DOCSLIB.ORG

A Storyteller's Theatre Production

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Storyteller's Theatre Production A Storyteller’s Theatre Production Adapted by Carolyn Lane © Copyright 1978, Pioneer Drama Service, Inc. Professionals and amateurs are hereby warned that a royalty must be paid for every performance, whether or not admission is charged. All inquiries regarding rights should be addressed to Pioneer Drama Service, Inc., PO Box 4267, Englewood, CO 80155. All rights to this play—including but not limited to amateur, professional, radio broadcast, television, motion picture, public reading and translation into foreign languages—are controlled by Pioneer Drama Service, Inc., without whose permission no performance, reading or presentation of any kind in whole or in part may be given. These rights are fully protected under the copyright laws of the United States of America and of all countries covered by the Universal Copyright Convention or with which the United States has reciprocal copyright relations, including Canada, Mexico, Australia and all nations of the United Kingdom. ONE SCRIPT PER CAST MEMBER MUST BE PURCHASED FOR PRODUCTION RIGHTS. COPYING OR DISTRIBUTING ALL OR ANY PART OF THIS BOOK WITHOUT PERMISSION IS STRICTLY FORBIDDEN BY LAW. On all programs, printing and advertising, the following information must appear: 1. The full name of the play 2. The full name of the playwright 3. The following notice: “Produced by special arrangement with Pioneer Drama Service, Inc., Denver, Colorado” TALES OF HANS CHRISTIAN ANDERSEN SET ILLUSTRATION Adapted by Carolyn Lane A Storyteller’s Theatre Production CAST OF CHARACTERS (To be played by a cast of six, with all except the Storyteller assuming different roles in each of the stories, or, if desired, can be played by a cast of any number up to nineteen.) # of lines STORYTELLER .....................Hans Christian Andersen 11 STEADFAST TIN SOLDIER: TIN SOLDIER ..........................................................................7 DANCING DOLL ......................................................................5 JACK-IN-THE-BOX ..................................................................10 THE SWINEHERD: SWINEHERD ........................................................................19 EMPEROR ............................................................................13 PRINCESS ...........................................................................28 LADY-IN-WAITING ONE .............................................................8 LADY-IN-WAITING TWO .............................................................8 THE UGLY DUCKLING: UGLY DUCKLING .....................................................................8 FARMER .................................................................................4 BOY .......................................................................................5 GIRL ......................................................................................6 SWAN ....................................................................................6 THE LITTLE MERMAID: LITTLE MERMAID ..................................................................18 GRANDMOTHER .....................................................................9 SEA WITCH ............................................................................6 PRINCE ..................................................................................2 DAUGHTER OF AIR ..................................................................5 ii 25 RIGHTS MUST BE PURCHASED BEFORE REPRODUCING THIS SCRIPT For Preview Only. TALES OF HANS CHRISTIAN ANDERSEN PROPS:PROPS: TALES OF HANS CHRISTIAN ANDERSEN THETHE STEADFASTSTEADFAST TINTIN SOLDIERSOLDIER -- Metal Metal