DOCSLIB.ORG

The Ugly Duckling by Hans Christian Andersen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Ugly Duckling by Hans Christian Andersen The Ugly Duckling by Hans Christian Andersen It was so glorious out in the country; it was At last one egg-shell after another burst summer; the cornfields were yellow, the oats open. “Piep! piep!” it cried, and in all the were green, the hay had been put up in stacks in eggs there were little creatures that stuck the green meadows, and the stork went about out their heads. on his long red legs, and chattered Egyptian, “Quack! quack!” they said; and they for this was the language he had learned from all came quacking out as fast as they could, his good moth- looking all er. All around round them the fields and under the meadows were green leaves; great forests, and the moth- and in the midst er let them of these forests look as much lay deep lakes. as they chose, Yes, it was right for green is glorious out in good for the the country. In eye. the midst of the “ H o w sunshine there wide the world lay an old farm, with deep canals about it, and is!” said all the young ones, for they certainly from the wall down to the water grew great bur- had much more room now than when they docks, so high that little children could stand were in the eggs. upright under the loftiest of them. It was just “D’ye think this is all the world?” said as wild there as in the deepest wood, and here the mother. “That stretches far across the oth- sat a Duck upon her nest; she had to hatch her er side of the garden, quite into the parson’s ducklings; but she was almost tired out before field; but I have never been there yet. I hope the little ones came and then she so seldom had you are all together,” and she stood up. “No, visitors. The other ducks liked better to swim I have not all. The largest egg still lies there. about in the canals than to run up to sit down How long is that to last? I am really tired of under a burdock, and cackle with her. it.” And she sat down again. — — Created for Lit2Go on the web at fcit.usf.edu The Ugly Duckling Hans Christian Andersen “Well, how goes it?” asked an old Duck closed over their heads, but they came up in who had come to pay her a visit. an instant, and swam capitally; their legs went “It lasts a long time with that one egg,” of themselves, and they were all in the water. said the Duck who sat there. “It will not burst. The ugly gray Duckling swam with them. Now, only look at the others; are they not the “No, it’s not a turkey,” said she; “look how prettiest little ducks one could possibly see? well it can use its legs, and how straight it holds They are all like their father. The rogue, he itself. It is my own child! On the whole it’s quite never comes to see me.” pretty, if one looks at it rightly. Quack! quack! “Let me see the egg which will not burst,” come with me, and I’ll lead you out into the said the old visitor. “You may be sure it is a tur- great world, and present you in the duck-yard; key’s egg. I was once cheated in that way, and but keep close to me, so that no one may tread had much anxiety and trouble with the young on you, and take care of the cats!” ones, for they are afraid of the water. Must I say And so they came into the duck-yard. it to you, I could not get them to venture in. I There was a terrible riot going on in there, for quacked and I clacked, but it was no use. Let two families were quarrelling about an eel’s me see the egg. Yes, that’s a turkey’s egg. Let it lie head, and the cat got it after all. there, and teach the other children to swim.” “See, that’s how it goes in the world!” said “I think I will sit on it a little longer,” said the Duck. the Mother-Duck; and she whetted her beak, “I’ve sat so long now that I can sit a few days more.” for she too wanted the eel’s head. “Only use “Just as you please,” said the old Duck; your legs,” she said. “See that you can bustle and she went away. about, and bow your heads before the old Duck At last the great egg burst. “Piep! piep!” yonder. She’s the grandest of all here; she’s of said the little one, and crept forth. It was very Spanish blood—that’s why she’s so fat; and large and very ugly. The Duck looked at it. d’ye see? she has a red rag round her leg; that’s “It’s a very large duckling,” said she; “none of something particularly fine, and the greatest the others look like that. Can it really be a turkey distinction a duck can enjoy; it signifies that chick? Well, we shall soon find out. It must go into one does not want to lose her, and that she’s the water, even if I have to thrust it in myself.” to be known by the animals and by men too. The next day it was bright, beautiful Shake yourselves—don’t turn in your toes; a weather; the sun shone on all the green trees. well brought-up duck turns its toes quite out, The Mother-Duck went down to the canal just like father and mother—so! Now bend with all her family. Splash! she jumped into your necks and say ‘Quack!’” the water. “Quack! quack!” she said, and one And they did so: but the other ducks round duckling after another plunged in. The water about looked at them, and said quite boldly: — — Created for Lit2Go on the web at fcit.usf.edu The Ugly Duckling Hans Christian Andersen “Look there! now we’re to have these “It is too big!” they all said. And the tur- hanging on, as if there were not enough of us key-cock, who had been born with spurs, and already! And—fie!