British Architectural Books from the Seventeenth and Eighteenth Centuries 1664-1799
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Landscape,Associationism & Exoticism
702132/702835 European Architecture B landscape,associationism & exoticism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice Pope's Villa at Twickenham Pevsner, Studies in Art, Architecture and Design, I, p 89 CCHISWICKHISWICK Chiswick, by Lord Burlington, begun 1725, south front Jeff Turnbull Chiswick and its garden from the west, by Pieter Rysbrack, 1748 Steven Parissien, Palladian Style (London 1994), p 99 Chiswick: drawing by Kent showing portico and garden John Harris, The Palladian Revival: Lord Burlington, his Villa and Garden at Chiswick (Montréal 1994), p 255 Chiswick: general view of house and garden, by P J Donowell, 1753 Jourdain, The Work of William Kent, fig 103 Doric column, Chiswick, perhaps by William Kent, c 1714 Harris, The Palladian Revival, p 71 Bagno, Chiswick, by Burlington, 1717 Campbell, Vitruvius Britannicus, III, p 26 Bagno and watercourse, Chiswick Jourdain, The Work of William Kent, fig 105 Chiswick: plan of the garden Architectural Review, XCV (1944), p 146. Chiswick, garden walks painting by Peter Rysbrack & engraving Lawrence Fleming & Alan Gore, The English Garden (London 1988 [1979]), pl 57. B S Allen, Tides in English Taste (1619-1800) (2 vols, New York 1958 [1937]), I, fig 33 Bagno and orange trees, Chiswick, by Rysbrack, c 1729-30 Fleming & Gore, The English Garden, pl 58 Bagno or Pantheon, Chiswick,probably by William Kent Jeff Turnbull Chiswick: design for the Cascade, by William Kent Harris, The Palladian Revival, p 14 Chiswick: the Great Walk and Exedra, by Kent. -
Conservation Bulletin 74
Streamlining Heritage Management Issue 74 | Summer 2015 Contents 3 Historic Environment: Context, Current Status 38 Port Sunlight, Wirral: working towards a Local Listed & Instruments Building Consent Order 3 Editorial: heritage challenges in the modern world 4 Heritage regeneration schemes: what future in an era of 40 Strategic Involvement Government cuts? 40 Protected landscapes get the VIP treatment 6 More from less in heritage management 41 Surplus public-sector land – strategic engagement with 8 Response from the Chief Executive to John Penrose MP government departments 43 Marine Planning: a strategic partnership 9 Improved Understanding of Heritage 44 Listed Building Heritage Partnership Agreements: the 9 The value of precision: defining special interest university perspective in designation 45 Stow Maries Great War Aerodrome 10 Historic England’s guides to our heritage 47 New Ways of Managing Waterways Heritage 12 How the new approach to listing helps the management 49 Conservation Area Management – Local Development of modern buildings Orders used in combination with Article 4 Directions. 14 Recognising archaeological significance for planning 16 Partnership in the management of major 51 The Future infrastructure projects 51 The way forward for the independent heritage sector: the 18 Heritage and the modernisation of the railway network view from the Historic Houses Association 20 National Expertise Delivered Locally 51 Historic England: a new beginning, or same 20 The streamlined planning system English Heritage? 23 Saving the -
The Gothick COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B the Gothick COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice the Gothick a national style a style with genuine associational values a style for which there was local archaeological evidence a style with links to real architecture THETHE EARLYEARLY GOTHICKGOTHICK Woodstock Manor, Oxfordshire, illustrated in 1714 J D Hunt & Peter Willis [eds], The Genius of the Place (London 1975), p 119 The Belvedere, Claremont, Esher, Surrey, by Vanbrugh, c 1715-16; Vanbrugh Castle, Greenwich, by Vanbrugh, 1717 George Mott & S S Aall, Follies and Pleasure Pavilions (London 1989), p 46; Miles Lewis King Alfred's Hall, Cirencester Park, begun 1721, contemporary & modern views Christopher Hussey, English Gardens and Landscapes (London 1967), pl 93 mock Fort at Wentworth Castle, begun 1728 Vilet's engraving of 1771 & modern photo of the remains Country Life, 14 February 1974, p 309 the 'Temple' at Aske, Yorkshire, apparently by William Kent, built by William Halfpenny between 1727 and 1758: view & ceiling of the principal room in the Octagon Tower Mott & Aall, Follies and Pleasure Pavilions, p 29; Country Life, 26 September 1974, -
Black Lives and Whitened Stories: from the Lowcountry to the Mountains?