heart,heart, spanglespangle SETTING: TheThe stagestage containscontains threethree boxesboxes andand aa stool.stool. (S(Seeee SETSET fromfrom DANCINGDANCING DOLL'SDOLL'S hair.hair. SETTING: DESDESIGNIGN endend ofof thisthis script.script. SeeSee alsoalso,, PRODUCTIOPRODUCTIONN NOTES.)NOTES.) UPSTAGE RIGHT is thethe SWINEHERD'S BOX. UPSTAGE is a THETHE SWINSWINEHERDEHERD -- BoxBox containingcontaining earthenearthen cookingcooking potpot UPSTAGE RIGHT is SWINEHERD'S BOX. UPSTAGE is a talltall GIFT BOX. DOWNSTAGE LE FT is aa SEASEA CHCHEST.EST. decorateddecorated withwith bells,bells, silversilver chest,chest, rose,rose, nightingale.nightingale. GIFT BOX. DOWNSTAGE LE FT is FartherFarther DOWNDOWN LELE FTFT isis aa stoostool.l. THETHE UGLYUGLY DUCKLINGDUCKLING -- BasketBasket containingcontaining fivefive eggseggs andand AT RISE: HANS CHRISTIAN ANDERSEN ENTERS. He comes oneone hugehuge egg.egg. AT RISE: HANS CHRISTIAN ANDERSEN ENTERS. He comes CENTER.CENTER. THETHE LITTLELITTLE MERMAIDMERMAID -- WiWitch'stch's vialvial ofof magicmagic potion,potion, knife.knife. ANDERSEN:ANDERSEN: GudGud dagendagen enhver!enhver! WhereWhere II comecome fromfrom aa landland calledcalled Denmark,Denmark, thatthat means,means, "Hello,"Hello, everybody!"everybody!" MyMy namename isis HansHans Christian Andersen, and I'd like to tell you a remarkable thing about LIGHTING:LIGHTING: AlthoughAlthough nono specialspecial effectseffects areare necessary,necessary, muchmuch cancan bebe Christian Andersen, and I'd like to tell you a remarkable thing about myself. On my last birthday, I was 173 years old! Yes, really! donedone withwith dramaticdramatic lightinglighting toto enhanceenhance thethe playplay ifif properproper equip­equip­ myself. On my last birthday, I was 173 years old! Yes, really! I don't look it, do I? Well, that's because people who make up mentment isis present:present: I don't look it, do I? Well, that's because people who make up storiesstories forfor childchildrenren nevernever dodo growgrow old,old, atat leastleast notnot inin theirtheir hearts.hearts. And they never really die, either, because their VariVariousous stagestage areaareass cancan bebe spotlighted,spotlighted, bblackinglacking outout And they never really die, either, because their spirits live on forever in their stories. I like to think of mine as othersothers forfor actionaction inin specificspecific stories.stories. spirits live on forever in their stories. I like to think of mine as gifts,gifts, becausebecause childrenchildren lovelove gifts,gifts, andand mymy storiesstories werewere thethe veryvery bestbest things I had to give them. Of course they belong to all children, EntireEntire stagestage areaarea maymay bebe dimmed,dimmed, withwith spotlightspotlight onon things I had to give them. Of course they belong to all children, everywhere, but today I'd like them to be special gifts, just for ANANDERDERSESENN whwhiilele hehe narrates.narrates. everywhere, but today I'd like them to be special gifts, just for you.you. AsAs youyou cancan see,see, thethe giftsgifts II broughtbrought alongalong areare allall sizessizes andand shapes, and they're all closed, so that whatever is inside will be a Blue-greenBlue-green lightinglighting mightmight bebe usedused effectivelyeffectively forfor thethe shapes, and they're all closed, so that whatever is inside will be a surprise. Now, I don't know about you, but when I was a boy underseaundersea partpart ofof THETHE LITTLELITTLE MERMAID.MERMAID. surprise. Now, I don't know about you, but when I was a boy II alwaysalways openedopened thethe biggestbiggest oneone firstfirst .. .. .. especiallyespecially ifif itit waswas thethe fanciest.fanciest. SoSo justjust toto pleaseplease me,me, let'slet's dodo thatthat now.now. ThisThis one,one, (MOVING to GIFT