Egyptian Serpent Power , by Joan Ann Lansberry
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Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods Shawn C. Knight Spring 2009 (This document last revised March 18, 2009) 1 The nature of Egyptian religion (intro) The Egyptian idea of \deity" is a difficult one to pin down. The most frequently used word for deity, ' 4 ntr (or nTr), resembles the English word god in that it can be used as either a common noun, referring to one of numerous divine beings, or as a proper noun, referring to the Supreme Being. Much more problematic than the word used, however, are the details of what the gods do and even who they are. Gods become conflated with one another; most notably, there are (at least) two gods named Horus, designated \Elder" and \Younger", and they share a number of traits, often being confused (deliberately or mistakenly). The gods usurp one another's roles, or delegate their roles to others, with astounding frequency. It is Set's role to protect the sun god from the serpent of chaos|except when Horus has that function. The Supreme Being is Re-Atum, except when he is Amun-Re, except when he is simply Re or simply Atum or . Adding still further to the complication is the local character of Egyptian religion. Every nome had a patron god, and while some of the gods patronized more than one nome, there was plenty of variety. We have already considered this to some degree: we have noted Thebes, for example, as having Amun for a patron, and observed that the military rise of the Thebans in the Middle and New Kingdoms were responsible for the enrichment and empowerment of Amun's cult. -
Two Blind Men Describe “Bloody Good
Frame — a re-enactment of the assassination of John F. Kennedy. Twenty-two seconds of footage of the as- sassination, taken in Dallas in 1963 by Abra- ham Zapruda, was sold to Life magazine on the night of the shooting for $150,000. Life published stills from the film shortly after- wards. (Later, the Zapruda family would be paid $10 million by the US government for rights to the film). Stills were also re- produced in the Warren Commission Report of September 1964. The Warren Commis- sion also used the film as the basis for a se- ries of reconstructions that served as part of their investigation. The film itself was not broadcast until 1975. Perhaps more than any other, this moving image defined the turbu- lence of the 1960s for a wide American public during the 1970s. Don Delillo’s 1997 novel Underground cap- tures the sense of this moment in a fictional TIME account of one of the film’s first public, or semi-public, viewings in the summer of 1974. CAPTCHA’D The scene takes place in an apartment with television sets in every room. In each room a video of the same piece of footage plays, FOR GLOBAL with a slight delay. Delillo writes: “The event was rare and GOOD? strange. It was the screening of a bootleg copy of an eight-millimeter home movie that ran for twenty seconds. A little over twenty PALO ALTO — In 2002, Stanford Univer- seconds probably. The footage was known as sity launched a “community reading project” the Zapruda film and almost no one outside called Discovering Dickens, making Dickens’s the government had seen it. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Solanaceae) Flower–Visitor Network in an Atlantic Forest Fragment in Southern Brazil
diversity Article Bee Diversity and Solanum didymum (Solanaceae) Flower–Visitor Network in an Atlantic Forest Fragment in Southern Brazil Francieli Lando 1 ID , Priscila R. Lustosa 1, Cyntia F. P. da Luz 2 ID and Maria Luisa T. Buschini 1,* 1 Programa de Pós Graduação em Biologia Evolutiva da Universidade Estadual do Centro-Oeste, Rua Simeão Camargo Varela de Sá 03, Vila Carli, Guarapuava 85040-080, Brazil; [email protected] (F.L.); [email protected] (P.R.L.) 2 Research Centre of Vascular Plants, Palinology Research Centre, Botanical Institute of Sao Paulo Government, Av. Miguel Stéfano, 3687 Água Funda, São Paulo 04045-972, Brazil; [email protected] * Correspondence: [email protected] Received: 9 November 2017; Accepted: 8 January 2018; Published: 11 January 2018 Abstract: Brazil’s Atlantic Forest biome is currently undergoing forest loss due to repeated episodes of devastation. In this biome, bees perform the most frequent pollination system. Over the last decade, network analysis has been extensively applied to the study of plant–pollinator interactions, as it provides a consistent view of the structure of plant–pollinator interactions. The aim of this study was to use palynological studies to obtain an understanding of the relationship between floral visitor bees and the pioneer plant S. didymum in a fragment of the Atlantic Forest, and also learn about the other plants that interact to form this network. Five hundred bees were collected from 32 species distributed into five families: Andrenidae, Apidae, Colletidae, Megachilidae, and Halictidae. The interaction network consisted of 21 bee species and 35 pollen types. -
The Story of Osiris Osiris Was the King of Egypt
