Khalid X Disclosure - “Know Your Worth” Feat
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Code-Switching in Contemporary Nigerian Hip
University of Ghana http://ugspace.ug.edu.gh CODE-SWITCHING IN CONTEMPORARY NIGERIAN HIP HOP SONGS BY KUPONIYI ADERIYIKE OREOLUWA (10361991) THIS DISSERTATION IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON, IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF M.A ENGLISH DEGREE. JULY 2013 University of Ghana http://ugspace.ug.edu.gh DECLARATION I, Kuponiyi Aderiyike Oreoluwa, do hereby declare that apart from the acknowledged references cited, this work is the result of my own research. It has neither been partly nor wholly submitted for the award of another degree elsewhere. CANDIDATE ……………………………… DATE………………………… KUPONIYI, ADERIYIKE OREOLUWA SUPERVISOR……………………………. DATE…………………………... PROFESSOR A.B.K. DADZIE SUPERVISOR……………………………... DATE……………………………. PROFESSOR KARI DAKO i University of Ghana http://ugspace.ug.edu.gh DEDICATION This work is dedicated to my late Mother, Mrs Olajide Ilori-Kuponiyi. ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENTS I give all the glory to God Almighty. My sincere gratitude goes to my father, Professor F.A. Kuponiyi for his total and unwavering support. Thank you to all my siblings, for their love, support and prayers. Special appreciations go to my supervisor, Professor A. B. K Dadzie for his help, advice and guidance and also to Professor Kari Dako. Again I say thank you to Mr Kenneth Igiri for his prompt response each time I call on him for help and for making my first few months in Ghana comfortable and remarkable. Also I thank everyone that has in one way or the other contributed to the achievement of this work. God bless you all. iii University of Ghana http://ugspace.ug.edu.gh ABSTRACT Most Nigerian hip hop artistes use a combination of English and one or more local language(s) in writing the lyrics of their songs. -
Know Your Worth
Know Your Worth Know Your Worth by Nia Maritz Page 1 Know Your Worth Contents 1. When time and destiny collide 2. Do you know your worth? 3. Background 4. Your CV 5. Take charge 6. Steps to getting noticed, an interview and the right job 7. Skills Assessment 8. Natural Aptitude Planning (NAP) 9. NAP 10. Putting the information into the CV 11. What else should reflect on the CV 12. Examples of CV’s – before and after NAP 13. Plan your next step 14. First impressions 15. General tips Page 2 Know Your Worth 16. Before the interview 17. The interview 18. Questions to answer during the interview 19. What salary should I ask for in an interview 20. The 20 most difficult questions you'll be asked in an interview 21. Your personality is just as important 22. Second or follow up interviews 23. Relocation: Things to take into consideration 24. After the interview 25. Counter offers: Yes or No 26. Resigning 27. Within 28. Use your network Page 3 Know Your Worth When time and destiny collide… When do you know it is time to turn dreams into reality? How do you go from having a job to having the ultimate career? It is when you feel confident about your skills and know what you are good at. You have done your homework and research – and fear is the only thing holding you back. It is when time and destiny collide! Whether you are changing your job or starting your own venture, you will need to know what you are really good at; what you like and dislike; and what you are worth – not only your financial value, but also the value you can add to any organization: your intellectual capital. -
Afp-Services Selected to Provide Coverage of The
10.21.2016 AFP -SERVICES SELECTED TO PROVIDE COVERAGE OF THE MTV AFRICA MUSIC AWARDS AFP-SERVICES IS PROUD TO HAVE BEEN SELECTED AS THE EXCLUSIVE PHOTO PROVIDER FOR COVERAGE OF THE MTV AFRICA MUSIC AWARDS JOHANNESBURG 2016 AS WELL AS THE PROVIDER FOR VIDEO HIGHLIGHTS FOR THE INTERNATIONAL BROADCAST MARKET. The MTV Africa Music Awards (MAMA), Africa’s biggest celebration of contemporary music, culture and achievement, kicks off at the Ticketpro Dome, Johannesburg, South Africa on 22 October 2016. The annual awards show, now in its sixth edition, is taking place in the city of Johannesburg for the first time ever. The MAMA, as it is affectionately known, highlights the “gold standard” in contemporary music, creativity and achievement across the continent. The MAMA will air live on MTV and MTV Base