ǽ—ļ¯Ç‰¹Â·Å¨​Æ​© Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

Total Page:16

File Type:pdf, Size:1020Kb

ǽ—ļ¯Ç‰¹Â·Å¨​Æ​© Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨) 罗伯特·å¨æ​ ©​ 电影 串行 (大全) He This Way, She That Way https://zh.listvote.com/lists/film/movies/he-this-way%2C-she-that-way-5688953/actors The Other https://zh.listvote.com/lists/film/movies/the-other-1192179/actors Playing with Fire https://zh.listvote.com/lists/film/movies/playing-with-fire-13560830/actors A Night in Venice https://zh.listvote.com/lists/film/movies/a-night-in-venice-1475658/actors Panic in Chicago https://zh.listvote.com/lists/film/movies/panic-in-chicago-17061999/actors Typhoon https://zh.listvote.com/lists/film/movies/typhoon-17063634/actors Arme Eva https://zh.listvote.com/lists/film/movies/arme-eva-17478821/actors Ultimatum https://zh.listvote.com/lists/film/movies/ultimatum-3548026/actors Folly of Love https://zh.listvote.com/lists/film/movies/folly-of-love-3614549/actors The Guardsman https://zh.listvote.com/lists/film/movies/the-guardsman-3705771/actors Der springende Hirsch oder Die Diebe von https://zh.listvote.com/lists/film/movies/der-springende-hirsch-oder-die-diebe-von-g%C3%BCnstersburg-3705789/actors Günstersburg A Woman's Revenge https://zh.listvote.com/lists/film/movies/a-woman%27s-revenge-3707084/actors Frau Eva https://zh.listvote.com/lists/film/movies/frau-eva-3752487/actors Der Rosenkavalier https://zh.listvote.com/lists/film/movies/der-rosenkavalier-479044/actors Boarding House Groonen https://zh.listvote.com/lists/film/movies/boarding-house-groonen-4931414/actors Countess Kitchenmaid https://zh.listvote.com/lists/film/movies/countess-kitchenmaid-5177063/actors Fear https://zh.listvote.com/lists/film/movies/fear-5439300/actors Lehmann's Honeymoon https://zh.listvote.com/lists/film/movies/lehmann%27s-honeymoon-6518912/actors Leontine's Husbands https://zh.listvote.com/lists/film/movies/leontine%27s-husbands-6526758/actors Life Is a Dream https://zh.listvote.com/lists/film/movies/life-is-a-dream-6544901/actors The Hands of Orlac https://zh.listvote.com/lists/film/movies/the-hands-of-orlac-684471/actors Panic in the House of Ardon https://zh.listvote.com/lists/film/movies/panic-in-the-house-of-ardon-7131092/actors Steadfast Benjamin https://zh.listvote.com/lists/film/movies/steadfast-benjamin-7605184/actors The Canned Bride https://zh.listvote.com/lists/film/movies/the-canned-bride-7721196/actors The Doll Maker of Kiang- https://zh.listvote.com/lists/film/movies/the-doll-maker-of-kiang-ning-7730562/actors Ning The Famous Woman https://zh.listvote.com/lists/film/movies/the-famous-woman-7733358/actors The Great Adventuress https://zh.listvote.com/lists/film/movies/the-great-adventuress-7737625/actors The Infernal Power https://zh.listvote.com/lists/film/movies/the-infernal-power-7741953/actors The Love Express https://zh.listvote.com/lists/film/movies/the-love-express-7748911/actors The Man in the Mirror https://zh.listvote.com/lists/film/movies/the-man-in-the-mirror-7750096/actors The Mistress https://zh.listvote.com/lists/film/movies/the-mistress-7751791/actors The Night of Queen Isabeau https://zh.listvote.com/lists/film/movies/the-night-of-queen-isabeau-7754139/actors The Prosecutor Hallers https://zh.listvote.com/lists/film/movies/the-prosecutor-hallers-7758601/actors The Queen's Love Letter https://zh.listvote.com/lists/film/movies/the-queen%27s-love-letter-7758966/actors The Queen's Secretary https://zh.listvote.com/lists/film/movies/the-queen%27s-secretary-7758977/actors The Queen of Moulin Rouge https://zh.listvote.com/lists/film/movies/the-queen-of-moulin-rouge-7759016/actors The Robber Bride https://zh.listvote.com/lists/film/movies/the-robber-bride-7761189/actors The Three Dances of Mary https://zh.listvote.com/lists/film/movies/the-three-dances-of-mary-wilford-7768972/actors Wilford The Wandering Light https://zh.listvote.com/lists/film/movies/the-wandering-light-7773423/actors The Weapons of Youth https://zh.listvote.com/lists/film/movies/the-weapons-of-youth-7773995/actors The Woman on the Rack https://zh.listvote.com/lists/film/movies/the-woman-on-the-rack-7775566/actors Venetian Nights https://zh.listvote.com/lists/film/movies/venetian-nights-7919734/actors I.N.R.I. https://zh.listvote.com/lists/film/movies/i.n.r.i.