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We're Taking Africa to the World
“We’re Taking Africa to the World”: Commercial Self- fashioning as a Vehicle for Collective Aspirations in the 21st Century JAANA SERRES “It’s finally cool to be an ‘African’” (Kaumbutho). This 2017 blog post by Kenyan poet Kimathi Kaumbutho echoed the performative claims heard throughout the African middle class in the wake of the changing narrative about “Africa,” from “The hopeless continent” (The Economist 2000) to “Africa rising” (The Economist 2011). Elements and signs of “Africanness” have indeed been increasingly featured in “global” popular culture, from clothing lines to films, and even the practice of capitalism is rebranded with “African traditional principles” through the Africapitalist and Ubuntu “economic philosophies.” But as suggested by Kaumbutho’s list of achievements “Africans can take pride in,” one cultural medium has proven particularly instrumental to this new wave of positive identification with “Africa”: Nigerian music. As Nigeria was arguably entering a post-oil era in the 2010s (Burns and Owen), its renewed popular music industry benefitted from the development of digital technology and the expression of corporate interest by telecom companies, retail brands, and foreign-educated young professionals, making it an exemplary manifestation of a new pan-Africanism founded on neoliberal aspirations (Shipley Living the Hiplife). Global professional services firm PwC announced that total revenue for Nigeria’s entertainment and media industry was expected to grow to US$8.1 billion in 2019, calling it the “fastest-expanding major market globally” (Oxford Business Group). However, only a very small share of this revenue occurs from the actual sale of cultural products (PwC 22). -
Davido-Bio-November-2019.Pdf
DAVIDO Nearing the close of 2019, it’s hard for many to say they haven’t heard the name Davido, born David Adedeji Adeleke. The year marks another fete of huge achievements, from opening the year with a sold out date at London’s O2 Arena – making him the first solo African artist to do this – to creating mass hysteria across America with his 2018 single “Fall” which has gone on to have the longest run of an Afrobeats single on the Billboard charts, and saw it peak across Shazam as one of the most searched songs in the United States, and now gears up to release his second album A Good Time, all before a circuit of Christmas shows across Africa. If anything has framed where Davido currently is, it would his “childhood.” The youngest of five, growing up with his parents in Lagos, Nigeria, he was “exposed” to the world. Across summer breaks he would travel to visit his siblings in London and Atlanta, the latter being home to some of the artists that he today he can call his good friends – YoungThug, Gunna, Lil Baby – and the home to some of his favorite rappers growing up – Ludacris, Nelly – the sounds of noughties Hip Hop that he “loved.” It was most likely these trips that would drive a love for music that reflected global ambition. This exposure to the world, would in turn give Davido the opportunity to share with his University of Alabama friends music from Nigeria, that he knew if “given a chance” would go global. -
Foregrounding Female Agency in the Dance Culture of Nigeria
WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion. -
Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus
Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus Emwinromwankhoe Osakpolor, University of Benin, [email protected] Volume 9. 1 (2021) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2021.299 | http://cinej.pitt.edu Abstract This study investigates the portrayal of women in contemporary Nollywood films, using Isoken (2017) and King of Boys (2018) as case studies. The objective was to highlight the various ways in which women in the films are portrayed to viewers and ascertain whether contemporary Nollywood movies are an improvement on the issues of gender stereotypes and sexism which are hitherto prevalent in the industry. Anchored on the cultivation theory, the study adopted the qualitative content analysis method. Findings showed that women in the studied films are negatively portrayed in various ways and that these portrayals are, at best, parallel to the stereotypical ways in which women were portrayed in previous Nollywood movies. Taking cognizance of the fact that both films are directed by women, the researcher recommends that Nollywood female directors should look beyond the lenses of financial gains and set a pace with regards to changing the narrative and portraying Nigerian women in a positive light. Keywords: Portrayal; women; Nollywood; Nollywood films; Isoken; King of Boys New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus Emwinromwankhoe Osakpolor Introduction Film, also referred to as movie, motion picture, theatrical film or photo-play, is unarguably a medium of mass communication. -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