National Park Service <Running Headers> <E> U.S. Department of the Interior Historic Resource Study of Black History at Rock Hill/Connemara Carl Sandburg Home NHS BLACK LIVES AND WHITENED STORIES: From the Lowcountry to the Mountains David E. Whisnant and Anne Mitchell Whisnant CULTURAL RESOURCES SOUTHEAST REGION BLACK LIVES AND WHITENED STORIES: From the Lowcountry to the Mountains By David E. Whisnant, Ph.D. Anne Mitchell Whisnant, Ph.D. Primary Source History Services A HISTORIC RESOURCE STUDY OF BLACK HISTORY AT ROCK HILL/CONNEMARA Presented to Carl Sandburg Home National Historic Site In Partnership with the Organization of American Historians/National Park Service Southeast Region History Program NATIONAL PARK SERVICE U.S. DEPARTMENT OF THE INTERIOR NOVEMBER 2020 Cultural Resources Division Southeast Regional Office National Park Service 100 Alabama Street, SW Atlanta, Georgia 30303 (404) 507-5847 Black Lives and Whitened Stories: From the Lowcountry to the Mountains By David E. Whisnant and Anne Mitchell Whisnant http://www.nps.gov Cover Photos: Smyth Servants: Black female servant rolling children in stroller. Photograph, Carl Sandburg National Historic Site archives, (1910; Sadie “Boots” & Rosana [?]). Smyth Servants: Swedish House HSR, p. 22; (Collection of William McKay, great-grandson of the Smyths). Also Barn Complex HSR Fig. 11, p. 7: Figure 11. The Smyths’ servants in front of the kitchen building, ca. 1910. (Collection of Smyth great-grandson William McKay). Sylvene: From HSR, Main House, pp. 10, 37: Collection of Juliane Heggoy. Man and 3: Swedish House HSR, p. 22; (Collection of William McKay, great-grandson of the Smyths). Also Barn Complex HSR Fig. -
A History of All Saints Church Stradbally, Castleconnell, Co
A History of All Saints Church Stradbally, Castleconnell, Co. Limerick East Window “The Ascension” www.gloine.ie Early Days The Parish of Castleconnell is located on the picturesque banks of the River Shannon in County Limerick and it is here that there is supposed to have been a small church built as early as the 6th Century. In the 8th Century AD the Vikings began to raid the coasts of Ireland. At first they attacked the monasteries along the coast, but soon they began raiding inland as the ‘superior technology’ of their boats which allowed them to traverse the open seas also allowed them to navigate the rivers of Ireland. Stradbally or Stráid Bháile (the town of one street) was not immune to their quick and efficient escapades where they most probably kidnapped the natives, using them as slaves, and attacked the little church, looting and burning it in their wake. Between 1400 and 1410 a church was erected once again at Stradbally. The first priest was Dermit O’Hanrachayn.1 It is interesting to note that he served only one year in Stradbally Church as he “vacated [the] Vicarage [of] Stradbally (Killaloe) in 1411 by not being ordained priest in a year”. He was followed in 1411 by Donald O’Mulluyn who remained on until c 1436. Part of the walls of this old church can still be seen to the rear of the present All Saints Church. This original building was first used for Church of Ireland worship in 16152 (though it is listed as “vacant” of clergy at this time) However, by 1618 the vicar was one William Jannes who remained on until 1621. -
Somerset Parish Registers. Marriages
942.38019 W!E^ Aalp V.6 1379239 GENEALOGY eOL LECTION ALLEN COUNTY PUBLIC LIBRARY 3 1833 00676 1198 ) SOMERSET PARISH REGISTERS. nDarriagee, VI. PHILLIMORE S PARISH RKGISTER SERIES. VOL. VI. (SOMERSET, VOL. LIV. (Jni- hundred and fifty only printed. O. (P'^ : Somerset I ^ Parish Registers. ilDarriages. Edited by W. P. W. PHILLIMORE, M.A., B.C.L., AND W. A. BELL, Rector of Chavlynch, AND C. W. WHISTLER, M.R.C.S., Vicay of Stockland. VOL. VI. 5o XonDon Issued to the Subscribers by Phillimore & Co., 124, Chancery Lane, 1905. ^ — ^^ i s PREFACE. A sixth volume of Somerset Marriage Registers is now completed, making the total number of parishes dealt with to be forty-nine. JL37^9^39 As before, contractions have been made use of w.—widower or widow. dioc.—in the diocese of. b.—bachelor co.—in the county of. s. —spinster, single woman. lie. —marriage licence, d. —daughter. y.—yeoman, p.—of the parish of. c.—carpenter. The reader must remember that the printed volumes are not " evidence " in the legal sense. Certificates must be obtained from the local clergy in charge of the Registers. The Editors have to acknowledge the ready willingness of the Clergy in affording facilities for making the needful transcripts for the printers. Their names are given under the respective parishes. They will gladly welcome the assistance of others who may be willing to aid in transcribing Registers, for it is only by volunteer work that it is possible to print our Parish Registers. They would gladly issue two volumes in each year, and this they can do if those who have the opportunity will supply them with the needful transcriptions of the Registers. -
