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(The Musical) Is Awesomely Lame | Culture | Religion Dispatches
REVIEW June 12, 2011 Why The Book of Mormon (the Musical) is Awesomely Lame Never mind the Tony awards and all the acclaim, Broadway's best is not all that. By JARED FARMER The Book of Mormon cleaned up at this year's Tony Awards, winning nine of the 14 awards it was nominated for, including Best Musical. But tonight's success is hardly unexpected, capping off, as it does, an extraordinary season of critical adulation. What’s going on? Why has a good-not-great religious satire from the creators of South Park received rapturous praise from the whole canon of media tastemakers? It may be true that The Book of Mormon is the second best musical début (behind American Idiot) on the Great White Way in recent memory, but that’s really not saying much. In a season devoted mainly to re-runs, revivals, and adaptations, The Book of Mormon stands out for being a first-run play with an original score and book. Also, while the musical adheres to 1950s Broadway conventions— tunefulness, campiness, and uplift—it's modishly vulgar. The Book of Arnold? The plot concerns two unprepared and ill-paired missionaries, a pious hunk and a delusional geek, sent from Utah to Uganda. There the rural villagers suffer from AIDS, dysentery, and political violence. The Ugandans say they have no use for this American religion; it doesn’t help their situation. But when the chubby, bespectacled geek—a Mormon who has never read the Book of Mormon—invents “scriptural” stories in the form of practical allegories, with embellishments borrowed from Star Trek, Star Wars, and Lord of the Rings, the Africans respond enthusiastically. -
Meet MOT's New Artistic Director Yuval Sharon
PLAN YOUR VOTE FOR EQUALITY Visit MiVoterGuide.com A project of BTL Activists Believe Ginsburg Replacement Barrett Could Hinder LGBTQ Rights Michigan Secretary of State Announces 16- and 17-Year-Olds Can Be Poll Workers Meet MOT’s New Artistic Director Yuval Sharon Pledges to Make it the ‘Most Progressive Opera Company’ in US BTL Photo: Andrew Cohen OCTOBER 15, 2020 | VOL. 2842 | FREE NEWS OPINION VOL. 2842/43 • OCTOBER 15, 2020 6 First We Grieve, Then We Vote: 14 Parting Glances ISSUE 1159 Jay Kaplan Reflects on the Legacy of 14 Viewpoint: Jay Kaplan PRIDE SOURCE MEDIA GROUP Justice Ruth Bader Ginsburg 15 Creep of the Week Phone 734.293.7200 8 LGBTQ Activists Alarmed at Thomas- PUBLISHERS Alito Anti-Equal Marriage Statement ENTERTAINMENT Susan Horowitz & Jan Stevenson EDITORIAL 8 Activists Believe Ginsburg 18 Meet MOT’s New Artistic Director Editor in Chief Replacement Barrett Could Hinder Yuval Sharon Susan Horowitz, 734.293.7200 LGBTQ Rights [email protected] 22 Fall Auto Issue 11 Fair Michigan Launches LGBTQ Entertainment Editor Voter Participation Initiative 24 ‘Boys in the Band’ For a New Chris Azzopardi, 734.293.7200 16 [email protected] Generation 11 Michigan Secretary of State News & Feature Editor Announces 16- and 17-Year-Olds Can 28 Deep Inside Hollywood Eve Kucharski, 734.293.7200 Be Poll Workers [email protected] 29 Q Puzzle 12 FBI Reports Michigan Militia had News & Feature Writers Plot to Kidnap Gov. Gretchen Whitmer, Michelle Brown, Ellen Knoppow, Jason A. Michael, Drew Howard, Jonathan Thurston AG Nessel Hosts Press Conference on Charges CREATIVE Webmaster & MIS Director 16 Michigan Physicians Support Kevin Bryant, [email protected] 22 Governor’s Response to COVID-19, Columnists Urge Legislature to Support Her Charles Alexander, Michelle E. -
Heteronormativity, Penalization, and Explicitness: a Representation of Homosexuality in American Drama and Its Adaptations
Heteronormativity, Penalization, and Explicitness: A Representation of Homosexuality in American Drama and its Adaptations by Laura Bos s4380770 A thesis submitted to the faculty of Radboud University Nijmegen in partial fulfillment of the requirements for the degree of Master of Arts Radboud University 12 January, 2018 Supervisor: Dr. U. Wilbers Bos s4380770/1 Table of Contents Abstract 2 Introduction 3 1. Homosexuality in Twentieth-Century America 5 1.1. Homosexuality in the United States: from 1900 to 1960s 5 1.1.1. A Brief History of Sodomy Laws 5 1.1.2. The Beginning of the LGBT Movement 6 1.1.3. Homosexuality in American Drama 7 1.2. Homosexuality