Tadeusz Kantor and the Poetics of Being
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New Orleans Review LOYOLA UNIVERSITY VOLUM E 16 NUMBER 21$9.00
New Orleans Review LOYOLA UNIVERSITY VOLUM E 16 NUMBER 21$9.00 ) ) New Orleans Review Summer 1989 Editors John Biguenet John Mosier Managing Editor Sarah Elizabeth Spain Design Vilma Pesciallo Contributing Editors Bert Cardullo David Estes Jacek Fuksiewicz Alexis Gonzales, F.S.C. Andrew Horton Peggy McCormack Rainer Schulte Fourzding Editor Miller Williams Advisory Editors Richard Berg Doris Betts Joseph Fichter, S.J. John Irwin Murray Krieger Wesley Morris Walker Percy Herman Rapaport Robert Scholes Miller Williams The New Orleans Review is published by Loyola University, New Orleans, Louisiana 70118, United States. Copyright !fJ 1989 by Loyola University. Critical essays relating to film or literature of up to ten thousand words should be prepared to conform with the new MLA guidelines. All essays, fiction, poetry, photography, or related artwork should be sent to the New Orleans Review, together with a stamped, self-addressed envelope. The address is New Orleans Review, Box 195, Loyola University, New Orleans, Louisiana 70118. Reasonable care is taken in the handling of material, but no responsibility is assumed for the loss of unsolicited material. Accepted manuscripts are the property of the NOR. Rejected manuscripts without stamped, self-addressed envelopes will not be returned. The New Orleans Review is published in February, May, August, and November. Annual Subscription Rate: Institutions $30.00, Individuals $25.00, Foreign Subscribers $35.00. Contents listed in the PMLA Bibliography and the Index of American Periodical Verse. US lSSN 0028-6400 NEW ORLEANS REVIEW CONTENTS SUMMER 1989 VOLUME 16 NUMBER 2 Interrogation Ryszard Bugajski/fr. Michael Szporer 5 Ode to a Pantheress Pablo Nerudaltr. -
Lazarus, Syrkin, Reznikoff, and Roth
Diaspora and Zionism in Jewish American Literature Brandeis Series in American Jewish History,Culture, and Life Jonathan D. Sarna, Editor Sylvia Barack Fishman, Associate Editor Leon A. Jick, The Americanization of the Synagogue, – Sylvia Barack Fishman, editor, Follow My Footprints: Changing Images of Women in American Jewish Fiction Gerald Tulchinsky, Taking Root: The Origins of the Canadian Jewish Community Shalom Goldman, editor, Hebrew and the Bible in America: The First Two Centuries Marshall Sklare, Observing America’s Jews Reena Sigman Friedman, These Are Our Children: Jewish Orphanages in the United States, – Alan Silverstein, Alternatives to Assimilation: The Response of Reform Judaism to American Culture, – Jack Wertheimer, editor, The American Synagogue: A Sanctuary Transformed Sylvia Barack Fishman, A Breath of Life: Feminism in the American Jewish Community Diane Matza, editor, Sephardic-American Voices: Two Hundred Years of a Literary Legacy Joyce Antler, editor, Talking Back: Images of Jewish Women in American Popular Culture Jack Wertheimer, A People Divided: Judaism in Contemporary America Beth S. Wenger and Jeffrey Shandler, editors, Encounters with the “Holy Land”: Place, Past and Future in American Jewish Culture David Kaufman, Shul with a Pool: The “Synagogue-Center” in American Jewish History Roberta Rosenberg Farber and Chaim I. Waxman,editors, Jews in America: A Contemporary Reader Murray Friedman and Albert D. Chernin, editors, A Second Exodus: The American Movement to Free Soviet Jews Stephen J. Whitfield, In Search of American Jewish Culture Naomi W.Cohen, Jacob H. Schiff: A Study in American Jewish Leadership Barbara Kessel, Suddenly Jewish: Jews Raised as Gentiles Jonathan N. Barron and Eric Murphy Selinger, editors, Jewish American Poetry: Poems, Commentary, and Reflections Steven T.Rosenthal, Irreconcilable Differences: The Waning of the American Jewish Love Affair with Israel Pamela S. -
