DOCSLIB.ORG

9780300195170 UPDF.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
9780300195170 UPDF.Pdf Household Politics This page intentionally left blank HOUSEHOLD POLITICS Conflict in Early Modern England Don Herzog Yale UNIVERSITY PRESS new haven & london Published with assistance from the Annie Burr Lewis Fund and from the Louis Stern Memorial Fund. Copyright ∫ 2013 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Yale University Press books may be purchased in quantity for educational, business, or promotional use. For information, please e-mail [email protected] (U.S. o≈ce) or [email protected] (U.K. o≈ce). Set in Fournier type by Keystone Typesetting, Inc., Orwigsburg, Pennsylvania. Printed in the United States of America. ISBN: 978-0-300-18078-7 (cloth) Catalogue records for this book are available from the British Library and from the Library of Congress.. This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 for Isaac Kramnick This page intentionally left blank Contents Preface ix chapter 1. A Tale of Two Poems 1 chapter 2. Husbands and Wives, Gender and Genre 27 chapter 3. Public Man, Private Woman? 84 chapter 4. Conflict 123 chapter 5. The Trouble with Servants 148 Conclusion 195 Index 207 This page intentionally left blank Preface First licensed for production in 1626 and staged repeatedly over the years, John Fletcher’s The Noble Gentleman∞ isn’t a magnificent literary achievement. But it’s plenty interesting for my purposes. Marine, the not- quite-noble gentleman of the title, is tired of loitering at court, an activity his wife adores. Listen to Marine’s soliloquy as he screws up his courage to tell his wife that they’re abandoning city life: Why what an Asse was I that such a thing As a wife is could rule me? Know not I That woman was created for the man, That her desires, nay all her thoughts should be As his are? is my sense restor’d at length? Now she shall know, that which she should desire, She hath a husband that can govern her, If her desires leades me against my will. Sounding in the book of Genesis, the passage asserts a classic justification for male dominance. It’s unblushing in describing that dominance as gover- nance. Look what happens when his wife battles back.≤ Horrified, she insists 1. [John Fletcher], The Noble Gentleman, ed. L. A. Beaurline, in The Dramatic Works in the Beaumont and Fletcher Canon, ed. Fredson Bowers et al., 10 vols. (Cambridge: Cambridge University Press, 1966–96), 3:115. 2. Compare the trajectory of Lord Wronglove’s blustering in Colley Cibber, The Lady’s Last Stake: or, The Wife’s Resentment, 3rd ed. (London, 1736). ix x preface that he can’t back out now, when all the work of cultivating the favor of the court is about to bear fruit. He’s unmoved: Gentleman. Wife talke no more, your Retoricke comes too late, I am inflixable; and how dere you Adventure to direct my course of life? Was not the husband made to rule the wife? Lady. ’Tis true, but where the man doth misse his way, It is the womans part to set him right; So Fathers have a power to guide their Sonnes In all their courses, yet you oft have seene Poore litle children that have both their eyes Lead their blind Fathers. Gentleman [aside]. She has a plaguy witt.— I say you’r but a little piece of man. Lady. But such a peice, as being tane away, Man cannot last: the fairest and tallest ship, That ever saild, is by a little peice Of the same wood, steerd right, and turnd about. Gentleman [aside]. ’Tis true she sayes, her answers stand with reason. That ‘‘little peice of man,’’ Eve from Adam’s rib, continues the appeal to Genesis. Not that his wife meekly submits to scripture’s authority. Instead, she blithely swaps rudder for rib and plots to undo her husband’s newfound resolution. Amusingly, she has her disguised confederates shower phony aristocratic titles on him. Stunned, in the midst of changing his ‘‘grave and thrifty habit’’ for clothes suiting his apparent new station as duke, Marine kneels to his wife: And here in token that all strife shall end ’Twixt thee and me, I let my drawers fall And to thy hands I do deliver them: From this time forth my wife shall wear the breeches.≥ Her servant vigorously approves the ribald ceremony: ‘‘An honourable com- position.’’ Ignominiously stripped of his fictive titles, the Gentleman addresses the 3. Compare the women’s song, with men eavesdropping, in The Woman’s Prize [1646], in Bowers et al., Dramatic Works in the Beaumont and Fletcher Canon, 4:54, and see in the same collection Rule a Wife and Have a Wife [1624], 6:521. preface xi audience: ‘‘Be warned all ye Peers, and by my fall, / Hereafter learn to let your wives rule all.’’ Picture a 1626 audience chuckling at a clown of a husband who in wink- ing asides assures them that women should rule. Should women wear the breeches? (The phrase appears in a book of sayings from the same year as Fletcher’s play. It would still be ricocheting around England some two cen- turies later.)∂ I don’t mean to suggest that Fletcher intends to press any such moral. Nor do I mean to suggest that he’s endorsing male dominance. I’m concerned not with Fletcher’s intentions, but with what contemporary audi- ences and readers could and would make of his work. Ponder the gentleman’s asides, snipped out of the main line of dramatic action and presented as bracketed confidences. They’re not bombshells of bold radicalism exploding on the playgoers’ dazed imaginations. They’re reminders of everyday plati- tudes, likely to provoke wry snickering and rueful wincing. The Gentleman may need to strike an imperious stance with his wife to propel the plot, but he acknowledges that she’s got the better of the argument, indeed that she ought to rule. He knows his claims of authority ring hollow. If chortling, not chagrin, is in order, we have a husband puerile in his high-handed assertion of dominance, what helps make him the butt of an extended joke. That’s a glimpse of the sort of evidence I’ll canvass in this book. I hope to conjure up a social world full of ornery, funny, sickening, and lethal contro- versies about gender, patriarchy, misogyny, public and private, and more. After visiting a character whose romantic fantasies are punctured and the ensuing spirited debate about sexual disgust, I cheerfully demolish two views that have enjoyed some currency. First: people back then imagined that male power was natural or necessary, part of the woodwork of the world, not a contingent social practice that could be reformed or even abolished. Second: the public/private distinction was gendered—so public man, private woman —and that explains the political subordination of women. Whether you be- lieve these claims, put starkly or subtly, or already know they’re patently misguided will depend in part on your disciplinary interests. Regardless, my demolition permits me also to sharpen some concepts. I want to clarify what we might mean in invoking natural or essentialized, public and private. Having cleared the ground, I move to my constructive agenda. I explain what we 4. H[enry] P[arrot], Cvres for the Itch (London, 1626), sig. E4 verso; Anna Clark, The Struggle for the Breeches: Gender and the Making of the English Working Class (Berkeley: University of California Press, 1995). xii preface might mean—and what the early modern English did mean—in casting the household as political. I argue too that conflict isn’t the opposite of social order. To cash out these abstract positions, I reconstruct contemporary strug- gles over domestic servants. Throughout, I rely on long-standing convictions, which I’ll put briefly and polemically. I’m heartened to know that these convictions are pedestrian in many fields. Not, alas, in political theory. So: beneath the austere vistas of the likes of Hobbes and Locke are plenty of smart and savvy sources of great interest in their own right, not simply for helping us get a fix on what is linguistically or conceptually innovative in canonical texts. I don’t mean the allegedly lesser lights of, say, Mandeville or Swift. I mean popular songs, jokes, sermons, pamphlets, diaries, letters, and more. And only mischief follows in the wake of the distinction between social and intellectual history, a hangover of a bad nineteenth-century debate about the ideal and material aspects of social life. (There’s still a lot to learn from Hegel and Marx, but not that.) The only decent argument for the primacy of either is the manifest inadequacy of the other. Then there are the endless refinements: so for instance should intellectual historians pursue concepts or ideas or texts or languages or discourses or epistemes or . ? But if these are refinements of an unhelpful distinction, they’re not worth pursuing. We can strive for better than filigreed confusion. Imagine stumbling on a lost tribe of academics who’d adopted this peculiar division of labor: some studied objects smaller than six cubic inches, some larger. You’d act faintly embarrassed if someone demanded that you swear allegiance to one side and you’d try to change the subject.