in the United States: from 1960s to 2000 9 1.2.1 Gay Liberation Movement (1969-1974) 9 1.2.2. Homosexuality in American Culture: Post-Stonewall 10 2. The Children’s Hour 13 2.1. The Playwright, the Plot, and the Reception 13 2.2. Heteronormativity, Penalization, and Explicitness 15 2.3. Adaptations 30 3. Cat on a Hot Tin Roof 35 3.1. The Playwright, the Plot, and the Reception 35 3.2. Heteronormativity, Penalization, and Explicitness 37 3.3. Adaptations 49 4. The Boys in the Band 55 4.1. The Playwright, the Plot, and the Reception 55 4.2. Heteronormativity, Penalization, and Explicitness 57 4.3. Adaptations 66 Conclusion 73 Works Cited 75 Bos s4380770/2 Abstract This thesis analyzes the presence of homosexuality in American drama written in the 1930s- 1960s by using twentieth-century sexology theories and ideas of heteronormativity, penalization, and explicitness. The following works and their adaptations will be discussed: The Children’s Hour (1934) by Lillian Hellman, Cat on a Hot Tin Roof (1955) by Tennessee Williams, and The Boys in the Band (1968) by Mart Crowley. -
Taylor Boulware a Dissertation Submitted in Partial Fulfillment of The
Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake Taylor Boulware A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Thomas Foster, Chair Anis Bawarshi Katherine Cummings Program Authorized to Offer Degree: Department of English Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake by Taylor Boulware The University of Washington, 2017 Under the Supervision of Professor Dr. Thomas Foster ABSTRACT This dissertation examines contemporary television slash fandom, in which fans write and circulate creative texts that dramatize non-canonical queer relationships between canonically heterosexual male characters. These texts contribute to the creation of global networks of affective and social relations, critique the specific corporate media texts from which they emerge, and undermine homophobic ideologies that prevent authentic queer representation in mainstream media. Intervening in dominant scholarly and popular arguments about slash fans, I maintain a rigorous distinction between the act of reading homoerotic subtexts in TV shows and writing fiction that makes that homoeroticism explicit, in every sense of the word.This emphasis on writing and the circulation of responsive, recursive texts can best be understood, I argue, through the framework of Rhetorical Genre Studies, which theorizes genres and the ways in which they are deployed, modified, and circulated as ideological and social action. I nuance the RGS concept of uptake, which names the generic dimensions of utterance and response, and define my concept of queer uptake, in which writers respond to a text in ways that refuse its generic boundaries and status, motivated by an ideological resistance to both genre and sexual normativity. -
The Boys in the Band: L'opera Teatrale Manifesto Del Movimento Gay, Al
VENERDì 7 FEBBRAIO 2020 A distanza di cinquant'anni dalla nascita del Movimento LGBT (giugno 1969, New York, Greenwich Village) e dopo le sei anteprime tenutesi a giugno allo Spazio Teatro 89 di Milano, inizia a breve la sua avventura per The Boys In The Band: l'opera i teatri italiani The Boys In The Band, l'opera teatrale del commediografo teatrale manifesto del movimento americano Mart Crowley, diventata manifesto del Movimento stesso. gay, al Teatro Nuovo di Milano dal 14 al 16 febbraio 2020 Pietra miliare della storia del teatro - prima commedia a tematica gay per il grande pubblico - questo testo viene per la prima volta proposto al pubblico italiano grazie alla traduzione e all'adattamento di Costantino della Gherardesca, che lo produce accanto a Giorgio Bozzo, il regista. The Boys In The Band andò in scena per la prima volta al Theatre Four di CRISTIAN PEDRAZZINI New York il 14 aprile del 1968 e, contro ogni previsione, rimase in cartellone per 1001 repliche fino al 6 settembre del 1970, divenendo così un punto di riferimento, un luogo di ispirazione per le prime grandi battaglie del Movimento omosessuale americano che ebbero inizio nel 1969. Un vero e proprio fenomeno di costume, uno spettacolo [email protected] precursore dei tempi in grado non solo di anticipare i fermenti sociali, SPETTACOLINEWS.IT politici ed artistici della comunità Lgbt, ma anche di conservare la propria forza negli anni e di essere oggi più che mai un'opera di strettissima attualità. Nel 1970 la commedia divenne anche un film per la regia di William Friedkin che in Italia uscì nelle sale con il titolo "Festa di compleanno per il caro amico Harold". -