BOHEMIAN RHAPSODY Award-Winning Celebration of the Legendary Rock Band, Queen
Your In-Flight Entertainment Planner To A Fulfilled And Relaxed Flight FEB 2019 #ISSUE2 BOHEMIAN RHAPSODY award-winning celebration of the legendary rock band, Queen Plug into this month’s film & series collection! Be Entertained IN THE FEBRUARY ISSUE South African Airways is proud to offer its passengers a wide selection of movies, TV programmes and music tunes to keep you entertained throughout your flight. Young or old, you will enjoy the latest comedy shows and fun kids programming, while for the more discerning tastes, we offer a fine variety of Wildlife, Business and Sport reports with a mix of our Worldwide and Asian titles. Besides the latest Blockbusters and old favourites, SAA continuously expands the African choice to support our local talent and provide other nationals with a glimpse into the heart of our nation. We invite you to sit back and relax while we take care of everything else. Refer to the inside back cover for assistance using your remote. 06 12 04 CONTENTS 14 Asian Collection 03 FebruaryHighlights 15 TV Series 04 Interview 16 TV Features 06 New Releases 17 Music 08 African Choice 18 Radio Features 09 Film Collection 19 Audio On Demand 12 Kids’ Choice 20 Remotes 08 23 13 Worldwide Games AIRSCAPE | 2 FEBRUARY HIGHLIGHTS Great to meet you month two of 2019, also known as the month of WE RECOMMEND: Snuggling up love due to Valentine’s Day. If the with the latest addions to our sight of stores heavily drenched in New Releases category during red and white is enough to drive you your longhaul flight. -
The-People-Daily-Friday-5.10
Friday, October 5, 2018 / PEOPLE DAILY Friday, October 5, 2018 / PEOPLE DAILY www.peopledaily.co.ke // www.epaper.peopledaily.co.ke 12 .HQ\D·V PG2 NewsBeat PG15 Business Hub )5((1HZVSDSHU TSC, Knut Tea revenue up, average fallout over farmers pay teachers' goes down contracts Commission adamant that performance contracting 'here to stay', as People Daily union threatens NO.06664 Friday, October 5, 2018 wildcat strike DNA nails 'Jowie' to Monica 1)0504".6&-,"3*6,* murder Samples collected from deceased's body and blood stains in TV journalist Maribe's house match 99 per cent with those extracted from prime suspect - page 5 Living proudly as an intersex... Darlan Rukih, a charismatic, confident and jovial 'Apostle', is renowned gospel artiste who has defied the stigma of being born with both male and female genitalia to earn rare acceptance in conservative rural Migori - Pg 6 2 NEWS BEAT Friday, October 5, 2018 / PEOPLE DAILY News World Business Feature Legislator Dutch Lower unga Keeping decries ‘thwart prices, cartels from increasing Russian President affordable POINTERS rape cases cyber attack’ tells millers housing P8Gatundu North P14Military intelligence P16 Uhuru also warns P21 Measures aimed MP says families allegedly targeted NCPB against paying at deterring crooks are compromised the Organisation for unscrupulous traders from derailing the to weaken cases in the Prevention of to the disadvantage State affordable court Chemical Weapons of maize farmers housing agenda $UUHVWLOOLFLW EUHZVHOOHUV VD\WUDGHUV 3HUIRUPDQFHFRQWUDFWV E\&OHPHQW.DPDX #3HRSOH'DLO\.H Bar owners in Kikuyu, Kiambu county, have urged the National and County governments to take action against traders selling sec- KHUHWRVWD\LQVLVWV76& ond generation liquor. -
IT's TIME to DO THINGS DIFFERENTLY AYENI, ADEKUNLE SAMUEL Frank Nweke 2013 Opening Declaration Building the Reverend
