BBC Trust Public Consultation on the BBC's Speech Radio Services
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Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Caryl Phillips
Caryl Phillips born 1958, St. Kitts, West Indies website: www.carylphillips.com Education B.A. (Honours) The Queens College, Oxford University (1979) Honorary Degrees • Hon. D. Univ: Leeds Metropolitan University (1997) • Hon. D. Univ: University of York (2003) • Hon. D. Lett: University of Leeds (2003) • Hon. D. Lett: University of the West Indies (2010) • Hon. D. Lett: University of Edinburgh (2012) • Docteur Honoris Causa: University of Liege, Belgium (2015) Publications Fiction • A VIEW OF THE EMPIRE AT SUNSET (2018) • Farrar, Straus, and Giroux. USA • Random House/Vintage. UK • THE LOST CHILD (2015) • Farrar, Straus, and Giroux. USA • Oneworld. UK • IN THE FALLING SNOW (2009) • Harvill Secker. UK • Knopf. USA • DANCING IN THE DARK (2005) • Secker and Warburg. UK • Knopf. USA • A DISTANT SHORE (2003) • Secker and Warburg. UK • Knopf. USA • THE NATURE OF BLOOD (1997) • Faber and Faber. UK • Knopf. USA • CROSSING THE RIVER (1993) • Bloomsbury. UK • Knopf. USA (1994) • CAMBRIDGE (1991) • Bloomsbury. UK • Knopf. USA (1992) • HIGHER GROUND (1989) • Viking. UK • Viking. USA • A STATE OF INDEPENDENCE (1986) • Faber and Faber. UK • Farrar, Straus and Giroux. USA • THE FINAL PASSAGE (1985) • Faber and Faber. UK • Penguin. USA Non fiction • COLOUR ME ENGLISH (2011) • Harvill Secker. UK • The New Press. USA • FOREIGNERS (2007) • Harvill Secker. UK • Knopf. USA • A NEW WORLD ORDER (2001) • Secker and Warburg. UK • Vintage. USA • THE ATLANTIC SOUND (2000) • Faber and Faber. UK • Knopf. USA • THE EUROPEAN TRIBE (1987) • Faber and Faber. UK • Farrar, Straus and Giroux. USA Anthologies • THE RIGHT SET: A TENNIS ANTHOLOGY (1999) [Editor] • Faber and Faber. UK • Vintage. USA • EXTRAVAGANT STRANGERS: A LITERATURE OF BELONGING (1997) [Editor] • Faber and Faber. -
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape. -
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
The Love Letter
Lord of Love Lutheran Church • 10405 Fort Street • Omaha, NE 68134 The Love Letter Volume 43 August 2015 Lord of Love Office Phone……402.493.2946 Mission Statement: Celebrating and sharing God’s love in a Fax………402.493.3087 welcoming community of faith, while serving others. Website…www.lord-of-love.org Lord of Love Staff A Look Ahead Interim Pastor Glenn Schacht Can you believe it’s almost time to head back to school? It’s true for Sunday School, too - save the date for Kickoff Sunday, Sept. 13. Director of Christian Education/Youth Ministry Heather Christensen We’ve just welcomed our youth and their fearless adult leaders back to [email protected] Omaha after the National Youth Gathering in Detroit, where they were part Office Administrator, Prayer of the group of 30,000 youth! Read all about the event from Heather’s Chain, and Financial Secretary perspective - and see photos - starting on page 6. Mary Lou Gustafson [email protected] Women of Love’s activities are ramping up again! See page 11 for info on Community Therapists meetings this month, including planning for the NSWO Convention. The Kim Mueller women are also planning for the Fall Festival, so everyone save the date 402.354.6891, Ext. 13 for Nov. 7. Becky Herber 402.354.6891, Ext. 21 Finally, you may notice what I hope are minor improvements to the Missionary to Tanzania newsletter layout and style over the next few months. Please feel free to Bob Kasworm send any feedback to [email protected]. -
Commissioning Brief
RADIO COMMISSIONING FRAMEWORK Commissioning Brief Commissioning Brief No: 107001 Production of BBC Radio 5 Live’s new ‘Sport Entertainment’ podcast for BBC Sounds CONTENTS SECTION A: EDITORIAL OPPORTUNITY........................................................................... 3 SECTION B: THE COMMISSIONING PROCESS ................................................................. 8 1. TIMETABLE .......................................................................................................... 8 2. THE FIVE STAGES ................................................................................................. 9 3. ASSESSMENT CRITERIA ..................................................................................... 11 SECTION C: FULL PROPOSALS ...................................................................................... 12 1. WHAT WE NEED FROM YOU ............................................................................. 12 2. WHAT TO EXPECT FROM US ............................................................................. 13 3. IMPORTANT POINTS TO NOTE .......................................................................... 14 SECTION D: KEY CONTRACT TERMS…………………………………………………………………………15 2 of 15 SECTION A: EDITORIAL OPPORTUNITY Commissioning Brief 107001 Sports Entertainment Podcast Commission contact Richard Maddock Duration Average 30-60 minutes per episode Number of programmes available Minimum initial run of 15 eps with option to extend. Transmission period Starting early 2020 Guide price per episode £2k -