Tadeusz Kantor. Widma / Spectres
Tadeusz Kantor. widma / Spectres Kraków, 2020 KATALOG / CATALOGUE WYSTAWA / EXHIBITION WYDAWCA / PUBLISHED BY: KURATORZY / CURATORS: © Ośrodek Dokumentacji Sztuki Tadeusza Kantora CRICOTEKA Małgorzata Paluch-Cybulska, Michał Kobiałka Centre for the Documentation of the Art of Tadeusz Kantor CRICOTEKA ul. Nadwiślańska 2–4, 30-527 Kraków KOORDYNACJA / COORDINATION: tel. +48 12 442 77 70 Kamil Kuitkowski, Izabela Zawadzka (współpraca) e-mail: [email protected] ARANŻACJA WYSTAWY I PROJEKT GRAFICZNY DRUKÓW / DESIGN: www.cricoteka.pl Zbigniew Prokop, Krzysztof Kućma – Creator s.c. Kraków 2020 ISBN 978-83-61213-30-7 PRACE BUDOWLANE / CONSTRUCTION WORK: Marcin Drzewiński – f.u.h. VIOMAR, Andrzej Lis, Gerard Piasecki, Roman Piotrowski – Geppetto s.c. REDAKTORKA PROWADZĄCA / MANAGING EDITOR: OŚWIETLENIE I MULTIMEDIA / LIGHTING AND MULTIMEDIA: Magdalena Link-Lenczowska Mariusz Gąsior, Mariusz Potępa, Wydział Intermediów ASP w Krakowie / Faculty of Intermedia, Academy of Fine Arts in Kraków PROJEKT GRAFICZNY / GRAPHIC DESIGN: Zbigniew Prokop – Creator s.c. KONSERWACJA / CONSERVATION: ICOS KONCEPCJA / CONCEPTION: Małgorzata Paluch-Cybulska, Michał Kobiałka WSPÓŁPRACA / COOPERATION: Marzena Boniecka, Olga Curzydło, Justyna Droń, Monika Gniadek, REDAKCJA NAUKOWA / CONSULTING EDITOR: Magdalena Goszczyńska, Ewa Kaczmarczyk, Michał Lelek, Edyta Leszczyńska, Joanna Targoń Magdalena Link-Lenczowska, Aldona Mikulska, Aleksandra Mitura, Łukasz Mzyk, REDAKCJA / EDITING: Marcin Nowak, Agnieszka Oprządek, Marcin Pańtak, Barbara Pasterak, Magdalena Petryna -
3. Grzegorz Gazda
Grzegorz Gazda The Final Journey of Franz Kafka's Sisters Through me into the city full of woe; Through me the message of eternal pain; Through me the passage where the lost souls go. Dante Alighieri, Divine Comedy 1 Magic Prague, esoteric Prague, Golden Prague. 2 The capital of the Czech Republic bears those names and nicknames not without reason. It is a truly extraordinary and fascinating city. A cultural palimpsest of texts written through the ages, texts that have been magnificently preserved until our times. "An old in folio of stone pages," as V. Nezval wrote. 3 A Slavic city with over a thousand years of history, but a city which at the same time, due to historical conditions, belongs rather to the culture of the West. The capital of the Czechs in which, however, an important part has always been played by foreign ethnic communities. But this arti- cle is no place to present historical panoramas and details. Our subject matter goes back to the turn of the 20 t h century, so let us stop at that. 1 Fragment of an inscription at the gates of hell which begins the third canto of the Divine Comedy (trans. C. Carson). This quote was used as a motto in the novel Kruta leta (1963, The Cruel Years ) by Frantisek Kafka, a Czech writer and literary scholar. 1 will speak more of him and his novel in this article. 2 Among numerous books dealing with the cultural and artistic history of this city, see, for example, K. Krejci, Praga. Legenda i rzeczywistość, Warszawa 1974, trans, from the Czech by C. -