Story The Story of Osiris Osiris was the King of Egypt. During his reign, Osiris’ people were happy and well-fed. However, Osiris’ brother Seth became very jealous of the king’s success. While Osiris was travelling and bringing his blessings to other nations, Seth came up with a devious plan. Secretly, Seth found out Osiris’ exact body measurements and asked for a beautiful chest to be made that he knew would only fit Osiris. Upon Osiris’ return from his travels, Seth invited his brother to a great feast. During the celebrations, Seth revealed the exquisite chest and declared that he would give it to anyone who fitted into it exactly. Many tried and failed to fit into the chest, and eventually, Osiris asked to try. He was delighted that the chest fitted him perfectly, but at that very moment, Seth’s evil plan revealed itself; he slammed the lid, nailed it shut and sealed every crack with molten lead. Osiris died within the chest and his soul (or ‘ka’) moved on into the spirit world. Seth ruthlessly cast the chest that contained Osiris’ body into the River Nile. Isis, who was Osiris’ sister and wife, was devastated and feared for the safety of Horus, their child. She secretly fled into the marshes to look after Horus but was afraid that Seth would find the baby and murder him. So when Isis found shelter on a small, isolated island, which was home to the goddess Buto, she asked Buto to guard Horus. For extra protection, Isis transformed the island into a floating island, so it never stayed in one place permanently. -
Jupiter and the Bee
Jupiter and the Bee At the beginning of time, the honeybee had no stinger. This left the bee with no way to protect her honey. The bee worked very hard to make her honey. But people were always taking it from her. This made the bee mad. The bee needed help. She needed a way to protect her honey. The bee decided to ask the gods for help. She took some of her best honey. Then she flew to Mount Olympus. That is where the gods lived. The bee went to see Jupiter. Jupiter was king of the gods. She brought him the honey as a gift. © 2018 Reading Is Fundamental • Content and art created by Simone Ribke Jupiter and the Bee Jupiter loved the honey. He had never tasted something so sweet. Jupiter said it was a great gift. In return, Jupiter promised to give the bee a gift. He asked her what she wanted. The bee asked Jupiter to give her a stinger. She would use it to keep people away from her honey. She would sting people who tried to take honey from her. Jupiter did not like this idea because he loved people. He did not want them to get stung. But he had made her a promise. Jupiter gave the bee a stinger, but using it came at a price. If she uses her stinger, she will die. The bee would have to choose. Will she protect her honey and die? Or will she let people take her honey and live? Jupiter gave stingers to all bees. -
What the Riddle-Makers Have Hidden Behind the Fire of a Dragon
Volume 38 Number 2 Article 7 5-15-2020 What the Riddle-Makers Have Hidden Behind the Fire of a Dragon Laurence Smith Independent Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Smith, Laurence (2020) "What the Riddle-Makers Have Hidden Behind the Fire of a Dragon," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 38 : No. 2 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol38/iss2/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Classical mythology, folklore, and fairy tales are full of dragons which exhibit fantastic attributes such as breathing fire, hoarding treasure, or possessing more than one head. This study maintains that some of these puzzling phenomena may derive from riddles, and will focus particularly on some plausible answers that refer to a real creature that has for millennia been valued and hunted by man: the honeybee. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Origin of the Egyptian Domestic Cat
UPTEC X 12 012 Examensarbete 30 hp Juni 2012 Origin of the Egyptian Domestic Cat Carolin Johansson Molecular Biotechnology Programme Uppsala University School of Engineering UPTEC X 12 012 Date of issue 2012-06 Author Carolin Johansson Title (English) Origin of the Egyptian Domestic Cat Title (Swedish) Abstract This study presents mitochondrial genome sequences from 22 Egyptian house cats with the aim of resolving the uncertain origin of the contemporary world-wide population of Domestic cats. Together with data from earlier studies it has been possible to confirm some of the previously suggested haplotype identifications and phylogeny of the Domestic cat lineage. Moreover, by applying a molecular clock, it is proposed that the Domestic cat lineage has experienced several expansions representing domestication and/or breeding in pre-historical and historical times, seemingly in concordance with theories of a domestication origin in the Neolithic Middle East and in Pharaonic Egypt. In addition, the present study also demonstrates the possibility of retrieving long polynucleotide sequences from hair shafts and a time-efficient way to amplify a complete feline mitochondrial genome. Keywords Feline domestication, cat in ancient Egypt, mitochondrial genome, Felis silvestris libyca Supervisors Anders Götherström Uppsala University Scientific reviewer Jan Storå Stockholm University Project name Sponsors Language Security English Classification ISSN 1401-2138 Supplementary bibliographical information Pages 123 Biology Education Centre Biomedical Center Husargatan 3 Uppsala Box 592 S-75124 Uppsala Tel +46 (0)18 4710000 Fax +46 (0)18 471 4687 Origin of the Egyptian Domestic Cat Carolin Johansson Populärvetenskaplig sammanfattning Det är inte sedan tidigare känt exakt hur, när och var tamkatten domesticerades. -