1 CURRICULUM VITAE: Professor Angela Hobbs FRSA
CURRICULUM VITAE: Professor Angela Hobbs FRSA Note: for many more details, especially on my Public Understanding of Philosophy work and academic publications, please see my website: www.angiehobbs.com Current Appointment: Professor of the Public Understanding of Philosophy, University of Sheffield 2012- Qualifications: Cambridge University 1980-3 First Class Honours B.A. in Classics (specializing in ancient philosophy) 1983; M.A. 1986; PhD in Ancient Philosophy 1991 (various Classics Faculty awards 1983-91). Previous Appointments: Warwick University 1992-2012 as Lecturer, Associate Professor and Senior Fellow in the Public Understanding of Philosophy. W.H.D Rouse Research Fellow in Classics, Christ’s College, Cambridge 1989-1992. Affiliated Lecturer in Classics, Cambridge University 1991-2. 1983-5: travelling and teaching English in Naples Positions (current): Honorary Patron of the Philosophy Foundation; Patron of the Philosophy in Education Project (PEP); Executive Committee Member of the British Philosophical Association; Executive Committee Member and Trustee of the Forum for Philosophy (formerly the Forum for European Philosophy); board member of the Royal Institute of Philosophy; editorial board member of the Journal of Philosophy in Schools; Advisory Council of the Speakers’ Corner Trust; Associate Fellow of the Crick Centre for the Public Understanding of Politics; adviser to the Hobbes Society of Malmesbury; Fellow of the Royal Society of Arts. Positions (former): World Economic Forum Global Future Council on Values, Ethics and Innovation 2018-19; judge for the Man Booker International Prize 2019 (now the Booker International Prize); Chair of the Arts and Ideas Trust 2011-2016 (responsible for the HowTheLightGetsIn Philosophy Festival at Hay-on-Wye); Public Understanding of Philosophy: I have the first (and I believe still the only) Chair in the Public Understanding of Philosophy in the world, and before Sheffield I was the first, and only, Senior Fellow in the Public Understanding of Philosophy in the world. -
4 'He Who Has Ears to Hear, Let Him Hear
‘He Who Has Ears to Hear, Let Him Hear’: Christian Pedagogy and Religious Broadcasting During the Inter-War Period Michael Bailey Leeds Metropolitan University Keywords : Broadcasting, BBC religion, Christian Morality, Civilising Mission, Nation and Culture, Secularisation, Sabbatarianism, Ecumenicalism, Popular Religion and Entertainment. Abstract What I mean to demonstrate in this essay is the way in which early public service broadcasting developed as an extension of Christian pastoral guidance. Understood thus, early broadcasting can be seen to function as a socio-religious technology whose rationale was to give direction to practical conduct and attempt to hold individuals to it. The significance of this is that Christian utterance was a broadcasting activity to which the BBC, and its first Director-General particularly, John Reith, ascribed special importance. The BBC was determined to provide what it thought was for the moral good of the greater majority. In spite of overwhelming criticism from the listening public and secular public opinion, the BBC was unswerving in its commitment to the centrality of Christianity in the national culture. By the end of the 1930s the ‘Reithian Sunday’ was among the most enduring and controversial of the BBCs inter-war practices. Introduction In the entrance of Broadcasting House is a statue by the well-known sculptor, Eric Gill, depicting The Sower casting his seed abroad. Though the act of sowing is nowadays commonly associated with primitive farming methods, the iconography of the sower was in fact used to illustrate a well-known parable from the New Testament (Matthew 13; Mark 4; Luke 8). For just as Jesus told his disciples that the farmer goes out to sow his seed in order to yield a crop, so too do the agencies of religion sow the word of God in order that, ‘He who has ears to hear, let him hear’. -
Consideration of a Request from Wireless Group Media (GB) Limited to Launch a BBC Competition Review
