The a to Z of Fantasy Literature by Brian Stableford, 2009
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Mythlore Index Plus
MYTHLORE INDEX PLUS MYTHLORE ISSUES 1–137 with Tolkien Journal Mythcon Conference Proceedings Mythopoeic Press Publications Compiled by Janet Brennan Croft and Edith Crowe 2020. This work, exclusive of the illustrations, is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Tim Kirk’s illustrations are reproduced from early issues of Mythlore with his kind permission. Sarah Beach’s illustrations are reproduced from early issues of Mythlore with her kind permission. Copyright Sarah L. Beach 2007. MYTHLORE INDEX PLUS An Index to Selected Publications of The Mythopoeic Society MYTHLORE, ISSUES 1–137 TOLKIEN JOURNAL, ISSUES 1–18 MYTHOPOEIC PRESS PUBLICATIONS AND MYTHCON CONFERENCE PROCEEDINGS COMPILED BY JANET BRENNAN CROFT AND EDITH CROWE Mythlore, January 1969 through Fall/Winter 2020, Issues 1–137, Volume 1.1 through 39.1 Tolkien Journal, Spring 1965 through 1976, Issues 1–18, Volume 1.1 through 5.4 Chad Walsh Reviews C.S. Lewis, The Masques of Amen House, Sayers on Holmes, The Pedant and the Shuffly, Tolkien on Film, The Travelling Rug, Past Watchful Dragons, The Intersection of Fantasy and Native America, Perilous and Fair, and Baptism of Fire Narnia Conference; Mythcon I, II, III, XVI, XXIII, and XXIX Table of Contents INTRODUCTION Janet Brennan Croft .....................................................................................................................................1 -
Notas a Los Textos
NOTAS A LOS TEXTOS Dada la recurrencia de algunas fuentes, se las invoca mediante la siguiente citación abreviada: BIOY (1963): BIOY, Adolfo, Años de mocedad. Nuevo Cabildo, 1963. BIOY CASARES (1994): Memorias. Barcelona: Tusquets, 1994. BIOY CASARES (2006): Borges. Bogotá: Destino, 2006. Salvo indicación en contrario, Buenos Aires es el lugar de toda editorial o publicación periódica citada. NOTAS A LA INVENCIÓN DE MOREL La novela tuvo las siguientes ediciones: M1 «La invención de Morel». Sur, Nº 72 (septiembre 1940): 43-71 [fragmento, corres- pondiente a pp. 15-80 de M2]. M2 La invención de Morel. 1ª edición. Losada («Novelistas de España y América»), 1940, 169 pp. M3 La invención de Morel. 2ª edición. Sur, 1948, 140 pp. M4 La invención de Morel. 3ª edición. Emecé («Novelistas argentinos contemporá- neos»), 1953, 155 pp. M5 La invención de Morel. 4ª edición. Emecé («Escritores argentinos»), 1991, 162 pp. La presente edición sigue la cuarta y definitiva, cuyo texto fue fijado por Daniel Martino en 1991. Unicamente se ha corregido la divisa que cita el náufrago para ajustarla a la grafía original leonardiana tal como la invoca Valéry y tal como aparecía en la primera edición de la novela. En las notas se incluyen solo aquellas variantes que alteran conte- nidos. La invención de Morel. Títulos alternativos fueron La invención de Gopar (según el encabezamiento de una lista de correcciones, manuscrita de Bioy Casares, conservada en un cuaderno de c. 1939) y La invención de Guerin [sic] (conforme al texto del contrato original de publicación, fechado el 31 de julio de 1940). En el borrador de una carta de c. -
Adolfo Bioy Casares En Uruguay
ede haber sido mas auspiciosa Arturo Sergio V/SCA n si en su inauguracion se .agonista quien, por su parte, ficativas, esta presente? Adolfo Bioy Casares en Uruguay ldo Loustaunau sugirio que a afios del cuento de Borges, En un reportaje a Adolfo Bioy Casares, realizado por Ruben ~ria una conjuncion tal de Loza Aguerrebere y publicado en El Pais de los Domingos el 3 de ~s. junio de 1990, el reporteador le dijo al reporteado: «En Montevideo, de Salto. Es el pedazo de un tiene usted muchos lectores y muchos amigos mfos 10 admiran y 1mbien fue demol ida. Se 10 quieren infinitamente». Y el reporteado respondio: «Bueno, ademas o marcaba Lisa esta mafiana, de esos amigos, que seguramente van a ser amigos mfos cuando los epitan y, a la manera de los conozca, ha de haber un doble mfo, porque siempre tengo ganas de de contrasena para que los ir al Uruguay». Pues bien: la de ahora es la hora en que ese deseo de ento que entregamos a Bioy Adolfo Bioy Casares queda cumplido, y, para satisfaccion no solo de os. Muchas gracias a todos. el sino de todos los que estamos aquf congregados, su presencia en el Uruguay no es la de ese fantasmagorico doble aludido en sus palabras sino la suya real y personalfsima. Dire ahora, porque '1ubes, 18 de agosto de 1990. conviene destacarlo, que esa presencia estuvo de algun modo prefi gurada cuando laAcademia Nacional de Letras, en su sesion plenaria del dfa 3 de agosto de 1990, 10 propuso, conjuntamente con los chilenos Nicanor Parra y Jose Donoso, para constituir la terna de candidatos de la Corporacion para la edicion 1990 del Premio de Literatura en Lengua Castel/ana «Miguel de Cervantes». -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