across Africa at 21:00 CAT on 22 October. Lighting up the MAMA stage on 22 October will be African stars Davido (Nigeria), C4 Pedro (Angola), Sauti Sol (Kenya), Diamond (Tanzania), Emtee (South Africa), Kwesta (South Africa), Patoranking (Nigeria); Alikiba (Tanzania), Babes Wodumo (South Africa), Cassper Nyovest (South Africa), Nasty C(South Africa), Ycee (Nigeria) and Yemi Alade (Nigeria), while US hip hop star Future (nominee for Best International) will also be on site. Many more African artists remain to be announced. The definitive annual celebration of African and international talent and achievement, MAMA 2016 recognises and rewards musicians and achievers in 18 categories who have made the most impact on African contemporary music and culture over the previous year. The ceremony will feature stunning performances from African and international artists along with the show’s signature cross-genre and cross-border collaborations. -
Sorted by ARTIST * * * * Please Note That The
* * * * Sorted by ARTIST * * * * Please note that the artist could be listed by FIRST NAME, or preceded by 'THE' or 'A' Title Artist YEAR ----------------------------------------- ------------------------ ----- 7764 BURN BREAK CRASH 'ANYSA X SNAKEHIPS 2017 2410 VOICES CARRY 'TIL TUESDAY 1985 2802 GET READY 4 THIS 2 UNLIMITED 1995 9144 MOOD 24KGOLDN 2021 8180 WORRY ABOUT YOU 2AM CLUB 2010 2219 BE LIKE THAT 3 DOORS DOWN 2001 6620 HERE WITHOUT YOU 3 DOORS DOWN 2003 1517 KRYPTONITE 3 DOORS DOWN 2000 5216 LET ME GO 3 DOORS DOWN 2005 0914 HOLD ON LOOSELY 38 SPECIAL 1981 8115 DON'T TRUST ME 3OH!3 2009 8214 MY FIRST KISS 3OH!3/ KE$HA 2010 7336 AMNESIA 5 SECONDS OF SUMMER 2014 8710 EASIER 5 SECONDS OF SUMMER 2019 7312 SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER 2014 8581 WANT YOU BACK 5 SECONDS OF SUMMER 2018 8611 YOUNGBLOOD 5 SECONDS OF SUMMER 2018 7413 IN DA CLUB 50 CENT 2004 8758 ALL MY FRIENDS ARE FAKE 58TE McRAE 2020 2805 TOOTSIE ROLL 69 BOYZ 1995 8776 SAY SO 71JA CAT 2020 7318 ALREADY HOME A GREAT BIG WORLD 2014 7117 THIS IS THE NEW YEAR A GREAT BIG WORLD 2013 3109 BACK AND FORTH AALIYAH 1994 4809 MORE THAN A WOMAN AALIYAH 2002 1410 TRY AGAIN AALIYAH 2000 7744 FOOL'S GOLD AARON CARTER 2016 2112 I MISS YOU AARON HALL 1994 2903 DANCING QUEEN ABBA 1977 6157 THE LOOK OF LOVE (PART ONE) ABC 1982 8542 ODYSSEY ACCIDENTALS 2017 8154 WHATAYA WANT FROM ME ADAM LAMBERT 2010 8274 ROLLING IN THE DEEP ADELE 2011 8369 SOMEONE LIKE YOU ADELE 2012 5964 BACK IN THE SADDLE AEROSMITH 1977 5961 DREAM ON AEROSMITH 1973 5417 JADED AEROSMITH 2001 5962 SWEET EMOTION AEROSMITH 1975 5963 WALK THIS WAY AEROSMITH 1976 8162 RELEASE ME AGNES 2010 9132 BANG! AJR 2020 6906 I WANNA LOVE YOU AKON FEAT SNOOP DOGG 2007 7810 LOCKED UP AKON feat STYLES P. -
We're Taking Africa to the World
“We’re Taking Africa to the World”: Commercial Self- fashioning as a Vehicle for Collective Aspirations in the 21st Century JAANA SERRES “It’s finally cool to be an ‘African’” (Kaumbutho). This 2017 blog post by Kenyan poet Kimathi Kaumbutho echoed the performative claims heard throughout the African middle class in the wake of the changing narrative about “Africa,” from “The hopeless continent” (The Economist 2000) to “Africa rising” (The Economist 2011). Elements and signs of “Africanness” have indeed been increasingly featured in “global” popular culture, from clothing lines to films, and even the practice of capitalism is rebranded with “African traditional principles” through the Africapitalist and Ubuntu “economic philosophies.” But as suggested by Kaumbutho’s list of achievements “Africans can take pride in,” one cultural medium has proven particularly instrumental to this new wave of positive identification with “Africa”: Nigerian music. As Nigeria was arguably entering a post-oil era in the 2010s (Burns and Owen), its renewed popular music industry benefitted from the development of digital technology and the expression of corporate interest by telecom companies, retail brands, and foreign-educated young professionals, making it an exemplary manifestation of a new pan-Africanism founded on neoliberal aspirations (Shipley Living the Hiplife). Global professional services firm PwC announced that total revenue for Nigeria’s entertainment and media industry was expected to grow to US$8.1 billion in 2019, calling it the “fastest-expanding major market globally” (Oxford Business Group). However, only a very small share of this revenue occurs from the actual sale of cultural products (PwC 22). -