The Theatre of Death: the Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, Must One Die to Be Dead
The Theatre of Death: The Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, must one die to be dead. Twitchin, Mischa The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/8626 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] The Theatre of Death: The Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, must one die to be dead? Mischa Twitchin Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy. 1 The Theatre of Death: the Uncanny in Mimesis (Abstract) The aim of this thesis is to explore an heuristic analogy as proposed in its very title: how does a concept of the “uncanny in mimesis” and of the “theatre of death” give content to each other – historically and theoretically – as distinct from the one providing either a description of, or even a metaphor for, the other? Thus, while the title for this concept of theatre derives from an eponymous manifesto of Tadeusz Kantor’s, the thesis does not aim to explain what the concept might mean in this historically specific instance only. Rather, it aims to develop a comparative analysis, through the question of mimesis, allowing for different theatre artists to be related within what will be proposed as a “minor” tradition of modernist art theatre (that “of death”). -
Lint-Deat.Pdf
NELLA STESSA COLLANA 1. MARINA GEAT, VINCENZO A. PICCIONE (a cura di), Le ragioni di Erasmus, 2017 2. MARINA GEAT, VINCENZO A. PICCIONE (a cura di), Infanzia, arti, lavoro: confluenze educative, 2019 Università degli Studi Roma Tre Dipartimento di Scienze della Formazione L’INTERCULTUREL : QUELS DÉFIS ET PROBLÉMATIQUES AUX NIVEAUX EUROPÉEN ET INTERNATIONAL ? sous la direction de Viviane Devriésère Marina Geat Collana 3 Le Ragioni di Erasmus Ricerche e intersezioni scientifiche. Per l’educazione nel presente: le scienze umane, l’internazionalizzazione, le reti, l’innovazione 2020 Ce volume a été publié avec le soutien de l’ISFEC d’Aquitaine et du Département de Sciences de l’Éducation de l’Université Roma Tre. Questo volume è stato pubblicato con il contributo dell’ISFEC d’Aquitaine e del Dipartimento di Scienze della Formazione dell’Università Roma Tre. Direttore della collana: Marina Geat, Università degli Studi Roma Tre Comitato scientifico della collana: Marina Geat, Università degli Studi Roma Tre Vincenzo A. Piccione, Università degli Studi Roma Tre Anne Douaire-Banny, ICP - Institut Catholique de Paris Viviane Devriésère, ISFEC d’Aquitaine, Bordeaux Miguel Ángel Carbonero Martín, Università diValladolid Maria Teresa Del Olmo Ibañez, Università di Alicante Andrea Rácz, University of Eötvös Loránd, Budapest Revisione editoriale dei testi: Sara Concato Impaginazione e cura editoriale: Libreria Efesto Elaborazione grafica della copertina: Mosquito mosquitoroma.it Edizioni: © Roma, maggio 2020 ISBN: 979-12-80060-17-4 http://romatrepress.uniroma3.it Quest’opera è assoggettata alla disciplina Creative Commons attribution 4.0 International Licence (CC BY-NC-ND 4.0) che impone l’attribuzione della paternità dell’opera, proibisce di alterarla, trasformarla o usarla per produrre un’altra opera, e ne esclude l’uso per ricavarne un profitto commerciale. -
The Post-Traumatic Theatre of Grotowski and Kantor Advance Reviews