The Noteworthy Life of Howard Barnes at Village Theatre Encore
SEPTEMBER 2018 September 2018 Volume 18, No. 1 RECEIVINGBR STANDING OVATIONS AVO! & RAVE REVIEWS FROM PATIENTS · Sports Medicine · Foot & Ankle · Spine Surgery · Joint Replacement · Hand & Wrist · Surgery Center Paul Heppner President Board Certified Orthopedic Surgeons Mike Hathaway Vice President (425) 339-2433 Kajsa Puckett www.ebjproliancesurgeons.com Vice President, Marketing & Business Development Genay Genereux EAP 1_6 H template.indd 1 9/30/16 11:56 AM Accounting & Office Manager Production Susan Peterson Design & Production Director Jennifer Sugden Assistant Production Manager Ana Alvira, Stevie VanBronkhorst Production Artists and Graphic Designers Sales Amelia Heppner, Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Joey Chapman, Brieanna Hansen, Ann Manning, Wendy Pedersen Seattle Area Account Executives Carol Yip Sales Coordinator Marketing Shaun Swick Senior Designer & Digital Lead Ciara Caya Marketing Coordinator Encore Media Group Corporate Office 425 North 85th Street Seattle, WA 98103 p 800.308.2898 | 206.443.0445 f 206.443.1246 [email protected] www.encoremediagroup.com APPARITIONS Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events & in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2018 Encore Media Group. Reproduction without SPELLBOUND written permission is prohibited. September 18 through November 18, 2018 Opening Reception September 21, 2018 6pm – 8pm, FREE Image: Marlene Seven Bremner. The Transfiguration of Thoth. Oil on canvas. 620 Market Street Kirkland, WA 98033 kirklandartscenter.org 2 VILLAGE THEATRE ROBB HUNT Executive Producer JERRY DIXON Artistic Director Book and Lyrics by Christopher Dimond Music by Michael Kooman Francis J. Gaudette Theatre Everett Performing Arts Center September 13 – October 21, 2018 October 26 – November 18, 2018 Director BRANDON IVIE Choreographer Music Director Scenic Designer AL BLACKSTONE R.J. -
Michael Jablonski's CV
Curriculum Vitae of Michael D. Jablonski 51-34 30th Avenue #E4P Woodside, NY 11377 [email protected] 917-749-2040 Fall 2020 EDUCATION Master of Fine Arts Florida State University (Spring 2021 candidate) Major - Directing Bachelor Of Arts State University of New York at Buffalo Major - Theatre and Dance Minor - Mathematics PROFESSIONAL TRAINING 2019 - Present Theatrical Intimacy Education - Workshop Intensives (Instructed by Founders - Laura Rikard & Chelsea Pace) 2018 - Present Violent Practice on Stage - Stage Combat Florida State University (SAFD Certified in Unarmed and Knife Technique) (Adjudicator - Mark Quinn) (Instructor - Jason Paul Tate) 2018 Program for Instructional Excellence (PIE) Teaching Training Recognition - Florida State University 1998 - Present Study in New York City at Broadway Dance Center & Steps on Broadway, & other locations with various master teachers including: Josh Bergasse, Andy Blankenbuehler, Ann Reinking, Joey McKneely, Diana Laurenson, Jim Cooney, Dana Moore, Carol Schuberg, Dorit Koppel, Chet Walker, Tony Stevens, A.C. Ciulla, Bob Richard, Phil Black, Richard J. Hinds, Al Blackstone, Chris Bailey, James Kinney 1 2010 - Present One on One Studio - New York City On Camera Workshops (Selection by Audition) Instructors - Bob Krakower & Marci Phillips EMPLOYMENT HISTORY 2020 - 2021 Fall & Spring Florida State University, Florida Instructor In The School of Theatre (Intro to Music Theatre Dance - New Course Developed) (Instructor of Record - Michael D. Jablonski) (Culminations - Senior Seminar Course) (Instructor - Michael D. Jablonski) 2019 - 2020 Fall & Spring Florida State University, Florida Instructor In The School of Theatre (Intro to Music Theatre Dance - New Course Developed) (Instructor of Record - Michael D. Jablonski) Graduate Teaching Assistant (Performance I - Uta Hagen Acting Class) (Instructor of Record - Chari Arespacochaga) (Performance I Lab - Uta Hagen Workshop class) (Instructor of Record - Michael D. -