Load more

Recommended publications
  • Waiting for God by Simone Weil
    WAITING FOR GOD Simone '111eil WAITING FOR GOD TRANSLATED BY EMMA CRAUFURD rwith an 1ntroduction by Leslie .A. 1iedler PERENNIAL LIBilAilY LIJ Harper & Row, Publishers, New York Grand Rapids, Philadelphia, St. Louis, San Francisco London, Singapore, Sydney, Tokyo, Toronto This book was originally published by G. P. Putnam's Sons and is here reprinted by arrangement. WAITING FOR GOD Copyright © 1951 by G. P. Putnam's Sons. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner without written per­ mission except in the case of brief quotations embodied in critical articles and reviews. For information address G. P. Putnam's Sons, 200 Madison Avenue, New York, N.Y.10016. First HARPER COLOPHON edition published in 1973 INTERNATIONAL STANDARD BOOK NUMBER: 0-06-{)90295-7 96 RRD H 40 39 38 37 36 35 34 33 32 31 Contents BIOGRAPHICAL NOTE Vll INTRODUCTION BY LESLIE A. FIEDLER 3 LETTERS LETTER I HESITATIONS CONCERNING BAPTISM 43 LETTER II SAME SUBJECT 52 LETTER III ABOUT HER DEPARTURE s8 LETTER IV SPIRITUAL AUTOBIOGRAPHY 61 LETTER v HER INTELLECTUAL VOCATION 84 LETTER VI LAST THOUGHTS 88 ESSAYS REFLECTIONS ON THE RIGHT USE OF SCHOOL STUDIES WITII A VIEW TO THE LOVE OF GOD 105 THE LOVE OF GOD AND AFFLICTION 117 FORMS OF THE IMPLICIT LOVE OF GOD 1 37 THE LOVE OF OUR NEIGHBOR 1 39 LOVE OF THE ORDER OF THE WORLD 158 THE LOVE OF RELIGIOUS PRACTICES 181 FRIENDSHIP 200 IMPLICIT AND EXPLICIT LOVE 208 CONCERNING THE OUR FATHER 216 v Biographical 7\lote• SIMONE WEIL was born in Paris on February 3, 1909.
    [Show full text]
  • 2K and Bethesda Softworks Release Legendary Bundles February 11
    2K and Bethesda Softworks Release Legendary Bundles February 11, 2014 8:00 AM ET The Elder Scrolls® V: Skyrim and BioShock® Infinite; Borderlands® 2 and Dishonored™ bundles deliver supreme quality at an unprecedented price NEW YORK--(BUSINESS WIRE)--Feb. 11, 2014-- 2K and Bethesda Softworks® today announced that four of the most critically-acclaimed video games of their generation – The Elder Scrolls® V: Skyrim, BioShock® Infinite, Borderlands® 2, and Dishonored™ – are now available in two all-new bundles* for $29.99 each in North America on the Xbox 360 games and entertainment system from Microsoft, PlayStation®3 computer entertainment system, and Windows PC. ● The Elder Scrolls V: Skyrim & BioShock Infinite Bundle combines two blockbusters from world-renowned developers Bethesda Game Studios and Irrational Games. ● The Borderlands 2 & Dishonored Bundle combines Gearbox Software’s fan favorite shooter-looter with Arkane Studio’s first- person action breakout hit. Critics agree that Skyrim, BioShock Infinite, Borderlands 2, and Dishonored are four of the most celebrated and influential games of all time. 2K and Bethesda Softworks(R) today announced that four of the most critically- ● Skyrim garnered more than 50 perfect review acclaimed video games of their generation - The Elder Scrolls(R) V: Skyrim, scores and more than 200 awards on its way BioShock(R) Infinite, Borderlands(R) 2, and Dishonored(TM) - are now available to a 94 overall rating**, earning praise from in two all-new bundles* for $29.99 each in North America on the Xbox 360 some of the industry’s most influential and games and entertainment system from Microsoft, PlayStation(R)3 computer respected critics.