—how that duckling yon- therefore thought himself an emperor, blew der looks; we won’t stand that!” And one duck himself up like a ship in full sail, and bore flew up at it, and bit it in the neck. straight down upon it; then he gobbled and “Let it alone,” said the mother; “it does grew quite red in the face. The poor Duckling no harm to any one.” did not know where it should stand or walk; it “Yes, but it’s too large and peculiar,” said was quite melancholy because it looked ugly, the Duck who had bitten it; “and therefore it and was the butt of the whole duck-yard. must be put down.” So it went on the first day; and afterwards “Those are pretty children that the mother has it became worse and worse. The poor Duck- there,” said the old Duck with the rag round her ling was hunted about by every one; even its leg. “They’re all pretty but that one; that was rather brothers and sisters were quite angry with it, unlucky. I wish she could bear it over again.” and said, “If the cat would only catch you, “That cannot be done, my lady,” replied you ugly creature!” And the mother said, “If the Mother-Duck. “It is not pretty, but it has you were only far away!” And the ducks bit it, a really good disposition, and swims as well as and the chickens beat it, and the girl who had any other; yes, I may even say it, swims bet- to feed the poultry kicked at it with her foot. ter. I think it will grow up pretty, and become Then it ran and flew over the fence, and smaller in time; it has lain too long in the egg, the little birds in the bushes flew up in fear. and therefore is not properly shaped.” And “That is because I am so ugly!” thought then she pinched it in the neck, and smoothed the Duckling; and it shut its eyes, but flew on its feathers. “Moreover, it is a drake,” she farther, and so it came out into the great moor, said, “and therefore it is not of so much con- where the wild ducks lived. Here it lay the whole sequence. I think he will be very strong. He night long; and it was weary and downcast. makes his way already.” Towards morning the wild ducks flew up, “The other ducklings are graceful enough,” and looked at their new companion. said the old Duck. “Make yourself at home; and “What sort of a one are you?” they asked; if you find an eel’s head, you may bring it me.” and the Duckling turned in every direction, And now they were at home. But the poor and bowed as well as it could. “You are re- Duckling which had crept last out of the egg, markably ugly!” said the Wild Ducks. “But and looked so ugly, was bitten and pushed and that is nothing to us, so long as you do not jeered, as much by the ducks as by the chickens. marry into our family.” — — Created for Lit2Go on the web at fcit.usf.edu The Ugly Duckling Hans Christian Andersen Poor thing! it certainly did not think of mar- his nose close against the Duckling, showed rying, and only hoped to obtain leave to lie among his sharp teeth, and—splash, splash!—on he the reeds and drink some of the swamp water.
Load more

Recommended publications
  • The Ugly Duckling YOU Have an Important Part to Play
    The Ugly Duckling STUDY GUIDE THE UGLY DUCKLING BASED ON THE S T O R Y B Y Fairy tales... HANS CHRISTIAN ANDERSEN are types of folk tales. They BY RICHARD GIERSCH usually begin with “Once upon a time...” and end with “...happily ever after.” Also, fairy tales usually have events happening in threes, and involve magic. THE UGLY DUCKLING is a musical written by Richard Giersch, based on the story by Hans Christian Andersen. This program is presented in support of the Folk tales... teaching of the Virginia English Standards of Learning. are short, with a simple plot. They Activities provided support curriculum k-5. have characters representing a characteristic like good or bad and feature events that are AT THE LIBRARY: repeated, especially in threes. Hans Christian Andersen (1805- They are based in fantasy. 1875) was a Danish author best known for writing over 150 children’s stories. Check out the following fairy tales, also by Hans Christian Andersen: The Emperor’s New Clothes Thumbelina The Princess and the Pea YOU Have an Important Part to Play The Steadfast Tin Soldier How to Play Your Part The Fir Tree The Little Mermaid A play is different than television or a movie. The actors are right in front of The Nightingale you and can see your reactions, feel your attention, and hear your laughter Little Match Girl and applause. Watch and listen carefully to understand the story. The story is told by actors and comes to life through your imagination. Page 2 VIRGINIA REPERTORY THEATRE Songs from The Ugly Duckling Plays that include songs are called musicals.