The Post-traumatic Theatre of Grotowski and Kantor Advance Reviews “A brilliant cross-disciplinary comparative analysis that joins a new path in theatre studies, revitalizing the artistic heritage of two great twentieth-century masters: Tadeusz Kantor and Jerzy Grotowski.” —Professor Antonio Attisani, Department of Humanities, University of Turin “Among the landmarks of postwar avant-garde theatre, two Polish works stand out: Grotowski’s Akropolis and Kantor’s Dead Class. Magda Romanska scrupulously corrects misconceptions about these crucial works, bringing to light linguistic elements ignored by Anglophone critics and an intense engagement with the Holocaust very often overlooked by their Polish counterparts. This is vital and magnificently researched theatre scholarship, at once alert to history and to formal experiment. Romanska makes two pieces readers may think they know newly and urgently legible.” —Martin Harries, author of “Forgetting Lot’s Wife: On Destructive Spectatorship,” University of California, Irvine “As someone who teaches and researches in the areas of Polish film and theatre – and European theatre/theatre practice/translation more broadly – I was riveted by the book. I couldn’t put it down. There is no such extensive comparative study of the work of the two practitioners that offers a sustained and convincing argument for this. The book is ‘leading edge.’ Romanska has the linguistic and critical skills to develop the arguments in question and the political contexts are in general traced at an extremely sophisticated level. This is what lends the writing its dynamism.” —Dr Teresa Murjas, Director of Postgraduate Research, Department of Film, Theatre and Television, University of Reading “This is a lucidly and even beautifully written book that convincingly argues for a historically and culturally contextualized understanding of Grotowski’s and Kantor’s performances. -
Dora Diamant – Kafkas Letzte Liebe in Neuss Ein Beitrag Zur Geschichte Des Rheinischen Landestheaters
Miszellen Annekatrin Schaller Dora Diamant – Kafkas letzte Liebe in Neuss Ein Beitrag zur Geschichte des Rheinischen Landestheaters »Das Drama (auf der Bühne) ist erschöpfender als der Roman, weil wir alles sehn, wovon wir sonst nur lesen. « Franz Kafka, Tagebücher Die Geschichte des Rheinischen Landestheaters Neuss ist noch nicht geschrieben. Sie hält zahlreiche spannende Geschichten bereit – über die reine Theatergeschichte und die Neusser Stadtgeschichte hinaus. Sie bietet zweifellos reichlich Stoff für das historische Gesche- hen seit der Weimarer Republik, einen kleinen Mosaikstein dazu möchte dieser Aufsatz beitragen. Eine Saison lang, vom Herbst 1928 bis zum Sommer 1929, gehörte eine Schauspielerin zum Ensemble des damaligen Rheinischen Städte bundtheaters, die zur literarischen Weltgeschichte zählt: Dora Diamant 1. Sie war eine ungewöhnliche Frau und eine starke Persön- Dora Diamant, um 1928 (Lask Collection) 263 Miszellen Schaller | Dora Diamant – Kafkas letzte Liebe in Neuss lichkeit mit einem bemerkenswerten Lebenslauf, und sie war »Kafkas letzte Liebe« 2 – die Frau, die dem Schriftsteller in seinem letzten Lebensjahr bis zum frühen Tod am 3. Juni 1924 zur Seite stand. An das Theater nach Neuss kam sie vier Jahre danach, im Anschluss an ihre zweijährige Ausbildung zur Schauspielerin an der Hochschule für Bühnenkunst in Düsseldorf. Das Rheinische Städtebundtheater war eine noch sehr junge Bühne, als Dora Diamant dort spielte. Erst wenige Jahre zuvor, 1925, war es gegründet worden. In seine vierte Spielzeit 1928/29 ging es mit -
The Inventory of the Richard Lourie Collection #1355