BOX) is the biggest and fanciest of all. Looks SOUNDSOUND EFFECTS:EFFECTS: (MOVING to GIFT BOX) is the biggest and fanciest of all. Looks likelike aa birthdaybirthday gift,gift, doesn'tdoesn't it?it? WeWelI,lI, that'sthat's exactlyexactly whatwhat itit is,is, and it once made a little boy very happy. He opened this box THETHE SWJNEHERDSWJNEHERD -- ForFor nightingale,nightingale, insideinside silversilver chest,chest, and it once made a little boy very happy. He opened this box on aa birdbird whistlewhistle mightmight bebe blownblown offstage,offstage, aa fluteflute oror on aa beautifulbeautiful birthdaybirthday morning,morning, long,long, longlong ago,ago, andand outout camecame ...j ust a moment, now, and I 'II show you. (Removes ribbon, aa musicmusic boxbox played.played. OffstageOffstage "Oinking""Oinking" ofof pigspigs atat ...j ust a moment, now, and I 'II show you. (Removes ribbon, endend ofof story.story. reachesreaches behbehiindnd leftleft sideside ofof GIFTGIFT BOXBOX toto bringbring forthforth aa TINTIN SOLDIER,SOLDIER, marchingmarching stiffly,stiffly, withwith aa limp.)limp.) ItIt waswas aa wholewhole setset ofof THETHE UGLYUGLY DUDUCKLINGCKLING -- OffstageOffstage sosoundund ofof dogdog barking.barking. TinTin Soldiers,Soldiers, allall ofof themthem straightstraight andand strongstrong andand perfectperfect .. .. except this poor fellow, who had one leg broken off at the knee. OffstageOffstage soundsound ofof gunshots.gunshots. except this poor fellow, who had one leg broken off at the knee. ThoughThough thethe II ittle ittle boyboy lovedloved himhim justjust asas muchmuch asas thethe others,others, hehe knewknew thatthat aa one-leggedone-legged soldiersoldier wouldn'twouldn't bebe ofof muchmuch useuse onon aa fieldfield ofof battlebattle . hehe wouldwould simplysimply fallfall over!over! AndAnd soso hehe leanedleaned thethe brokenbroken soldiersoldier upup againstagainst thethe boxbox hehe camecame inin (Does(Does so.)so.) wherewhere hehe couldcould watchwatch thethe othersothers andand keepkeep himselfhimself safe.safe. Naturally,Naturally, thethe solsoldierdier couldn'tcouldn't
Load more

Recommended publications
  • The Ugly Duckling YOU Have an Important Part to Play
    The Ugly Duckling STUDY GUIDE THE UGLY DUCKLING BASED ON THE S T O R Y B Y Fairy tales... HANS CHRISTIAN ANDERSEN are types of folk tales. They BY RICHARD GIERSCH usually begin with “Once upon a time...” and end with “...happily ever after.” Also, fairy tales usually have events happening in threes, and involve magic. THE UGLY DUCKLING is a musical written by Richard Giersch, based on the story by Hans Christian Andersen. This program is presented in support of the Folk tales... teaching of the Virginia English Standards of Learning. are short, with a simple plot. They Activities provided support curriculum k-5. have characters representing a characteristic like good or bad and feature events that are AT THE LIBRARY: repeated, especially in threes. Hans Christian Andersen (1805- They are based in fantasy. 1875) was a Danish author best known for writing over 150 children’s stories. Check out the following fairy tales, also by Hans Christian Andersen: The Emperor’s New Clothes Thumbelina The Princess and the Pea YOU Have an Important Part to Play The Steadfast Tin Soldier How to Play Your Part The Fir Tree The Little Mermaid A play is different than television or a movie. The actors are right in front of The Nightingale you and can see your reactions, feel your attention, and hear your laughter Little Match Girl and applause. Watch and listen carefully to understand the story. The story is told by actors and comes to life through your imagination. Page 2 VIRGINIA REPERTORY THEATRE Songs from The Ugly Duckling Plays that include songs are called musicals.
