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An Unexplained Death TPB an Unexplained Death the True Story of a Body at the Belvedere MIKITA BROTTMAN
An Unexplained Death TPB An Unexplained Death The True Story of a Body at the Belvedere MIKITA BROTTMAN The unnerving true story of an unexplained death in Baltimore’s historic Belvedere building When the body of a missing man is discovered in the Belvedere, an apparent suicide, resident Mikita Brottman becomes obsessed with the mysterious circumstances of his death. The Belvedere used to be a hotel dating back to Baltimore’s Golden Age but is now converted into flats, and as Brottman investigates the perplexing case of the dead man, she soon becomes caught up in the strange and violent secrets of the Belvedere’s past. Her compulsions drive her to an investigation lasting over a decade. Utterly absorbing and unnerving, An Unexplained Death will lead you down the dark and winding corridors of the Belvedere and into the deadly impulses and obsessions of the human heart. RELEASE DATE: 8 NOVEMBER 2018 ABOUT THE AUTHOR Export/Airside - Export/Airside/Ireland Mikita Brottman is a writer and a professor in the Department of PAPERBACK Humanistic Studies at the Maryland Institute College of Art in downtown 9781786892652 Baltimore. She is also a certified psychoanalyst and runs a true crime £ podcast called Forensic Transmissions. She lives in the old Belvedere Hotel in Mount Vernon, Baltimore, with her partner, David, and French bulldog, Oliver. @MikitaBrottman | mikitabrottman.com An Unexplained Death TPB 02 SALES & DISTRIBUTION CONTACTS TRADE ORDERS & AUTHORIZED REPRESENTATIVES RETURNS UK Sales Manager The Book Service Ltd (TBS) Sam Brown Frating Green, Colchester, 07980 712110 Essex CO7 7DW [email protected] Phone +44 (0)1206 256 060 Key Account Manager www.thebookservice.co.uk Kim Lund Grantham Book Services (GBS) 07980 712111 Trent Road [email protected] Grantham Scotland and North East England Lincolnshire John McColgan NG31 7XQ Tel. -
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
T. S. Eliot Collection
T. S. Eliot Collection Books and Pamphlets (unless otherwise noted, the first listing after each Gallup number is a first edition) The Love Song of J. Alfred Prufrock in Poetry. A Magazine of Verse. Edited by Harriet Monroe. June 1915. Gallup C18. The first appearance of the poem. Near fine copy. A2 Ezra Pound: His Metric and Poetry, Alfred A. Knopf, 1917 [i.e. 1918]. Good copy, a bit worn and faded. A4 Ara Vus Prec, The Ovid Press, 1920. Very good copy, light wear. Poems, Alfred A. Knopf, 1920 (first American edition), Head of spine chipped, otherwise very good. A5 The Sacred Wood: Essays on Poetry and Criticism. Alfred A. Knopf, 1921 (American issue). Fine in chipped dust jacket. ----- Alfred A. Knopf, 1930 (American issue). Good, no dust jacket. The Waste Land in The Dial, Vol. LXXIII, Number 5, November 1922. Gallup C135. Published “almost simultaneously” in The Criterion. Extremities of spine chipped, otherwise a very good copy. A8 Poems: 1909-1925, Faber & Gwyer Ltd., 1925 (first edition, ordinary copies). Very good, no dust jacket. ----- Harcourt, Brace and Company, 1932 (first American edition). Good only, no dust jacket. Poems: 1909-1925. Faber & Faber, 1932. Reset edition. Fine in dust jacket. 1 T. S Eliot Collection A9 Journey of the Magi, Faber & Gwyer Ltd., 1927. Very good. ----- Faber & Gwyer Ltd., 1927 (limited copies). Fine copy. ----- William Edwin Rudge, 1927 (first American edition). Copyright issue, one of only 27 copies. Fine copy. A10 Shakespeare and the Stoicism of Seneca, Humphrey Milford, Oxford University Press, 1927. Very good. A11 A Song for Simeon, Faber & Gwyer Ltd., 1928. -