-822814/actors Raskolnikow https://zh.listvote.com/lists/film/movies/raskolnikow-873302/actors Genuine https://zh.listvote.com/lists/film/movies/genuine-876693/actors https://zh.listvote.com/lists/film/movies/%E5%8D%A1%E9%87%8C%E5%8A%A0%E9%87%8C%E5%8D%9A%E5%A3%AB%E7%9A%84%E5%B0%8F%E5%B1%8B- å¡​ é‡ŒåŠ é‡Œåš​ 士的å°å​ ±‹ 153886/actors.
Recommended publications
  • Waiting for God by Simone Weil
    WAITING FOR GOD Simone '111eil WAITING FOR GOD TRANSLATED BY EMMA CRAUFURD rwith an 1ntroduction by Leslie .A. 1iedler PERENNIAL LIBilAilY LIJ Harper & Row, Publishers, New York Grand Rapids, Philadelphia, St. Louis, San Francisco London, Singapore, Sydney, Tokyo, Toronto This book was originally published by G. P. Putnam's Sons and is here reprinted by arrangement. WAITING FOR GOD Copyright © 1951 by G. P. Putnam's Sons. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner without written per­ mission except in the case of brief quotations embodied in critical articles and reviews. For information address G. P. Putnam's Sons, 200 Madison Avenue, New York, N.Y.10016. First HARPER COLOPHON edition published in 1973 INTERNATIONAL STANDARD BOOK NUMBER: 0-06-{)90295-7 96 RRD H 40 39 38 37 36 35 34 33 32 31 Contents BIOGRAPHICAL NOTE Vll INTRODUCTION BY LESLIE A. FIEDLER 3 LETTERS LETTER I HESITATIONS CONCERNING BAPTISM 43 LETTER II SAME SUBJECT 52 LETTER III ABOUT HER DEPARTURE s8 LETTER IV SPIRITUAL AUTOBIOGRAPHY 61 LETTER v HER INTELLECTUAL VOCATION 84 LETTER VI LAST THOUGHTS 88 ESSAYS REFLECTIONS ON THE RIGHT USE OF SCHOOL STUDIES WITII A VIEW TO THE LOVE OF GOD 105 THE LOVE OF GOD AND AFFLICTION 117 FORMS OF THE IMPLICIT LOVE OF GOD 1 37 THE LOVE OF OUR NEIGHBOR 1 39 LOVE OF THE ORDER OF THE WORLD 158 THE LOVE OF RELIGIOUS PRACTICES 181 FRIENDSHIP 200 IMPLICIT AND EXPLICIT LOVE 208 CONCERNING THE OUR FATHER 216 v Biographical 7\lote• SIMONE WEIL was born in Paris on February 3, 1909.
    [Show full text]
  • The Compleat Works of Nostradamus -=][ Compiled and Entered in PDF Format by Arcanaeum: 2003 ][=
    The Compleat Works of Nostradamus -=][ compiled and entered in PDF format by Arcanaeum: 2003 ][=- Table of Contents: Preface Century I Century II Century III Century IV Century V Century VI Century VII Century VIII Century IX Century X Epistle To King Henry II Pour les ans Courans en ce Siecle (roughly translated: for the years’ events in this century) Almanacs: 1555−1563 Note: Many of these are written in French with the English Translation directly beneath them. Preface by: M. Nostradamus to his Prophecies Greetings and happiness to César Nostradamus my son Your late arrival, César Nostredame, my son, has made me spend much time in constant nightly reflection so that I could communicate with you by letter and leave you this reminder, after my death, for the benefit of all men, of which the divine spirit has vouchsafed me to know by means of astronomy. And since it was the Almighty's will that you were not born here in this region [Provence] and I do not want to talk of years to come but of the months during which you will struggle to grasp and understand the work I shall be compelled to leave you after my death: assuming that it will not be possible for me to leave you such [clearer] writing as may be destroyed through the injustice of the age [1555]. The key to the hidden prediction which you will inherit will be locked inside my heart. Also bear in mind that the events here described have not yet come to pass, and that all is ruled and governed by the power of Almighty God, inspiring us not by bacchic frenzy nor by enchantments but by astronomical assurances: predictions have been made through the inspiration of divine will alone and the spirit of prophecy in particular.
