homer he conjured up Homer’s heroes for his students. He was expelled from Ehrfut by the Franciscan monk Dr. Klinge (who was the cathedral preacher from 1520-1556). Dr. Klinge asked for Faust’s repentance. Faust refused the monk’s offer of intervention and admitted having signed a pact with the Devil, and said that he trusted the Devil more than God. In 1523 he is said to have visited Auerbach’s Tavern in Leipzig where he conjured wine out of a table, and rode a barrel of wine. -
'The Real Rape of York'
‘The real rape of York’. Dr. Rosenbach’s acquisition of books from York Minster Library: a reconsideration I The upkeep of York Minster has always been a costly business.1 Financial crises have often stimulated a perceived need for drastic measures, in order to ensure the Minster’s survival as a place of worship. Its financial viability has been the most common cause for concern, not least in terms of the relentless need for funds to maintain its exquisite but financially draining fabric. In the early twentieth century, the Minster found itself in precarious circumstances, and not all of them financial. DurinG the Great War, York Minster was not only in difficulty on paper, its very edifice was in a precarious state. The Minster’s fabric was in great need of repair; the ongoing war made it difficult to raise funds. Worse still, it was also facing a very different sort of threat: in 1916 the Chapter acknowledged that the city of York was 1 This essay is dedicated to Mrs. Deirdre Mortimer, former Librarian of York Minster. Special thanks go to the staff of York Minster Library and Archives – in particular to John Powell and Peter YounG – for their Generosity with their time and knowledGe, and to Nicolas Barker, for his advice and comments on earlier drafts of this essay. I would also like to thank Elizabeth Fuller, GreG Ciuliano and the staff at the Rosenbach Museum and Library for their help durinG my time in Philadelphia. I am deeply Grateful to have received Grants from The BiblioGraphical Society and the British Academy, which enabled me to undertake research for this essay. -
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext By Isaac Quinn DuPont A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Information University of Toronto © Copyright by Isaac Quinn DuPont 2017 ii An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext Isaac Quinn DuPont Doctor of Philosophy Faculty of Information University of Toronto 2017 Abstract Tis dissertation is an archeological study of cryptography. It questions the validity of thinking about cryptography in familiar, instrumentalist terms, and instead reveals the ways that cryptography can been understood as writing, media, and computation. In this dissertation, I ofer a critique of the prevailing views of cryptography by tracing a number of long overlooked themes in its history, including the development of artifcial languages, machine translation, media, code, notation, silence, and order. Using an archeological method, I detail historical conditions of possibility and the technical a priori of cryptography. Te conditions of possibility are explored in three parts, where I rhetorically rewrite the conventional terms of art, namely, plaintext, encryption, and ciphertext. I argue that plaintext has historically been understood as kind of inscription or form of writing, and has been associated with the development of artifcial languages, and used to analyze and investigate the natural world. I argue that the technical a priori of plaintext, encryption, and ciphertext is constitutive of the syntactic iii and semantic properties detailed in Nelson Goodman’s theory of notation, as described in his Languages of Art. I argue that encryption (and its reverse, decryption) are deterministic modes of transcription, which have historically been thought of as the medium between plaintext and ciphertext. -
Paul F. Grendler, 1969 Sansovino and Italian Popular History