Lightspeed Magazine, Issue 66 (November 2015)
TABLE OF CONTENTS Issue 66, November 2015 FROM THE EDITOR Editorial, November 2015 SCIENCE FICTION Here is My Thinking on a Situation That Affects Us All Rahul Kanakia The Pipes of Pan Brian Stableford Rock, Paper, Scissors, Love, Death Caroline M. Yoachim The Light Brigade Kameron Hurley FANTASY The Black Fairy’s Curse Karen Joy Fowler When We Were Giants Helena Bell Printable Toh EnJoe (translated by David Boyd) The Plausibility of Dragons Kenneth Schneyer NOVELLA The Least Trumps Elizabeth Hand NOVEL EXCERPTS Chimera Mira Grant NONFICTION Artist Showcase: John Brosio Henry Lien Book Reviews Sunil Patel Interview: Ernest Cline The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Rahul Kanakia Karen Joy Fowler Brian Stableford Helena Bell Caroline M. Yoachim Toh EnJoe Kameron Hurley Kenneth Schneyer Elizabeth Hand MISCELLANY Coming Attractions Upcoming Events Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2015 Lightspeed Magazine Cover by John Brosio www.lightspeedmagazine.com Editorial, November 2015 John Joseph Adams | 712 words Welcome to issue sixty-six of Lightspeed! Back in August, it was announced that both Lightspeed and our Women Destroy Science Fiction! special issue specifically had been nominated for the British Fantasy Award. (Lightspeed was nominated in the Periodicals category, while WDSF was nominated in the Anthology category.) The awards were presented October 25 at FantasyCon 2015 in Nottingham, UK, and, alas, Lightspeed did not win in the Periodicals category. But WDSF did win for Best Anthology! Huge congrats to Christie Yant and the rest of the WDSF team, and thanks to everyone who voted for, supported, or helped create WDSF! You can find the full list of winners at britishfantasysociety.org. -
The Saylor Foundation 1 Guide to Responding Study Guide for Plato's
Guide to Responding Study Guide for Plato’s The Allegory of the Cave Main Point Summary/Background: Plato’s The Allegory of the Cave is a meditation on “the essence of truth” and its paradoxical relation to human comportment. Plato uses this allegory to gradually guide readers toward a personal realization of knowledge and philosophy as the key elements for freedom and enlightenment. This fable also contains exquisite reflections on concepts such as knowledge, education, and politics. The Allegory of the Cave is one of the most famous pieces of philosophical literature and a pillar of western philosophy. To this day, it remains the best known and most critically assessed of Plato’s works. Just remember that this text is full of complex symbols and analogies, which scholars still differ as to their full meaning. Related Readings: This reading is related to the other readings in subunit 5.3 “Greek and Hellenistic Culture,” particularly to Dr. Steven Kreis’s “Greek Thought: Socrates, Plato, and Aristotle.” Remember that Plato’s The Allegory of the Cave is considered as one of the most important of Classical Greece’s literary and philosophical works; thus, this reading is of great importance to understand the entirety of Unit 5 “Classical Greece and the Hellenistic World.” Instructions: Below are excerpts from the reading and responses that serve as sample answers for the study questions. Review these answers after you have completed the study questions. Highlighting or taking notes while you read paired with later outlining and paraphrasing is an excellent method to ensure comprehension and retention of difficult material. -
Plato the ALLEGORY of the CAVE Republic, VII 514 A, 2 to 517 A, 7
Plato THE ALLEGORY OF THE CAVE Republic, VII 514 a, 2 to 517 a, 7 Translation by Thomas Sheehan THE ALLEGORY OF THE CAVE SOCRATES: Next, said I [= Socrates], compare our nature in respect of education and its lack to such an experience as this. PART ONE: SETTING THE SCENE: THE CAVE AND THE FIRE The cave SOCRATES: Imagine this: People live under the earth in a cavelike dwelling. Stretching a long way up toward the daylight is its entrance, toward which the entire cave is gathered. The people have been in this dwelling since childhood, shackled by the legs and neck..Thus they stay in the same place so that there is only one thing for them to look that: whatever they encounter in front of their faces. But because they are shackled, they are unable to turn their heads around. A fire is behind them, and