    [Show full text]
  • Die Entwicklung Des Deutschen Expressionistischen Films
    Masarykova univerzita Filozofická fakulta Ústav germanistiky, nordistiky a nederlandistiky Německý jazyk a literatura Die Entwicklung des deutschen expressionistischen Films Bc. Adéla Hamrlová Magisterská diplomová práce Vedoucí práce: Mgr. Aleš Urválek, Ph.D. 2012 Ich erkläre hiermit, dass ich die vorliegende Diplomarbeit selbstständig nur mit der Anwendung der angeführten Quelle verfasst habe. Brno, den 20. 7. 2012 ………………………… Bc. Adéla Hamrlová - 2 - An dieser Stelle möchte der Leiter meiner Arbeit Herr Mgr. Aleš Urválek, Ph.D. für die Leitung meiner Arbeit herzlich bedanken. - 3 - INHALTVERZEICHNIS EINLEITUNG .................................................................................................................. 5 I. THEORETISCHER TEIL .................................................................................... 6 1. EINLEITUNG ZUM THEORETISCHEN TEIL: FILMGESCHICHTE ......... 7 II. PRAKTISCHER TEIL ....................................................................................... 26 2. EINLEITUNG ZUM PRAKTISCHEN TEIL: DREI FILME ........................ 27 DAS KABINETT DES DR. CALIGARI ............................................................... 29 NOSFERATU, EINE SYMPHONIE DES GRAUENS ......................................... 49 METROPOLIS ....................................................................................................... 68 VERGLEICH DER FILME .................................................................................... 97 SCHLUSSBETRACHTUNG ......................................................................................
    [Show full text]
  • Library of the World's Best Mystery and Detective Stories
    LIBRARY OF THE WORLD'S BEST MYSTERY AND DETECTIVE STORIES BY GUY DE MAUPASSANT HENRI RENÉ ALBERT GUY DE MAUPASSANT The Necklace She was one of those pretty and charming girls who are sometimes, as if by a mistake of destiny, born in a family of clerks. She had no dowry, no expectations, no means of being known, understood, loved, wedded, by any rich and distinguished man; and she let herself be married to a little clerk at the Ministry of Public Instruction. She dressed plainly because she could not dress well, but she was as unhappy as though she had really fallen from her proper station; since with women there is neither caste nor rank; and beauty, grace, and charm act instead of family and birth. Natural fineness, instinct for what is elegant, suppleness of wit, are the sole hierarchy, and make from women of the people the equals of the very greatest ladies. She suffered ceaselessly, feeling herself born for all the delicacies and all the luxuries. She suffered from the poverty of her dwelling, from the wretched look of the walls, from the worn-out chairs, from the ugliness of the curtains. All those things, of which another woman of her rank would never even have been conscious, tortured her and made her angry. The sight of the little Breton peasant who did her humble housework aroused in her regrets which were despairing, and distracted dreams. She thought of the silent antechambers hung with Oriental tapestry, lit by tall bronze candelabra, and of the two great footmen in knee breeches who sleep in the big armchairs, made drowsy by the heavy warmth of the hot-air stove.