Davido-Bio-November-2019.Pdf
DAVIDO Nearing the close of 2019, it’s hard for many to say they haven’t heard the name Davido, born David Adedeji Adeleke. The year marks another fete of huge achievements, from opening the year with a sold out date at London’s O2 Arena – making him the first solo African artist to do this – to creating mass hysteria across America with his 2018 single “Fall” which has gone on to have the longest run of an Afrobeats single on the Billboard charts, and saw it peak across Shazam as one of the most searched songs in the United States, and now gears up to release his second album A Good Time, all before a circuit of Christmas shows across Africa. If anything has framed where Davido currently is, it would his “childhood.” The youngest of five, growing up with his parents in Lagos, Nigeria, he was “exposed” to the world. Across summer breaks he would travel to visit his siblings in London and Atlanta, the latter being home to some of the artists that he today he can call his good friends – YoungThug, Gunna, Lil Baby – and the home to some of his favorite rappers growing up – Ludacris, Nelly – the sounds of noughties Hip Hop that he “loved.” It was most likely these trips that would drive a love for music that reflected global ambition. This exposure to the world, would in turn give Davido the opportunity to share with his University of Alabama friends music from Nigeria, that he knew if “given a chance” would go global. -
Communique De Presse
Paris aris Paris, November 30, 2018 Vivendi and its subsidiaries to broadcast and screen the Global Citizen Festival: Mandela 100 in Africa Vivendi has joined forces with international advocacy organization Global Citizen to provide additional support ahead of the Global Citizen Festival: Mandela 100 on December 2, 2018, in Johannesburg. Beyoncé & JAY-Z, Black Coffee, Cassper Nyovest, D'banj, Ed Sheeran, Eddie Vedder, Femi Kuti, Kacey Musgraves, Pharrell Williams & Chris Martin, Sho Madjozi, Tiwa Savage, Usher, and Wizkid will headline the first Global Citizen Festival to be held in Africa. Trevor Noah will host the Global Citizen Festival: Mandela 100 with co-hosts Naomi Campbell, Dave Chappelle, Danai Gurira, Sir Bob Geldof, Gayle King, Bonang Matheba, Nomzamo Mbatha, Tyler Perry, and Anele Mdoda. Oprah Winfrey will deliver a special keynote address at the Festival remembering Nelson Mandela and his legacy. Canal+ Afrique will broadcast the show to millions of its TV viewers throughout 30 African countries, with the well-known Congolese journalist Robert Brazza commenting on this event. All ten CanalOlympia theatre venues will screen the eight-hour long concert free of charge for their audiences in the seven African countries where they are currently located. Michele Anthony, Executive Vice President of Universal Music Group, is a member of the Global Citizen’s Board of Directors. She also chairs the Global Citizen Rewards program, a campaign whereby major artists donate concert tickets that are earned when users take specified actions to end global poverty. About Vivendi Since 2014, Vivendi has been focused on building a world-class content, media and communications group with European roots. -
Foregrounding Female Agency in the Dance Culture of Nigeria
WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion. -
Universal & Eriartista 2012 Sawa Festival Artists
SAWA 2012 Universal & EriArtista Sounds Yared Tesfay Universal & Eriartista Sounds SAWA 2012 Universal & EriArtista Sounds SAWA 2012 Sawa Festival 2012 As preparations for the grand 5th Sawa Festival celebrations get underway, it comes as no surprise that music will take center stage. Eritrea‟s history is a story shared in the music of Eritrea past and new. During struggle for independence, music and drama was used for education and mobilization and it was a means of expressing the hopes, pains and suffering of the people of Eritrea. After Independence, music played a vital role in mobilizing support for the rehabilitation and development of Eritrea. Once again, Eritreans continue to rely on their own ingenuity and resources to rebuild their country from scratch and they have made remarkable progress, unparalleled in all of post independence Africa. At this historic juncture, musicians and artists from