there is a wall between the fire and the prisoners SOCRATES: Some light, of course, is allowed them, namely from a fire that casts its glow toward them from behind them, being above and at some distance. Between the fire and those who are shackled [i.e., behind their backs] there runs a walkway at a certain height. Imagine that a low wall has been built the length of the walkway, like the low curtain that puppeteers put up, over which they show their puppets. The images carried before the fire SOCRATES: So now imagine that all along this low wall people are carrying all sorts of things that reach up higher than the wall: statues and other carvings made of stone or wood and many other artifacts that people have made. -
"You Remind Me of the Babe with the Power": How Jim Henson Redefined the Portrayal of Young Girls in Fanastial Movies in His Film, Labyrinth
First Class: A Journal of First-Year Composition Volume 2015 Article 7 Spring 2015 "You Remind Me of the Babe With the Power": How Jim Henson Redefined the orP trayal of Young Girls in Fanastial Movies in His Film, Labyrinth Casey Reiland Follow this and additional works at: https://dsc.duq.edu/first-class Recommended Citation Reiland, C. (2015). "You Remind Me of the Babe With the Power": How Jim Henson Redefined the Portrayal of Young Girls in Fanastial Movies in His Film, Labyrinth. First Class: A Journal of First-Year Composition, 2015 (1). Retrieved from https://dsc.duq.edu/ first-class/vol2015/iss1/7 This Article is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in First Class: A Journal of First-Year Composition by an authorized editor of Duquesne Scholarship Collection. “YOU REMIND ME OF THE BABE WITH THE POWER”: HOW JIM HENSON REDEFINED THE PORTRAYAL OF YOUNG GIRLS IN FANTASTICAL MOVIES IN HIS FILM, LABYRINTH By Casey Reiland, McAnulty College of Liberal Arts Instructor: Dr. Jessica McCort When I was fourteen, I was very surprised when one day my mom picked me up from school and plopped a DVD of David Bowie in tights posing with a Muppet into my hands. “Remember this?!” She asked excitedly. I stared quizzically at the cover and noticed it was titled, Labyrinth. For a moment I was confused as to why my mother would bother buying me some strange, fantasy movie from the eighties, but suddenly, it clicked. I had grown up watching this film; in fact I had been so obsessed with it that every time we went to our local movie rental store I would beg my mom to rent it for a couple of nights. -
50% Off List Copy
! ! ! ! ! ! James M. Dourgarian, Bookman! 1595-B Third Avenue! Walnut Creek, CA 94597! (925) 935-5033! [email protected]" www.jimbooks.com! ! Any item is returnable for any reason with seven days of receipt, if prior notice is given, and! if the same item is returned in the same condition as sent.! !Purchases by California resident are subject to 8.5% sales tax.! !Postage is $4 for the first item and $1 each thereafter.! Payment in U. S. dollars only. Visa, MasterCard, Discover, and American Express accepted.! ! Items are offered at a 50% discount on the prices shown. No other discounts apply. This discount applies only to direct orders. It does not apply to orders via ABE, Biblio, the! ABAA website, or my own website, which I would encourage you to visit.! 1. Algren, Nelson. Walk On The Wild Side. Columbia, 1962, first edition thus, self- wrappers. Softcover. An original-release film pressbook, 12 pages, with advertising supplement laid in. Fine. JD5 $10.00.! 2. Allen, Woody. Side Effects. NY, Random House, 1980, first edition, dust jacket. Hardcover. Very fine. JD17 $25.00.! 3. Allison, Dorothy. Two Or Three Things I Know For Sure. NY, Dutton, August 1995, first edition, dust jacket. Hardcover. Inscribed by author to the Jack London Foundation for use in an auction fund-raiser. Very fine, unread. JD31 $30.00.! 4. Benson, Jackson J. Wallace Stegner His Life And Work. NY, Viking, 1996, first edition, slick photographic wrappers. Softcover. Advance copy, an uncorrected proof of this long-awaited biography, this was the biographer's own personal copy, so Signed by Benson. -
Program Book Is Copyright © 199 File Science Fiction Assn., Inc., P.O Isville, KY 40268-0009