    [Show full text]
  • Filmindex Xlii Manus.: Robert Wiene
    von Twardowski, Harald Paulsen, Ernst Gronau. Prod.: Decla-Bioscop. Die Nacbt der Konigin Isabeau. Tyskland 1920. I og Filmindex xlii manus.: Robert Wiene. Medv.: Fem Andra, Fritz Kortner, Lothar Muthel, Hans Heinrich von Twar­ WERNER ZURBUCH, POUL MALMKJÆR dowski. Prod.: Decla-Bioscop. og GERHART LAMPRECHT Die Racbe einer Frau. Tyskland 1921. I: Robert Wiene. Manus.: efter en roman af Barbey d’- Aurevilly. Medv.: Vera Karaiy, Adolf Klein, ROBERT WIENE Olga Engl. Prod.: Maxim-Film, Ebner & Co. Robert Wiene, født i 1881, var søn af Hofschauspieler Das Spiel mit dem Feuer. Tyskland 1921. I: Robert Carl Wiene. Han studerede i Dresden og blev dr. Wiene og Georg Kroil. Manus.: efter en idé af phil., men kort efter helligede han sig helt sin Julius Horst og Alexander Engel. Foto : Fritz Arno store interesse, teatret, og han blev skuespiller og Wagner. Dekor.: Robert Herlth og Walter Roh­ instruktør. Omkring 1912 begyndte han at skrive rig. Medv.: Diana Karenne, Wassily Wronsky, filmmanuskripter. Han døde den 17. juni 1938 i Anton Edthofer. Prod.: Decla-Bioscop. Paris under indspilningen af „Ultimatum". Die holliche Macht. Tyskland 1923. I: Robert Wiene. Premieredatoen står for filmens danske premiere. Foto: Julius Balting. Dekor.: Winkler Tannen- JVaffert der Jugend. Tyskland 1912. I: Robert Wiene berg. Medv.: Thea Kasten, Ossip Runitsch, Hans eller Friedrich Muller. Manus.: Robert Wiene. Schweikart, Emil Lind. Prod.: Lionardo-Film. Prod.: Komet- Film-Compagnie, Paulus & Unger. Raskolnikows Schuld und Suhne. Tyskland 1923. I : Frau Eva. Tyskland 1915. I : Robert Wiene. Manus.: Robert Wiene. Manus.: Robert Wiene efter Dosto- Robert Wiene efter Alphonse Daudets roman jefski. Foto: Willi Goldberger.
    [Show full text]
  • Chapter 10 the Monism of Darkness and the Dualism
    CHAPTER 10 THE MONISM OF DARKNESS AND THE DUALISM OF LIMIT AND INDETERMINACY 1. Greek philosophical dualism sprang from an experience of cosmological (structural) and cosmogonic (causal) polarity between the Luminous Form and the Indeterminacy of Darkness, between astounding Beauty and awe-inspiring Power, between archetypal, well- ordered Harmony and reckless, productive Fertility. Such a polarity found expression in religion, poetry and popular belief as the copulation of the antithetical Male and Female, in philosophy as the opposition, but also conjugation, of Limit and Indeterminacy1. Underneath the experience of polarity a deeper experience lay hidden which originally engendered and nurtured dualism and which, later, when polarity came to relative independence, was developed to such a degree that it finally altered the entire articulation of Dualism by digesting it according to its own proper modalities. That was the experience of aboriginal Darkness as the terrible and almighty Womb of all-that-is. The primaeval Darkness and the infinite Silence of first origins, the theocosmic Abyss of Chaos and the unblest and awful all-generating Night were in the beginning felt and conceived as the foundation and the root of existence, as the causal and temporal beginning of everything, as the Great Mother of the world’s subsistence. This conception while actively experienced led to the religious and theoretical formation of the Monism of Darkness, that is to say to the sole recognition of a single, primaeval, dark
    [Show full text]
  • Satiric Advice on Women and Marriage C Ccccccccccccccccccc Satiric Advice on Women and Marriage Ccccccccccccccccccc
    www .press .umich .edu MICHIGAN Satiric Advice on Women and Marriage c ccccccccccccccccccc Satiric Advice on Women and Marriage ccccccccccccccccccc from plautus to chaucer Warren S. Smith, Editor the university of michigan press ann arbor Copyright © by the University of Michigan 2005 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America Printed on acid-free paper 2008 2007 2006 2005 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Satiric advice on women and marriage: from Plautus to Chaucer / Warren S. Smith, editor. p. cm. Includes bibliographical references and index. ISBN 0-472-11426-3 (acid-free paper) 1. Satire, Latin—History and criticism. 2. Satire, Greek— History and criticism. 3. Chaucer, Geoffrey, d. 1400—Political and social views. 4. Chaucer, Geoffrey, d. 1400—Characters—Women. 5. Women and literature—To 1500. 6. Satire, Medieval—History and criticism. 7. Marriage in literature. 8. Women in literature. I. Smith, Warren S., 1941– PA3033.S28 2004 2004014328 877.009’3543—dc22 ISBN13 978-0-472-11426-9 (cloth) ISBN13 978-0-472-02629-6 (electronic) For Anne Marie, Josh, Caleb, and Rachel c Preface c he essays in this book examine satiric attitudes toward women and marriage in later classical literature, starting with Plautus (ca.