    [Show full text]
  • Building Community by Producing Honk! Jr., a Musical Based on the Glu Y Duckling Heidi Louise Jensen
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Theses Student Research 5-1-2013 Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The glU y Duckling Heidi Louise Jensen Follow this and additional works at: http://digscholarship.unco.edu/theses Recommended Citation Jensen, Heidi Louise, "Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The Ugly Duckling" (2013). Theses. Paper 38. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2013 HEIDI LOUISE JENSEN ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School A TWO HUNDRED YEAR OLD LESSON IN BULLYING: BUILDING COMMUNITY BY PRODUCING HONK! JR., A MUSICAL BASED ON “THE UGLY DUCKLING” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Heidi Louise Jensen College of Performing and Visual Arts School of Theatre Arts and Dance Theatre Education May 2013 This Thesis by: Heidi Louise Jensen Entitled: A Two Hundred Year Old Lesson in Bullying: Building Community by Producing HONK! Jr., A Musical Based on “The Ugly Duckling”. has been approved as meeting the requirement for the Degree of Master of Arts in College of Performing and Visual Arts in School of Theatre and Dance, Program of Theatre Educator Intensive Accepted by the Thesis Committee _______________________________________________________ Gillian McNally, Associate Professor, M.F.A., Chair, Advisor _______________________________________________________ Mary J.
    [Show full text]
  • The Annotations for the Ugly Duckling Fairy Tale Are Below. Sources Have
    The annotations for the Ugly Duckling fairy tale are below. Sources have been cited in parenthetical references, but I have not linked them directly to their full citations which appear on the Ugly Duckling Bibliography page. I have provided links back to the Annotated Ugly Duckling to facilitate referencing between the notes and the tale. Special thanks to Christine Ethier, an adjunct teacher of English writing at both Community College of Philadelphia and Camden County College, for providing the annotations to this tale. Ethier's annotations are designated by CE. Heidi Anne Heiner provided additional annotations designated with HAH. 1. The Ugly Duckling: Considered the most autobiographical of all his tales, Andersen first published "The Ugly Duckling" in 1844 when he was 39 years old. He admitted on many occasions that the tale mirrored his own life. The tale appeared in Nye Eventyr (New Fairy Tales). The collection was critically well-received. HAH The Franks write: It is not only among his most famous stories — the title itself has become part of several languages — but the one that readers correctly identify most closely with its author. Andersen spent his summers with aristocratic friends, going from one castle to the next; in the summer of 1842, at Gisselfeldt Castle, south of Copenhagen, he had been in a bad mood because a new play had done poorly. But he went for a walk, a diary entry notes, and “got the idea for a story about a duck. Improved my mood.” In late July — he was now a guest at the castle of Bregentved — he says, “Began the young swan yesterday” — a hint that the idea had not quite worked itself out (156).
    [Show full text]
  • The Ugly Duckling by Hans Christian Andersen (1844)
    The Ugly Duckling By Hans Christian Andersen (1844) IT was lovely summer weather in the country, and the golden corn, the green oats, and the haystacks piled up in the meadows looked beautiful. The stork walking about on his long red legs chattered in the Egyptian language, which he had learnt from his mother. The corn-fields and meadows were surrounded by large forests, in the midst of which were deep pools. It was, indeed, delightful to walk about in the country. In a sunny spot stood a pleasant old farm-house close by a deep river, and from the house down to the water side grew great burdock leaves, so high, that under the tallest of them a little child could stand upright. The spot was as wild as the center of a thick wood. In this snug retreat sat a duck on her nest, watching for her young brood to hatch; she was beginning to get tired of her task, for the little ones were a long time coming out of their shells, and she seldom had any visitors. The other ducks liked much better to swim about in the river than to climb the slippery banks, and sit under a burdock leaf, to have a gossip with her. At length one shell cracked, and then another, and from each egg came a living creature that lifted its head and cried, “Peep, peep.” “Quack, quack,” said the mother, and then they all quacked as well as they could, and looked about them on every side at the large green leaves.