IT'S TIME TO DO THINGS DIFFERENTLY AYENI, ADEKUNLE SAMUEL Frank Nweke 2013 Opening Declaration Building the Reverend. Kola Oyeyemi Topic: Relationship Between Corporate Nigeria and Industry of our Dreams Entertainment: Parasitism or Symbiosis’. Amaka Igwe Topic: The Nollywood Paradigm - Reflections From An Unapologetic Commercial Nollywood Filmmaker’ Chris Ubosi Keke Ogungbe Topic: ‘Role of the media in Topic: Are Record Labels Endangered Species? developing the industry of our dreams’. Music Panelists: I.K Osakioduwa, Olisa Adibua, 2Baba Idibia, Edi Lawani and Tony Okoroji. 2014 2Baba Idibia Topic: Slaying The Collective Rights Creating Omotola Jalade-Ekeinde monster' - Pathways To The Future Topic: Why We Should Care' Professor Adebambo Adewopo Pat Utomi Topic: 'Music Lessons And Collective Nollywood Panelists: Chris Ihidero, Shaibu Topic: ‘Solving The Distribution Problem Administration' Husseini, Peace Anyiam-Osigwe, Ramsey Once And For All’ Nouah and Emeka Mba 2015 Joke Silva Topic: Teaching and Training Buying and Selling Nigerian Tomorrow’s Talent Entertainment And Everything In-Between Chocolate City Music At NECLIVE 3 Mark Redguard MI. Deji Awokoya, Seyi Shay, Topic: Content Of The Future Osagie Alonge At NECLive 3 John Ugbe D’banj Topic: ‘Intervention strategies: An Open Topic: Content Is The New Crude conversation and case studies 2016: Last Hope for Africa’s biggest economy Banky W Olatunde Falase Topic: Content Marketing: The Topic:‘‘The Era of Global Business Power of Music, Comedy & More' and Disruptive Models’ Panelists:: -
Kasien Has a Habit of Always Landing on His Feet. the Londoner Brings a Chaotic Energy to the Rap World But, When Life Has Been
Kasien has a habit of always landing on his feet. The Londoner brings a chaotic energy to the rap world but, when life has been at its toughest, he has found the strength in music to carry on and make it out alive. Born in south London in the mid-nineties, Kasien doesn’t remember a time when music didn’t fill his household. “Music has always been a part of my life,” he says. “All day, all night, just tunes being played.” Despite recalling his dad, DJ Swing of Choice FM and the Boogie Bunch, playing neo-soul classics from D’Angelo and Angie Stone, young Kasien rebelled and found his first love in the dark and moody world of nu- metal. Spiking his hair into a Mohican, Kasien lost himself in the mosh-pit ready sounds of Papa Roach and System of a Down. “I was that kid from a hip-hop family but I was inspired by heavy music,” he says recalling a childhood spent flicking between MTV Base and Kerrang. “My mum has home videos of me with my nails painted black.” It wasn’t until his dad showed him Jay Z’s Fade To Black DVD that Kasien saw that music had the power to take an ordinary kid to superstar status. Around the same time he and his friends would trade bars in the playground, pushing each other to come up with rhymes to get through lunch breaks. His dominance of the schoolyard was cut short, however, when he was sent to boarding school in Lagos, Nigeria. -
Hip Hop Revisited1 Wale Adedeji Ph.D
DOI: 10.21276/sb.2017.3.3.1 Scholars Bulletin ISSN 2412-9771 (Print) (A Multidisciplinary Journal) ISSN 2412-897X (Online) An Official Publication of “Scholars Middle East Publishers”, Dubai, United Arab Emirates Website: http://scholarsbulletin.com/ Africanity and New Wave Popular Music Style in Nigeria: “Afro” Hip Hop Revisited1 Wale Adedeji Ph.D. Dept. of Performing and Film Arts, Elizade University, Ilara-Mokin, Ondo State, Nigeria *Corresponding Author: Wale Adedeji Ph.D Email: [email protected] Abstract: The concept of Africanity traverses many decades, being a socio-political ethos or cogitation perceived as manifest reaction against slavery and colonization. As a resistance mode, imbuement of the Africanity philosophy has shaped people of African descent in the Diaspora and many post-slavery generations all over the world in maintaining their African roots identity. This paper examines the concept of Africanity in the 21st Century Africa, using the Nigerian popular music scene as a paradigm. Against the backdrop of the present mainstream Hip hop music style referred to as „Afro hip hop‟, the study will use music and video analytical procedures with the objective of identifying the various media through which hip hop artistes project their Africanity. It is quite evident that music artistes still strive to maintain their African identity despite subscribing to a Western originated music style. This is made manifest through language use, nomenclature, message, visual projection, and sonic arrangement among other parameters. Keywords: Africanity, Popular music, Hip hop, Music and identity, Nigeria. INTRODUCTION Africans and people of African descent without the The general notion of taking pride in the portrayal of the African culture. -
I Need Assurance by Davido
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