    [Show full text]
  • Don Herzog, Household Politics
    Herzog, Don. Household Politics: The View From Early Modern England. Prepublication version 2012, http://hdl.handle.net/2027.42/90021, Creative Commons BY-NC-SA 3.0. Forthcoming, to be published by Yale University Press 20XX. Household Politics Conflict in Early Modern England Don Herzog University of Michigan for Isaac Kramnick CONTENTS PREFACE . i 1 / A TALE OF TWO POEMS . 1 2 / HUSBANDS AND WIVES, GENDER AND GENRE . 32 3 / PUBLIC MAN, PRIVATE WOMAN? . 106 4 / CONFLICT . 157 5 / THE TROUBLE WITH SERVANTS . 191 CONCLUSION . 255 PREFACE First licensed for production in 1626 1 and staged repeatedly over the years, John Fletcher’s The Noble Gentleman isn’t a magnificent literary achievement. But it’s plenty interesting for my purposes. Marine, the not-quite-noble gentleman of the title, is tired of loitering at court, an activity his wife adores. Listen to Marine’s soliloquy as he screws up his courage to tell his wife that they’re abandoning city life: Why what an Asse was I that such a thing As a wife is could rule me? Know not I That woman was created for the man, That her desires, nay all her thoughts should be As his are? is my sense restor’d at length? Now she shall know, that which she should desire, She hath a husband that can govern her, If her desires leades me against my will. Sounding in the book of Genesis, the passage asserts a classic justification for male dominance. It’s unblushing in describing that dominance as governance. Look what happens when his wife battles back.
    [Show full text]
  • Political Ethics and the Spirit of Liberalism in Twentieth-Century Political Thought
    Political Ethics and the Spirit of Liberalism in Twentieth-Century Political Thought The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Cherniss, Joshua. 2014. Political Ethics and the Spirit of Liberalism in Twentieth-Century Political Thought. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:13070021 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Political Ethics and the Spirit of Liberalism in Twentieth Century Political Thought A Dissertation Presented by Joshua Laurence Cherniss to The Department of Government in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Political Science Harvard University Cambridge, Massachusetts June 2014 © 2014 Joshua Laurence Cherniss Professor Nancy L. Rosenblum Joshua Laurence Cherniss Political Ethics and the Spirit of Liberalism in Twentieth Century Political Thought Abstract Liberalism is often criticized as too moralistic and removed from the realities of politics; and too complacently accepting of injustices. Such criticisms, familiar among contemporary political theorists, were expressed far more forcefully in the earlier twentieth century. Liberalism then came under attack from anti-liberals who wholly rejected the institutional and ethical limits on the political deployment of violence and fear insisted upon by liberals. Such anti-liberals advanced arguments for political ruthlessness on behalf of a truer morality – either the morality of pursuing morally imperative political goals; or the morality of “realistically” responding to threats to public order.
    [Show full text]
  • Melmoth Reconciled Honoré De Balzac
    Melmoth Reconciled Honoré de Balzac Translated by Ellen Marriage MELMOTH RECONCILED here is a special variety of human nature obtained in the Social Kingdom by a process analogous to that of the gardener’s craft in the Vegetable TKingdom, to wit, by the forcing-house — a species of hybrid which can be raised neither from seed nor from slips. This product is known as the Cashier, an anthropomorphous growth, watered by religious doctrine, trained up in fear of the guillotine, pruned by vice, to flourish on a third floor with an estimable wife by his side and an uninteresting family. The number of cashiers in Paris must always be a problem for the physiologist. Has any one as yet been able to state correctly the terms of the proportion sum wherein the cashier figures as the unknown x? Where will you find the man who shall live with wealth, like a cat with a caged mouse? This man, for further qualification, shall be capable of sitting boxed in behind an iron grating for seven or eight hours a day during seven-eighths of the year, perched upon a cane-seated chair in a space as narrow as a lieutenant’s cabin on board a man-of-war. Such a man must be able to defy anchylosis of the knee and thigh joints; he must have a soul above meanness, in order to live meanly; must lose all relish for money by dint of handling it. Demand this peculiar specimen of any creed, educational system, school, or institution you please, and select Paris, that city of fiery ordeals and branch establishment of hell, as the soil in which to plant the said cashier.