Consideration of a Request from Wireless Group Media (GB) Limited to Launch a BBC Competition Review
Consideration of a request from Wireless Group Media (GB) Limited for Ofcom to launch a BBC Competition Review BBC radio sports rights acquisition Date: 18 December 2018 Consideration of a request from Wireless Group Media (GB) Limited to launch a BBC Competition Review Background 1.1 The UK has a successful broadcasting sector, sustained by a competitive media landscape of which the BBC is a central part. But because of its remit and scale, the BBC inevitably has an impact on competition in the wider media market. The effects of the BBC on competition may be positive: it may serve to stimulate demand and grow markets, as well as encouraging innovation within the sector to the benefit of audiences across the UK. However, as a large publicly-funded organisation, the BBC may also harm the ability of other companies to compete effectively, potentially by crowding-out investment in UK content and services from other companies, which could ultimately reduce choice for viewers and listeners. 1.2 The agreement between the Secretary of State for Culture, Media and Sport and the BBC (‘the Agreement’) gives Ofcom discretion to carry out a BBC Competition Review (‘BCR’) where we have reasonable grounds for believing the carrying out of a public service activity is having a significant adverse impact on fair and effective competition. 1.3 Ofcom’s published guidance sets out the procedures we follow in determining whether or not to launch a BCR (‘the Guidance’).1 The Guidance identifies a BCR as a tool for examining existing services to which the BBC has made incremental changes over time, or where market conditions have undergone significant change. -
Ofcom Audio Survey 2021: Questionnaire
Survey name: Ofcom Audio Survey 2021 Timings: 3-7 March 2021 Methodology: Online survey We are conducting research on behalf of the UK's communications regulator Ofcom, who are looking to understand use of and attitudes towards different types of radio and audio services. ASK ALL 1. How often, if at all, do you do any of the following? GRID ROWS – RANDOMISE ORDER 1. A. Listen to radio (at the time of broadcast: not catch-up/podcast) 2. B. Listen to catch-up radio 3. C. Listen to music online 4. D. Listen to music stored or downloaded on a device 5. E. Listen to personal music collection (e.g. CDs, vinyls) 6. F. Listen to podcasts 7. G. Listen to audiobooks (digital/online and physical) 8. H. Use music videos as background listening (i.e. music video channels or sites such as YouTube or MTV) 9. GRID COLUMNS – SINGLE CODE 1. Several times a day 2. About once a day 3. Several times a week 4. About once a week 5. Several times a month 6. About once a month 7. Less often 8. Never ASK ALL (BACK FILTER ANYONE WHO LISTS A STATION HERE BUT DID NOT CODE ‘A RADIO STATION’ IN Q1) 2. Which, if any, of these radio stations have you listened to in the last 7 days? MULTICODE BBC Radio 1 BBC Radio 2 BBC Radio 3 BBC Radio 4 BBC Radio 5 live BBC 6 Music BBC Asian Network BBC Radio 1Xtra BBC Radio 4 Extra BBC Radio 5 live sports extra BBC World Service BBC radio for your nation / region (e.g. -
TV & Radio Channels Astra 2 UK Spot Beam