    [Show full text]
  • Building Community by Producing Honk! Jr., a Musical Based on the Glu Y Duckling Heidi Louise Jensen
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Theses Student Research 5-1-2013 Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The glU y Duckling Heidi Louise Jensen Follow this and additional works at: http://digscholarship.unco.edu/theses Recommended Citation Jensen, Heidi Louise, "Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The Ugly Duckling" (2013). Theses. Paper 38. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2013 HEIDI LOUISE JENSEN ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School A TWO HUNDRED YEAR OLD LESSON IN BULLYING: BUILDING COMMUNITY BY PRODUCING HONK! JR., A MUSICAL BASED ON “THE UGLY DUCKLING” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Heidi Louise Jensen College of Performing and Visual Arts School of Theatre Arts and Dance Theatre Education May 2013 This Thesis by: Heidi Louise Jensen Entitled: A Two Hundred Year Old Lesson in Bullying: Building Community by Producing HONK! Jr., A Musical Based on “The Ugly Duckling”. has been approved as meeting the requirement for the Degree of Master of Arts in College of Performing and Visual Arts in School of Theatre and Dance, Program of Theatre Educator Intensive Accepted by the Thesis Committee _______________________________________________________ Gillian McNally, Associate Professor, M.F.A., Chair, Advisor _______________________________________________________ Mary J.
    [Show full text]
  • The Annotations for the Ugly Duckling Fairy Tale Are Below. Sources Have
    The annotations for the Ugly Duckling fairy tale are below. Sources have been cited in parenthetical references, but I have not linked them directly to their full citations which appear on the Ugly Duckling Bibliography page. I have provided links back to the Annotated Ugly Duckling to facilitate referencing between the notes and the tale. Special thanks to Christine Ethier, an adjunct teacher of English writing at both Community College of Philadelphia and Camden County College, for providing the annotations to this tale. Ethier's annotations are designated by CE. Heidi Anne Heiner provided additional annotations designated with HAH. 1. The Ugly Duckling: Considered the most autobiographical of all his tales, Andersen first published "The Ugly Duckling" in 1844 when he was 39 years old. He admitted on many occasions that the tale mirrored his own life. The tale appeared in Nye Eventyr (New Fairy Tales). The collection was critically well-received. HAH The Franks write: It is not only among his most famous stories — the title itself has become part of several languages — but the one that readers correctly identify most closely with its author. Andersen spent his summers with aristocratic friends, going from one castle to the next; in the summer of 1842, at Gisselfeldt Castle, south of Copenhagen, he had been in a bad mood because a new play had done poorly. But he went for a walk, a diary entry notes, and “got the idea for a story about a duck. Improved my mood.” In late July — he was now a guest at the castle of Bregentved — he says, “Began the young swan yesterday” — a hint that the idea had not quite worked itself out (156).
    [Show full text]
  • Andersen's Fairy Tales
    HTTPS://THEVIRTUALLIBRARY.ORG ANDERSEN’S FAIRY TALES H. C. Andersen Table of Contents 1. The Emperor’s New Clothes 2. The Swineherd 3. The Real Princess 4. The Shoes of Fortune 1. I. A Beginning 2. II. What Happened to the Councillor 3. III. The Watchman’s Adventure 4. IV. A Moment of Head Importance—an Evening’s “Dramatic Readings”—a Most Strange Journey 5. V. Metamorphosis of the Copying-clerk 6. VI. The Best That the Galoshes Gave 5. The Fir Tree 6. The Snow Queen 7. Second Story. a Little Boy and a Little Girl 8. Third Story. of the Flower-garden at the Old Woman’s Who Understood Witchcraft 9. Fourth Story. the Prince and Princess 10. Fifth Story. the Little Robber Maiden 11. Sixth Story. the Lapland Woman and the Finland Woman 12. Seventh Story. What Took Place in the Palace of the Snow Queen, and What Happened Afterward. 13. The Leap-frog 14. The Elderbush 15. The Bell 16. The Old House 17. The Happy Family 18. The Story of a Mother 19. The False Collar 20. The Shadow 21. The Little Match Girl 22. The Dream of Little Tuk 23. The Naughty Boy 24. The Red Shoes THE EMPEROR’S NEW CLOTHES Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes.