Consideration of a request from Wireless Group Media (GB) Limited for Ofcom to launch a BBC Competition Review BBC radio sports rights acquisition Date: 18 December 2018 Consideration of a request from Wireless Group Media (GB) Limited to launch a BBC Competition Review Background 1.1 The UK has a successful broadcasting sector, sustained by a competitive media landscape of which the BBC is a central part. But because of its remit and scale, the BBC inevitably has an impact on competition in the wider media market. The effects of the BBC on competition may be positive: it may serve to stimulate demand and grow markets, as well as encouraging innovation within the sector to the benefit of audiences across the UK. However, as a large publicly-funded organisation, the BBC may also harm the ability of other companies to compete effectively, potentially by crowding-out investment in UK content and services from other companies, which could ultimately reduce choice for viewers and listeners. 1.2 The agreement between the Secretary of State for Culture, Media and Sport and the BBC (‘the Agreement’) gives Ofcom discretion to carry out a BBC Competition Review (‘BCR’) where we have reasonable grounds for believing the carrying out of a public service activity is having a significant adverse impact on fair and effective competition. 1.3 Ofcom’s published guidance sets out the procedures we follow in determining whether or not to launch a BCR (‘the Guidance’).1 The Guidance identifies a BCR as a tool for examining existing services to which the BBC has made incremental changes over time, or where market conditions have undergone significant change. -
Ofcom Audio Survey 2021: Questionnaire
Survey name: Ofcom Audio Survey 2021 Timings: 3-7 March 2021 Methodology: Online survey We are conducting research on behalf of the UK's communications regulator Ofcom, who are looking to understand use of and attitudes towards different types of radio and audio services. ASK ALL 1. How often, if at all, do you do any of the following? GRID ROWS – RANDOMISE ORDER 1. A. Listen to radio (at the time of broadcast: not catch-up/podcast) 2. B. Listen to catch-up radio 3. C. Listen to music online 4. D. Listen to music stored or downloaded on a device 5. E. Listen to personal music collection (e.g. CDs, vinyls) 6. F. Listen to podcasts 7. G. Listen to audiobooks (digital/online and physical) 8. H. Use music videos as background listening (i.e. music video channels or sites such as YouTube or MTV) 9. GRID COLUMNS – SINGLE CODE 1. Several times a day 2. About once a day 3. Several times a week 4. About once a week 5. Several times a month 6. About once a month 7. Less often 8. Never ASK ALL (BACK FILTER ANYONE WHO LISTS A STATION HERE BUT DID NOT CODE ‘A RADIO STATION’ IN Q1) 2. Which, if any, of these radio stations have you listened to in the last 7 days? MULTICODE BBC Radio 1 BBC Radio 2 BBC Radio 3 BBC Radio 4 BBC Radio 5 live BBC 6 Music BBC Asian Network BBC Radio 1Xtra BBC Radio 4 Extra BBC Radio 5 live sports extra BBC World Service BBC radio for your nation / region (e.g. -
Berry, Richard (2013) Radio with Pictures: Radio Visualization in BBC National Radio
Berry, Richard (2013) Radio with pictures: Radio visualization in BBC national radio. The Radio Journal, 11 (2). pp. 169-184. ISSN 1476-4504 Downloaded from: http://sure.sunderland.ac.uk/id/eprint/5210/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Radio with Pictures: Radio Visualisation in BBC National Radio Richard Berry University of Sunderland Abstract. Radio has always had pictures. The ones the listener created in their own minds and this is, most of us agree, one of the medium's greatest strengths. However, radio is increasingly consumed on a digital platform (such as DAB Radio, Digital TV, a mobile device or a computer) on devices with screens, rather than a dial. This creates a problem for radio because when we look at the device we are listening to we see a screen that often lacks rich content. The process of Radio Visualisation is about filling this space. This papers focus, though, is the other ways in which radio is visualising itself online in a process that deploys transmedia storytelling techniques that build relationships with the audience, builds brands and helps broadcasters to tell stories in ways never before possible. In the spring of 2011 2.84 million British TV viewers watched a radio programme on their Televisions. They were tuning in via interactive television (or the 'red button') services to watch the BBC Radio One breakfast presenter Chris Moyles attempt to break a world record for the longest radio programme. The BBC installed a series of fixed cameras in the programme’s regular studio at the BBC's Yalding House studios, with added 'roving' cameras to allow the presenters to broadcast from other parts of the building and a cafe across the street.