    [Show full text]
  • POLITICS, SOCIETY and CIVIL WAR in WARWICKSHIRE, 162.0-1660 Cambridge Studies in Early Modern British History
    Cambridge Studies in Early Modern British History POLITICS, SOCIETY AND CIVIL WAR IN WARWICKSHIRE, 162.0-1660 Cambridge Studies in Early Modern British History Series editors ANTHONY FLETCHER Professor of History, University of Durham JOHN GUY Reader in British History, University of Bristol and JOHN MORRILL Lecturer in History, University of Cambridge, and Fellow and Tutor of Selwyn College This is a new series of monographs and studies covering many aspects of the history of the British Isles between the late fifteenth century and the early eighteenth century. It will include the work of established scholars and pioneering work by a new generation of scholars. It will include both reviews and revisions of major topics and books which open up new historical terrain or which reveal startling new perspectives on familiar subjects. It is envisaged that all the volumes will set detailed research into broader perspectives and the books are intended for the use of students as well as of their teachers. Titles in the series The Common Peace: Participation and the Criminal Law in Seventeenth-Century England CYNTHIA B. HERRUP Politics, Society and Civil War in Warwickshire, 1620—1660 ANN HUGHES London Crowds in the Reign of Charles II: Propaganda and Politics from the Restoration to the Exclusion Crisis TIM HARRIS Criticism and Compliment: The Politics of Literature in the Reign of Charles I KEVIN SHARPE Central Government and the Localities: Hampshire 1649-1689 ANDREW COLEBY POLITICS, SOCIETY AND CIVIL WAR IN WARWICKSHIRE, i620-1660 ANN HUGHES Lecturer in History, University of Manchester The right of the University of Cambridge to print and sell all manner of books was granted by Henry VIII in 1534.
    [Show full text]
  • Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love
    Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love You 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 Party People (Friday Night) 911 Private Number 911 The Journey 911 More Than A Woman 1927 Compulsory Hero 1927 If I Could 1927 That's When I Think Of You ​Ariana Grande Dangerous Woman "Weird Al" Yankovic Ebay "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Eat It "Weird Al" Yankovic White & Nerdy *NSYNC Bye Bye Bye *NSYNC (God Must Have Spent) A Little More Time On You *NSYNC I'll Never Stop *NSYNC It's Gonna Be Me *NSYNC No Strings Attached *NSYNC Pop *NSYNC Tearin' Up My Heart *NSYNC That's When I'll Stop Loving You *NSYNC This I Promise You *NSYNC You Drive Me Crazy *NSYNC I Want You Back *NSYNC Feat. Nelly Girlfriend £1 Fish Man One Pound Fish 101 Dalmations Cruella DeVil 10cc Donna 10cc Dreadlock Holiday 10cc I'm Mandy 10cc I'm Not In Love 10cc Rubber Bullets 10cc The Things We Do For Love 10cc Wall Street Shuffle 10cc Don't Turn Me Away 10cc Feel The Love 10cc Food For Thought 10cc Good Morning Judge 10cc Life Is A Minestrone 10cc One Two Five 10cc People In Love 10cc Silly Love 10cc Woman In Love 1910 Fruitgum Co. Simon Says 1999 Man United Squad Lift It High (All About Belief) 2 Evisa Oh La La La 2 Pac Feat. Dr. Dre California Love 2 Unlimited No Limit 21st Century Girls 21st Century Girls 2nd Baptist Church (Lauren James Camey) Rise Up 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G.
    [Show full text]
  • We're Taking Africa to the World
    “We’re Taking Africa to the World”: Commercial Self- fashioning as a Vehicle for Collective Aspirations in the 21st Century JAANA SERRES “It’s finally cool to be an ‘African’” (Kaumbutho). This 2017 blog post by Kenyan poet Kimathi Kaumbutho echoed the performative claims heard throughout the African middle class in the wake of the changing narrative about “Africa,” from “The hopeless continent” (The Economist 2000) to “Africa rising” (The Economist 2011). Elements and signs of “Africanness” have indeed been increasingly featured in “global” popular culture, from clothing lines to films, and even the practice of capitalism is rebranded with “African traditional principles” through the Africapitalist and Ubuntu “economic philosophies.” But as suggested by Kaumbutho’s list of achievements “Africans can take pride in,” one cultural medium has proven particularly instrumental to this new wave of positive identification with “Africa”: Nigerian music. As Nigeria was arguably entering a post-oil era in the 2010s (Burns and Owen), its renewed popular music industry benefitted from the development of digital technology and the expression of corporate interest by telecom companies, retail brands, and foreign-educated young professionals, making it an exemplary manifestation of a new pan-Africanism founded on neoliberal aspirations (Shipley Living the Hiplife). Global professional services firm PwC announced that total revenue for Nigeria’s entertainment and media industry was expected to grow to US$8.1 billion in 2019, calling it the “fastest-expanding major market globally” (Oxford Business Group). However, only a very small share of this revenue occurs from the actual sale of cultural products (PwC 22).