    [Show full text]
  • The Ugly Duckling by Hans Christian Andersen (1844)
    The Ugly Duckling By Hans Christian Andersen (1844) IT was lovely summer weather in the country, and the golden corn, the green oats, and the haystacks piled up in the meadows looked beautiful. The stork walking about on his long red legs chattered in the Egyptian language, which he had learnt from his mother. The corn-fields and meadows were surrounded by large forests, in the midst of which were deep pools. It was, indeed, delightful to walk about in the country. In a sunny spot stood a pleasant old farm-house close by a deep river, and from the house down to the water side grew great burdock leaves, so high, that under the tallest of them a little child could stand upright. The spot was as wild as the center of a thick wood. In this snug retreat sat a duck on her nest, watching for her young brood to hatch; she was beginning to get tired of her task, for the little ones were a long time coming out of their shells, and she seldom had any visitors. The other ducks liked much better to swim about in the river than to climb the slippery banks, and sit under a burdock leaf, to have a gossip with her. At length one shell cracked, and then another, and from each egg came a living creature that lifted its head and cried, “Peep, peep.” “Quack, quack,” said the mother, and then they all quacked as well as they could, and looked about them on every side at the large green leaves.
    [Show full text]
  • The Snow Queen Teacher Resource Guide
    URBAN STAGES 259 West 30th Street Between 9 & 10th Avenues THE SNOW QUEEN TEACHER RESOURCE GUIDE Table of Contents Introduction 2 *The Life of Hans Christian Andersen 3 Class Exercise: “Getting to know Hans” 4 *The Modern Fairy Tale 5 Fairy Tale Activity/ Exercises 7 *Adaptation: Making an Old Story New 8 *Map to Color and Label 9 *Exercises in Adaptation 10 *The Mystery of Puppets 12 Q & A & Theater Etiquette 14 More to Do After you see the Play 15 *Glossary of Theater Terms 16 Post Performance Teacher Questionnaire 17 *Reproducible (Hand Outs) 1 INTRODUCTION Dear Educator, Thank you for joining us to see Urban Stage’s The Snow Queen, an adaptation of Hans Christian Anderson’s classic fairy tale The Snow Queen. This resource guide will pro- vide you with some pre and post performance classroom work that can help enrich the play going experience for your students. Along with background information on the play there are also suggested exercises and reproducible activity pages included in the Teacher Resource Guide. Please do not feel that you need to do everything in this guide. The guide provides drama and theater based teaching techniques that you can use as they are presented to you or you can adapt them to your own teaching style. Established in May 1983, Urban Stages’ mission is to discover and develop new plays by authors of diverse cultural backgrounds. Urban Stages is theater for the increasingly di- verse population of this country concerning issues relevant to their lives. It is our belief that theater has the power to dramatically change lives, offer new alternatives for the fu- ture, and be used as a teaching tool.
    [Show full text]
  • The Ugly Duckling Script
    The Ugly Duckling By Hans Christian Anderson 1 It was a beautiful day in the country. The sun was shining and the birds were singing. Close by the canal a duck sat on her eggs. She had been sitting on them a long time. One by one the eggs cracked open. “CRACK” … “CRACK” … “CRACK” “How big the world is,” said the ducklings as they waddled around. 2 But one egg remained in the nest. It was very large. “Why is it taking so long?” said the mother duck. “It’s a turkey egg,” said one of her friends. “Leave it. Take the other ducklings away with you.” “Oh I couldn’t. Just a little while longer.” And she sat on the egg. At last, the egg broke, and out tumbled… A very odd looking creature. It was big and grey and ugly. “What a funny looking duckling,” said the mother duck. 1 3 The next day, the mother duck took her children to the canal. To her surprise, the ugly duckling jumped in with all the others, and swam around happily. But back in the fowl yard, the other ducks were not pleased. “What is that?” they asked. “It’s my newest duckling. He is very good. He swims as well as the others – maybe better.” “But my dear, he is so ugly!” They all laughed. 4 Worse than that, some of them pecked at him and called him names. After a few days, even his brothers and sisters turned on him. “Go away,” they hissed, “you ugly duckling.” So the little duckling ran away.