www.anacyclosis.org THE INSTITUTE FOR ANACYCLOSIS EXCERPT FROM FRANCESCO SANSOVINO AND ITALIAN POPULAR HISTORY BY PAUL F. GRENDLER 1969 A.D. Note: This text, containing a brief sketch of Polybius’ Anacyclosis, describes Francesco Sansovino’s efforts to popularize Anacyclosis during the Italian Renaissance. Footnotes have been omitted. II. The popularizers occasionally pondered man and history. They wrote no formal treatises but they wrote many prefaces and dedicatory letters in which it was standard procedure to discuss briefly the purpose of a work and to reflect on man and history. … Influenced by the events of his century and the current discussions of man and history, Sansovino assigned limits to man’s participation in shaping his world. He believed that man could shape his political destiny in day-to-day affairs but that politics was in the long run subject to an inevitable cycle. Sansovino viewed the growth and decline of states in terms of Polybius’ anacyclosis. The initially good government of one man, monarchy, became a tyranny. Then the state was renewed by the efforts of a few good men who made it an aristocracy. This in turn decayed into oligarchy and was replaced by democracy which became mob rule which, in turn was supplanted by one-man rule as the cycle continued. Sansovino noted that worthy men attempted unsuccessfully to establish principates or republics to endure a thousand years. The reasons for failure were twofold. By their nature all human institutions carried within themselves the seeds of corruption which were human excesses and disorders. Second, one could not provide for everything. -
Gold and Silver: Perfection of Metals in Medieval and Early Modern Alchemy Citation: F
Firenze University Press www.fupress.com/substantia Gold and silver: perfection of metals in medieval and early modern alchemy Citation: F. Abbri (2019) Gold and sil- ver: perfection of metals in medieval and early modern alchemy. Substantia 3(1) Suppl.: 39-44. doi: 10.13128/Sub- Ferdinando Abbri stantia-603 DSFUCI –Università di Siena, viale L. Cittadini 33, Il Pionta, Arezzo, Italy Copyright: © 2019 F. Abbri. This is E-mail: [email protected] an open access, peer-reviewed article published by Firenze University Press (http://www.fupress.com/substantia) Abstract. For a long time alchemy has been considered a sort of intellectual and histo- and distributed under the terms of the riographical enigma, a locus classicus of the debates and controversies on the origin of Creative Commons Attribution License, modern chemistry. The present historiography of science has produced new approach- which permits unrestricted use, distri- es to the history of alchemy, and the alchemists’ roles have been clarified as regards the bution, and reproduction in any medi- vicissitudes of Western and Eastern cultures. The paper aims at presenting a synthetic um, provided the original author and profile of the Western alchemy. The focus is on the question of the transmutation of source are credited. metals, and the relationships among alchemists, chymists and artisans (goldsmiths, sil- Data Availability Statement: All rel- versmiths) are stressed. One wants to emphasise the specificity of the history of alche- evant data are within the paper and its my, without any priority concern about the origins of chemistry. Supporting Information files. Keywords. History of alchemy, precious metals, transmutation of metals. -
PETRUS BONUS, Pretiosa Margarita Novella [The Precious New Pearl] in Latin, Decorated Manuscript on Paper Spain (Catalonia), C
PETRUS BONUS, Pretiosa margarita novella [The Precious New Pearl] In Latin, decorated manuscript on paper Spain (Catalonia), c. 1450-1480 i (paper) + 92 + i (paper) folios on paper (watermarks, unidentified Oxhead, and Oxhead with eyes, nostrils, further features, above a crescent moon, similar to Briquet 14390, Montpellier 1458, Montpellier 1449-1466, and Clermont Ferrand 1460, and WIES, IBE 4435.02, Tortosa 1477), early foliation in faded ink, top outer corner recto, 1- 30, with f. 10 bis, modern foliation in pencil, top outer corner recto (cited), complete (collation, i-vii12 viii12 [-9 through 12, cancelled with no loss of text]), horizontal catchwords inner lower margin, no signatures, ruled very lightly in lead, with full length vertical bounding lines and with the top and bottom horizontal rules full across on a few folios (justification, 205-203 x 144-140 mm.), written below the top line in a stylized cursive gothic bookhand with no loops in two columns of thirty-eight lines, red rubrics, alternately red and blue paragraph marks and two-line initials, large three-line initial, f. 1, darkened silver (?) on a notched ground that follows the shape of the initial (color damaged, yellow?) with a short spray of leaves and small flowers with black ink sprays extending from the initial into the inner margin, trimmed, with loss of some marginalia, f. 73, large hole in the top inner portion of the leaf (loss of text), f. 24, small hole top margin, f. 1, initial damaged, water stains upper margins and top lines of text, (text remains legible, with some passages rewritten in darker ink), smaller, darker stains lower margins, but in sound and legible condition. -