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On behalf of the working people of Erie, IUPAT District Council 57 endorses: JOE BIDEN JOSH SHAPIRO KRISTY GNIBUS For President For Attorney General For Congress THESE CANDIDATES SHARE WORKING PEOPLE’S VALUES: FOR WORKERS’ FOR AFFORDABLE FOR FUNDING RIGHTS HEALTHCARE PUBLIC EDUCATION President Trump has • BROKEN HIS PROMISE ON INFRASTRUCTURE • PLANNED TO DEFUND HEALTHCARE • TAKEN THE CONSTITUTIONAL RIGHT OF COLLECTIVE BARGAINING AWAY FROM WORKERS • GIVEN TAX BREAKS TO LARGE CORPORATIONS DURING A PANDEMIC, WHILE OUR MOM AND POP SHOPS CONTINUE TO SUFFER Your livelihood for the next 4 years is on the line. Vote for candidates who will choose helping your family over fattening their wallets. WE CAN BE THE CHANGE Paid for by the IUPAT Political Action Together Political Committee, Hanover, MD CONTENTS From the Editors The only local voice for news, arts, and culture. OCTOBER 21, 2020 On keeping our heads on On behalf of the working people of Erie, Editors-in-Chief y most accounts, Erie-born magician Brian Graham & Adam Welsh Harry Kellar had an exceptionally good Managing Editor IUPAT District Council 57 endorses: Nick Warren What We’re Voting For – 5 Bhead on his shoulders. Throughout his standard-setting career, he demonstrated sav- Copy Editor Erie County and the soul of America Matt Swanseger vy, dignity, and class, while never forgetting where he came from. But despite his fami- Contributing Editors Still Making an Impression – 6 Ben Speggen ly-friendly reputation, he wasn’t above a lit- Jim Wertz Dafmark Dance Theater celebrates 30 years in tle shock value. For instance, detaching that Contributors Erie distinguished dome of his in front of a paying Liz Allen crowd of men, women, and children of all ages. -
Teacher Resource Guide Falsettos.Titlepage.09272016 Title Page As of 091516.Qxd 9/27/16 1:51 PM Page 1
Teacher Resource Guide Falsettos.TitlePage.09272016_Title Page as of 091516.qxd 9/27/16 1:51 PM Page 1 Falsettos Teacher Resource Guide by Nicole Kempskie MJODPMO!DFOUFS!UIFBUFS André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Jujamcyn Theaters presents Music and Lyrics by William Finn Book by William Finn and James Lapine with (in alphabetical order) Stephanie J. Block Christian Borle Andrew Rannells Anthony Rosenthal Tracie Thoms Brandon Uranowitz Betsy Wolfe Sets Costumes Lighting Sound David Rockwell Jennifer Caprio Jeff Croiter Dan Moses Schreier Music Direction Orchestrations Vadim Feichtner Michael Starobin Casting Mindich Chair Tara Rubin, CSA Production Stage Manager Musical Theater Associate Producer Eric Woodall, CSA Scott Taylor Rollison Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Choreography Spencer Liff Directed by James Lapine Lincoln Center Theater is grateful to the Stacey and Eric Mindich Fund for Musical Theater at LCT for their leading support of this production. LCT also thanks these generous contributors to FALSETTOS: The SHS Foundation l The Blanche and Irving Laurie Foundation The Kors Le Pere Foundation l Ted Snowdon The Ted and Mary Jo Shen Charitable Gift Fund American Airlines is the Official Airline of Lincoln Center Theater. Playwrights Horizons, Inc., New York City, produced MARCH OF THE FALSETTOS Off-Broadway in 1981 and FALSETTOLAND Off-Broadway in 1990. TABLE OF CONTENTS INTRODUCTION . 1 THE MUSICAL . 2 The Story . 2 The Characters . 4 The Writers . 5 Classroom Activities . -
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/nightspots @nightspotschicago /nightspots @nightspotschicago /nightspots @nightspotschicago nightspots nightspots weekly nightlife section in weekly nightlife section in weekly nightlife section in 28 Dec. 20, 2017 WINDY CITY TIMES sausage, mushrooms, onions and green peppers). However, it’s the little touches—like putting the vegetables on top of the cheese instead of the other way around—that sets the pizza apart. the DISH There are plenty of other delectable items as Weekly Dining Guide in well. The beer nuggets (meant to be paired with the drink) are deliciously doughy, and there are WINDY CITY TIMES other appetizers/entrees like bacon cheddar fries, fried mushrooms, Italian beef sandwiches (really SAVOR incredible), calzones, Nick’s Eggcellent Burger and other tasty (if not necessarily healthful) Nick’s Pizza & Pub offerings. And you should seriously consider the BY ANDREW DAVIS double-decker pizza (two layers of thin-crust pizza, meat and vegetables knotted together