The Inventory of the Richard Lourie Collection #1355 Howard Gotlieb Archival Research Center lourie.r LOURIE, RICHARD 194O- 241C Deposit January 1988 OUTLINE OF INVENTORY 7 Boxes I. MANUSCRIPTS 1973, 1985-1987. A. Novels B. Translations c. Short Fiction D. Poetry E. Film Script F. Essay G. Translated Short Prose II. PRINTED REVIEWS, 1973-1986. III. CORRESPONDENCE, 1979-1988. IV. FINANCIAL STATEMENTS, 1986-1987. 1 LOURIE, RICHARD Deposit from Author June 1987, January 1988 I. MANUSCRIPTS 1973, 1985-1987 A. Novels, 1973, 1985, 1987 Box 1 1. FIRST LOYALTY. Harcourt Brace Jovanovich, 1985. a. Holograph on legal notepads (7), ca. 275 p. (#1) b. Draft. Under title STOLAT. Typescript with holo. corr., ca. 400 p. (#2) Box 1/2 c. Setting copy. Typescript with holo. corr., ca. 540 p. including front matter. (Box 1, #3; Box 2, #1) Box 2 d. Misc. draft pages. Typescript with holo. corr., 6 p. (#2) e. Outline. Holograph, 7 p. on 6 leaves. (#2) 2. SAGITTARIUS IN WARSAW. Vanguard Press, 1973. a. Setting copy. Typescript photocopy and typescript, both with holo. corr. 164 p. including front matter. (#3) b. Galley proofs. (#4) 3. ZERO GRAVITY. Harcourt Brace Jovanovich, 1987. a. Outlines and draft pages. 5 legal notepads, holograph, 141 p. (#5 - 6) b. Miscellaneous draft pages and notes. Typescript with holo. corr. and holograph, ca. 55 p. (#7) Box 3 c. Miscellaneous draft pages. Typescript with holo. corr. and holograph, ca. 65 p. (#1) d. Miscellaneous draft pages. Typescript with holo. corr., photocopy of typescript with holo. corr., and holograph, ca. 400 p. (#2) e. -
In the Sphere of Reception, Revisions and Inspirations
IN THE SPHERE OF RECEPTION, REVISIONS AND INSPIRATIONS Janusz Degler (University of Wrocław) Witkacy around the World Translated by Tomasz Wiśniewski In the year 1962, Konstanty Puzyna edited and published a two-volume collection of Stanisław Ignacy Witkiewicz’s plays. It contained twenty-two texts, which were mostly unknown as they had been neither printed nor performed (in his lifetime, Witkacy ma- naged to publish only six plays, and the publication of one of them was not fully com- pleted1). Puzyna’s edition turned out to be pivotal for the reception of Witkiewicz’s work: in the next few years, Witkacy became one of the most important Polish playwrights, and his plays were produced by professional, student and amateur companies2. Witkacy’s plays were made available to the wide world, and they soon attracted the attention of translators, critics, literary scholars, theorists, and theater directors in many countries around the world. In 1963, the journal Pour l’Art (No. 8990) published Eric Veaux’s translation of an excerpt from The Introduction to the Theory of Pure Form in the Theatre. Nearly at the same time, the very same excerpt – with an introduction by Konstanty Puzyna – was published as “Un nuovo tipo di drammaturgia” in the special issue on Polish theater of the Italian monthly Sipario (no 208–209). Another section of The Introduction was included in Odette Aslan’s anthology L’Art du théâtre (Paris, 1963), where the history of theatrical thinking from ancient times to the present was discussed. A year later, the Yugoslav anthology Avangardna drama (Belgrade, 1964) edited by Slobodan Selenić, included the play The Madman and the Nun in Petar Vuj- ćić’s Serbo-Croat translation. -
J.B.METZLER Metzler Lexikon Weltliteratur