    [Show full text]
  • The Snow Queen Teacher Resource Guide
    URBAN STAGES 259 West 30th Street Between 9 & 10th Avenues THE SNOW QUEEN TEACHER RESOURCE GUIDE Table of Contents Introduction 2 *The Life of Hans Christian Andersen 3 Class Exercise: “Getting to know Hans” 4 *The Modern Fairy Tale 5 Fairy Tale Activity/ Exercises 7 *Adaptation: Making an Old Story New 8 *Map to Color and Label 9 *Exercises in Adaptation 10 *The Mystery of Puppets 12 Q & A & Theater Etiquette 14 More to Do After you see the Play 15 *Glossary of Theater Terms 16 Post Performance Teacher Questionnaire 17 *Reproducible (Hand Outs) 1 INTRODUCTION Dear Educator, Thank you for joining us to see Urban Stage’s The Snow Queen, an adaptation of Hans Christian Anderson’s classic fairy tale The Snow Queen. This resource guide will pro- vide you with some pre and post performance classroom work that can help enrich the play going experience for your students. Along with background information on the play there are also suggested exercises and reproducible activity pages included in the Teacher Resource Guide. Please do not feel that you need to do everything in this guide. The guide provides drama and theater based teaching techniques that you can use as they are presented to you or you can adapt them to your own teaching style. Established in May 1983, Urban Stages’ mission is to discover and develop new plays by authors of diverse cultural backgrounds. Urban Stages is theater for the increasingly di- verse population of this country concerning issues relevant to their lives. It is our belief that theater has the power to dramatically change lives, offer new alternatives for the fu- ture, and be used as a teaching tool.
    [Show full text]
  • The Ugly Duckling Script
    The Ugly Duckling By Hans Christian Anderson 1 It was a beautiful day in the country. The sun was shining and the birds were singing. Close by the canal a duck sat on her eggs. She had been sitting on them a long time. One by one the eggs cracked open. “CRACK” … “CRACK” … “CRACK” “How big the world is,” said the ducklings as they waddled around. 2 But one egg remained in the nest. It was very large. “Why is it taking so long?” said the mother duck. “It’s a turkey egg,” said one of her friends. “Leave it. Take the other ducklings away with you.” “Oh I couldn’t. Just a little while longer.” And she sat on the egg. At last, the egg broke, and out tumbled… A very odd looking creature. It was big and grey and ugly. “What a funny looking duckling,” said the mother duck. 1 3 The next day, the mother duck took her children to the canal. To her surprise, the ugly duckling jumped in with all the others, and swam around happily. But back in the fowl yard, the other ducks were not pleased. “What is that?” they asked. “It’s my newest duckling. He is very good. He swims as well as the others – maybe better.” “But my dear, he is so ugly!” They all laughed. 4 Worse than that, some of them pecked at him and called him names. After a few days, even his brothers and sisters turned on him. “Go away,” they hissed, “you ugly duckling.” So the little duckling ran away.
    [Show full text]
  • Hans Christian Andersen and the Danish Golden Age Fall 2017, European Humanities 3 Credit Course Major Discipline: Literature Monday & Thursday 13.15‐14.35, F24 203
    Final Syllabus Hans Christian Andersen and the Danish Golden Age Fall 2017, European Humanities 3 credit course Major Discipline: Literature Monday & Thursday 13.15‐14.35, F24 203 Instructor: Morten Egholm Ph. D., Film Studies, University of Copenhagen, 2009. Cand. mag., Scandinavian Studies, Film and Media Theory, University of Copenhagen, 1997. Associate professor, Danish Language, Literature and Culture, University of Groningen, The Netherlands, 2002‐2006. Has written several articles in Danish, English and Dutch on Danish literature, Danish mentality, TV series and film history. Since January 2012 full time faculty at DIS. Tel. 60 81 40 71 [email protected] Office hours: Thursday, 1.15‐3.00 pm in Room 10 B‐15 DIS contacts: Sanne Rasmussen, Program Coordinator, European Humanities Department, [email protected] Hans Christian Andersen and the Danish Golden Age | DIS – Study Abroad in Scandinavia | Major Disciplines: Literature Final Syllabus Course Content: Hans Christian Andersen (1805‐1875) is internationally known as the writer of fairy tales. Children all over the world know The Ugly Duckling, The Emperor’s New Clothes, The Little Mermaid, The Princess and the Pea and other tales. But Andersen also wrote very important works in many other literary genres. As we will discover, Andersen’s writings are not just for children. Further, Andersen very often in his works gives insightful commentary that reflects social, philosophical and technological changes throughout the 19th Century. This course will be a study of 30 fairy tales by Hans Christian Andersen as well as extracts from his novels, travelogues, poems, diaries and of his autobiography, The Fairy Tale of My Life.