UK SALES Tel: 0345 2600 621 SatFi Email: [email protected] Web: www.satfi.co.uk satellite fidelity Freesat FTA (Free-to-Air) TV & Radio Channels Astra 2 UK Spot Beam 4Music BBC Radio Foyle Film 4 UK +1 ITV Westcountry West 4Seven BBC Radio London Food Network UK ITV Westcountry West +1 5 Star BBC Radio Nan Gàidheal Food Network UK +1 ITV Westcountry West HD 5 Star +1 BBC Radio Scotland France 24 English ITV Yorkshire East 5 USA BBC Radio Ulster FreeSports ITV Yorkshire East +1 5 USA +1 BBC Radio Wales Gems TV ITV Yorkshire West ARY World +1 BBC Red Button 1 High Street TV 2 ITV Yorkshire West HD Babestation BBC Two England Home Kerrang! Babestation Blue BBC Two HD Horror Channel UK Kiss TV (UK) Babestation Daytime Xtra BBC Two Northern Ireland Horror Channel UK +1 Magic TV (UK) BBC 1Xtra BBC Two Scotland ITV 2 More 4 UK BBC 6 Music BBC Two Wales ITV 2 +1 More 4 UK +1 BBC Alba BBC World Service UK ITV 3 My 5 BBC Asian Network Box Hits ITV 3 +1 PBS America BBC Four (19-04) Box Upfront ITV 4 Pop BBC Four (19-04) HD CBBC (07-21) ITV 4 +1 Pop +1 BBC News CBBC (07-21) HD ITV Anglia East Pop Max BBC News HD CBeebies UK (06-19) ITV Anglia East +1 Pop Max +1 BBC One Cambridge CBeebies UK (06-19) HD ITV Anglia East HD Psychic Today BBC One Channel Islands CBS Action UK ITV Anglia West Quest BBC One East East CBS Drama UK ITV Be Quest Red BBC One East Midlands CBS Reality UK ITV Be +1 Really Ireland BBC One East Yorkshire & Lincolnshire CBS Reality UK +1 ITV Border England Really UK BBC One HD Channel 4 London ITV Border England HD S4C BBC One London -
Bbc Radio 4 - Contacts for Programme Ideas
BBC RADIO 4 - CONTACTS FOR PROGRAMME IDEAS LONDON DEPARTMENT NAME & JOB TITLE CONTACT DETAILS Factual (includes science Ruth Gardiner Room 7015, Old Broadcasting House, Portland Place, London, W1A 1AA programmes, 9 o’clock Head of Factual, R&M Production programmes, Woman’s Hour, [email protected] Saturday Live and other weekly factual programmes) Current Affairs and Hugh Levinson 04B NBH, New Broadcasting House, Portland Place, London, W1A 1AA Business Programmes Executive Editor [email protected] Rob Ketteridge Room 8015, Old Broadcasting House, Portland Place, London, W1A 1AA Arts & Documentaries Head of Arts, Documentaries & Drama [email protected] R&M Production Information on submitting original drama scripts can be found on the writersroom website. Drama If you would like to propose a programme idea, please see the individual contacts listed under “Regions”. Information on submitting original narrative comedy scripts can be found on the writersroom website. Comedy If you would like to propose a programme idea, please contact: Jonathan Coates Ist Floor Grafton House, 379-381 Euston Rd, London, NW1 3AU Production Management Assistant [email protected] Martin Rosenbaum BBC Westminster, 6th Floor, 4 Millbank Building West, SW1P 3JA Political Programmes Editor [email protected] Graeme Reid-Davies 1st floor, Quay House, MediaCityUK, Salford, M50 2LH Sport Executive Editor [email protected] Updated June 2015 (LL) 1 THE REGIONS REGION DEPARTMENT NAME & JOB TITLE CONTACT DETAILS Julian Hector Room 31, -
Pdf, (Consulted in June 2020)
Revue Française de Civilisation Britannique French Journal of British Studies XXVI-1 | 2021 The BBC and Public Service Broadcasting in the Twentieth Century BBC Arabic (1938-1995): Soft Power or Reithian Practice Abroad? Le Service arabe de la BBC, 1938-1995 : Soft Power ou pratique reithienne à l’étranger ? Houcine Msaddek Electronic version URL: http://journals.openedition.org/rfcb/7056 DOI: 10.4000/rfcb.7056 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Electronic reference Houcine Msaddek, “BBC Arabic (1938-1995): Soft Power or Reithian Practice Abroad?”, Revue Française de Civilisation Britannique [Online], XXVI-1 | 2021, Online since 05 December 2020, connection on 05 January 2021. URL: http://journals.openedition.org/rfcb/7056 ; DOI: https://doi.org/10.4000/ rfcb.7056 This text was automatically generated on 5 January 2021. Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. BBC Arabic (1938-1995): Soft Power or Reithian Practice Abroad? 1 BBC Arabic (1938-1995): Soft Power or Reithian Practice Abroad? Le Service arabe de la BBC, 1938-1995 : Soft Power ou pratique reithienne à l’étranger ? Houcine Msaddek I dedicate this work in memory of my father who was a devoted listener of BBC Arabic in the nineteen-sixties and throughout the seventies. Introduction 1 BBC Arabic is both the largest and oldest of the British Broadcasting Corporation’s non- English language services. Launched in January 1938 in an almost direct response to Mussolini’s increasingly provocative anti-British Arabic language broadcasts aired from Bari, the Arabic Service of the BBC has constantly cultivated the loyalty of millions of listeners in the Middle East and North Africa ever since. -