    [Show full text]
  • Fritz Lang, METROPOLIS (1927/2010 Restoration, 153 Min)
    January 18, 2011 (XXII:1) Fritz Lang, METROPOLIS (1927/2010 restoration, 153 min) DIRECTED BY Fritz Lang WRITTEN BY Thea von Harbou & Fritz Lang PRODUCED BY Erich Pommer CINEMATOGRAPHY BY Karl Freund, Walter Ruttmann, Gunther Rittau ART DIRECTION BY Otto Hunte, Erich Kettelhut, Karl Vollbrecht COSTUME DESIGN BY Aenne Willcomm SPECIAL EFFECTS SUPERVISED BY Ernst Kunstmann MUSIC COMPOSED BY Gottfried Huppertz (1927) and Benjamin Speed (2005/2011) Alfred Abel… Joh Fredersen Gustav Fröhlich… Freder, Joh Fredersen's son Rudolf Klein-Rogge… C. A. Rotwang, the inventor Fritz Rasp… The Thin Man Theodor Loos… Josaphat Erwin Biswanger… 11811 - Georgy THEA VON HARBOU (December 27, 1888, Tauperlitz, Germany – Heinrich George… Grot, the guardian of the Heart Machine July 1, 1954, West Berlin, Germany) wrote the scripts of or novels Brigitte Helm… The Creative Man/The Machine Man/Death/The or stories that were the basis of 77 films, among them The Terror of Seven Deadly Sins/Maria Doctor Mabuse (story) (1960), Dein Herz ist meine Heimat (1953), Affairs of Dr. Holl (1951), Annelie (1941), Jugend (1938), FRITZ LANG (December 5, 1890, Vienna, Austria-Hungary [now Prinzessin Turandot (1934), The Testament of Dr. Mabuse (1933), Austria] – August 2, 1976, Los Angeles, CA) directed 46 films, M (1931), By Rocket to the Moon (novel "Frau im Mond") (1929), some of which are The 1,000 Eyes of Dr. Mabuse (1960), The Metropolis (novel / screenplay) (1927), Siegfried (1924), Dr. Tomb of Love (1959), Beyond a Reasonable Doubt (1956), While Mabuse: The Gambler (1922), and Frauen vom Gnadenstein the City Sleeps (1956), Moonfleet (1955), Human Desire (1954) The (1920).
    [Show full text]
  • Edvard Munch's Fatal Women
    3*0c EDVARD MUNCH'S FATAL WOMEN: A CRITICAL APPROACH THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Barbara Susan Travitz Bimer, B.A. Denton, Texas December 1985 @1986' BARBARA SUSAN TRAVITZ BIMER All Rights Reserved Bimer, Barbara Susan Travitz, Edvard Munch's Fatal Women: A Critical Approach. Master of Arts (Art History), December, 1985, 487 pp., 109 illustrations, bibliography, 212 titles. This study is the first comprehensive analysis of the fatal woman motif in the writings and art of Edvard Munch from the early 1890s to 1909. It uses a background of the women in the artist's life as well as the literary and artistic worlds in which Munch participated. Following separate ac- counts of Munch's relationships with five women, the manner in which the artist characterizes each as a fatal woman in his writings and art is dis- cussed and analyzed. Next, the study describes the fatal woman motif in late nineteenth century art and literature. It begins with a discussion of the origin of the Symbolist and Decadent Movements and an ideological exam- ination of the fatal woman motif as it is manifested in the writing and art of these two groups. In addition, it compares Munch's visual manifes- tations of the femme fatale with the manner in which the artist's contemporaries depicted her. Finally, this study describes two groups of men with whom Munch was particularly close: the Christiania Boheme and the Schwarzen Ferkel Circle.
    [Show full text]