    [Show full text]
  • Hans Christian Andersen and the Danish Golden Age Fall 2017, European Humanities 3 Credit Course Major Discipline: Literature Monday & Thursday 13.15‐14.35, F24 203
    Final Syllabus Hans Christian Andersen and the Danish Golden Age Fall 2017, European Humanities 3 credit course Major Discipline: Literature Monday & Thursday 13.15‐14.35, F24 203 Instructor: Morten Egholm Ph. D., Film Studies, University of Copenhagen, 2009. Cand. mag., Scandinavian Studies, Film and Media Theory, University of Copenhagen, 1997. Associate professor, Danish Language, Literature and Culture, University of Groningen, The Netherlands, 2002‐2006. Has written several articles in Danish, English and Dutch on Danish literature, Danish mentality, TV series and film history. Since January 2012 full time faculty at DIS. Tel. 60 81 40 71 [email protected] Office hours: Thursday, 1.15‐3.00 pm in Room 10 B‐15 DIS contacts: Sanne Rasmussen, Program Coordinator, European Humanities Department, [email protected] Hans Christian Andersen and the Danish Golden Age | DIS – Study Abroad in Scandinavia | Major Disciplines: Literature Final Syllabus Course Content: Hans Christian Andersen (1805‐1875) is internationally known as the writer of fairy tales. Children all over the world know The Ugly Duckling, The Emperor’s New Clothes, The Little Mermaid, The Princess and the Pea and other tales. But Andersen also wrote very important works in many other literary genres. As we will discover, Andersen’s writings are not just for children. Further, Andersen very often in his works gives insightful commentary that reflects social, philosophical and technological changes throughout the 19th Century. This course will be a study of 30 fairy tales by Hans Christian Andersen as well as extracts from his novels, travelogues, poems, diaries and of his autobiography, The Fairy Tale of My Life.
    [Show full text]
  • Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales
    University of Kentucky UKnowledge Folklore Anthropology 7-5-2002 Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales Jack Zipes Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Zipes, Jack, "Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales" (2002). Folklore. 15. https://uknowledge.uky.edu/upk_folklore/15 Breaking the Magic Spell Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright O 1979 by Jack Zipes Published 2002 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. - Editorial and Sales Ofices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Library of Congress Cataloging-in-Publication Data Zipes, Jack Breaking the magic spell. 1. Tales, European-History and criticism. 2. Literature and society. I. Title ISBN-10: 0-8131-9030-4 (paper) ISBN-13: 978-0-8131-9030-3 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • All Andersen ONLINE Summer Storytelling Schedule Hans
    All Andersen ONLINE Summer Storytelling Schedule Hans Christian Andersen Story Telling Center 2020 – 64th Season Saturdays — 11:00AM-12:00PM LIVE ONLINE: https://facebook.com/HCAStoryCenter Storyteller Featured Hans Christian Andersen Story: LOCATION: May-June 30 May Sheila Arnold The Man and his Shadow Live streamed on Facebook Laura Simms, Simon Brooks The Old House, Jack, the Dullard and on YouTube – and 6 June Judith Heineman The Wild Swans Recorded sessions are Julia Della Torre The Emperor’s New Clothes available there afterwards. 