Downloaded by [New York University] at 05:35 16 August 2016 the Idea of the Cottage in English Architecture, 1760–1860
Downloaded by [New York University] at 05:35 16 August 2016 The Idea of the Cottage in English Architecture, 1760–1860 The Idea of the Cottage in English Architecture is a history of the late Georgian phenomenon of the architect-designed cottage and the architectural discourse that articulated it. It is a study of small buildings built on country estates and not so small buildings built in picturesque rural settings, resort towns and suburban developments. At the heart of the English idea of the cottage is the Classical notion of retreat from the city to the countryside. This idea was adopted and adapted by the Augustan-infused culture of eighteenth-century England where it gained popularity with writers, artists, architects and their wealthy patrons who from the later eighteenth-century commissioned retreats, gate-lodges, estate workers’ housing and seaside villas designed to ‘appear as cottages’. The enthusiasm for cottages within polite society did not last. By the mid- nineteenth century, cottage-related building and book publishing had slowed and the idea of the cottage itself was eventually lost beneath the Tudor barge-boards and decorative chimneystacks of the Historic Revival. And yet while both designer and consumer have changed over time, the idea of the cottage as the ideal rural retreat continues to resonate through English architecture and English culture. Daniel Maudlin is Professor of Modern History at the University of Plymouth. He has previously worked as an Inspector of Historic Buildings for Historic Scotland and held positions at Dalhousie University, the University of Pennsylvania and the University of Glasgow. -
HISTORIC ARCHITECTURAL SURVEY of CHARLOTTE COUNTY, VIRGINIA June 1998
HISTORIC ARCHITECTURAL SURVEY OF CHARLOTTE COUNTY, VIRGINIA June 1998 Hill Studio, P. C. 120 West Campbell Avenue Prepared by: Alison S. Blanton Roanoke, Virginia 24011 Mary A. Zirkle 540-342-5263 Stacy L. Marshall Prepared for: Virginia Department of Historic Resources County of Charlotte 2801 Kensington Avenue 250 LeGrande Ave, Suite A, PO Box 608 Richmond, Virginia 23221 Charlotte Court House, Virginia 23923 804-367-2323 434-542-5117 Historic Architectural Survey of Charlotte County, Virginia Hill Studio, P.C. Page 1 TABLE OF CONTENTS List of Figures........................................................................................................................................2 Abstract..................................................................................................................................................4 Acknowledgements................................................................................................................................5 Chapter 1 - Project Background.............................................................................................................6 Chapter 2 - Methodology.......................................................................................................................9 Chapter 3 - Historic Context................................................................................................................14 Themes: Domestic ..........................................................................................................................................37 -
Hendrik Van Paesschen, Architect of the Northern European Renaissance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1981 Hendrik van Paesschen, architect of the Northern European Renaissance John Fitzhugh Millar College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Architecture Commons, European History Commons, and the United States History Commons Recommended Citation Millar, John Fitzhugh, "Hendrik van Paesschen, architect of the Northern European Renaissance" (1981). Dissertations, Theses, and Masters Projects. Paper 1539625149. https://dx.doi.org/doi:10.21220/s2-8z3e-jw35 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. HENDRIK VAN PAESSCHEN 11 ARCHITECT OF THE NORTHERN EUROPEAN RENAISSANCE A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by John Fitzhugh Millar 1981 ProQuest Number: 10626342 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest, ProQuest 10626342 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. -
Shopfronts of COUNTY CORK