Jui^O-Ikl, IW B iCmtive West -Um Louisvim -Nmikw (w Of fclJII -Cw IB. Fjiibo {jin Guffi W -UoMM Pm £ -Poca fnm flw (lUBT (imw ill. WiLU-nms Trnim Ima Watt-C / Program Book is copyright © 199 file Science Fiction Assn., Inc., P.O isville, KY 40268-0009. WWW: http://memb 5rcon. Email: [email protected] ited by Bob Roel m. All rights reserved for the con thousand copies have been prints Beechmont Press Inc., Louisville, Kentucky. Addition railable for sale for $3.00 each. Rive is a non-profit, all ■volunteer organization dedicated ti of science fiction and sf fandom. r^^NCE AGAIN, FOR THE NEXT”TO“LAST TIME, We you have any news you'd like included in the news M welcome you to RiverCon. Enjoy yourselves, letter, leave it in the container marked for it at the k. -Jrelax, revel in our shared interest—even volunteers and information desk, which is located at passion—for all things science-fictional. the west end of the hallway opposite the Mary Room. Deadline for each morning's issue is 9:00 p.m. the With only two more RiverCons to go, we want previous evening. everyone to have the best experience possible. So let us know if there's anything we can do to make Information Tables your weekend more pleasant. Please come back Representatives of some upcoming Worldcons and next year for our final celebration. future convention bidders are expected to be at tables along the hallway near the registration area. They will Badges be happy to provide you with all the information you Everyone: PLEASE WEAR YOUR RIVERCON MEM need in order to make an informed choice in site BERSHIP BADGE! Any time you are in a convention selection voting. -
Tor in Oklahoma All the Experiences That Went Into the Making of the Nation Have Been Speeded Up
Tor in Oklahoma all the experiences that went into the making of the nation have been speeded up. Here all the American traits have been intensified.The one who can interpret Oklahoma can grasp the meaning of America in the modern world." —Angie Debo, Oklahoma: Footloose and Fancy Free, 1949 Every one of these United States touts its unique place in the American Story, but few have as curious a history as Oklahoma. Its place on the continent would have predicted statehood much sooner than 1907, when Oklahoma became the 46th Star. But the federal Indian Removal Act of 1830 and the establishment of an Indian Territory would put the land on a different path, diverging from the logical progression of the white man's Manifest Destiny. csnl^afo /jeu-cr The relocated tribes were promised their new land "as long as the waters run" by U.S. treaty. The tribes would find the promise broken in the latter years of the nineteenth century when Indian Territory saw the breakup of reservations, and then in the early twentieth century when the collective tribes were denied a state of their own. Instead, the territory would join with Oklahoma Territory to form the new state. When areas of the territories were opened for settlement through land runs and lotteries, African Ameri cans came to fulfill the promise of equality, only to see the promise shattered with the establishment of Jim Crow laws. Even the "promised land" promoted during the runs and lotteries would ultimately lead to broken dreams for many Euro-Americans, who would see desperate hardship in the depression, drought, and farm crisis of the 1930s. -
Chris Van Allsburg Genre
Chris Van Allsburg, author and illustrator Author/Illustrator: Chris Van Allsburg Genre: Children's Fantasy Novel Biography: Van Allsburg He was born in Grand Rapids, MiChigan in June 18th, 1949. His seCond home was in the housing development outside of Grand Rapids that resembled the house he illustrated in Polar Express. • He attended University of MiChigan and got a degree in SCulpture. He got seleCted into the Art Program without a portfolio but beCause of his response to a Question from the university interviewer asking him what he thought about Norman RoCkwell. He, “off the Cuff” answered (QuiCkly thinking that the interviewer was a big fan of this artist) “I believe Norman RoCkwell is unfairly CritiCized for being sentimental. I think he is a wonderful painter who Captures AmeriCa's longings. AmeriCa's dreams and present AmeriCan life with the drama and sensitivity of great playwright"(22). The admission offiCer was very impressed and aCCepted Chris into the program right on the spot. • On an interview with Chris, he expressed that he always enjoyed drawing, but growing up in Grand Rapids his talent wasn’t enCouraged as muCh as sports and athletiCs was. But soon his teaChers and peers were amazed at his artistiC talent and in high sChool drew a lot for the sChool. Chris Continues to say that his drawing developed in Combination with his love for story telling through piCtures. He Created stories by asking Questions to himself “What if” and “what then”. For example, the way he Created Jumanji was asking two Questions: What if two Children were bored while at home and disCover a board game and then what would happen if the board Came alive? He won the CaldeCott Honor Medal for this book in 1980.