    [Show full text]
  • Davido-Bio-November-2019.Pdf
    DAVIDO Nearing the close of 2019, it’s hard for many to say they haven’t heard the name Davido, born David Adedeji Adeleke. The year marks another fete of huge achievements, from opening the year with a sold out date at London’s O2 Arena – making him the first solo African artist to do this – to creating mass hysteria across America with his 2018 single “Fall” which has gone on to have the longest run of an Afrobeats single on the Billboard charts, and saw it peak across Shazam as one of the most searched songs in the United States, and now gears up to release his second album A Good Time, all before a circuit of Christmas shows across Africa. If anything has framed where Davido currently is, it would his “childhood.” The youngest of five, growing up with his parents in Lagos, Nigeria, he was “exposed” to the world. Across summer breaks he would travel to visit his siblings in London and Atlanta, the latter being home to some of the artists that he today he can call his good friends – YoungThug, Gunna, Lil Baby – and the home to some of his favorite rappers growing up – Ludacris, Nelly – the sounds of noughties Hip Hop that he “loved.” It was most likely these trips that would drive a love for music that reflected global ambition. This exposure to the world, would in turn give Davido the opportunity to share with his University of Alabama friends music from Nigeria, that he knew if “given a chance” would go global.
    [Show full text]
  • Loot Crate and Bethesda Softworks Announce Fallout® 4 Limited Edition Crate Exclusive Game-Related Collectibles Will Be Available November 2015
    Loot Crate and Bethesda Softworks Announce Fallout® 4 Limited Edition Crate Exclusive Game-Related Collectibles Will Be Available November 2015 LOS ANGELES, CA -- (July 28th, 2015) -- Loot Crate, the monthly geek and gamer subscription service, today announced their partnership today with Bethesda Softworks® to create an exclusive, limited edition Fallout® 4 crate to be released in conjunction with the game’s worldwide launch on November 10, 2015 for the Xbox One, PlayStation® 4 computer entertainment system and PC. Bethesda Softworks exploded hearts everywhere when they officially announced Fallout 4 - the next generation of open-world gaming from the team at Bethesda Game Studios®. Following the game’s official announcement and its world premiere during Bethesda’s E3 Showcase, Bethesda Softworks and Loot Crate are teaming up to curate an official specialty crate full of Fallout goods. “We’re having a lot of fun working with Loot Crate on items for this limited edition crate,” said Pete Hines, VP of Marketing and PR at Bethesda Softworks. “The Fallout universe allows for so many possibilities – and we’re sure fans will be excited about what’s in store.” "We're honored to partner with the much-respected Bethesda and, together, determine what crate items would do justice to both Fallout and its fans," says Matthew Arevalo, co-founder and CXO of Loot Crate. "I'm excited that I can FINALLY tell people about this project, and I can't wait to see how the community reacts!" As is typical for a Loot Crate offering, the contents of the Fallout 4 limited edition crate will remain a mystery until they are delivered in November.
    [Show full text]
  • The Oxford Companion to English Literature, 6Th Edition
    e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip­ form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted.
    [Show full text]
  • Jonathan Swift and the Stage of the World
    JONATHAN SWIFT AND THE STAGE OF THE WORLD: A STUDY OF SWIFT'S POETRY, , WITH PARTICULAR REFERENCE TO THE POEMS ABOUT WOMEN. By JOAN ELIZABETH METCALFE A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1974 SK^^^LORIDA 3 1262 08666 231 8 ACKNOWLEDGEMENTS I wish to thank Professor Aubrey Williams for directing my disser- tation; Professors Robert H. Bowers and Douglas Bonneville for serving on my committee; and Professors T. Walter Herbert and Melvyn New for participating in my final examination. I wish also to record my gratitude to friends and family for their help and encouragement. il TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ±± ABSTRACT iv I. INTRODUCTION 1 Notes , 20 II. THE PERFORMANCE OF WOMEN Chapter I. Inadequacies 24 Notes 46 Chapter 2. Men's Share of the Blame 49 Notes 73 Chapters. The Ideal 76 Notes 88 Hi. THE PERFORMANCE OF SWIFT Chapter 4. Tutor and Courtier 89 Notes 108 Chapter 5. Courtier and Tutor 110 Notes 127 Chapter 6. Courtier, Lover and Poet 129 Notes 149 IV. DRAMATIC DEVICES, FORMS, AND IMAGERY Chapter 7. The Dean Observed 151 Notes 167 Chapter 8. The First Person 169 Notes 180 Chapter 9. Dramatic Imagination and Dramatic Structure: Scene and Play 182 Notes 213 Chapter 10. Further Echoes of a Tradition 216 Notes 231 APPENDIX 234 WORKS CITED 242 BIOGRAPHICAL SKETCH 246 iii Abstract of Dissertation Presented to the Graduate Council of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy JONATHAN SWIFT AND THE STAGE OF THE WORLD: A STUDY OF SWIFT'S POETRY WITH PARTICULAR REFERENCE TO THE POEMS ABOUT WOMEN.