    [Show full text]
  • The Ugly Duckling
    April 30, 2018 10 a.m. | 12:30 p.m. Classroom Connections The Ugly Duckling For teachers and students grades K - 5 By Richard Giersch Based on the story by Hans Christian Andersen Teacher Resources In the Classroom Fairy tales... The Ugly Duckling is a musical written by Richard Giersch, based on the clas- sic story by Hans Christian Andersen. This program is presented in support of Virginia English Standards of Learning: are types of folk tales. They usually begin K.1, 1.1, 2.3, 2.8, 3.1, 3.6, 4.4, 4.5, 5.5, 5.6. with “Once upon a time...” and end with Activities provided support curriculum in grades K-5 “...happily ever after.” Also, fairy tales usually have events happening in threes, At the Library Hans Christian Andersen (1805 - and involve magic. 1875) was a Danish author best known for writing over 150 children’s stories. Check out the following fairy tales, also by Hans Christian Andersen: Folk tales... The Emperor's New Clothes Thumbelina The Princess and the Pea are short, with a simple plot. They have The Steadfast Tin Soldier The Fir Tree The Little Mermaid characters representing a characteristic like The Nightingale The Little Match Girl good or bad and feature events that are Look in the J398 section of your local repeated, especially in threes. They are library for more fairy tales. based in fantasy. On the Web www.TheatreIV.org/sidekicks.html Activities provided are aligned with the Virginia Standards of Learning. Information for teachers and parents, including links to other great web sites.
    [Show full text]
  • The Snow Queen Educational Material LEGAL NOTICE the Snow Queen Educational Material
    The Snow Queen Educational Material LEGAL NOTICE The Snow Queen Educational Material Redaction Deutsche Oper am Rhein Theatergemeinschaft Düsseldorf-Duisburg gGmbH Anja Fürstenberg, Anna-Mareike Vohn, Krysztina Winkel, Eleanor Siden, Junge Oper am Rhein Heinrich-Heine-Allee 16a 40213 Düsseldorf Tel. +49 (0)211.89 25-152 Fax +49 (0)211.89 25-289 [email protected] Adaptation in English by Elisabeth Lasky for OperaVision www.operavision.eu [email protected] Bibliography Hans Christian Andersen • Mönninghoff, Wolfgang : Das große Hans Christian Andersen Buch;, Düsseldorf und Zürich 2005 • Sahr Michael: Andersen lesen. Andersen Märchen für Schüler von heute; Hohengehren 1999 • http://hans-christian-andersen.de/ Marius Felix Lange • http://www.mariuslange.de/ • http://www.sikorski.de/4459/de/lange_marius_felix.html Sheet music and quotes from the book: Original score by Marius Felix Lange Pictures Hans Christian Andersen • http://hans-christian-andersen.de/ • https://de.wikipedia.org/wiki/Hans_Christian_Andersen Production Pictures © Hans Jörg Michel © Deutsche Oper am Rhein 2018 – all rights reserved. 2 The Snow Queen Educational Material Contents Introduction – roles – the story ................................................................................................ 4 1. Context – the author, the composer and the fairy tale ............................................... 7 2. Improvisation - the characters of the opera ................................................................. 11 3. Character study- the trolls and the
    [Show full text]
  • Usborne English the Ugly Duckling • Teacher’S Notes
    Usborne English The Ugly Duckling • Teacher’s notes Author: based on a story by Hans Christi an Andersen Reader level: Intermediate Word count: 761 Lexile level: 390L Text type: Children’s classic author, fairy tale About the story This much-loved tale begins with a mother duck proudly counti ng her six eggs. Five are smooth, small and white but the sixth one is huge. She pati ently incubates them, unti l at last the big day comes and her fl uff y yellow ducklings hatch out. At least, fi ve of them hatch out. The big egg takes longer to break, and eventually a large, grey, ugly duckling emerges. From the very start, things don’t look good for the ugly duckling. The farm animals tease him so much that he runs away, hides in a swamp, is blown this way and that and rejected by every animal he sees. The ugly duckling barely survives the long cold winter, but when spring arrives he is bigger and stronger. To his surprise, the swans he meet don’t tease and reject him. In fact, one look at his refl ecti on in the water and the ugly duckling realises he has become a beauti ful swan himself. About the author Hans Christi an Andersen (1805-1875) was born in Odense, Denmark, the son of a shoemaker. At the age of 14 he moved to the capital city, Copenhagen, hoping to become an actor or a dancer. When he didn’t succeed at either, he went back to school, then tried his hand at writi ng.