The Inventory Stele: More Fact Than Fiction
Archaeological Discovery, 2018, 6, 103-161 http://www.scirp.org/journal/ad ISSN Online: 2331-1967 ISSN Print: 2331-1959 The Inventory Stele: More Fact than Fiction Manu Seyfzadeh1, Robert M. Schoch2 1Independent Researcher, Lake Forest, CA, USA 2Institute for the Study of the Origins of Civilization, College of General Studies, Boston University, Boston, MA, USA How to cite this paper: Seyfzadeh, M., & Abstract Schoch, R. M. (2018). The Inventory Stele: More Fact than Fiction. Archaeological The Inventory Stele tells a story about Khufu and the Great Sphinx which Discovery, 6, 103-161. contradicts the current mainstream narrative of when the Sphinx was carved. https://doi.org/10.4236/ad.2018.62007 The story’s historical relevance has long been challenged based on its mention of names and certain details which are believed to be anachronistic to the time Received: March 6, 2018 Accepted: April 16, 2018 of Khufu. Here, we address the elements commonly cited by the critics one by Published: April 19, 2018 one and find that they are largely based on misconceptions in part due to er- rors and oversights contained in the two commonly referenced translations Copyright © 2018 by authors and and based on a missing context which relates to the economics and symbolism Scientific Research Publishing Inc. of supplying provisions to the royal house. We reconstruct a more plausible This work is licensed under the Creative Commons Attribution International scenario of why and when the text may have been originally composed and License (CC BY 4.0). who its target audience was. From our analysis we conclude that while we http://creativecommons.org/licenses/by/4.0/ cannot rule out a couple of minor modifications of names from the original Open Access th written version we date to the 5 Dynasty, there is no plausible reason to dis- miss the entire account recorded in this Late Period version on those grounds alone and that the events it describes appear more factual than fictitious. -
Sales 2015 Políticas E Culturas No Antigo Egipto.Pdf
COLECÇÃO COMPENDIUM Chiado Editora chiadoeditora.com Um livro vai para além de um objecto. É um encontro entre duas pessoas através da pa- lavra escrita. É esse encontro entre autores e leitores que a Chiado Editora procura todos os dias, trabalhando cada livro com a dedicação de uma obra única e derradeira, seguindo a máxima pessoana “põe quanto és no mínimo que fazes”. Queremos que este livro seja um desafio para si. O nosso desafio é merecer que este livro faça parte da sua vida. www.chiadoeditora.com Portugal | Brasil | Angola | Cabo Verde Avenida da Liberdade, N.º 166, 1.º Andar 1250-166 Lisboa, Portugal Conjunto Nacional, cj. 903, Avenida Paulista 2073, Edifício Horsa 1, CEP 01311-300 São Paulo, Brasil © 2015, José das Candeias Sales e Chiado Editora E-mail: [email protected] Título: Política(s) e Cultura(s) no Antigo Egipto Editor: Rita Costa Composição gráfica: Ricardo Heleno – Departamento Gráfico Capa: Ana Curro Foto da capa: O templo funerário de Hatchepsut, em Deir el-Bahari, Tebas ocidental. Foto do Autor Revisão: José das Candeias Sales Impressão e acabamento: Chiado Print 1.ª edição: Setembro, 2015 ISBN: 978-989-51-3835-7 Depósito Legal n.º 389152/15 JOSÉ DAS CANDEIAS SALES POLÍTICA(S) E CULTURA(S) NO ANTIGO EGIPTO Chiado Editora Portugal | Brasil | Angola | Cabo Verde ÍNDICE GERAL APRESENTAÇÃO 7 I PARTE Legitimação política e ideológica no Egipto antigo – discurso e práticas 11 1. Concepção e percepção de tempo e de temporalidade no Egipto antigo 17 2. As fórmulas protocolares egípcias ou formas e possibilidades do discurso de legitimação no antigo Egipto 49 3. -
"God's Love Story Sermon Outlines" Section 4: He Has a Jealous Love
"God's Love Story Sermon Outlines" by Doug Hamilton Section 4: He has a Jealous Love (Exodus Chapters 1-13) The people of Israel had been in Egypt for over four centuries. During that time they multiplied from seventy people to millions, filling the Land of Goshen. Moses was called upon to speak for God to deliver the people and return them to the Promised Land wherewith they had come. They had become slaves against their will to build pyramids in a foreign land. God demanded Pharaoh through Moses “Let my people go!” (Exod 5:1). It was not just out of the land they were to go, but also to come out from the false-gods to which they had accepted. They were desensitized to paganism, needing to be freed and reeducated to serve the one true God, Jehovah. It would be necessary to deprogram the Israelites from this idolatrous mindset; therefore Jehovah would launch an all-out war against Egypt’s top gods to prove His superiority. Everyone in the Land of Egypt would be taught the lesson that our God is a jealous God and His love is a jealous love. He would destroy their pagan god system. • Exodus 12:12 “…against all the gods of Egypt I will execute judgments-- I am the LORD.” • Num 33:4 “…The LORD had also executed judgments on their gods.” • Exodus 20:3-5 “You shall have no other gods before Me...You shall not worship them or serve them; for I, the LORD your God, am a jealous God..." He is a Jealous God! What we are about to cover is God’s best attempt to have “No Other gods Before Him”.