1682 J.B.METZLER Metzler Lexikon Weltliteratur 1000 Autoren von der Antike bis zur Gegenwart Band 1 A-F Herausgegeben von Axel Ruckaberle Verlag J. B. Metzler Stuttgart . Weimar Der Herausgeber Bibliografische Information Der Deutschen National Axel Ruckaberle ist Redakteur bei der Zeitschrift für bibliothek Literatur »TEXT+ KRITIK«, beim >>Kritischen Lexikon Die Deutsche Nationalbibliothek verzeichnet diese zur deutschsprachigen Gegenwartsliteratur<< (KLG) und Publikation in der Deutschen Nationalbibliografie; beim >>Kritischen Lexikon zur fremdsprachigen detaillierte bibliografische Daten sind im Internet über Gegenwartsliteratur<< (KLfG). <http://dnb.d-nb.de> abrufbar. Rund die Hälfte der in diesen Bänden versammelten Autorenporträts stammen aus den folgenden Lexika: >>Metzler Lexikon englischsprachiger Autorinnen und Autoren<<, herausgegeben von Eberhard Kreutzer und ISBN-13: 978-3-476-02093-2 Ansgar Nünning, 2002/2006. >>Metzler Autoren Lexikon<<, herausgegeben von Bernd Lutz und Benedikt Jeßing, 3. Auflage 2004. ISBN 978-3-476-02094-9 ISBN 978-3-476-00127-6 (eBook) »Metzler Lexikon amerikanischer Autoren<<, heraus DOI 10.1007/978-3-476-00127-6 gegeben von Bernd Engler und Kurt Müller, 2000. »Metzler Autorinnen Lexikon«, herausgegeben von Dieses Werk einschließlich aller seiner Teile ist urheber rechtlich geschützt. Jede Verwertung außerhalb der Ute Hechtfischer, Renate Hof, Inge Stephan und engen Grenzen des Urheberrechtsgesetzes ist ohne Flora Veit-Wild, 1998. Zustimmung des Verlages unzulässig und strafbar. Das >>Metzler Lexikon -
Franz Kafka Und Seıne Beziehungen Zu Den Frauen (Mit Hilfe Der
A ta tü r k Ü niversitesi Edebiyat Fakültesi Sosyal Bilimler Dergisi Journal of Social Sciences CiltVolume 10, SayıNumber 45, AralıkDecember 2010, 1-19 Franz Kafka und Seıne Beziehungen Zu Den Frauen (Mit Hilfe der Frauenbildrecherche von Franz Kafka und Max Brod gemeinsam geschriebenen fragmenteren Roman “Richard und Samuel”) Franz Kafka and his Relation With Woman (Using the image of woman research of Franz Kafka and Max Brod fragments co- written novel, “Richard and Samuel”) Ahmet SARI Cemile Akyıldız ERCAN Atatürk Üniversitesi Edebiyat Fakültesi Atatürk Üniversitesi Edebiyat Fakültesi Alman Dili ve Edebiyatı Bölümü Alman Dili ve Edebiyatı Bölümü [email protected] [email protected] ZUSAMMENFASSUNG In diesem Aufsatz wird Kafkas Beziehungen zu den Frauen untersucht. War Kafka wirklich ein Frauenhasser, oder war er ein Casanova? Warum konnte er, obwohl er wollte, keine Beziehungen zu den Frauen knüpfen? Wollte er es nicht, weil er schreibgierig war, oder wollte er es wirklich, aber konnte er es nicht? Die Geliebten von Franz Kafka werden in diesem Aufsatz zuerst vorgestellt. Dann soll in dem mit Max Brod gemeinsam geschriebenen Reise-Roman “Richard und Samuel” das Frauenbild gezeigt und analysiert werden. Der fragmentere Roman wird uns zeigen, wie die Beziehungen der beiden Freunde Franz Kafka und Max Brod zu den Frauen sind. Anahtar Kelimeler: Franz Kafka, Max Brod, Richard und Samuel, Reiseroman, Frauen ABSTRACT In this essay, we study Kafka's relationships with women. Was Kafka really a woman-hater, or was he a Casanova? Why couldn’t he, though he did want to build relationships with women? If he did not want to have relationship with women, was that because of his love of writing, or did he really not want to do so? The lovers of Franz Kafka are mentioned in this essay first and then the image of woman found in the travel novel written collaboratively with Max Brod,” Richard and Samuel“, is demonstrated and examined.