'Doctrine' and 'Poetry' in TS Eliot Tony Sharpe
Contribution to Religion and Myth in the Poetry of T.S. Eliot, eds. Michael Bell and Scott Freer (Newcastle: Cambridge Scholars, 2016) 1 Feb 2016. [Published July 2016, pp. 27-47] ‘Somehow Integrated’: ‘Doctrine’ and ‘Poetry’ in T.S. Eliot Tony Sharpe I write this as the semi-centenary occurs of Eliot’s death in January 1965; his wife Valerie’s name has now joined his on the oval tablet at St Michael’s, East Coker, which invokes our ‘charity’ to pray for the repose of their souls. In suddenly-accelerated publication, five volumes of his letters and two of his collected prose have appeared in recent years; a new biography is imminent and a scholarly edition of the complete poetry in prospect. All this offers opportunity to take stock: the time, as might be said, is now propitious. Yet as early as 1938, Wallace Stevens was describing Eliot’s ‘prodigious reputation’ as ‘a great difficulty’ for any reader wishing to approach him ‘out of the pew’.1 Whether this surge of scholarship will increase or abate charitable impulses toward the poet and his oeuvre remains to be seen: Eliot’s visible presence in St Michael’s (not the only church in which he is commemorated), together with the accumulating volumes of his writing, could be viewed as part of an official installation already problematical, as hinted in Stevens’s mischievous formulation. For it almost became a truth universally acknowledged, that Eliot’s poetry was damaged by his Christianity; his faith was travestied as part of an intellectual evasion through which he accepted answers rather than posed questions, and in so doing lost contact with the powerful uncertainties and radical sources of unknowingness that had generated his earlier verse. -
January–June 2020 Black Thorn Is a Brand-New Imprint, Specialising in the Very Best in Compulsive Crime Fiction
January–June 2020 Black Thorn is a brand-new imprint, specialising in the very best in compulsive crime fiction. From psychological thrillers to police procedurals, and from historical detective dramas to heart-thumping suspense stories, we sleuth out and publish irresistible books. link blackthornbooks.com twitter @blackthornbks A SEASON FOR THE DEAD David Hewson There’s no rest for the wicked. While Rome is sweltering in the height of summer, a serial killer is on the loose. Sara Farnese is working in the Vatican library when a man bursts in intent on showing her the contents of his bloodied bag, until a guard shoots him. But why was the man targeting Sara? Determined to find answers, Sara’s path crosses with a young up-and- coming Roman detective, Nic Costa. He’s determined to track down the dangerous killer behind this bizarre and brutal murder and to protect Sara from becoming the next victim. THE VILLA OF MYSTERIES David Hewson An ancient ritual. A modern-day crime. A body is found in a peat bog near the banks of the River Tiber. Teresa Lupo, a maverick pathologist, believes it was a young woman sacrificed long ago in an ancient Roman ritual. But she’s wrong. Whilst the method of killing is ancient history, this murder happened very recently. The horror of these ritualistic killings is very much alive and it’s up to Nic Costa to get to the bottom of it. David Hewson is a former journalist with The Times, the Sunday 2 January 2020 Times and the Independent. -