    [Show full text]
  • 06-09 Happy Birthday HC Andersen.Indd
    Happy Birthday, Hans Christian Andersen! by Marjorie R. Hancock Preschool through elementary school n April 2, 1805, in a quaint life a fairy tale, and many of his stories On August 4, 1875, at the age of cottage on a cobblestone reveal aspects of his own experiences in 70, H. C. Andersen died. Loved by Ostreet in Odense, Denmark, some guise. writers, revered in his homeland, and the master of the fairy-tale genre was As Andersen gained fame for his honored all over the world, Andersen born—Hans Christian Andersen. As charming storytelling, he became a was nevertheless melancholy for most the bicentennial of his birth draws frequent dinner guest of royal heads of his life. Yet his legacy remains, as near, it seems appropriate to revisit of Europe, who enjoyed his company every children’s book with personified, his early life, his personal and profes- and his tales. Translated into more nonhuman characters is, in some way, sional struggles, his lifelong pursuit of than 100 languages, Andersen’s stories descended from Andersen’s tales. His fame, and his ultimate rec- trademark themes reveal that sad- ognition as an international ness can be lightened by unex- celebrity and creator of more pected happiness at the end of a than 150 fairy tales. To read journey or the close of a tale. the tales of H. C. Andersen (as he is known in Denmark) is to discover the joys and disappointments of his own Artist Joel Stewart depicts fairy-tale life and to hear his the master storyteller in distinctive storytelling voice.
    [Show full text]
  • "Hidden, but Not Forgotten": Hans Christian Andersen's Legacy in the Twentieth Century Andrea Immel
    Marvels & Tales Volume 20 | Issue 2 Article 2 10-1-2006 Preface to the Special Issue: "Hidden, But Not Forgotten": Hans Christian Andersen's Legacy in the Twentieth Century Andrea Immel Recommended Citation Immel, Andrea. "Preface to the Special Issue: "Hidden, But Not Forgotten": Hans Christian Andersen's Legacy in the Twentieth Century." Marvels & Tales 20.2 (2006). Web. <http://digitalcommons.wayne.edu/marvels/vol20/iss2/2>. 004 M&T 20-2 FM (137-154) 6/11/07 2:03 PM Page 149 PREFACE TO THE SPECIAL ISSUE: “HIDDEN, BUT NOT FORGOTTEN”: HANS CHRISTIAN ANDERSEN’S LEGACY IN THE TWENTIETH CENTURY A green cloth volume of Andersen’s fairy tales in the Grosset & Dunlap Illustrated Junior Library is one of the books I remember most vividly from childhood. And when my first grade teacher discovered I could read aloud “The Ugly Duckling” without any coaching, she exempted me from regular reading instruction. But Andersen probably would not have appeared on a list of my favorite authors. Reading him was a visceral but not especially pleasant experience, because the stories that aroused a ghoulish confusion of terror and pity were the most mes- merizing. The response was triggered not so much by Andersen’s words as by Arthur Syzk’s jewel-toned illustrations in the Grosset & Dunlap edition. The upper left-hand corner of Syzk’s endpapers was dominated by the Snow Queen, whose huge, haunted yet cruel eyes compelled me to stare at its complex design. At the same time, her figure prompted an equally powerful desire to turn away.
    [Show full text]