    [Show full text]
  • Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
    Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat.
    [Show full text]
  • Master Thesis Project Artificial Intelligence Adaptation in Video
    Master Thesis Project Artificial Intelligence Adaptation in Video Games Author: Anastasiia Zhadan Supervisor: Aris Alissandrakis Examiner: Welf Löwe Reader: Narges Khakpour Semester: VT 2018 Course Code: 4DV50E Subject: Computer Science Abstract One of the most important features of a (computer) game that makes it mem- orable is an ability to bring a sense of engagement. This can be achieved in numerous ways, but the most major part is a challenge, often provided by in-game enemies and their ability to adapt towards the human player. How- ever, adaptability is not very common in games. Throughout this thesis work, aspects of the game control systems that can be improved in order to be adapt- able were studied. Based on the results gained from the study of the literature related to artificial intelligence in games, a classification of games was de- veloped for grouping the games by the complexity of the control systems and their ability to adapt different aspects of enemies behavior including individual and group behavior. It appeared that only 33% of the games can not be con- sidered adaptable. This classification was then used to analyze the popularity of games regarding their challenge complexity. Analysis revealed that simple, familiar behavior is more welcomed by players. However, highly adaptable games have got competitively high scores and excellent reviews from game critics and reviewers, proving that adaptability in games deserves further re- search. Keywords: artificial intelligence in games, adaptability in games, non-player character adaptation, challenge Preface Computer games have become an interest for me not so long ago, but since then they have turned almost into a true passion.
    [Show full text]
  • {PDF EPUB} the Works of of the Rev. Jonathan Swift, Volume 18 by John Nichols the Works of the Rev
    Read Ebook {PDF EPUB} The Works of of the Rev. Jonathan Swift, Volume 18 by John Nichols The Works of the Rev. Jonathan Swift, Volume 18 (1739) by Jonathan Swift, edited by Thomas Sheridan, John Nichols, John Boyle, Patrick Delany, John Hawkesworth, Deane Swift, William Bowyer, John Birch, and George Faulkner Letter from Jonathan Swift to John Barber - 8 May 22, 2020 · The works of the Rev. Jonathan Swift .. by Jonathan Swift, 1808, Printed for J. Johnson [etc. edition, in English - A new ed., ... corrected and revised by John Nichols ...Pages: 19The Works of the Rev. Jonathan Swift - Jonathan Swifthttps://www.bbrarebooks.com/pages/books/JSW002/...Jonathan Swift (1667-1745) was born in Ireland. He studied at Trinity College and was close with Alexander Pope and John Gay, the two other most important writers of his time period. He penned poetry and prose, and is best remembered for writing Travels into Several Remote Nations of the World, or Gulliver’s Travels (1726). Jun 04, 2001 · Letters written by the Late Jonathan Swift, D.D. Dean of St. Patrick's, Dublin and Several of His Friends from the year 1710 to 1740, published from the originals. The following volumes from "The Letters " edited by John Hawkesworth. Printed in London by T. Davies and others. 1769. Volume 18. (volume 1 of 'the letters'.) 396 pages. 1769. Volume 19. Swift, Jonathan, 1667-1745: The works of the Rev. Jonathan Swift, (London, Printed for J. Johnson, 1801), also by John Nichols and Thomas Sheridan (page images at HathiTrust) Swift, Jonathan, 1667-1745: The works of the Rev.
    [Show full text]