Comparative Data Chartspdf
RAJAR DATA RELEASE Quarter 2, 2015 – August 6 th 2015 COMPARATIVE CHARTS 1. National Stations 2. Scottish Stations 3. London Stations 4. Breakfast Shows – National and London stations Source RAJAR / Ipsos MORI / RSMB RAJAR DATA RELEASE Quarter 2, 2015 – August 6 th 2015 NATIONAL STATIONS SAMPLE SIZE: TERMS WEEKLY The number in thousands of the UK/area adult population w ho listen to a station for at least 5 minutes in the Survey period - Q2 2015 REACH: course of an average w eek. SHARE OF Code Q (Quarter): 22,340 Adults 15+ LISTENING: The percentage of total listening time accounted for by a station in the area (TSA) in an average w eek. TOTAL Code H (Half year): 46,216 Adults 15+ HOURS: The overall number of hours of adult listening to a station in the UK/area in an average w eek. TOTAL HOURS (in thousands): ALL BBC Q2 14 546723 Q1 15 553852 Q2 15 554759 TOTAL HOURS (in thousands): ALL COMMERCIAL Q2 14 443326 Q1 15 435496 Q2 15 464053 STATIONS SURVEY REACH REACH REACH % CHANGE % CHANGE SHARE SHARE SHARE PERIOD '000 '000 '000 REACH Y/Y REACH Q/Q % % % Q2 14 Q1 15 Q2 15 Q2 15 vs. Q2 14 Q2 15 vs. Q1 15 Q2 14 Q1 15 Q2 15 ALL RADIO Q 48052 47799 48184 0.3% 0.8% 100.0 100.0 100.0 ALL BBC Q 35227 34872 35016 -0.6% 0.4% 53.3 54.4 53.0 15-44 Q 15258 14583 14687 -3.7% 0.7% 39.6 40.5 38.4 45+ Q 19970 20290 20329 1.8% 0.2% 62.4 63.2 62.4 ALL BBC NETWORK RADIO Q 32255 31671 31926 -1.0% 0.8% 45.5 46.9 45.5 BBC RADIO 1 Q 10795 9699 10436 -3.3% 7.6% 6.8 6.4 6.4 BBC RADIO 2 Q 15496 15087 15141 -2.3% 0.4% 17.7 18.1 17.6 BBC RADIO 3 Q 1884 2084 1894 0.5% -9.1% 1.0 1.2 1.3 BBC RADIO 4 (INCLUDING 4 EXTRA) Q 10786 11265 10965 1.7% -2.7% 12.5 14.0 12.8 BBC RADIO 4 Q 10528 10886 10574 0.4% -2.9% 11.6 12.8 11.7 BBC RADIO 4 EXTRA Q 1570 2172 1954 24.5% -10.0% 0.9 1.2 1.2 BBC RADIO 5 LIVE (INC. -
Essays-For-Introductory-Humanities
Essays for Introductory Humanities Courses The Open University (UK) AA 100 The Arts Past and Present And The New Zealand Open Polytechnic 74104 Introducing Humanities and Arts and 74105 Tradition and Dissent Copyright Graham Mc Cready ISBN: 978-0-9876627-0-5 Publication date: 3 February 2012 1 The publisher, Computers for Schools Charitable Trust Board is a New Zealand Registered Charity Number: CC41779. Contact: PO Box 15290 Miramar, Wellington New Zealand 6243 Email: [email protected] Tel: 011 644 380 8611 Over 900 Computers have been donated to New Zealand Schools since April 2004 through the Computers for Schools Program. We thank you for your support. Enjoy the book. 2 Index Essay 1 Part 1 Reputations of Sir Robert Muldoon and David Lange Two Alcoholic New Zealand Prime Ministers Part 2 The Reputation of Cleopatra Essay 2 Part 1 The Reputation of Christopher Marlowe and Art analysis Part 2 Cezanne’s Jug and Fruit and Zurbaran’s Still Life with Lemons, Oranges and a Rose Essay 3 Comparison of the Reputations of Stalin and Michael Faraday Essay 4 Part 1 “According to Plato and Socrates, what is courage?” Part 2 Reading Poetry: The Faber Book of Beasts. Essay 5 Tradition and Dissent in English Christianity Essay 6 Tradition and Dissent in Music: Dmitri Shostakovich 3 Essay 1 Assignment One Introducing Humanities and Arts 74104 Grade 75% A- 4 Acknowledgements In picking two New Zealand historical figures two stood out that I had personal contact with and had a strong influence in my life. Sir Robert Muldoon and I had a conflict over the “Growth Strategy” or “Think Bid Projects” of the late 1970’s and early 1980’s and my allegations of corruption in the State Services Commission tendering process for Government Computers.