all over the world will converge on Sawa to participate in the historical 5th Sawa Youth Festival. There will groups such as FULANI Afro Band from Guinea, 2009 MTV Africa Award winner AMANI from Kenya, East African Superstar, JACKIE CHANDIRU from Uganda, South Africa German based singer LEBOGANG MASEMOLA, one of west Africa best Kora‟s LAMINE SESSU from Senegal and MISS JOJO from Rwanda. Amongst the many productions that will be on display in Eritrea this year will be a musical collaboration by Eritrea‟s artists such as America Got Talent semi finalist ERIAM SISTERS from Seattle USA, NJOY from Sweden and many more. This production which will depict Eritrea‟s illustrious history and post independence success and showcase the talents and diversity of African‟s artists, as well as Eritrea‟s music. -
Davido Unveils Visuals to “1Milli” Directed By
DAVIDO UNVEILS VISUALS TO “1MILLI” DIRECTED BY ACCLAIMED DIRECTOR ‘DIRECTOR K’ CURRENTLY ON U.S & CANADIAN LEG OF HEADLINING ‘A GOOD TIME’ TOUR - TICKETS AVAILABLE HERE WATCH “1MILLI” HERE DOWNLOAD HIGH-RES VIDEO STILLS HERE Leading Afrobeats star DAVIDO drops a stunning companion video to the stand-out track “1MILLI” from his sophomore album ‘A Good Time’. Shot in Lagos, Nigeria, the visual is directed by Director K and is available to watch on YouTube HERE. Inspired by the Candomble carnival in Brazil, 1MILLI features beautiful, vibrant scenes of Davido arriving for his own traditional African wedding flanked by hundreds of women who lead him to his bride. The visual arrives on the heels of ‘A Good Time Tour’ which has already seen Davido with his band ‘The Compozers’ perform many sold-out dates across America and Canada - find remaining tickets and details HERE. “A Good Time” is available now.https://smarturl.it/DavidoAGT. CONNECT WITH DAVIDO: Twitter: https://twitter.com/iam_Davido Instagram: https://www.instagram.com/davidoofficial/ About Davido: 2019 was a phenomenal year for Davido. Kickstarting with a sold out date at London’s prestigious O2 Arena, his massive single “Fall,” infiltrating Billboard’s Hot R&B chart, going on to be noted as the longest charting Nigerian pop song in Billboard history, as well as being one of America’s most Shazamed songs of this year. The accompanying video broke a further record as the first by a Nigerian artist to break through the 100 million views mark on YouTube, standing now at a staggering 159 million views and counting. -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
Africa's Soft Power : Philosophies, Political Values, Foreign Policies and Cultural Exports / Oluwaseun Tella
“This seven-chapter book is a powerful testimonial to consummate African scholarship. Its analysis is rigorous, insightful, lucid and authoritative, providing fresh perspectives on selected uniquely African philosophies, and the potential ities, deployment and limitations of soft power in Africa’s international relations. The author rigorously Africanises the concept, broadening its analytic scope from its biased Western methodology, thus brilliantly fulfilling that great African pro verb made famous by the inimitable Chinua Achebe: ‘that until the lions have their own historians, the history of the hunt will always glorify the hunter’. This is truly an intellectual tour de force.” W. Alade Fawole, Professor of International Relations, Obafemi Awolowo University, Ile-Ife, Nigeria. “This book addresses an important tool in the arsenal of foreign policy from an African perspective. African states have significant soft power capacities, although soft power is not always appreciated as a lever of influence, or fully integrated into countries’ foreign policy strategies. Tella takes Nye’s original concept and Africanises it, discussing Egypt, Kenya, Nigeria and South Africa via their respective philosophies of Pharaonism, Harambee, Omolúwàbí and Ubuntu. This study is a critical contribution to the literature on African foreign policies and how to use soft power to greater effect in building African agency on the global stage.” Elizabeth Sidiropoulos, Chief Executive, South African Institute of International Affairs, Johannesburg, South Africa. “Soft power is seldom associated with African states, given decades bedevilled by coup d’états, brazen dictatorships and misrule. This ground-breaking book is certainly a tour de force in conceptualising soft power in the African context.