13 June Regina Ress The Most Incredible Thing April Armstrong The Tea Pot If COVID-19 restrictions Rachael Harrington The Flax permit, we will move 20 June Jim Brule, Angela Halvorsen Bogo The Last Pearl, The Puppeteer performances outdoor @ Donna Jacobs Sife The Three Languages HCA Statue in Central Park (72nd & 5th) July 4 Julie Pasqual, Karen De Mauro The Goblin and the Huckster, The Princess Laura Simms and the Pea, Everything in its Right Place YouTube: 11 Joy Kelly Smith, Jean Hale The Steadfast Tin Soldier, What Father http://www.youtube.com/ Robin Bady Does is Right, The Journey of the Beetle c/HCAStoryCenter 18 Megan Wells, Angela Lloyd The Sandman, The Darning Needle Loren Niemi The Swineherd Facebook: 25 Lise Marie Nedergaard The Life of Andersen https://www.facebook. Connie Regan-Blake Five Peas in a Pod, com/HCAStoryCenter August 1 Regi Carpenter Ugly Duckling Angela Lloyd The Red Shoes 8 Ed Stivender There is a Difference For Updates, please check: Sally Pomme Clayton The Little Mermaid HCAStoryCenter.org
    [Show full text]
  • The Ugly Duckling
    April 30, 2018 10 a.m. | 12:30 p.m. Classroom Connections The Ugly Duckling For teachers and students grades K - 5 By Richard Giersch Based on the story by Hans Christian Andersen Teacher Resources In the Classroom Fairy tales... The Ugly Duckling is a musical written by Richard Giersch, based on the clas- sic story by Hans Christian Andersen. This program is presented in support of Virginia English Standards of Learning: are types of folk tales. They usually begin K.1, 1.1, 2.3, 2.8, 3.1, 3.6, 4.4, 4.5, 5.5, 5.6. with “Once upon a time...” and end with Activities provided support curriculum in grades K-5 “...happily ever after.” Also, fairy tales usually have events happening in threes, At the Library Hans Christian Andersen (1805 - and involve magic. 1875) was a Danish author best known for writing over 150 children’s stories. Check out the following fairy tales, also by Hans Christian Andersen: Folk tales... The Emperor's New Clothes Thumbelina The Princess and the Pea are short, with a simple plot. They have The Steadfast Tin Soldier The Fir Tree The Little Mermaid characters representing a characteristic like The Nightingale The Little Match Girl good or bad and feature events that are Look in the J398 section of your local repeated, especially in threes. They are library for more fairy tales. based in fantasy. On the Web www.TheatreIV.org/sidekicks.html Activities provided are aligned with the Virginia Standards of Learning. Information for teachers and parents, including links to other great web sites.
    [Show full text]
  • The Snow Queen Educational Material LEGAL NOTICE the Snow Queen Educational Material
    The Snow Queen Educational Material LEGAL NOTICE The Snow Queen Educational Material Redaction Deutsche Oper am Rhein Theatergemeinschaft Düsseldorf-Duisburg gGmbH Anja Fürstenberg, Anna-Mareike Vohn, Krysztina Winkel, Eleanor Siden, Junge Oper am Rhein Heinrich-Heine-Allee 16a 40213 Düsseldorf Tel. +49 (0)211.89 25-152 Fax +49 (0)211.89 25-289 [email protected] Adaptation in English by Elisabeth Lasky for OperaVision www.operavision.eu [email protected] Bibliography Hans Christian Andersen • Mönninghoff, Wolfgang : Das große Hans Christian Andersen Buch;, Düsseldorf und Zürich 2005 • Sahr Michael: Andersen lesen. Andersen Märchen für Schüler von heute; Hohengehren 1999 • http://hans-christian-andersen.de/ Marius Felix Lange • http://www.mariuslange.de/ • http://www.sikorski.de/4459/de/lange_marius_felix.html Sheet music and quotes from the book: Original score by Marius Felix Lange Pictures Hans Christian Andersen • http://hans-christian-andersen.de/ • https://de.wikipedia.org/wiki/Hans_Christian_Andersen Production Pictures © Hans Jörg Michel © Deutsche Oper am Rhein 2018 – all rights reserved. 2 The Snow Queen Educational Material Contents Introduction – roles – the story ................................................................................................ 4 1. Context – the author, the composer and the fairy tale ............................................... 7 2. Improvisation - the characters of the opera ................................................................. 11 3. Character study- the trolls and the
    [Show full text]