at If you want to know how cozy the newest the crust). Nick’s Pizza & Pub (2434 W. Montrose Ave.; Sarillo (also the author of A Slice of the Pie: NicksPizzaPub.com/chicago-pizza-pub/) is, look How to Build a Big Little Business) also talked no further than the crunchy floors. about his employees and treating them like Yes, you read that correctly—and the floor’s Photos from Nick’s Pizza & Pub. Left: Founder Nick Sarillo. Right: The double-decker pizza. family. My favorite tenet that he mentioned was that employees should basically act and talk as crunchiness is due to the hundreds of peanut Photos by Andrew Davis shells that patrons are encouraged to toss on the if their grandmothers are present. -
S O U T H F L O R I D a G a Y N E
local name global coverage October 12, 2016 vol. 7 // issue 41 south florida gay news COMFORT RETURNS Transgender conference returns to Fort Lauderdale Lexi Dee (left) with Richard Gray. Photo by Steven Shires. PAGES 38 - 40 ELECTION SEASON LGBT HISTORY MONTH IN FULL SWING DELVES INTO PAST STRUGGLES Pages 16 - 21 Pages 26 - 27, 30 - 36 SOUTHFLORIDAGAYNEWS SOFLAGAYNEWS SFGN.COM Comments from SFgn’s SouthFloridaGayNews.com online outlets October 12, 2016 • Volume 7 • Issue 41 THE OPENING LINE Compiled by John McDonald 2520 N. Dixie Highway • Wilton Manors, FL 33305 Phone: 954-530-4970 Fax: 954-530-7943 Photos: Facebook, Twitter. Publisher • Norm Kent [email protected] NEO-NAZI WEBSITE DECLARES WAR ON Chief Executive Offi cer • Pier Angelo Guidugli Associate publisher / Executive Editor • BREITBART EDITOR MILO YIANNOPOULOS Jason Parsley [email protected] Editorial Art Director • Brendon Lies michael walters – [email protected] Girls, Girls, you’re BOTH racists! Yiannopolous is a scourge Designer • Charles Pratt on the LGBT community, and this sort of nastiness he’s Editorial Assistant • Jillian Melero [email protected] managed to bring on himself. The lunatics are starting to Webmaster • Brittany Ferrendi eat their own. Perhaps that’s the only way to rid society of [email protected] their nasty, hateful rhetoric is to let them have their cage Arts/Entertainment Editor • JW Arnold [email protected] match and see which ones crawl out of the slime pit when News Editor • John McDonald the bell rings. [email protected] Social Media Manager • Tucker Berardi [email protected] Food/Travel Editor • Rick Karlin tom Carlin – Gazette News Editor • Michael D'Oliveira It’s best when both parties wipe each other out and you just sit there eating Senior Photographer • J.R. -
Traduzione Di Costantino Della Gherardesca Regia Di Giorgio Umberto Bozzo
Traduzione di Costantino della Gherardesca Regia di Giorgio Umberto Bozzo Prima nazionale Giovedì 13 giugno 2019 SPAZIO TEATRO 89 Via Fratelli Zoia 89 - Milano THE BOYS IN THE BAND è un’opera teatrale del commediografo americano Mart Crowley, andata in scena per la prima volta al Theatre Four di New York il 14 aprile 1968, rimanendo in cartellone per 1.001 repliche sino al 6 settembre 1970. Viene considerata una pietra miliare nella storia del teatro perché è stata la prima commedia a tematica gay scritta per il grande pubblico. Inoltre, al suo debutto, ebbe sorprendente successo e consenso di critica e pubblico. Molti furono i personaggi famosi che non persero l’occasione di vedere in scena i nove ragazzi omosessuali della band di Crowley. Tra questi Marlene Dietrich, Groucho Marx e lo stesso sindaco di New York, John Lindsay. Per capire la portata del successo di The Boys non si dimentichi che stiamo parlando della fine degli anni Sessanta e che il movimento omosessuale americano non avrebbe iniziato faticosamente le proprie battaglie che l’anno successivo, nel 1969, in seguito ai disordini alla Stonewall Inn di New York. In questa pièce Crowley fa un ritratto genuino e schietto di un gruppo di amici omosessuali, analizzando i rapporti interpersonali anche alla luce del disagio determinato dalla pressione sociale. Quella che inizia come una sapida commedia presto si trasforma in un acido gioco al massacro, che obbliga i protagonisti a confrontarsi dolorosamente con le proprie nevrosi, in uno scontro crudo e violento, specchio della difficoltà di accettare sé stessi. Dalla pièce nel 1970 venne realizzato un film con la regia di William Friedkin, uscito nelle sale italiane col titolo Festa per il compleanno del caro amico Harold.