Shopfronts OF COUNTY CORK A DESIGN GUIDE FOR THE HISTORIC SETTING CORK COUNTY COUNCIL Shopfronts of County Cork A Design Guide for the Historic Setting by John Hegarty This guide book aims to identify the significance of the historic shopfronts of County Cork and the benefit of establishing the distinctive character of historic examples to the wider community and economic interests. Recommendations are made for repair and reinstatement of shopfronts in the historic setting. The guide was coordinated by Danny Holland of Fourem Conservation in conjunction with Mona Hallinan of Cork County Council Heritage Unit. Contributions from Conor Nelligan, Juliet Loftus, Mary Sleeman, Paul Hegarty and Dr Michael Waldron. Photographs from the Cork Archaeological (UCC) Post Medieval Archive are courtesy of Mary Sleeman. Photographs from the Lawrence Collection are courtesy of the National Library of Ireland. Funded with the assistance of the Heritage Council. Commissioned by Cork County Council, Tim Lucey, Chief Executive Cllr Declan Hurley, Mayor. ISBN 978-1-5272-1387-6 Shopfronts OF COUNTY CORK A DESIGN GUIDE FOR THE HISTORIC SETTING Shopfront A: Shopfront B: Small window panes, shutters held in with steel bar. Very Robust detail generally. Solid pilasters slender pilasters and delicate lintel and architrave (sign). (columns), ogee cornice, large glass panes Ovolo cornice (Doric order). Late 18th to early 19th century. and robust mullions. Mid to late 19th century Shopfront C: Shopfront D: Shopfront E: Slender columns, larger panes than Large area of glazing, fine detail, detailed Robust detail. Mid to late 19th century. Shopfront A. Simple cornice, architrave and fanlight above door (as per furniture). -
Painted Wood: History and Conservation
PART TWO Historical Perspectives 82 Support and Polychromy of Altarpieces from Brussels, Mechlin, and Antwerp Study, Comparison, and Restoration Myriam Serck-Dewaide , comprising painted and sculpted ele- ments (really pieces of liturgical furniture) had already appeared in Cgreat number by the middle of the fourteenth century in different regions. They functioned at this time as tabernacles,1 and cupboards for relics and for individual figures of saints and narrative scenes. Gilded archi- tectural elements, baldachins,2 and rhythmic colonnettes strictly compart- mentalized the space. The painted wings served to close these “cases,” revealing the figures to the faithful only on feast days. Altarpieces were popular throughout Europe in the fifteenth and sixteenth centuries. The regional workshops—for example, Germanic, Franco-Flemish, Spanish, and Italian—evolved differently, varying the dimensions, space, perspective, lighting, and polychromy of the altarpieces (Skubiszewski 1989). Only altarpieces from the historic Brabant region3 are considered here—in particular, the sculpted parts of these Brabantine altarpieces. In the fifteenth century, Brabantine altarpieces evolved toward a more realis- tic expression and a more accentuated relief. Compositions were grouped in successive arrangement, presenting scenes of small characters, related as in a theatrical setting. Over time, the architecture changed, reducing in size, until eventually there was no more than a frame presenting scenes consecrated to the Virgin, to the lives of the saints, or to cycles of the infancy and Passion of Christ. This evolution progressed very slowly dur- ing the mid–sixteenth century, from late Gothic decoration to Renaissance motifs. From the second half of the fifteenth century, Brabantine altar- pieces became so successful that, in order to satisfy the demand, a division of labor became necessary. -
Classic Commonwealth: Virginia Architecture from the Colonial Era
Prepared by Published by Chris Novelli, The Virginia Melina Bezirdjian, Department of Calder Loth, and Historic Resources, Lena Sweeten McDonald Richmond, Virginia 2015 Classic Commonwealth: Virginia Architecture from the Colonial Era to 1940 Introduction The Department of Historic Resources (DHR) is pleased to present Classic Commonwealth: Virginia Architecture from the Colonial Era through 1940. Our new publication is designed to aid professionals, students, and the interested public in identifying and documenting the numerous types and styles of historic buildings in the Commonwealth. The guide first provides an overview of Virginia’s architectural heritage within the context of larger historic trends, from its colonial era settlement and role in the founding of the United States, to the elimination of its slavery-based economy, and on through the economic, technological and cultural innovations of the early twentieth century. We have compiled the architectural styles and forms discussed herein based on terminology used by DHR’s Virginia Cultural Resources Information System (VCRIS) database (public portal available at https://vcris.dhr.virginia.gov/vcris/Mapviewer/), and guidance for using the system is provided as well. The majority of this publication consists of Style and Form information sheets that provide basic information about and character-defining aspects of the many historic architectural styles that have shaped Virginia’s public and private spaces across more than three centuries. Weaving architectural design trends together with larger historic patterns provides for a more holistic understanding of how Virginia’s built environment came to be. Thus, in addition to images and a bulleted list of character-defining features, each style is given a brief history to provide context.