The Legacy of Andre Vauchez's Sainthood in the Later Middle Ages
The Legacy of André Vauchez � Sainthood in the Later Middle Ages Thomas Head Hunter College and the Graduate Center, CUNY It is the appearance of a translation entitled Sainthood in the Later Middle Ages (trans. Jean Birrell [Cambridge, 1987]) which provides us the excuse this afternoon to consider the André Vauchez � masterwork and its legacy in shaping the hagiographic scholarship over the course of almost two decades. Vauchez originally published his thèse d �état in 1981. It became on its publication, and remains today, the benchmark for all study of hagiography and the cult of saints in the later middle ages. The book is a systematic examination of the records of the formal processes initiated for the canonization of saints between 1198 and 1431. Vauchez thus implicitly took up the challenge issued in 1965 by Frantisek Graus Volk, Herrscher und Heiliger im Reich der Merowinger: Studien zur Hagiographie der Merowingerzeit (Prague, 1965), that is to use neglected genres of hagiographic works as sources for the social history of western Christianity. Given the importance that has come to be accorded Graus � pioneering study among scholars �particularly Anglophone scholars �who examine hagiography more for social historical than for philological or theological reasons, it is natural to link the work of the French Catholic to that of the Czech Marxist. Our chair this afternoon, Richard Kieckhefer �himself one of the most distinguished Anglophone scholars of late medieval sanctity �made exactly that connection on the opening page (p. xix) of the foreword which he provided for the English translation. Vauchez himself invoked Graus on the first page of his own introduction, but in a much more limited manner, as one among a group of scholars of the Merovingian and Carolingian periods who have "made it possible to bring within the �territory of the historian � the terra incognita which the history of sanctity has long represented." (p. -
Uni International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material subm itted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in "sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Inventaire Des Livres Italiens Conservés Dans Les Départements De L’Eure Et De La Seine-Maritime
INVENTAIRE DES LIVRES ITALIENS CONSERVÉS DANS LES DÉPARTEMENTS DE L’EURE ET DE LA SEINE-MARITIME par Gaëlle Thomasset de Longuemare, 1er avril 2015 Introduction Le programme Routes du livre ancien italien en Normandie est un projet international et pluridisciplinaire qui entre dans un programme plus large de valorisation du livre italien dans le cadre de l'axe Valorisation du patrimoine littéraire et esthétique du LASLAR de l'Université de Caen Basse-Normandie. Développé dans le cadre du Contrat Projet État-Région 2008-2011, ce projet a jusque là connu plusieurs phases : d'abord l'élaboration d'une première version de la base RDLI à partir de la rétro-conversion du catalogue d'Alain Girard (Livres imprimés en Italie de 1470 à 1600 conservés dans les bibliothèques publiques de la région Basse-Normandie, Caen, Bibliothèque de la ville de Caen, 1982), puis l'enrichissement de ces notices. Ces deux étapes réalisées, le programme étend désormais ses recherches aux livres italiens conservés dans les départements de l'Eure et de la Seine-Maritime. À ces fins, nous avons réalisé un inventaire recensant les livres anciens italiens publiés, quelle que soit la langue, depuis les débuts de l’imprimerie jusqu’à 1600 et conservés dans les établissements des département de l’Eure et de la Seine-maritime. En effet, si le catalogage des livres italiens Bas-Normands a pu être facilité par le catalogue Girard et la première base RDLI qu'il s'agissait d'enrichir, il n'existe pas de telles sources pour la région Haute-Normandie. Il fallait donc, avant toute nouvelle opération de catalogage, identifier quels établissements étaient susceptibles d'être concernés par notre nouvelle campagne, mais aussi situer et quantifier les collections.